It is amazing how “eat the rich” can feel so right.
Today’s game is the marginally forgotten Sega Genesis title, Haunting Starring Polterguy. This was an Electronic Arts jaunt from 1993, and won a bit of acclaim at its release for being a very different kind of game. At a time when the consoles were dominated by furry platformers with attitude, Haunting Starring Polterguy was a distinctly humorous game with peculiar gameplay. You are a ghost, and it is your job to scare four different people by possessing a variety of objects that have been conveniently preprogrammed for potential scares. HsP definitely contains some annoying, contemporary “action game” conventions (there is a “Hell” level that is all dodging and jumping, and a completely unsuitable final boss), but, by and large, it is a unique experience that is still rare to this very day. We had… What? Geist? And that was mostly about being a first-person shooter in different forms? Haunting Starring Polterguy is one of the only titles to utilize such a universal concept in decades of gaming history despite the fact that playing as a spooky ghost trying to scare hapless humans is instantly recognizable. We have an entire holiday based on it! Two, if you include the works of Dickens!
And you know what else is another universal concept? Eat the rich. (Also a popular topic for Dickens.)
You are not a generic ghost in Haunting Starring Polterguy. You are, of course, the titular Polterguy. And Polterguy was not some born-dead apparition (eat it, Slimer), he was once a normal, living punk teenager who died thanks to a defective skateboard. And, since he blames this most bogus of deaths on the manufacturers of the board, he is going to haunt CEO Vito Sardini and his family until they run screaming from their home. And in much the same way that Polterguy is a very defined character (for a 90’s 16-bit title) the Sardinis are not just generic people in a house waiting for a spook ‘em up. The Sardinis are… Well, let’s look at Flo’s in-game biography…
And if that was a little too subtle, how about we see what there is to say about her dear daughter…
The Sardinis are portrayed as three key things: vicious, selfish, and rich. And it is worth examining why those first two traits so quickly intersect with the third.
First of all, Haunting Starring Polterguy is a “children’s game” that does something far more brave than Grand Theft Auto: it involves children. Aside from fairly generic ghouls that seem to represent the basic concept of death, the four Sardinis are the only opponents Polterguy will ever face. And two of those Sardinis are kids! And, considering you are literally scaring them into homelessness, HsP does go out of its way to make prepubescent children creatures worthy of being tossed out on the street for their crimes. Tony and Mimi are presented as horrible little monsters in their own right, and, complete with unusual mentions of their love of various poisons, the basic concept here seems to be that the world would be better off without the Sardini family. Polterguy is a polter-guy while these rapscallions still live! That doesn’t seem right!
But why are Sardini children terrible? Well, obviously because they are rich. Papa Vito Sardini is just south of straight up being Mr. Monopoly as the very picture of capitalism with his suit and giant cigar, and Flo Sardini is the housewife that is assumed to be lambasting a cleaning staff just off screen. They are loaded, and their gigantic homes filled with wild excesses are monuments to their fortune. Hell, the warp from level 2 to level 3 is hidden in the “jacuzzi room”! There is no question that the Sardinis have grossly profited off suffering, and Polterguy is a not-living reminder that their money has been earned through causing literal death to others.
And it is amazing that I intrinsically understood this as a child.
I was roughly Tony Sardini’s age when Haunting Starring Polterguy was released. While I know I didn’t pick this one up on release day, I am estimating that my childhood memory of renting this game did occur when it was contemporary. And I will formally note that I do not consider myself to have been a smart child. Or teenager. Or young adult. Or… whatever I am right now. Adult? That doesn’t sound right… Regardless! I was not a gamer that ever picked up on subtext until roughly the release of Final Fantasy 13, so, back in the Final Fantasy 4 days, I was hopelessly drowning in a quagmire of the literal. But, luckily, there is nothing remotely subtle about the Sardinis. They are mean. They are rich. They are the enemy, and, should Polterguy fail in his mission to teach them a lesson, they will inevitably hurt more people. They are the bourgeois, and they must be stopped.
And I got that. I understood that the rich were the enemy of a young, hip, teenager (who may or may not be alive). I was never cool/coordinated enough to be a skateboard champ, but I wanted to be a radical shredder. These “rich kids”? They were just as selfish and mean as the bullies at my school. And were the real bullies wealthy and privileged? Of course they were! One of my greatest enemies in primary school was the grandson of a superintendent. Kid was untouchable! I would have haunted his house in a second. And even as a dumb ten-year-old, I knew the reason he could get away with damn near anything was that his parents/grandparents were high enough on the food chain that none of my beloved teachers would ever so much as shoot an ornery glance in his direction. He was untouchable! And it was because of unearned wealth and power!
And, end of the day, when this is something that could be understood by a foolish child, it really raises the question of why “being rich” is something that is supposed to be aspirational.
We see it over and over again, right? We are told that “rich guy” is the smartest guy around, he has been so successful in everything, and then he’s put in a position where we can actively see the decisions he is making and the thoughts he is having, and it is clear we’re dealing with a charlatan. But then how was he so successful? Well, it is pretty easy to identify when someone has inherited billions of dollars, and how that could maybe purchase a few accolades and an entire public relations firm. And whether these braindead 
billionaires are aspiring to politics or simply owning a social media company, we do not need a Citizen Kane to be reminded that they are little more than monsters themselves. A wise writer once said of being rich, “In terms of cognitive impairment it’s probably like being kicked in the head by a horse every day”. And this fact is proven to us over and over again, generation through generation! It’s in our literature and parables going back centuries! We know it in our genetic code at this point that the rich would eat us all if given the tiniest opportunity!
So bite back.
Haunt that couch, Polterguy. When the revolution comes, you will be on the right side.
FGC #650 Haunting Starring Polterguy
- System: Sega Genesis was technically the only place you could find Polterguy. However, there was an Electronic Arts collection released for the PSP. So EA Replay contains the most recent release of Polterguy… and that was 2006. Good luck finding this dead man now!
Number of players: This is very much a single player game, but, inexplicably, there is a two-player mode. It is mostly an alternating adventure (player one haunts, dies, and then it is player two’s turn), but both players go head-to-head to race out of Hell and see who gets the next turn first. It is a shame that the simultaneous bits only occur in the dreary dungeon, as tandem haunting of the house might be fun. You could scare Sardinis into each other!- Optimum Run: And speaking of going to Hell: I literally cannot figure out if this game is meant to be… what’s the word that fits here… played without failure? Like… are you supposed to die? Or re-die? What I mean to say is that your health bar drains very quickly, and, considering “death” just means playing a different kind of level, it is difficult to determine whether “dying” is something that is supposed to happen routinely, or if there is some optimum way to scare everyone and always keep your health topped off. It certainly seems like the scares do not drop enough ectoplasm to keep Polterguy healthy, but maybe if you run all over the house and scare everyone in succession…
- Cheat ‘em Up: Possibly as a concession to the above issue, there are level warps hidden in every stage. There is practically no way you would find these shortcuts on your own (less “run on top of some blocks to find the secret pipes” and more “haunt the garbage can in one specific room and press B C B B”), but they are quick and easy if you want to “continue” to a new stage. Or… just skip 75% of the game. That’s good, too.
- Favorite Haunt: One of the doorways is enchanted to summon a skeleton cowboy with pistol blazing. Why is this doorway undead Western themed? Who knows!
An End: The finale reveals that the family dog was some kind of malevolent force all along. Whether this entity is the reason the starring family is also malevolent is never explored, but you do have to fight the dog monster in a boss fight for which this gameplay system is woefully underequipped. But if you win, Polterguy is restored to life! And then he immediately dies again! Because that is funny! I guess!- Did you know? One of the most risqué haunts involves possessing a bath towel in the bathroom, and materializing a seemingly naked woman behind the towel. But when she removes the towel, it reveals she is a touch on the skinless side, and someone is going to be more than a little frightened by the Hellraiser lady walking around. Now that is something Nintendon’t do over on the Super Nintendo.
- Would I play again: Maybe? This one is a fun curiosity, and really does have unique gameplay for the era. That said, Polterguy is not great at haunting my memory, and I am unlikely to pick it back up if it does not ever appear on a compilation again. So…. Fingers crossed for a Sega Genesis Mini III.
What’s next? Random ROB has chosen… Goat Simulator 3! Let’s watch a goat do all sorts of things. I guarantee it will be spicy! Please look forward to it!
It wasn’t bad! And it was even 
This was an amazing year for compilations and/or remakes. We got Capcom Arcade and Neo Geo Pocket compilations! A whole pile of 
I have 
This award is traditionally granted to a game that is playing it straight and just incidentally thinking it was a good idea to include the word (?) “UnderBirth” in its title. However, this year we have a comedy game based on a comedy series featuring comedic characters, so it is entirely likely this title is intentionally funny, too. That said “choro-gon breath” is complete nonsense, and there is no universe where that joke lands in any way. I did a google search! The only result for “choro-gon” is this game! What does it all mean!? Can someone help me with this shouting problem!?!
In a weird way, it is a shame that Kirby’s Dream Buffet is just a silly little racing game. I love it! But it is bite-sized, and even my Kirby-loving heart was only able to wring a few hours out of the experience of gradually earning Kirby more and more hats through gluttony. Regardless, it is likely my favorite surprise experience of the year, one of two 
Don’t get me wrong, I am happy to see any “retro” game released on modern consoles, particularly a fighting game that is reliant on online matchmaking. Ain’t nobody suplexing robots back on the Playstation 3 anymore. That said, March 2022 was a weird ass time to see this game resurface. There were rumblings (now coming to fruition) of “back” Persona titles being released on the Nintendo Switch, which is practically the best system in history to host a Persona game (chat with buddies on the big screen, go to portable mode when you must stalk through 50 floors of a dungeon). We had just seen at least two releases of 
I’m not sure if you are aware of this, but mankind knew they could not change society, so instead of reflecting on themselves, they blamed the beasts. And, sometimes, that beast is DLC. The current state of gaming is one where DLC is often promoted longer and harder than its parent game. Every announcement has to be an event, and every new stage, character, or mode has to be the greatest thing to happen to the genre since the last time someone asked you to get excited about the same guy you’ve been seeing since 1994. That said, the DLC for Guilty Gear -Strive- has done something no other fighting game has done with its DLC: it made Bridget a girl. And good for her! 
Xbox quietly took this title for 2022. I now have all the current generation systems (thank you 
I have a lot to say about Xenoblade Chronicles 3, and you will read that meandering essay on this site eventually. But in the meanwhile, just be aware that this game managed to soak up approximately 90 hours of my life, engage my imagination, and be a fun-to-play game all the while. My general enjoyment of Xeno-titles has been 
This was a weird year for a lot of reasons, but the “arc” of the site was particularly surprising. I tried to dial it back a little and exclusively focus on 
The best beat ‘em ups are dumb as hell.
And that’s… kind of weird, right? Maybe it’s the nostalgia talking? No, TMNT: Shredder’s Revenge was a whole new experience. Maybe it’s a love of classic turtles? No, if I’m being honest, I would like to see nearly any other incarnation of these hero turtles included in a beat ‘em up. Is it because the beat ‘em up genre has languished for so long? No, that may have been true a decade or so back, but with everything from new 
And that is the point. Are any of the TMNT titles truly “brainless”? Absolutely not. These are carefully crafted games designed to seem brainless. Anyone that ever tried a one-credit run of these titles will tell you that Rocksteady has tremendously more nuance to his charges, foot soldiers of all different colors have dramatically distinct attack patterns, and there is a way to make Shredder keel without ever eating a mutagen beam. There is a rhythm here, a carefully calculated method to the madness that, like the best movies or music, makes it all look easy. And that’s the point! The games are not brainless, but you are supposed to be brainless, because if you’re not thinking, you’re not thinking about how many tokens you’re dropping in there. Baxter Stockman just knocked you flat? Dang! You almost had ‘em! Better drop another quarter, dollar, or however much money it takes to lay that scientist-fly flat. 90% of 90’s beat ‘em ups are perfectly calibrated to drain 90% of your wallet without you even noticing 90% of the time.
And if you’re wondering why it took so long for beat ‘em ups to find their footing in the modern era, simply consider how much this 
Favorite Boss: Dirtbag and Groundchuck are the price cut, bargain bin version of Bebop and Rocksteady, and I am a man that likes his discounts. I always appreciate the duo bosses in beat ‘em ups, because it makes for a fine counter to playing with a buddy, and an excellent excuse to strategize with your partner(s). Oh, and Groundchuck is some manner of cyborg bull. That gets bonus points, too.
I don’t care what anybody says: this is a horror story.
So the question of whether Portal 2 is frightening comes down to how much you empathize with an immortal AI. Chell is your main character and player avatar, and, while she has a generally disturbing day waking up in a mostly abandoned laboratory and escaping the machinations of multiple sadistic machine lifeforms, her adventure is not all that scary. Don’t get me wrong, I would not like to live through what must have been an extremely traumatic series of “jump plates” and blue goo rooms, but, give or take your faith in shock absorbing boots, Chell didn’t have to put up with anything worse than you would see in a Mario game (not a Luigi game, though, he has a rough time of it). Most videogame protagonists must live though some scary situations, as that is the nature of living in a world where “you died” is a frequent refrain.
GLaDOS has a secret origin, and the second act of Portal 2 reveals that GLaDOS was once Caroline, loyal assistant to Aperture Lab’s president, Cave Johnson. Cave had a gigantic personality, but he also had a limited lifespan thanks to huffing moon rocks. Since the technology for digitizing a brain was not going to be ready until after Cave had portaled off this mortal coil, Caroline was chosen to become the new cybernetic brain of Aperture. And, while we do not know exactly what influence “Caroline the mechanical memories” had on GLaDOS, we do know that GLaDOS started her career by committing light genocide, and that is not the act of a content individual. And this begs the serious philosophical question: which would be worse, being a bad person suddenly gaining power and killing people in an act of revenge, or being a good person that was trapped in a “bad” brain and thus had to sit and watch atrocities without any ability to save anyone? The wonders of AI, ladies and gentlemen!
And then we get to the Wheatley of it all. Wheatley ousted GLaDOS, and attempted to take over/destroy Aperture. But what was he before those machinations? A bad idea machine. Literally. Wheatley was built to be attached to GLaDOS, and cause her to “think” an infinite series of bad ideas. Wheatley is basically a living (editor’s note: no), breathing (also no) bad idea tumor. Eventually Wheatley was granted independence, because he was replaced with a Morality Core, which did not generate bad ideas, but (ignorable) morals. So GLaDOS continually lived a life where, ultimately, she was forced under the yoke of sentient, invasive thoughts expressly designed to disrupt her life.
System: You know, I am going to assume Portal 2 is on PC/Steam. I believe I originally played it on the Playstation 3, but the Xbox 360 was available at the time, too. This playthrough was performed on the Nintendo Switch, though.
Goggle Bob Fact #2: 