Tag Archives: beat ’em up

FGC #510 The Simpsons (Arcade)

Which franchise wound up with the best Konami Arcade Beat ‘em Up? Let’s run the numbers!

Teenage Mutant Ninja Turtles (1989)

Tonight I dine on Turtle Soup• The quintessential beat ‘em up: this is the licensed arcade game that defined the genre, and arcades, for years to come
• It’s four players, which is always a fun time for everybody. There is no friendly fire, and there are no tangible rewards for scoring better than another player. This is a friendly, cooperative beat ‘em up.
• … Except when your buddy steals a life-restoring pizza out from under you. Then it is on. Let’s take this discussion to the Mortal Kombat cabinet.
• For better or worse, all of the turtles control almost exactly the same. A dedicated herpetologist can probably explain the nuances between a Donny and a Raph, but that’s mostly cosmetic. Four playable characters that may as well be color-swaps of each other.
• Meanwhile, there is a fairly large roster of opponents, they just all look identical. The hoards of Foot Soliders besieging the turtles are nearly all indistinguishable, but their different weapons lead to different attack patterns.
• Past Foot Soliders, there are, like, two other enemies.
• You can fight a sentient brain in a robot wrester’s body.
• Occasionally, there are exploding barrels.
• The skateboarding stage is the most radical thing that happened in 1989.
• TMNT: Turtles in Time should really count toward the turtles’ final score, but playing that game now unearths traumatic memories.

Teenage Mutant Ninja Turtles Final Ranking: Two Players out of Four.

X-Men (1992)

Welcome to Die• Six players! It’s double wide for double the fun! … Or at least 50% more wide.
• A handful of “extra” offensive options are available. Most important: you can kick opponents when they’re down. This offers a fun way to gamble on dealing damage (do you target a downed opponent but risk reprisal from the enemies still standing?), and also gives the impression that Scott Summers walks around kicking lizardmen in the junk.
• Characters are varied in visual style as well as special moves. Their common movesets are generic, but those mutant powers? Nobody is going to mistake the frantic teleporting of Nightcrawler for the power surges of Colossus.
• Offers the ultimate in Canadian entertainment: Wolverine versus The Wendigo.
• There are many of the same robots over and over, but there are also plant/dirt monsters, cyborg marauders, tiny dinosaur people, and at least one swarm of angry, robotic bees.
• No Nasty Boys, though.
• You don’t get more iconic than “Nothing moves The Blob!”
• Okay, maybe, “X-Men, welcome to die!” But Blob sells his declarations better than Magneto.
• The extra “mutant power orb” is confusing at best, and a psychological trick designed to ruin a player’s health at worst. It… just doesn’t work that well on any level.
• Only the Japanese version offers health powerups. Nary a pizza to be found for the X-Men.

X-Men Final Ranking: 120 mighty mutants out of a possible 198.

Bucky O’Hare (1992)

That wascally wabbit• This is what we in the biz (there is no biz) call a pseudo-beat ‘em up. All the beat ‘em up trappings are there, but this game is much more shooter than beat ‘em up. This is the unholy combination of Contra and Final Fight.
• And, uh, that’s pretty great.
• However, some of the genre trappings are a little confused, so, for instance, you take damage for simply touching an opponent, which is a bit of a rub in a game that is already a deliberate quarter killer.
• But still, bang bang shoot shoot.
• The playable characters are visually varied, but there are very few practical difference between the cast. This is particularly egregious when at least one of your possible choices is a four-armed space pirate duck.
• Two stages scroll vertically, and a few areas completely descend into shoot ‘em ups. Added variety, or diving into a genre no one asked for? Take your pick.
• The mooks of the Bucky O’Hare universe were never that interesting to begin with, so mowing down waves of identical frogs is less than satisfying.
• Technically created by Larry Hama.
• You’re not allowed to play as Bruce the Betelgeusian Berserker Baboon or, to a dramatically lesser extent, Willy DuWitt.
• Apparently developed by the team that would eventually become Treasure, but I don’t buy it, because there isn’t an exhaustingly long boss rush anywhere in the game.

Bucky O’Hare Final Ranking: 75% of a thinly veiled metaphor for modern consumer culture that absolutely nobody understood because it was immediately merchandised to all hell.

Asterix (1992)

The big guy• Only two players.
• Friendly fire is enabled, which I’m sure seemed like a good idea at the time.
• Asterix and Obelix are very different characters, though with interchangeable controls. They’re simultaneously extremely different but immediately understandable.
• Possibly the most gameplay variety in a Konami licensed beat ‘em up. The Teenage Mutant Ninja Turtles can only dream of chariot racing.
• Literally tossing around your opponents like ragdolls is always going to be fun.
• Opponents can be beaten while they’re down for the all-important purpose of smacking them against other, slightly more conscious enemies.
• Powered up punches are a logical extension of other titles’ super moves, and feel appropriately cartoony.
• Unfortunately, some bosses necessitate powered up punches for a final coup de grâce, and outright requiring a player to do anything in an arcade setting is a black mark against fun.
• Very unfortunately only available in Europe or locally at that one arcade owned by that Agnieszka person… and Agnieszka seems pretty sketchy.

Asterix Final Ranking: Disqualified for not being American enough. Grab some apple pie and get back to our judge’s panel.

The Simpsons (1991)

BLINKER• Four players, and all four are the prime members of the titular Simpsons family. No being stuck with Dazzler here.
• Basic attacks and special moves both differentiate the characters. No one is mistaking Marge’s vacuum cleaner or butt bump for El Barto’s skateboard skill.
• Weapons and items are available frequently across multiple stages. A hammer may be used to brutalize teacups, and Lisa is allowed to fire a slingshot at the Burns Army. The Japanese version even offers the occasional nuclear bomb.
• The Simpsons may combine powers, thus meaning there’s a better reason than usual to encourage additional players to come and bond. What’s more, attract mode and a boss both clue the player into how to properly join forces.
• There are more background gags in this game than most modern episodes of The Simpsons.
• Despite the fairly mundane setting (evil billionaire kidnaps baby, tale as old as time), the various levels are varied and interesting. Moe’s Bar might be a bit longer than it ever appeared in the series proper, but the nearby graveyard is a blast, and the television station includes more robots and ninja than one would expect. The Dream World is the pinnacle, complete with unique enemies, objects, and a bowling ball boss.
• There are two bonus stages that give a humble player the opportunity to completely mangle some poor arcade owner’s buttons. Sorry, Agnieszka.

The Simpsons final ranking: Well, this one is hard to judge, as…

Wait a minute… We have some late-breaking news…

Woof

Apparently you can throw a dog at your opponents in The Simpsons, and said dog is just happy to be there throughout the hurling.

Okay, yes, The Simpsons unequivocally wins this competition. Don’t have a cow, man, that’s just how it is.

FGC #510 The Simpsons (Arcade)

  • System: Arcade, but briefly available on Playstation network for the PS3, and Xbox Live for the Xbox 360. It likely disappeared again, though.
  • Number of Players: Four Simpsons. Sorry, Maggie, you have to be the macguffin this time.
  • Port-o-Call: There’s also a MS-DOS version of The Simpsons, and… Well, it’s from that same school of weird photocopying that led to the Mega Man DOS ports. It looks completely correct (for a DOS port from the early 90s), but it feels incredibly wrong (for anything ever). Jump once in that game, and you’ll turn it off in favor of MAME immediately.
  • ZAPAcross the Sea: The Japanese version includes more “weapons”, and hidden spots throughout levels that award fruit and alike. Whether this is because that version was released later or because Konami thought its native players needed more incentive to play a Simpsons game is unknown. What’s important is that Lisa can launch random cherry bombs against opponents, and that’s always fun.
  • Goggle Bob Fact: My grandfather was always happy to provide quarters for his grandson, but was not happy with that Bart character casually utilizing the word “hell”. He would not have granted The Simpson this great beat ‘em up honor (he might have defaulted to Bomberman).
  • Favorite Simpson (this game): Marge. I just think she’s neat.
  • Did you know? There is more than a passing similarity between the final boss of The Simpsons and the final boss of Bucky O’Hare. In both cases, you’re battling the antagonist of the series as a hulking robot that gradually loses parts and morphs into different fighting modes. Then again, maybe this is just a trope of action games, as every game from Smash TV to Three Dirty Dwarves pulls a similar trick.
  • Would I play again: This is the most fun you can have with a Konami beat ‘em up. So says Goggle Bob, who will inevitably play this game with or without friends again. Give it a few months.

What’s next? Random ROB has chosen… Pokémon Gold for the Nintendo Gameboy! That’s the gold standard for Gameboy titles! Please look forward to it!

He has a podcast

FGC #505 Michael Jackson’s Moonwalker

The moon does appearConsider this a trigger warning: this is going to be a fairly heady article. It’s going to get personal, too. We’re talking about Michael Jackson, and… yeah, I don’t think I need to further explain what difficult topics will be explored. This is your warning… or something approaching that.

And, to be clear, this is a goddamn shame. We’re covering a game (or two) featuring Michael Jackson today, and, ladies and gentlemen, the jokes write themselves. There is a part of me that really wants to travel the low road on this one, and point out how something like 90% of the content here has aged monumentally poorly. You want some humorous content? Here’s MJ getting railed by some manner of dick-robot.

Right in the beans

Haha! He’s gonna be singing soprano after that!

But, if I’m being honest (and that’s the point of this essay), that’s exactly why I feel I need to be serious here. Yes, a videogame starring Michael Jackson has aged poorly. Yes, that is fairly inevitable with any product starring someone that was a cultural icon (see also some mall adventures). And, yes, due to the details of Jackson’s fall from grace, even a common trope like “save the kidnapped children” is going to be seen in a different light. This is all true. But the important part? The thing that would not stop running through my mind while playing this random Sega Genesis cartridge from 1990 is just how overwhelmingly sad the whole thing made me feel.

When I was a kid, Michael Jackson was my goddamned hero.

Save her!I’ve claimed in the past that my musical tastes as a child were entirely and wholly provided by my parents, who, as children of the 50’s, had more of an inclination to listen to The Big Bopper and The Beatles than Aerosmith. By the time I was a teenager, I learned both of my parents had been actively shielding me from “the hard stuff”, but even the forbidden list was predominantly songs that were golden oldies. My mother didn’t like the idea of me listening to Bohemian Rhapsody even by my teenage years, as it was “a suicide song”, but that was still a song released almost a decade before I was even born. Point is that, for all “the hits of the 80’s” that my local FM station assures me are real, I listened to maybe 1% of what was actually popular when it was prevalent. I think only Don’t Worry, Be Happy was on the approved list…

But, somehow, Michael Jackson was the exception. Actually, I take that back. I know exactly why MJ was an exception: “Weird” Al Yankovic. My parents knew their beloved, gigantically nerdy son, and figured I would enjoy the likes of “Fat” or “Eat it”. Weird Al’s oeuvre was obviously kid friendly, and (not going to lie) it was probably a great choice, as I’m pretty sure absorbing Weird Al’s recurring clever wordplay when I was a child is why I make word choice good now. But listening to a series of parody songs inevitably invites a need to hear those source songs, and, since WAY seemed to have a thing for MJ songs, you can guess what was high on the listening list. It wasn’t very long before I graduated from Weird Al’s Even Worse to Michael Jackson’s Bad (wait… isn’t that backwards?).

And I was in love.

ZOMBIES!I’m not even going to try to define why Michael Jackson was popular with the public at large. However, I can safely point to a handful of reasons why I, personally, liked Michael Jackson. In no particular order:

1. His music slapped
2. Actual moonwalking was fun and easy
3. Music videos that could and would include claymation

However that list does ignore the prime reason I adored Michael Jackson: he was a big damn weirdo.

Look, this is a blog where I occasionally compare relationships old and new to videogames. I have written obscure NES hero fanfic. I don’t think my dear audience believes there was a switch in my head that flipped to “big ol’ weirdo” when I became an adult. I was a weird kid. I had friends, I participated in activities, and I had extremely loving and protective parents; but there’s no debate as to who was “the weird kid” in any given classroom. And being the weird kid? There’s no helping being the weird kid. The dumb kid can get some special educational help, the smelly kid can get a shower, and the kid who pissed himself in first grade can just learn to beat up every other kid by second grade. But the weird kid? You don’t really ever stop being the weird kid. You’re always going to get distracted by Weeeeunusual bird feathers on the ground, or spend gym class planning out your victory dance rather than actually playing the assigned sport. You try not to be weird by carefully noting the last grade you’re ever allowed to talk about cartoons (it was third), but that all falls apart the moment you obviously get excited about the latest Teenage Mutant Ninja Turtle movie. And then it’s noogie time, and you’re reminded that, one way or another, you’re not like everybody else.

Michael Jackson was a universally beloved musical icon. And Michael Jackson wasn’t like anybody else.

Michael Jackson was a star, and he lived his life exactly how he wanted to live it. And this isn’t about residing on a ranch literally named for never outgrowing childhood, this is about his actual performances. He sang the lyrics he wanted to sing. He danced the way he wanted to dance. And he took his performances and personas to some extremely unusual places. He wasn’t content to simply have a “scary song”, he had to produce an entire music video featuring zombies as an homage to old horror movies. He appeared in cartoons when the medium was considered about as culturally relevant as cereal commercials. And if he wanted his own videogame, he got his own damn videogame.

Get in there!Michael Jackson’s Moonwalker appeared in many guises on many systems, but the two main versions were the arcade game and its Sega Genesis counterpart. To be honest, neither game is particularly that good. The arcade version is something of a rote beat ‘em up with its only defining characteristic being a monkey-based powerup that transforms your chosen Michael into a laser-blasting robot. The Genesis version isn’t much better, but is marginally more unique. This is more of a Rolling Thunder/Elevator Action-esque affair, and the caveat is that you have to open like every goddamn window, trunk, and door between Michael and the enemy’s secret base to find the lost children required to finish a stage. There’s a nugget of a good game idea in there, but it winds up becoming little more than Michael Jackson’s hide ‘n seek as he checks every closet in the house for more and more children (… dammit, I said I would avoid the low hanging fruit…).

And, despite the fact that both of these games aren’t particularly good, Michael Jackson’s Moonwalker was one of the two reasons this Nintendo kid wanted a Sega Genesis. There was Sonic the Hedgehog and Michael Jackson, and all a Wee Goggle Bob wanted in this world was a system where they were both combined (and maybe a game, too). Michael Jackson, the King of Pop that was also a giant weirdo, was waiting for me there. He liked videogames, too!

And then everything happened.

To be clear for anyone that didn’t live through it, it wasn’t like society declared him cancelled, and then Michael Jackson was forever banished from the public eye. Michael Jackson had always been weird, but now there were allegations. Now there was a reason to chastise the man for doing things that were not simply unusual, but wrong. And not everyone believed it! It was a slow drip of accusations, lawsuits, and the occasional televised “deeper look”. Regardless, Michael Jackson retreated more and more from the public eye, and, by the time he passed in 2009, he was remembered as practically a different person from his 1990 incarnation. Hell, the change happened so gradually, it allowed The Simpsons to go from idolizing Michael Jackson as the most important person to ever visit Springfield…

Michael Jackson!?

To, four years later, claiming Michael Jackson was little more than a mythical, malevolent phantom…

Who!?

A hero had become a villain, and now we’re at a point where MJ has been wiped from the show’s history.

And eleven years after Michael’s death, I’m still not sure what the hell I’m supposed to learn from such an event.

Do I believe the allegations at this point? Yes. Duh. Though, if I’m being completely honest, it took me a long time to get there. Michael Jackson is weird! I believed that people were just taking his obvious weakness for children and childish pursuits and turning it into some kind of pedophilia. In retrospect, that seems almost dangerously optimistic, but, at the time, it was just how I defended my hero. And that was the problem. Whether it be because of my impressionable age, the indoctrination of videogames and media where he was a literal hero, or simply because I wanted to listen to good music without thinking too hard about bad things, I followed Michael Jackson a lot longer than I should have. In retrospect, I regret ever giving the man so much I AM ROBOTas a dime, left alone allowing him to dominate that precious tape collection I always lugged to the nearest boombox. Michael Jackson was my hero, a hero that stood for everything I cared about when I was a certain age, and then it turned out that he was scarring children for life literally while I was supporting him. I was a fan of a “hero” that has victims.

Has this influenced my own life? Probably. I’m not going to point the finger squarely at one Bad individual, but I feel like this is part of the reason I gravitate toward fictional heroes like Optimus Prime or Voltron while leaving the real world behind. Barack Obama is a president and a man I felt I could stand behind, but I could never support the man with the kind of all-consuming dedication I have seen from other fans, because he was and still is, ultimately, a man. And a man has flaws. Sometimes those flaws are making decisions you don’t agree with, sometimes those flaws are literally criminal, but they are still reasons not to venerate any given man or woman. We’re all people, and we should treat every person with an even dosage of doubt.

This is where we are: I play a videogame about a pop star rescuing children from zombies with the help of a monkey, and the only thing I can think of is how we should be skeptical of literally every human on Earth. Michael Jackson ruined the lives of many children. He was not a hero. He didn’t “rescue kids” anymore than he could turn into a robot. But it’s not all bad! There are good people! There are people worthy of praise! They might not be perfect, but there are people that actually save children. You don’t have to worship them, but there are people that balance the cosmic scales, even if not a single one is the King of Pop. We can move on from Michael Jackson.

Right in the beans

And MJ can just eat a piledriver.

FGC #505 Michael Jackson’s Moonwalker

  • System: Sega Genesis is technically the version ROB chose, but the Arcade version is also a valid choice that follows roughly the same plot and concept. That concept is that Michael Jackson can turn into a space ship or a car anytime he wants, but chooses not to.
  • Number of players: One on the Genesis, the unusual three in the arcade. You would think Jackson would account for five.
  • THE CHANGEAdaptation: Yes, this is videogame tie-in game for Michael Jackson’s movie of the same name. If you missed out on his cinematic masterpiece, it’s basically a loosely connected collection of music videos and concert footage that includes a miniscule feature about Michael Jackson rescuing children from his former manager/mob boss. It’s worth a look if you’re ever on Youtube and feel like watching something that will make you hate yourself for a solid hour or so.
  • Favorite Level: Like The Simpsons Arcade Game, the third stage inexplicably turns into a graveyard featuring innumerable zombies. Their continual leaps recall Chinese hopping vampires, though, and there are at least two zombies that split in half to rain knives from the sky. What I’m saying is that my favorite level is the absolute weirdest.
  • So, does Thriller play over the zombie level? Nope! Apparently there was a licensing issue, as MJ didn’t write the entirety of Thriller. However, there are some prototype versions of the game floating around that retain the song. Vincent Price doesn’t appear in any version, though, unfortunately.
  • An End: The arcade version sticks to one genre, but the finale of the Genesis game gets a light shoot ‘em up in there for the final confrontation. It is the exact opposite of fun, but it is vaguely reminiscent of that Star Wars game. Oh, and the actual ending of the game is just Michael dancing with a monkey.
  • Did you know? The basic premise of this article is also why I will not be covering Space Channel 5 or Space Channel 5: Part 2. I can only deal with so many Michaels in power.
  • Would I play again: Did I mention that this game is not particularly good? It wasn’t terrible for the early 90s, but it has not aged well in more ways than one. There are a lot of other games I can play that are about 120% less problematic.

What’s next? Random ROB has chosen… Gunstar Super Heroes for the Gameboy Advance! Now there are some heroes we can get behind! Please look forward to it!

FGC #494 Battletoads and Double Dragon: The Ultimate Team

It's time for teams!Now let’s talk about the infamous “Wolverine” style crossover.

You may be aware, but Wolverine is a particularly popular character from Marvel Comics’ X-Men. He was originally introduced as yet another thing/Canadian/person The Incredible Hulk could punch, but he joined the X-Men roster shortly thereafter, and his reputation rapidly escalated from there. People have been trying to nail down the source of Wolverine’s overabundant attractiveness practically since his debut in 1974, but no one (least of all Marvel) seems to have a clue as to what has made Wolverine one of the most essential comic book characters of the 20th century. Is it the readily accessible weapons? His tendency to not follow orders? The fact that he’s a grizzled old man palling around (and occasionally flirting) with teenagers? That mentor thing he had going with Jubilee and Kitty Pride? The cigars? Whatever the cause, Wolverine is popular. What’s more, it is known that Wolverine is popular. This ain’t no underground “you heard that Squirrel Girl is good?” situation, this is phoenix-fudging Wolverine, and he’s the king of the world. He had a movie. Or seventeen. Wolverine sells! And Wolverine can sell anything!

So it’s only natural that “Wolverine stops by” has become a comic book genre onto itself. If you’ve got a new Marvel comic book that needs a few more sales, summon Wolverine. He doesn’t need to actually do anything, and he doesn’t need to be on any more than one page, but as long as he can be part of the cover, you’re all set! Maybe you’ll get lucky! Maybe Wolverine will actually offer your hero/heroine advice and a few zingers before he wanders off to wherever Wolverines go when they’re not on camera (I’ve always assumed Wolverine used that infinite healing factor to successfully weather course after course at the Golden Corral), but don’t count on Wolverine lingering around for too long, because he’s a very busy mutant, bub. And this trait has now transcended genres, as Wolverine appears in other movies when the X-Men need their special guy to push a few more tickets. Stan Lee may have invented the cameo trick, and now Wolverine is Stan Lee. We’ve come full circle! So, don’t worry, if you need your character or franchise to be more popular, all you need is Wolverine. Put no more thought into the process than that. Just get Wolverine on the line!

But Wolverine apparently wasn’t available for a certain collection of battlin’ toads, so Billy and Jimmy Lee are going to have to put in an hour.

BLARG!Now, it is hard to believe in this our year of perfect vision, but back in 1993, Double Dragon was a hot franchise. There were three “main” Double Dragon titles on the NES, an arcade presence, a number of spin-offs available on things like handhelds, an animated series, and a movie on the way. You know who else could be described in that exact manner? Super Mario. Double Dragon was, in the videogame realm, on the exact same tier as Mario (give or take Captain Lou Albano). Nowadays, people barely can remember Bimmy and Jimmy exist, but back when the Battletoads were trying to make a splash, they were a hot commodity.

And make no mistake, Battletoads really wanted to be on that same popularity echelon. Battletoads had an unmistakable connection to the Teenage Mutant Ninja Turtles from their initial appearance, and many people took their general “irreverent” tone as a clear parody of the other fighting amphibians. But if you were to explore the Battletoads’ initial comic debut in Nintendo Power, you’d find that these heroes were 100% serious about being the next big thing with a very serious backstory for very serious fans. Zitz is really some nerd named Morgan that got stuck in a virtual reality machine that links to an actual reality! And then that premise was dropped (or at least ignored) for an animated series where the ‘toads are plucked out of another dimension to pal around our Oxnard, California and defend us from the Dark Queen with Looney Tunes-esque attacks. Pew pewDiC produced this animated Battletoads pilot, and then went no further. DiC also ran Street Sharks to a full series. That had to sting. The Battletoads needed something to put the franchise on the map, and Double Dragon seemed to fit the bill.

So this led to Battletoads and Double Dragon: The Ultimate Team… which is a particularly misleading title. Yes, the Battletoads and The Lee Brothers unite to fight a collection of allied opponents, but there’s no actual “team” involved behind the scenes. This is clearly a Rare joint, and a Battletoads game through and through. In fact, give or take the graphics involved, this title is little more than the original Battletoads game with seemingly random Double Dragon guest stars. There’s a speeder bike. There’s a vertical ropes course. There’s an inexplicable gameplay shift where you wind up playing Asteroids for some reason. The heavies of the Battletoads brand all return for boss battles, and the Double Dragon opponents… Well… That’s where it’s most obvious that this is a Battletoads game with special guest star Wolverine Double Dragon. What’s the tell?

Roper!
Willy – Double Dragon (Arcade) 1987
Roper!
Willy – Double Dragon 2 (Arcade) 1988
Roper!
Roper – Battletoads and Double Dragon: The Ultimate Team (NES) 1993

They couldn’t even get the Double Dragon’s main antagonist right. Okay… yes, the people behind Battletoads and Double Dragon: The Ultimate Team did correctly stick Abobo right there in the first level, and he has his proper ‘stache (depending on the port). But the boss of the third stage is “Roper”. Roper is the name of a generic mook in the Double Dragon franchise, and that ain’t him. This character, complete with his signature weapon, is most commonly referred to as “Machine Gun Willy” by the fans. According to the lore, his full name is Willy Mackey, and he’s the main antagonist of Double Dragon and Double Dragon 2 (give or take the wonky “interpretation” of the NES versions). He is the leader of the Black Warriors. He is the one that orders the kidnapping of Marian. He is the final boss of one Double Dragon arcade cabinet, and penultimate boss of another one.

And here he’s got the wrong name, and he’s the boss of the third level. Robo-Manus, the robot that is barely animated, earns a higher standing than Billy and Jimmy Lee’s greatest foe. And who is the “new” main antagonist that is capping off the Double Dragon side of this crossover? It’s “Shadow Boss”, a character that technically appears in no other Double Dragon game, but vaguely recalls the antagonist from the animated series. He also resembles a ripped version of Burnov, that one tubby guy with ill-fitting pants from the first level of Double Dragon 2.

Shadows!!
Burnov – Double Dragon 2 (Arcade) 1988
Shadows!!
Shadow Master – Double Dragon Animated Series / Double Dragon V 1993
Shadows!!
Shadow Boss – Battletoads and Double Dragon: The Ultimate Team (SNES) 1993

Dudes at Rare apparently didn’t feel like getting past the first, Abobo-based level of Double Dragon, and decided to wing it from there. Who’s this guy from the arcade intro with a gun? That’s probably Roper. Let’s go with that, and see if we can devote more pixels to rendering Dark Queen’s ass.

So, yes, it’s pretty clear this is a Battletoads game that suckered Double Dragon into shedding a few more popularity points. Did it work? Of course not. The Double Dragon movie bombed, the franchise floundered from there, and the Battletoads had already hitched their dingy to a sinking ship. One last Battletoads arcade game was released shortly thereafter, and then too did the Battletoads retire from gaming for decades. Double Dragon never brought Battletoads the fanbase they so desperately craved, and only the innovation of internet memes would ever get the ‘toads any attention.

This seems wrongsBut this humble crossover did at least try. It succeeded as a shining example of a Wolverine crossover. Double Dragon stopped by a Battletoads game, and that’s all the effort anyone wanted to put into this project. Excellent stealth Battletoads 2, Rare, and good try on attempting to boost your visibility with a more prominent franchise.

Just… maybe next time you should figure out who Wolverine actually is before you have him drop by…

FGC #494 Battletoads and Double Dragon: The Ultimate Team

  • System: This one got around. The NES and Gameboy versions are fairly impressive for their tiny bits, but the Super Nintendo and Sega Genesis versions are where you see some pretty graphics. The Battletoads did know how to feature a little spectacle.
  • Number of players: Two. And you have your choice of all three Battletoads. This is the first game where that actually happened! But I suppose you should choose at least one Lee Brother…
  • Port-o-Call: Which version should you get? Well, the gameplay is miraculously pretty much exactly the same across all versions, so if that is your concern, don’t worry about it. From there, if you’ve got the option, you probably want the Super Nintendo version, as choosing the other 16-bit version will brand you a Sega Kid, and who has the fortitude to deal with such a moniker? Though, like Mortal Kombat, the Genesis version actually includes blood on defeated opponents’ portraits, so if you’re all about the violence, head over there.
  • Art Style: It’s important to note that the NES version of this title paints the Lee Brothers as a pair of really buff 80 year olds.
    They're twins!

    They’re coming to help just as soon as their grandson gets the wireless working!
  • Secret Truth: Willy probably got renamed to Roper thanks to his level including Battletoads repelling hijinks, thus earning the stage the title “Ropes and Roper”. Always go for the easy pun!
  • Did you know? The Nintendo Power comic that gave us the origin story of The Battletoads was written by a Rare employee, Guy Millar. The cartoon adaption was written by David Wise, someone who did not have any involvement in the production of the games, but did have the exact same name as the David Wise that composed the Battletoads videogame soundtrack. Weird.
  • Would I play again: This is an easier experience than Battletoads (1), but it also feels like the game runs out of steam somewhere around the fourth level. From about Level 5 on, it feels less like the eclectic action game of earlier levels, and it becomes little more than a rote beat ‘em up. So I’ll probably just play the original or the arcade game if I want a Battletoads experience. And it doesn’t even rank as a Double Dragon experience…

What’s next? What happens when a franchise crosses over with itself? Twice? Let’s find out! Please look forward to it!

Bad Queen

FGC #493 Alien vs. Predator

Predator is gonna winNow let’s talk about the other kind of crossover.

Back in 1994, the concept of Ridley Scott’s xenomorph Alien fighting the Predator that menaced Arnold Schwarzenegger was a pretty hot commodity. We were still a decade away from the first Alien vs. Predator film, and… That’s what everybody wanted, right? Alien was a popular trilogy (I’m not being glib! It was only a trilogy in ’94!), and everyone fondly remembered Predator’s time in the jungle. These were movies that defined sci-fi features for a decade, so it would make sense that only a movie could contain the sheer enormity of their first encounter. Unfortunately, that showdown was going to have to wait, and, in the meantime, we had to content ourselves with comic books inspired by easily missable cameos in Danny Glover vehicles. But the early to mid 90’s is when things started to kick into high gear, as there was supposed to be a movie that never wound up materializing, so we at least got a novelization and videogame or two. And, hey, videogames are always great!

… Except when they’re on the Atari Jaguar. So we’re going to go ahead and ignore that game.

But Alien vs. Predator the arcade cabinet by Capcom was pretty boss, so we’re going to look at that one.

Little hot in hereAlien vs. Predator is superficially exactly what you would expect of any given franchise adapted into a quarter muncher for ’94. We’ve got seven levels filled with monsters and mooks that all have to be punched until they flicker off the screen. There are crates and barrels that must be pummeled until pizza comes out, and a powerup or two along the way that enhances your ability to punish pursuers. Every level ends with a boss, and, by the end, of course those “bosses” have become common enemies with unreasonable health bars. And, like some of the latter beat ‘em ups of the era, there’s a complete story, with text that changes according to your chosen hero, so there’s a tiny bit of replay value beyond seeing how differently everyone performs their jumpkick. It’s a beat ‘em up. It could be The Simpsons or The X-Men or Teenage Mutant Ninja Turtles, but it’s Alien vs. Predator, so here are a few aliens instead of foot soldiers. They explode less. Have a fun time.

And, no matter the era, this is the crux of the problem with many crossover games: they’re only popular characters soldered onto whatever genre is available.

Back in the 90’s, it was the beat ‘em up. Shortly thereafter, it was kart-based racing. Nowadays, it seems every franchise gets a tactics game. It’s not Alien versus Predator, it’s Tekken vs. Mega Man. It’s Pokémon vs. Nobunaga. Even titles like Mario & Sonic at the Olympic Games take their all-star, unmistakably varied casts and boil them down to “this one is slightly faster than that other one”. Waluigi can outrun Sonic the Hedgehog! This is the greatest injustice in the history of videogame canon! What is unique about the individual characters involved must be boiled down to little more than a collection of relevant stats. Why? Because it would take far too long to flesh out complete “moves” for every participant, and then balance those skills against every other character in this crossover. So when huge, bulky Bowser and small, nimble Diddy Kong settle their differences with kart-racing, their differences barely register.

WeeeeAnd, unfortunately, this seems to be the standard for many crossover games. Fantastic characters from multiple franchises might be interacting for the first time, but they all “play” exactly the same. And that, objectively, sucks! Videogames are unique in that they can define characters through not only motivations or physical design, but also through movements and “skills”. Mario jumps. Mega Man shoots. Sonic runs. If you smoosh all these characters together, you can either find a way that jumping is effective against shooting and jumping, or you can simply give them all jetpacks and claim it’s a jetpacking contest of champions and call it a day (obviously, I believe the next big gaming trend to be jetpack racing). It flattens all the exceptional protagonists involved into an identical, unremarkable blob. Basically, many crossover games take a wonderful dinner of roast turkey, curried chicken, and garlic shrimp, slap all the dishes into a blender, and serve up a humdrum banquet of hotdog milkshakes. Even with perfect ingredients, a hotdog is still a basic meat tube!

So here’s Alien versus Predator, one of the earliest crossover titles in gaming. It may not be a crossover title between strictly videogame-based characters, but it is a crossover between two huge franchises. And, even if we want to ignore how badly everyone wanted to see aliens and predators fight back in the 90’s, you could even consider Alien versus Predator a crossover between three franchises: Alien, Predator, and the surprisingly well-defined “90’s Capcom Aesthetic”. The two humans starring in Alien versus Predator could have been Final Fight characters (and one arguably swiftly inspired both Resident Evil and Street Fighter characters), and, give or take a gun-for-an-arm, they’d be comfortable in any other beat ‘em up in the Capcom stable. So how do these “three” franchises interact? Well, the aliens are the persistent enemies of the game… but they’re indistinguishable from typical beat ‘em up opponents in all ways save their iconic visual design. The “facehugger” alien babies even operate exactly like TMNT’s mousers! And the differences between the “unevolved” Capcom humans and their advanced Predator compatriots? Barely worth mentioning. Yes, there are variances in speed or skill between the four playable characters, and every fighter gets a unique weapon, and there are a handful of “subtle” differences amongst the cast in things like firearm-usage… but they’re essentially interchangeable. The entire point of the original Predator film was that humans are at a slight disadvantage when combating an alien threat that happens to have advanced weaponry and the ability to Unpleasantbecome completely invisible, but you’d never know there was such a gulf in capability from playing Alien versus Predator. Apparently Lt. Linn Kurosawa has a greater “skill” stat than either playable predator. Does that mean she’s a thousand times more skilled than ol’ Dutch? And why couldn’t Ripley punch her way across a xenomorph invasion? Was it just because her stats were too low for anyone to hear her scream?

Is Aliens versus Predator a fun arcade game? Of course it is. It’s one of the best beat ‘em ups out there, and it’s a genuine shame that it was not available for home play for decades (well, legally, at least). But is it a good crossover game? No. It irons out everything unique about the franchises involved, and offers a smooth, indistinct product that is indistinguishable from any other beat ‘em up of the day. The gameplay of AvP is great, but it is gameplay that could be featuring Captain Commando as easily as Predator Hunter. In the end, the very diverse stars of these very diverse franchises only add up to “look at that thar alien”.

And an entire generation of gaming crossovers followed suit.

And when that happens, whoever wins, we lose.

FGC #493 Alien vs. Predator

  • System: Initially only arcade, but now available for the Capcom Home Arcade. You know that one, right? It’s that “mini console” that looks like a giant Capcom logo/arcade stick? I’m sure it actually exists. I think I saw it in England one time.
  • Number of players: Three simultaneous players. Why they didn’t just allow for free reign with a full set of the four selectable characters is beyond me.
  • BraaaaainsFavorite Character: Predator Warrior is the obvious best, despite the clear disadvantage of deciding to bring a pointy stick to an alien fight. Linn Kurosawa gets second place for being nimble as hell. Predator Hunter and Major Dutch don’t even rank.
  • But Dutch is supposed to be Arnold Schwarzenegger with a gun arm, right? Oh yes. Certainly. That is the eventual governor of California running around and pounding aliens. I wonder if Arnold ever gets residuals for all the videogame characters that aped him for a solid two decades…
  • The beauty of Aliens: Thanks to the attendant franchise, this is one of those rare beat ‘em ups where you don’t fight a single “generic guy” until around the fourth level. It’s all aliens until you kill the queen, and they return again later when it’s revealed that the big secret of the story is that humans are breeding their own aliens. Who would have suspected that humans were the real aliens all along? Or… something.
  • The ugly of Aliens: Unfortunately, the flip side of the alien army is that the majority of the bosses are just “alien with a new skill”. Spitting alien. Hard-shelled alien. Make space great again alien. When the inevitable boss rush occurs during the final level, you can barely tell the big boys from the lil’ dudes.
  • Bonus Time: There is exactly one stage where you’re granted unlimited ammo, and are asked to gun down every last alien from the back of a moving truck. It’s fun. It’s a lot of fun. And now I want an AvP shootin’ game (not on the Jaguar).
  • Conventions of the genre: A predator eating hot pizza off the floor never gets old.
  • Bonus!Did you know? Lt. Linn Kurosawa likely inspired Ibuki from Street Fighter 3, who debuted three years later. There’s a distinct similarity in hairstyling there, and there’s also the minor fact that Ibuki has a classmate named Sarai Kurosawa. There might be a connection!
  • Would I play again: Hopefully this arcade game makes its way to modern consoles, as it would be an ideal budget beat ‘em up for the Switch or PS4. I would spend five dollars to play through this again with friends. Maybe even ten!

What’s next? Crossovers continue with another game featuring humans and aliens playing well together. Please look forward to it!

WRONG FRANCHISE