Look, I’ve had a few “rules” for this project from the very beginning. One of those rules is that I not exclusively focus on the big, obvious titles. Stretch Panic needs love, too, and we don’t have to spend all day talking about Super Mario Bros. 3 and its infernal hopping shoes. This is basic stuff, people, and, while I feel I need to address a few games before I wrap up this blog around post #655 or so (less than a hundred to go! I’m sticking to that! Probably!), I am doing my best to not make this blog an endless parade of Final Fantasy titles. There is still time for the likes of Mappy Land!
But, my good dudes, I have a confession to make: I can’t stop posting about Castlevania games. I’m sorry, but they are so… what are the words I’m looking for here… They are so simultaneously rigidly defined, yet variable. There are always the same basic pieces in play, but there are so many ways those components can be arranged that you get a different game every time. Sometimes there is a single castle, sometimes that castle gets flipped upside down, and sometimes you are just stalking around the countryside looking for ribs. You’ve got options! And combine that with gameplay that is similarly “familiar, but different”, and you have a franchise that could prompt this humble blogger to write literally volumes.
So imagine my relief when the gods gifted me two Castlevania games that weren’t really Castlevania games. I don’t have to reset the “days since a Castlevania post” sign now! Hooray!
Let’s start with the Not-Castlevania game that is the most Castlevania: Bloodstained: Ritual of the Night Classic Mode.
First of all, it is known that this blog has previously based entire articles around DLC expansions. So let us be clear here: Bloodstained: Ritual of the Night Classic Mode is not an expansion. It is not bonus content. It is an entire game. Why is it so easy to plainly state that? Because B:RotNCM is exactly the length of Castlevania (1). It is by definition a complete game because it apes a complete game in unmistakable ways. There are 5.5 stages with six bosses. It is a complete journey through one (1) haunted mansion, and contains grinding gears, underground waterways, and a surprisingly survivable fall from a tower. There is an axe-bone, shard-stop watch, cross-boomerang, and dagger-uhhh-dagger. This is Castlevania to a C, and, if your only memories of Castlevania exist within a fog that can accumulate over a few years, you would be forgiven for believing this is little more than a remake with HD graphics (and maybe a few serial numbers filed off the Medusa Heads).
But, like a good Castlevania title, the devil’s in the details (vampire’s in the variables?). While Miriam may initially appear to be as limited as the strong-but-crotchety Simon Belmont, actually playing with your protagonist reveals that she has all the finesse of the much more acrobatic Richter Belmont. And that’s kind of amazing! Bloodstained: Classic Mode effectively marries the energetic options of Castlevania’s final “level-based” 2-D hero with the general, measured layouts of the franchise’s premiere. This creates the unrivaled experience of producing a Castlevania game that has a laser-focused path to victory (no branching rivers in this Castlevania adventure) but with a heroine that can afford to backflip away from an encroaching flea-monkey. And when you start finding the “secret” ways to use Miriam’s entire arsenal…
Well, who needs Grant when you’re a one woman army of super powers? Bloodstained: Ritual of the Night Classic Mode initially gives the impression of a nostalgic rehash of things that came before, but is its own experience in all the right ways.
And, speaking of surprisingly innovative titles, there’s Wallachia Reign of Dracula, another game that follows a warrior woman fighting a castle lord through a very different path.
The bestiary has defined Castlevania practically from its inception. You fight Dracula, obviously, but on your way through his humble abode you also battle a Greek Gorgon, a bat of unusual size, Egyptian pharaohs, and Frankenstein(‘s monster buddy, Flea Man). In later games, Dracula’s menagerie would expand to include elder gods, headless pirates, and an arguably extraneous number of succubi. You could imagine an entire tale about where Dracula found all those malcontents! Bloodstained, Classic Mode or no, followed this template while swapping gorgons for dullahans, but still retained much of the (public domain) cast of characters. The message is clear: If you’re going to fight Dracula/a reasonable simulacrum of a nefarious count, you’re going to have to put your weapon of choice through more than a few zombies.
Wallachia Reign of Dracula poses a different question: what if Vlad III Dracula aka Vlad the Impaler was just, ya know, a dude that liked impaling?
Elcin is a woman that had a seriously bad Tuesday when Vlad invaded her hometown, kidnapped her brother, and killed her parents. Elcin vowed revenge, and took up a bow and sword to track down her tormentor and kick his ass straight off his throne. But Vlad isn’t going to take this insurrection lying down, so he sicks his entire army on the poor woman. And that army? Well, there are a lot of soldiers. Some of the soldiers are abnormally tall, and a couple of ‘em have horses. There are also some really agile dudes that flip around with deadly claws. Oh! And there are a few dogs, hawks, and bears, too. Other than that? Sorry, this Vlad is entirely mundane, so there isn’t a reanimated skeleton to be seen. There are plenty of corpses, as Vlad is still just wild about impaling, but those carcasses aren’t going anywhere. There is horror for Elcin to encounter, but those horrors are no more fantastic than a visit to a funeral home (well, at least a funeral home in a remarkably bad neighborhood).
But a mundane world does not mean Elcin is trapped in a boring game. Wallachia Reign of Dracula publicly advertises that it is a retro title in the vein of Castlevania, but it is much closer to an old-school “arcade action” arcade title like Magic Sword or Willow. And that’s pretty great, as that whole genre seems to have fallen by the wayside as retro titles continue to revisit the likes of Mega Man or Final Fight. The concept of occasionally jumping over obstacles but mostly wholesale murdering a pile of anonymous grunts with long range weapons needs love, too! And you’ve got a sword that works more like a shield for incoming projectiles, too, so there is more nuance here than “grab a turbo controller and let those unlimited arrows fly”.
In fact, it is somewhere in that meticulous combat that Wallachia Reign of Dracula feels the most like a Castlevania title. Even when there aren’t werewolves stalking about, there is still pressure around every corner, and the most important decisions you ever make are regarding threat control. You can take the time to stop, aim, and shoot at that solider that is pacing back and forth on that platform, or you can ignore him, and hope he doesn’t shoot back. Choose your own adventure! And, while such a choice may seem simple in and of itself (how long will it take you to aim? A second? That’s time that could be spent jumping!), the real challenge starts when there are moving platforms, flaming catapults, and an entire tank bearing down on your heroine. Now what do you do? Now what do you prioritize? Make your choices fast, because you’ll be dead on the ground if you can’t reach the verdict. But don’t worry, you do have a few extra lives before the next continue, so if you choose wrong, at least you can see how it might have been if you had just used a charge arrow on that bear instead of relying on rapid fire. Soon, you’ll be reflexively sniping down murderous hawks with ease, but when you first encounter these challenges, there is much to consider before making your (possibly fatal) move.
And this is the true essence of Castlevania. There may be a thousand variables in a Belmont adventure, but, in the end, it’s about choice. It’s about situations where you can go left or right, and, head’s up, right is going to get you killed. In the “old school” games, like Bloodstained: Ritual of the Night Classic Mode or Wallachia Reign of Dracula, these choices are generally about monster management. Do you really want to waste your hearts chucking axes at a bone dragon, or do you trudge up those stairs while it is still tossing fire all over the place? In the “Metroidvania” titles, these choices are generally less deadly, but choosing to explore a random nook or cranny may reward (or punish) your protagonist in a myriad of ways. Castlevania is about choice, and games that truly carry on the spirit of Castlevania know that. Both of these featured games know that secret of Castlevania, even if they choose different paths to teach that lesson.
… And, man, I’m going to have a hard time claiming this article wasn’t about Castlevania…
FGC #563 Bloodstained: Ritual of the Night Classic Mode
System: Wherever Bloodstaineds are sold. Playstation 4, Xbox One, Steam, and Nintendo Switch all seem like viable options.- Number of players: Miriam can’t even bring along an old lady shouting for blood on this solitary journey.
- Hey, wasn’t there another Bloodstained “classic mode”? Yes, but that experience is much more of… how to put this… a modern interpretation of retro. Bloodstained: Curse of the Moon is a game that very dedicatedly included new and interesting features that would never have been possible in an OG Castlevania. And, complete with the sequel introducing a dog mech, the whole thing is a lot closer to a Mega Man X / Zero title, anyway. It can’t be “classic” if your hero spins around in the air with a sword twirling in an endless circle.
- What about Ninja Gaiden? Oh, screw (attack) you.
- Favorite Boss: I appreciate that the Mummy du jour is replaced with a pair of doppelgangers. I generally welcome the ways the bosses have been adapted to their “modern” forms, but far too many of them seemed too… familiar. At least the doppelgangers weren’t instantly recognizable exclusively for their obvious connections to the past… even if they are equally weak to “holy water”.
- Did you know? My solemn belief is that there is no way that Dullahan boss wasn’t also a reference to that wannabe Terminator from Contra 3.
Would I play again: This is a difficult choice! Like, I very much enjoy Classic Mode, but it is also just close enough to other experiences so as to feel… unnecessary? Basically, I have the capability to play Castlevania (1) again, and I don’t do that often, because I usually play the later Castlevania titles. And, in a similar manner, I think I would play Curse of the Moon 2 again before Classic Mode, simply because I like its gameplay options. Will I ever play Classic Mode again? Probably, but it would be as more of a curiosity in a few years than the feeling that I really need to play the game again. And Bloodstained keeps producing other great expansion content, too…
FGC #563 Wallachia Reign of Dracula
System: Nintendo Switch ‘n Steam seems to be the answer here. Maybe it will see other systems, but hopping on Switch is enough for me.- Number of Players: You’re doing this one alone.
- Favorite Opponent: You cannot go wrong with fighting bears. They’re so… bears.
- More Power: “Subweapons” seem to be split into categories. There are special arrows that appear in specifically limited quantities (similar to the items of Teenage Mutant Ninja Turtles), and there are helper characters that are powered by collectable orbs (like the old days of Castlevania hearts). On the plus side, the ally abilities are pretty damn powerful, and can absolutely demolish a boss or two. On the other hand, there were occasions where I traipsed through an entire level and never gained enough orbs to use one of those attacks once. I like a screen-clearing attack as much as the next guy, but this seems like it could have been balanced better.
- More connections: WRoD and Bloodstained are connected in more ways than their obvious influence. For one thing, Elcin can earn Miriam’s default outfit from Bloodstained (but, unfortunately, she doesn’t get to meet a murder barber that can change her hairstyle). Also, both WRoD and B:RotN Classic Mode limit the ability to see the entire game if you play on Easy Mode. This is universally a dick move, and I don’t care who hears that.
Did you know? There are two distinct places in this game where a mysterious “fog” is piped into a room, and then “supernatural” things happen, like Vlad’s bride becoming a succubus, or a dragon statue breathing fire. This is a pretty unique way to sneak something more fantastic into a game that is very grounded, and I encourage more videogame protagonists to get super high while battling evil. Yoshi was cool with it.- Would I play again: Probably yes. This is a fun “arcade” style game, so I’m probably going to stick another quarter in there in the future. The first few levels are very smooth, so I could see playing them while waiting for my latest Switch purchase to download.
What’s next? Random ROB has chosen… Kirby Super Star for the SNES! Speaking of franchises I can never stop talking about, here’s Kirby! Six times! Please look forward to it!
The Mega Man franchise has become vaguely unwieldy. A simple game about running, jumping, and shooting at robots has quickly become a franchise juggernaut that now contains thirty years’ worth of titles spanning multiple genres, systems, and epochs. If you want the whole of the Mega Man experience, you need multiple consoles, hundreds of games, and maybe even some time to watch an anime or two. 
First and foremost, Mega Man Network Transmission was designed as a retro title that harkened back to the gameplay of 
The big draw of the Mega Man Battle Network franchise (aside from stupid, sexy Dr. Regal) has always been its unique battle gameplay. To quickly summarize what is ultimately a very complicated system, it’s basically a card game, but including action movement, and sometimes the cards have letters that allow you to use multiple cards at once, and I think there are “classes” involved, and sometimes they combine into an “advanced” version, but only if you have the right cards, and you can only get cards from fighting viruses, or maybe by playing a lottery, and if you don’t have any cards, then you can still attack with a basic laser, but that doesn’t have an element, except maybe if you used a class change to be a different color Mega Man, but you can’t switch that during battles, and wood beats electricity. See? It’s simple!
Mega Man Network Transmission is supposed to harken back to the good ol’ days of Classic Mega Man, but there is a significant dosage of RNA here, too. For one thing, there’s the plot, and it features the Zero Virus. That sound familiar? Yes, our favorite Wily reploid is now a literal virus that is attempting to cause netnavis to go maverick. And, as one might expect, Zero starts off as the obvious antagonist, but transforms into a helpful dude over the course of the adventure. He might not have as much luxurious girl hair as in his other appearances, but it’s pretty clear that the guest star du jour is straight out of 
The number one complaint about Mega Man Network Transmission? It’s too hard. In some ways, this complaint was completely valid, as it was a huge pain to restart entire levels because you got wrecked by a bad boss matchup. Sure, that had always been the way a Mega Man game played anyway, but this was coming off a franchise that allowed for saving anywhere, and a population that had gotten used to Mega Man containing save states. A “back to basics” approach also invited a “back to difficult” style that a lot of 2003’s audience wasn’t expecting.
Mega Man has had a number of animated tie-ins through the years. There was that Ruby-Spears nonsense, the anime about saving Christmas, and (particularly relevant to this article) an entire anime based on the Mega Man Battle Network series. It was popular. It was so popular, it rivaled Yu-Gi-Oh for number of stupid card-based plastic wads that were released through tie-in merchandise. And, even better than Yu-Gi-Oh, you actually cared about the characters, so buying action figures was not off the table. Stick that Bass/Forte figure on your desk with pride, young one, as any digital personal assistant that wears a cloak has to be badass.
Mega Man Network Transmission, for one reason or another, was not received well. According to reviewers it was too difficult, too cartoony, and/or too different to survive. Or maybe it wasn’t different enough to be its own thing? Regardless of the reason, MMNT never saw a direct sequel to its distinct kind of gameplay, and the franchise moved on, never taking the time to look back at what might have been in the parallel universe where Mega Man Network Transmission was popular.
Cold Hard Cash: If you want to even stretch it a little further, the frequent zenny coins scattered around the levels are very similar to how screws were used to tempt players in the Gameboy classic Mega Man titles (
Would I play again: If I was stuck on a desert island, and could only play one (non-compilation) Mega Man title, I would choose this one to get my Mega fix. That said, it is by no means the best Mega Man game, nor is it the most accessible, so the odds of me actually playing it again are slim. But maybe if Capcom deigns to release it again, it could happen…
Has it ever been good enough to be just, ya know, good enough?
Square definitely had an “experimental period” around the late 90s. Mind you, it really was not all that different from Square’s earlier output of Final Fantasy games right alongside “weird” games like Live a Live or Front Mission. But by 1997, everyone was looking to Square when it struck it rich with 
Look, Square didn’t become famous because they created Mario, Sonic, or Mike Haggar. Square gameplay was and is always going to be associated with one major thing: dudes with swords using those swords in complicated ways. Final Fantasy was never a game that stood by the standard “A is jump” mantra of many NES titles, it was a game where you had to cycle through three different menus just to get your little red dude to swing his sword at anything more substantial than thin air. From there, not only did the method to make your wee swordsman to swing said sword get more complicated (what the hell is a “Runic”!?) but the worlds surrounding our fantasy armies became significantly more complicated, too. Where once we just kind of accepted that there might be a space station still floating around the relics of a lost civilization, now we had to have fictions that told long, intricate stories about these capital-A “Ancients” and how modern scientists were still trying to mate them with Pokémon for some reason. Where once your hero didn’t have a name, now not only did they have names, families, and complicated motivations, they also had identity crises wherein they debated the true nature of being loved. By the time Square got around to smooshing all 
And, don’t worry, Einhänder contains a plot that could reasonably be described as complicated for its time. While this is not on the same echelon as Chrono Trigger and other contemporaries pushing the boundaries of what could be in a videogame story, this is still nowhere near “princess captured, rescue princess”. Your Einhänder is piloted by an anonymous pilot that thinks they’re just doing some basic military maneuvers for the glory of their planet/celestial body/whatever, but, in a shocking turn of events, it turns out that this soldier (and all soldiers like them) is a lot closer to being on a suicide mission than anything that could ever be survivable. And that’s bad, apparently! In the end, your unknown Einhänder pilot learns the truth, rebels in pretty straightforward ways, and ends all war forever or something through sheer survivability, and we all learn a valuable lesson about reading the fine print on any potentially earned medals.
And is that good enough? This is the best shoot ‘em up of a console generation from a time when its parent company could have greenlit practically anything (“You want 
Favorite Ship: Screw the unlockable bonus ships, I’ll take the simplicity of the Einhänder MK III any day. I like my one-handed spaceships like I like my coffee: straight, to the point, and capable of demolishing entire armies.
Did you know? There was a strategy guide for Einhänder published in Japan. I realize this was the heyday of guide books, but I would never consider needing one for a shoot ‘em up. I’m assuming it was just a few maps, some random lore/art, and every other page simply stating “practice until your thumbs fall off”. That’s a good strategy.
Namco, you screwed up. You chose the wrong company mascot.
Let’s start with an obvious advantage: Mappy is vaguely human shaped (eat it, puck man). He’s also a cartoon mouse. Those things are 
After the success of the arcade-based Mappy, Namco(t) did its best to adapt that clever mouse gameplay to the home consoles. In much the same way that Mario Bros. had to go Super and involve gigantic, scrolling stages, Mappy left the warehouse, and started to venture across multiple levels. Mappy Land saw Mappy visiting island getaways, the Old West, and haunted graveyards (yes, Pac-Idiot, Mappy can handle ghosts, too). It is not a coincidence that the first area of Mappy Land is a train station, sending a clear message to the player that Mappy is ready and willing to travel the world. And don’t worry! The different stages are not just some half-assed attempt at graphical variety: every land Mappy visits has its own share of tricks and traps, from bowling balls to boxing bags to other things that probably start with B.
Okay, yes, there have been a handful of Mappy games since his NES premiere. Much like 
Favorite Level: I’ve always appreciated the tropical stage that features moving trampolines, climbing vines, and all the fish you could ever eat (or feed to cats). In a weird way, the whole level feels like an expanded version of 