The best beat ‘em ups are dumb as hell.
While Gogglebob.com is still officially claiming that any and all articles appearing within the Fustian Gaming Challenge are randomly chosen (“random” can mean a lot!), today’s article is obviously inspired by the glut of excellent Teenage Mutant Ninja Turtle gaming that has been released within the last year. A whole new turtle experience (but primarily based on the 80’s cartoon), Teenage Mutant Ninja Turtles: Shredder’s Revenge, was released in June of 2022. Then, a whole two (or so) months later, we were graced with Teenage Mutant Ninja Turtles: The Cowabunga Collection, which collected seemingly every turtle game from the early days of the Nintendo versus Sega console wars (though the lack of Tiger Handheld titles was obviously a glaring omission). While this collection does include a few titles that are outside the beat ‘em up genre, the focus here are the arcade and console games that showcase ninja walking left to right and incessantly detonating foot soldiers. Many of these titles have been played and covered on this site before, but now having all the arcade, NES, SNES, and Genesis turtle beat ‘em ups immediately available and just a swipe away from each other? Amazing! I’m going to spend the next week finding all the stupid ways you can fight Krang!
And, having devoured all these titles in rapid succession, one simple truth emerges: all of these games are really good! Some are better than others, some are more memorable than others, and every single one includes a fight against Shredder that borders on unfair; but they are all a good time from beginning to end. It would be easy to simply reward infinite bonus points to these titles for practically defining the genre for a generation, but even the original Teenage Mutant Ninja Turtles (Arcade) is still fun throughout, and does not need a corollary “oh we owe this so much” like some progenitors of genres. Pick a Teenage Mutant Ninja Turtle beat ‘em up, any Teenage Mutant Ninja Turtle beat ‘em up released or rereleased in 2022, and you are guaranteed to enjoy yourself.
And that’s… kind of weird, right? Maybe it’s the nostalgia talking? No, TMNT: Shredder’s Revenge was a whole new experience. Maybe it’s a love of classic turtles? No, if I’m being honest, I would like to see nearly any other incarnation of these hero turtles included in a beat ‘em up. Is it because the beat ‘em up genre has languished for so long? No, that may have been true a decade or so back, but with everything from new Streets of Rage to Ninja Warriors, we are living in a neo golden age of beat ‘em ups. The humble beat ‘em up is soaring to the heavens! On an elevator where you have to beat everybody up! So why is a game from before we even hit the 90’s still so good?
Simple answer, stupid: it’s because it’s stupid.
There is not much to a beat ‘em up game. You walk down pathways that are so straightforward, it is literally impossible to get lost. There is no such thing as needing a map for a beat ‘em up. And speaking of strategy, 90% of your opponents in a beat ‘em up require just as much thinking as jabbing your index finger down. Oh no! Seventeen foot soldiers! I wonder if jump kicking over and over will stop them? And, while the generals are generally more complicated than their foot soldiers (oh… I just got that), they are still little more than the same mooks with extra steps. Double the health, and maybe there’s a laser gun, but no extra brains are available. In fact, “no extra brains” seems to be the name of the game here, as a brainless five-year-old could conquer any of these games. And I should know! I used to be that brainless five-year-old! I had a whole lot of quarters, but no sense!
And that is the point. Are any of the TMNT titles truly “brainless”? Absolutely not. These are carefully crafted games designed to seem brainless. Anyone that ever tried a one-credit run of these titles will tell you that Rocksteady has tremendously more nuance to his charges, foot soldiers of all different colors have dramatically distinct attack patterns, and there is a way to make Shredder keel without ever eating a mutagen beam. There is a rhythm here, a carefully calculated method to the madness that, like the best movies or music, makes it all look easy. And that’s the point! The games are not brainless, but you are supposed to be brainless, because if you’re not thinking, you’re not thinking about how many tokens you’re dropping in there. Baxter Stockman just knocked you flat? Dang! You almost had ‘em! Better drop another quarter, dollar, or however much money it takes to lay that scientist-fly flat. 90% of 90’s beat ‘em ups are perfectly calibrated to drain 90% of your wallet without you even noticing 90% of the time.
And, brother, if you got friends around the arcade cabinet with you sharing the experience? Encouraging you to keep going, and support the team with more of your hard-earned (or grandpa provided) dough? Oh, you’re going to be there until the end. Welcome to the cult of the beat ‘em up, please follow the Konami scripture.
And if you’re wondering why it took so long for beat ‘em ups to find their footing in the modern era, simply consider how much this business model gameplay does not work with an at-home experience. The comradery of crowding around a cabinet is completely absent from online play, and paying once for a DLC title is not nearly the same as paying for a game a quarter at a time. Once you drop the essential trappings of the genre (and arguably their entire point for existence), you’ve got dumb gameplay that serves… nothing. Videogames are supposed to make you feel smart! Every puzzle you unravel in a game (whether it be in Candy Crush or Phoenix Wright) is designed to be resolved and tickle your brain in the right ways so you believe you are better for having solved the mystery. Every JRPG that challenges you to master its “system” is another exercise in making you feel sharper than a +1 vorpal blade. And those “skill trees” and bosses with weaknesses in action games are there to commend you for making the brilliant deduction that the fire move will hurt the ice monster. Achievement unlocked: you are a super player. Playing a game that is naturally “stupid” is the antithesis of that, and why would you bother playing such a thing when other games that properly massage your endorphins are immediately available?
Well, because you recognize Tokka, Rahzar, and Tempestra.
These games are good and stupid. And when you’re feeling stupid, a decent shot of nostalgia will keep things going.
And I’d love to list more reasons to play these games, but I just played a lot of turtle beat ‘em ups, and everything is kind of… fuzzy for some reason…
Me am like beat ‘em ups. Play more. Cowabunga.
FGC #645 Teenage Mutant Ninja Turtles: Shredder’s Revenge
- System: Nintendo Switch, Playstation 4, Xbox One, and PC/Steam. Make sure you choose the system that all your friends own!
- Number of players: Six! And it is super fun when you get everyone together and working against Shredder’s forces. In fact…
- Watch it, Buddy: All sorts of turtle stuff happened on Even Worse Streams. We all played Shredder’s Revenge, and we… kinda played the Arcade collection. There were some technical issues! You may watch ‘em below.
Original Stream Date: June 21, 2022
Original Stream Date: August 30, 2022
Original Stream Date: September 6, 2022The collection episode doesn’t really have any beat ‘em ups in there, but there wasn’t a place for it elsewhere on the site…
- Favorite Turtle: You may notice that I played as Donatello in every one of those streams. This is by design.
Favorite Boss: Dirtbag and Groundchuck are the price cut, bargain bin version of Bebop and Rocksteady, and I am a man that likes his discounts. I always appreciate the duo bosses in beat ‘em ups, because it makes for a fine counter to playing with a buddy, and an excellent excuse to strategize with your partner(s). Oh, and Groundchuck is some manner of cyborg bull. That gets bonus points, too.- Favorite Boss (Tournament Edition): Anytime Wingnut appears, you are going to have a good time. I have adored that action figure for years (it’s so weirdly gross!), so I am glad to see this Batman get a spot as an aerial opponent.
- Goggle Bob Fact: Speaking of toys, I noted on the Shredder’s Revenge stream that I had the Knuckle Head vehicle as a kid. And here’s proof!
A new toy and a new dinosaur friend! Best Christmas ever!
- Let’s talk about another game: For possibly the first time since I was twelve, I played through Teenage Mutant Ninja Turtles: The Hyperstone Heist as part of the collection. While it is the official Konami beat ‘em up for Sega Genesis, it is weird how much it feels like a fan romhack of Turtles in Time. Areas are repurposed haphazardly (I guess there’s just a pirate ship in the sewers now?), the one original boss is from the movie and has extremely limited animations, and an entire level is a boss rush (in a game with, like, five bosses). It’s still a fun game from start to finish, though! It is a good romhack.
- Did you know? The Punk Frogs appear in Shredder’s Revenge as helper characters. Attila, Genghis, Napoleon Bonafrog, and Rasputin apparently made a lasting impression on the fandom… despite only appearing in six episodes of the original series. Irma, another helper character, appeared in, like, a million episodes. Regardless, what is important is that they are known as the “Punk” frogs, but they are clearly surfer dudes. Know your genres!
- Would I play again: Anytime I need some good, stupid fun, I know the heroes on a half shell to call.
What’s next? Random ROB has chosen… Killer Instinct for the Xbox One! Is Fulgore still full of gore? Let’s find out! Please look forward to it!
Okay, that was impressive
Videogames are complicated, complex creations. Miss one goddamn thing in there, and the whole thing can fall apart.
And Pocky & Rocky Reshrined continues this tradition with aplomb. Is it cute? Listen, bub, you’ve got a playable raccoon and a shrine maiden cosplaying as a fox yōkai (or maybe it is technically a fox yōkai cosplaying as a shrine maiden? Whatever!). There is the signature turn into darkness as our protagonists travel through time to burning villages with disturbingly buff versions of ancient gods, and the challenge is continually buff-god worthy. Unfortunately, the game seems to follow a reverse difficulty curve, as your health and abilities expand dramatically as the game progresses. While there is not a single level or boss that is a pushover, it does seem like the earlier areas are a lot more difficult to conquer with your meager opening offerings. Regardless, even that is arguably Pocky & Rocky to a T, so there is very little to complain about in this remake-y sequel.
Which brings us to the actual make or break of Pocky & Rocky Reshrined. Possibly the worst thing your humble author did to P&RR is play 
But that doesn’t stop it from feeling lacking in comparison. It may be deliberate, but it still feels like something has been lost, and that other, contemporary games are better for having such a feature. In short, it feels like, thanks to one missing piece, the whole thing falls apart.
Favorite Character: The goddess Ame no Uzume can float over pits, but her “bullets” are a little too spaced out for my liking. So maybe this is the Stockholm syndrome talking, but Hotaru Gozen, the samurai lady that requires beating the game twice to unlock, is probably my favorite pick. She turns a shooter into something more like… well… I don’t know what genre this is supposed to be, but she does have to get up close and personal with all opponents. It’s like playing as 
Did you know? The original Pocky & Rocky featured a harpy that marginally looked like a naked lady. The American/European version put that harpy in some armor, conferred it a beak, and turned the whole thing into an angry bird. I understand granting her protection against (feathered) nudity, but why go full bird? Not like this is 
I appreciate Elden Ring, because, more than any game I have ever played, it perfectly encapsulates how it feels to be a tourist.
But I have never cared about any of that. Of course I find FromSoftware games challenging! But I also find 
Now, this is something of an interesting issue. Traditionally, if I enjoy a videogame, I try to wring about as much enjoyment out of it as possible. While this does not always lead to a “platinum trophy” style “do everything” event, it does usually mean I have seen what I consider to be “everything”. For instance, I might not need that 100% of the map filled achievement, but I want to feel like I have spoken to every NPC, and completed every relevant questline. I won’t be finishing the 
and I guarantee you I will find some way to wander off the beaten trail. This is why 
Look, I come from 
Then why keep playing? Because there is joy in exploring. There is happiness in being that tourist who is “just visiting”, but can savor an appealing view. In a game where there are clear and omnipresent goals, everyone has the same experience. In a game where anything can happen, people can have exceptionally different encounters. Families have been visiting “tourist traps” for years, but no two people are guaranteed to have had the same experience. Climb to the top of the pyramids, and you might not enjoy it as much as another person nearby munching on a gyro from the Queen of the Nile food truck. In a world where there are not guides, where there is nothing telling you where you “have to be”, you can be a true wandering tourist. And that can be more fun than any kind of “scripted” experience. I do not need to know the name of the freaky dude riding a tiny horse and summoning meteors any more than I “need” to know the name of the guy who painted that mural I loved. I am a tourist right now, and I can enjoy enjoying without having to know everything.
Number of players: There are thousands of people posting all over the place and occasionally showing up to murder your avatar, but it is an otherwise solitary experience.
Did you know? You can tell you are in a FromSoftware world if you cannot conceive of a character complimenting another character’s butt. Elden Ring? Bloodborne? Dark Souls? Name a single speaking NPC in any of those universes that would look at a badonkadonk and be like “You got a great pooper right there”. You can’t. It is impossible.
Here is my idea for the perfect action game: just make 100% of a game based on 10% of God of War 3.
So three years later, the Playstation 3 granted us the conclusion to the Kratos(-is-super-angry) Trilogy. One thing was certain: Kratos was going to fight a lot of gods, and get all sorts of revenge on Zeus. But the in-between could be virtually anything! The God of War titles were never real time strategy games, so how would the multiple assaulting titans be handled? Would Kratos separate from them immediately? Would there be “titan-based gameplay” like what was seen in Shadow of the Colossus? Would Kratos be thrown to entirely new locales by the fury of war? Would you have the ability to summon titans to at least marginally aid in your dirty work? The possibilities were endless!
God of War 3 does pick up exactly where God of War 2 left off. Kratos is literally standing on the shoulders of giants, and he is about to have a big, grand adventure assaulting all of Mount Olympus. And the trick of what happens next? It never stops. Kratos weaves his way in and out of the titans’ assault, and there is not a single moment when the screen is not shaking from a war that will ultimately shatter everything. This is still the beginning of a modern videogame, though, so there are plenty of tutorials, and the narration does seem to assume the player has never so much as pressed an X button before. But even if there are disembodied instructions for how to run following everywhere Kratos cares to go, Kratos is going places. An epic battle is raging, and Kratos is wiping the floor with the legions of heavenly warriors, monsters, and one entire god (on watery crab-horseback!). There is the prerequisite “learn how to push things” block puzzle in there, but it is snappy enough that Kratos can learn how to coddle cubes and get back to the battle in short order. And other than that? It is all battle, all the way, with Kratos utilizing all his end-game abilities from God of War 2 to cut a bloody swath across the area. And even though it feels like the war is never ending, there are still moments in there to introduce important items like save points, the Chains of Olympus, and a few glimpses of areas that will be visited much later in the game.
Upon defeating Poseidon and officially ending the prologue, Kratos falls from Olympus down to Hades. Once there, he accidentally bathes in the River Lethe, loses 90% of the acquired abilities of GoW2, and 100% of health and magic powerups. Oh, and since there is a river involved, Kratos has to swim, which is the most boring thing Kratos ever does in his opening trilogy (leaving some wiggle room here in case Dad of War ever makes swimming fun). From there, you are back to normal God of War “action”. Sure, there are epic battles again (sometimes against Titans, for a change), but it is all very… interruptible. Clear out some ghouls, and it is time to use your red orbs to power the weapon of your choice. Earn a new tool, and then you have to do a tutorial puzzle at the speed of snail to “learn” your new ability, and then perform another two puzzles just to prove you really know what you are doing with your new skill of “can run faster”. Beat a boss, and there is an inevitable refractory period where damn near nothing happens for like three screens (and maybe there is more swimming!).
So here’s my ideal action game: just focus on that intro. Drop the leveling. Drop the pressing against every wall to find hidden health powerups. Drop any puzzle that cannot be solved outside of thirty seconds. Drop the tutorials for every new thing that comes along. Absolutely do not give a player time to “get used to” a new skill: just drop it in there, and if Kratos dies while trying to figure it out, let ‘em die. Keep the pace. Keep Kratos running, jumping, and swinging his chains around like a madman. Do not let the poor, undead godling breathe. Speed never had a twenty-minute intermission where Keanu Reeves had to navigate a skill tree, and Crank never had Jason Statham solve a crossword puzzle for a half hour. This is an action game, dammit, give me some action.
Favorite Weapon: The Nemesis Whip is all sparkly and green, so why would you need anything more? Truth be told, I just like it because it feels like typical “Kratos whip blades” gameplay, but is just different enough to distinguish itself from the previous two games of swinging around the same stuff. Conversely, the Nemean Cestus feels appropriately bulky, but is too much of a departure from the reason I’m playing the game in the first place. You can punch out bad guys in any other game…
Stuff to do: There are a surprisingly high number of ridiculous minigames in this serious game about serious people. There is a “flying” section that seems like it would be more at home in 