If gaming is a language, then franchises must be dialects. And among dialects, of course there must be regional variances. And Castlevania: Bloodlines is, unfortunately, the regional dialect of Atlantis.
Gogglebob.com: come for the videogames, stay for the extremely strained metaphors.
Castlevania: Bloodlines is a game very near and dear to my heart. Back in my younger days, I was very much a Nintendo kid, but a Sega Genesis was available to me by about the midpoint of the 16-bit console wars. And, while I owned a mere three Genesis games, my dad granted me one Sega Genesis rental every two weeks. So, about twice a month, my ADD-addled brain got to experience a brand new videogame for a few days, and that whole new experience that was sure to make me scream, “Sega!”
…. Or I just rented Castlevania: Bloodlines again.
I’ve always been a Castlevania fan, and, frankly, I’ve always been a sucker for a game that I have to “defeat”. It took me a long time to come to grips with the idea that I don’t have to “beat” or “100%” a videogame, and showing my love for a piece of art doesn’t mean I have to experience every last secret room or collectible. But back in my younger years? If there was a game that I thought was even marginally fun, and I didn’t beat it? Then what the hell was I even playing the game for!? Fish gotta swim, dogs gotta bark, Pokémon gotta track my sleep for some reason, and videogames gotta get beat, ya know? And, since Castlevania: Bloodlines was an enjoyable Castlevania game that I absolutely could not beat (on Normal difficulty), it meant that I had to retry that title over and over again until I finally conquered death itself (and Death). My young thumbs were still not developed enough to suffer through its insane final boss gauntlet, but I was going to try, dammit!
And, if I’m looking at this title with some kind of wizened hindsight, I can probably admit that the other reason I kept coming back to Castlevania: Bloodlines was that it was simply a damn good game. It features the signature measured level design of previous Castlevania titles, and, while your protagonist often feels like he is being propelled by the same force that could eventually push a snail to cross a parkway, the majority of the title feels fair and appropriately scaled to Belmont (Morris) speeds. The dual heroes of the tale are different enough to feature their own unique (and fun) moves (spear vaulting is great for vertical areas, and whip swinging is… amusing to look at), but also similar enough that we don’t wind up with an X/Zero situation where one character is that much more of an advantage. And, as always in the Castlevania series (give or take a Gameboy adventure), the music is top notch, and the creepy crawlies that haunt the European countryside are numerous and inventive. And murderous. They’re always murderous.
So it’s kind of a shame that the majority of the Castlevania loving public forgot Castlevania: Bloodlines ever existed.
Possibly more than any other franchise, Castlevania has always been a very… what’s the complete opposite of progressive?… nostalgic franchise. When Bowser got seven Koopa Kids and a brand new butt stomp for Super Mario Bros. 3, Dracula was still using his same ol’ teleport/fireball pattern for Castlevania 3. When Mega Man X completely redefined everything that Mega Man ever was, Super Castlevania IV still had Simon trudging through Drac’s dilapidated hallway o’ zombies. This isn’t to say that Castlevania has never had an original bone in its obviously an angry skeleton-based body, but Castlevania has always reveled in its past since before it escaped the gravity of the NES.
And (I’m sure you’ll be shocked to hear me say this) there is nothing wrong with a little videogame nostalgia. Particularly in the 16 and 32-bit days, it seemed like games were rapidly attempting to burn their pasts on the altar of “cool” and “new”. But it was still cool to see old mainstays like Frankenstein(‘s Monster) or Medusa show up when many contemporary titles were trying to reinvent the wheel by detonating every nearby car (literally, in the case of Grand Theft Auto III).
And, while Castlevania: Bloodlines certainly pays tribute to the Castlevanias we all loved before (“Hi, Frankenstein! Hi, Medusa!”), for a long time, it seemed like appropriate acknowledgment was not paid to Bloodlines in kind. Castlevania Symphony of the Night is the uncontested turning point of the franchise, and, as a direct sequel, it owed much of its plot and iconography to Rondo of Blood and its PC Engine/SNES origins. It also was clearly influenced by much of the imagery of Super Castlevania (that’s where Death met his buddies!), and the Reverse Castle featured the pieces of Dracula of Castlevania 2 mixed with the iconic bosses of Castlevania 1. And, while it almost seems like a footnote at this point, let’s not forget that Alucard premiered in Castlevania 3, and wound up fighting his zombified allies. Truly, Castlevania Symphony of the Night was the culmination of all console Castlevanias that came before, and paid homage to all of those titles in fun and inventive ways.
Except Bloodlines. Nobody cared about Castlevania: Bloodlines.
And, unfortunately, this created a sort of ripple effect in the fandom. While Symphony of the Night encouraged visiting old titles to see first appearances of Slogra & Gaibon, Phantom Bat, or Grant DangheNasty, there was no such drive for Bloodlines. And when future titles decided to bring back more past friends and foes, we saw Skull Knight of Castlevania 3, not Mecha Knight of Bloodlines. And when we finally saw some significant references to Bloodlines in Portrait of Ruin, it was to let us know that both of Bloodlines’ protagonists died inglorious deaths, and Eric’s lance would only return as an accessory for a ghost. A whole Castlevania game was lost, and when the entire experience was lost and forgotten from the virtual consoles and collections that accompanied the new digital era, nobody batted an eye. You could download Super Castlevania, Castlevania: Dracula X, and even Castlevania Rondo of Blood, but Bloodlines was wholly absent. And there were no conversations about the title, because, frankly, who cared? We got all the good Castlevanias, right? If Bloodlines was any good, it would be referenced heavily like those other titles. Symphony of the Night was the pinnacle. IGA wouldn’t steer us wrong.
But a miracle happened just recently. Castlevania: Bloodlines was released as part of the excellent Castlevania Anniversary Collection. Now, Bloodlines is able to stand tall next to its early Castlevania console brethren. Now, people are talking about Bloodlines, and many of them are talking about it for the first time. And they like it! They really, really like it! Because it’s a good game, and always has been! After a 25 year banishment from the gaming consciousness, Bloodlines has returned, and people are again speaking the language of magical lances and Gear Steamers. Bloodlines can once again take its proper place in the Castlevania pantheon, and rest easy knowing that now more people have seen its horrible Dracula and his disturbing crotch face.
Ultimately, I find this success story to be the best way to conclude this Game Preservation Week (“Week”). None of these games that have been discussed have to be gone forever. Like Castlevania: Bloodlines, we’re always just one collection or digital release (or mini console, apparently) from a title returning to the gaming consciousness. And let’s see some solid videogame archiving in the future, so another game isn’t lost to decades again. The future of gaming may be streaming, but let’s remember our past, our dead languages, and see how they can make our future better.
And then let’s whip some skeletons but good.
FGC #433 Castlevania: Bloodlines
- System: Sega Genesis. And now available for Playstation 4, Nintendo Switch, Xbox One, and Steam via the Castlevania Anniversary Collection. Sweet!
- Number of Players: Two choices, but only one player. We’d have to wait for another forgotten Castlevania title to see some multiplayer Castlevania.
- Goggle Bob Fact: I rented Bloodlines from the local rental place so much, I eventually bought the cartridge when they were liquidating some of their “old” stock. That makes Bloodlines my fourth or fifth owned Sega Genesis game (the real money went to my beloved SNES).
- Out of the Castle: Bloodlines follows John ‘n Eric as they battle around some of the more interesting mystical spots in Europe, like Atlantis or Pisa (?). This leads to some more interesting venues for our hunters to traverse, and maybe an excuse to battle a minotaur or two. And you get to fight World War I German war skeletons. That is so close to whipping undead Nazis!
- Favorite Character: I lied earlier. Eric LeCarde makes this trip through Europe so much more manageable. His additional reach is a godsend, and the ability to vault straight into the skies… isn’t all the useful, actually, but it’s fun in exactly one room at Varsailles. Oh! And he has beautiful girl hair! I don’t see how that helps vampire slaying, but it certainly doesn’t hurt.
- A Little History: The big deal of Bloodlines is that it tries to tie the Castlevania mythos to Bram Stoker’s Dracula by claiming the vampire slayer Qunicey Morris (and thus his son and grandson) was actually a Belmont descendant. Who cares? What’s important is that Bloodlines seems to imply that Elizabeth Bartley started World War I as a cover for resurrecting Dracula. Now that’s something they don’t cover in history books!
- Did you know? The Princess of Moss, the boss of The Versailles Palace stage, is a monster moth initially disguised as a woman. And that woman is apparently supposed to be Marie Antoinette, famous queen and cake-eater. Now, this is not to say that it is official Castlevania canon that Marie Antoinette was some manner of undead, immortal insect creature… but the opportunity is open for future Castlevania titles.
- Would I play again: Now that I have it permanently loaded onto my portable Nintendo Switch? You’re damn skippy I’m going to play it again!
What’s next? Random ROB is back in action and has chosen… The Legend of Zelda 2: The Adventure of Link! Are you sure that isn’t an Error, ROB? Oh well. Please look forward to it!