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FGC #619 Chip ‘n Dale Rescue Rangers 2

I would rather watch this I am so terrified of being stupid that I may never enjoy anything ever again.

A long time ago in a plagueless epoch long past, it was stated well before the term “Millennial” was ever coined that Millennials interact with advertising differently than their parents. Supposedly, studies had been done that Millennials are more naturally resist to ads that worked on their forebearers, and this next generation of consumers required different tactics. No more could you simply stick Lucy Ricardo on the boob tube and have her tell people exactly what chocolate to buy; no, brands had to build a relationship with their audience. Millennials naturally resisted any and all advertisements that were presented as advertisements, and they loudly joked about the futility of blatant product placement. The paradigm has shifted! A new people is born that needs all new practices!

Or maybe they just needed to make a goddamned movie about chipmunks and their decreasing ability to be proper rescue rangers.

Let’s double back on that whole “Millennials react differently to advertising than their parents” thing. It is the opinion of Gogglebob.com and its attendant subsidiaries that this is and always has been bullshit. Yes, we react differently to advertising, but that is going to be true of literally every generation and the 50-year-old advertising executives that never want to change for any reason, ever. But even beyond that, Millennials were raised with a very unusual feeling of anti-permanence. Ever wonder why nerds are so obsessed with the concept of a fictional “canon”? While this has been a problem for generations, this was significantly exacerbated by a very variable childhood for the 80’s boys. The Teenage Mutant Ninja Turtles had a completely different continuity between their action figure box descriptions and their animated series. The Transformers had entirely separate universes if you watched a show or read the comics. Even He-Man, often looked to as the ur-“merchandising as entertainment” toy that kicked off the last forty years, could not master a universe where their stage play was half as fantastic as their box art. And we don’t even acknowledge the movie! So, with such contrasting childhood presentations, is it any wonder that an entire generation of nerds craved an authority to tell them what was “real”?

Start at the beginning And, whether you were a turbo nerd that noticed Donatello had markedly different eyes across adaptations or not, this impacted vast swaths of people of a certain age. And that can have some long term ramifications! Kids notice when there are incongruities in their own little universe, and, as they grow into surly teenagers, they eventually identify these “incongruities” as “lies our parents told us”. And, when reaching a certain age means you realize your entire childhood was a slapdash fabrication designed only to get you to bug your parents to go to Toys Я Us right now, cynicism is the only result. Are you surprised that an entire generation would thus crave an ephemeral genuine article, and reflexively reject any further attempt at trickery? We were a generation that read propaganda magazines for fun in our childhood, you can’t just toss us a warmed-up smattering of media leftovers and expect us to roll over and play consumer. We care about our properties, because you made us this way, dad! If we were never meant to know the Zelda timeline, then what was even the point of buying three different Zelda encyclopedias, huh!?

Err… actually… yeah. You can pretty quickly see how marketing switched around from “buy this product because we say so” to “buy this product because it is the real story”. And that “real story” can apply in a lot of different ways. We no longer laud actors, we appreciate their characters. Michael Myers and Seth Green are not selling cars, it is Dr. Evil and son Scott that have a Superbowl spot. Networks are not telling you to go out and buy cat food, it is the silly Adult Swim bumper telling you to buy into the latest streaming service. And Soap Company is all about telling you, dear consumer, that it is now hiring models that are not “model skinny”, as, apparently, Soap Company is the arbiter of whether or not bodies are desirable or not. One way or another, it is all about authority and permission, and advertising agencies have learned that Millennials react well to corporations that are working “with” their audience… even if that authorization is apocryphal.

How could it be better What right does any company have to tell its audience what is canon? Original author? Sorry, you died. Company that acquired the rights in some merger? You will never undo Jaxxon T. Tumperakki just because you rubbed George’s beard the right way. And speaking of Disney, to even understand the most popular characters in their stable, you have to acknowledge that their stars were always meant to be adaptable cartoon “stars” that could fit into any situation. Mickey Mouse is a steamboat thief and magical warrior king, and he was literally designed to be able to be anything in between. Disney characters can be anything! Stop trying to sell us the “real story” of any given reboot! Stop trying to make “behind the music” for chipmunks!

… Yeah, alright, let’s talk about that trailer.

For any readers stumbling onto this blog post from the far-flung future of three months from now, understand that this entire article was written in response to the launch of the first trailer for Chip ‘N Dale: Rescue Rangers: The 2022 Motion Picture. I have not seen the movie. I have no real idea what the movie is going to look like. It could turn out to be the greatest thing since Citizen Kane (or at least The Lego Movie). I don’t know! But I do know that I had an almost instinctual, gut reaction to the trailer when I first saw it. And, even on a day when they also announced a Bioshock television show, this trailer stuck in my brain unlike any other chunk of media in recent memory. Hell, when was the last time I delayed an FGC post just so I could talk about something that happened “this” week? Maybe a Metroid game…

And why do I care? Well, because this trailer impressed upon me two basic facts:

I hate it. I hate it so much. This is a beloved children’s property by way of that food movie with the racist bread. This is some lowest common denominator dreck that is going to take potshots at the last thirty years of animation, and act like it is a damn trendsetter for daring to swing at a 2007 CGI movie nobody remembers (Beowulf. Yes it was a movie). You can’t claim you’re “doing a Roger Rabbit”, literally include Roger Rabbit, and then ignore the fact that the world of Roger Rabbit was a jaded metaphor for actual Hollywood, not some joyful romp through the dustbins of the Disney Entertainment Conglomerate.

This is extremely my jam.

Fuck it! Just fuck it! I am not afraid to admit that this is probably the exact movie I would create if given the chance. Jokes about animation that only make sense to people that remember really specific movies (again, Beowulf)? Sure! Extremely meta concept wherein Disney Stars are actual Disney Stars? It I'm your biggest fan beats rehashing a fight against Fat Cat. And while I might not ever indulge in the tired trope of “washed up stars” and “retired chipmunks”, the high concept lunacy of “CGI makeover” being a toon’s version of plastic surgery is right up my esoteric alley. Throw in an oblique reference to Chip ‘n Dale not having any time for maintaining airships, and you could practically see my signature on the script. And, while I am unlikely to be the person helming any Disney properties anytime soon (despite my prodigious Gargoyles fanfiction), I could even see being completely content with these concepts/gags as part of a comic book. I loved that time Lex Luthor and Porky Pig got to hang out, so a “where are they now” miniseries on the Rescue Rangers would be amazing. Hell, that’s just a little bit south of where the Darkwing Duck comic started anyway! And I loved that thing!

But this is a movie. This is a trailer that is being shared on every social media platform at 10 AM on a Tuesday. This is something that is being covered on every entertainment website ever created, and attached to a bursting comments section showcasing everyone’s slightest thought on the subject. This is something that will be advertised during commercial breaks, youtube pre rolls, and possibly even previews before big screen flicks. Hell, there are even odds this will have a trailer attached to Doctor Strange in the Multiverse of Madness. Chip n’ Dale will not be as ubiquitous as Encanto 2: Bruno’s Behooving, but it is likely to have a significant cultural presence between now and its release.

And that makes me want to kill it. I want to see violence visited upon it. I want it to pay for the crime of being advertised to the masses and being everything I could ever want.

Nobody likes sewers This is pandering. From the first moment they lovingly flash over a Nintendo Entertainment System and its attendant NES cartridge, you know exactly who this trailer is for. This is not for super fans that have a Chip ‘n Dale Rescue Rangers poster on their office wall (that I am currently looking at for inspiration, obviously), this is for people who dimly remember enjoying a cartoon some random weekdays after school. This is for people who can identify a “Nintendo game”, but do not even consider there could be someone out there with those games “mint in box”. This is a trailer aimed squarely at people that will not write 1,634 words (and counting!) about a goddamned movie trailer while pretending they are writing an article for a videogame blog. And I wonder what it is like to not be this crazy.

Er-hem.

It would be easy to step back from that statement as “oh you so cray cray” and call it a day, but I feel it is worth examining how I got to here. Strange but true: I wrote this article. All that nonsense about advertising at the top of the page? That is something that I have internalized since I heard the simple fact that “we” are supposed to be more resistant to advertising than our parents. It is something I have seen proven and reinforced over many years. God help me, the Digging the cat fact that I am not easily “tricked” is something that I have made to be part of my own feeling of self. I am someone that does not “fall for” advertising. I am better than that. And, as a result, I am constantly on guard. I know nostalgia has been weaponized against me before. I know there is a Mega Man themed gacha right over there, perfectly willing to bleed my wallet dry in the name of getting Halloween Themed Roll on a good pull. I know I have become the “target demo”, and now my own childhood and hobbies are being used against me. I know they’re all out to get me, dammit! This trailer is the latest in crass pandering to a generation that can never let its guard down, lest corporate forces invade and conquer the whole of the cosmos!

… Or it’s just a silly movie about rescue rodents.

While it may not be their usual, this is a Disney movie, firmly premiering on a Disney-exclusive platform. If Disney could find a way to require any and all viewers to live in Disney sponsored housing while drinking Disney flavored cola, they would absolutely do lock that kind of nonsense down. This is a horrible, greedy company that would gladly ransom your childhood if it meant making an extra six bucks. It grants me no pleasure to do anything that supports such a company or its endeavors.

But on the other hand? This is a movie that I think will be at least worth a watch. This is something that will at least garner a few chuckles, if only because they make fun of that one movie with the Grendel (Beowulf!). I know I could boycott this movie. I know I could live without it. But if I am being honest, I also know that I and literally everyone I know could boycott this movie, and it would impact Disney’s bottom line about as much as closing Disney World: Detroit Location. If I somehow convince my tens of followers that this chipmunk movie is the second coming of Hitler, congratulations, a bunch of people that don’t have Disney Plus anyway are going to hesitate before they pirate the thing. This movie is crass propaganda for a past that never existed meant to profit off a generation already drowning in nostalgia… but what else am I gonna do with a free two hours?

So you know what? Screw it. I know it is an ad. I know this is likely some marketing executive’s wet dream about a Disney Afternoon extended universe (God help me if this movie has a post-credits Bonkers cameo). I know I am being tricked. But, at a certain point, you have to pick your battles. You must acknowledge that maybe being mad at a faceless corporation all the time is only going to hurt you, and never hurt said company. Maybe, at a certain point, you just shut up and enjoy the chipmunk movie.

And whether you make that decision or not, Disney and its nostalgia machine is never going to stop. You know, it never fails…

FGC #619 Chip ‘n Dale Rescue Rangers 2

System: It was released for the Nintendo Entertainment System in 1994, making it the last Disney Afternoon game on its debut console (Ducktales [1] was released in ’89). It popped up again on the Disney Afternoon Collection in 2017 for the Xbox One, Playstation 4, Steam, and not the Switch (because we live in Hell).

Number of players: Chip ‘n Dale are both playable simultaneously, so that’s two rescue rangers.

Maybe actually talk about the game for a second: Yes, this whole “game” was an excuse to talk about a movie trailer. It’s my blog, I do what I want. Chip ‘n Dale Rescue Rangers 2 is more of Rescue Rangers 1, but with better box physics, and a lack of level select/choose your own path. But at least Gadget gets a sprite! In a perfect world, this would be the Mega Man 2 of Disney Afternoon games, but, as it is, it is a mostly forgotten nicety that is fun to play when you have a chance. Please do not look at eBay to discover how much that chance can cost…

The Little Things: No overworld map, no route select, and the best you can get out of having any sort of choice is the final three areas can be played in any order. This is a notable step down from the preceding game… but it can be forgiven, because there is some manner of bat-dog boss. Eat that, weird ass alien from the original.

Further Improvements: There is a level with a ticking-bomb timer! And some of the throwing items have interesting secondary attributes! And all of the bosses have Kirby-esque “return fire” opportunities to attack, rather than tossing a little red ball around. Somebody really identified what was slapdash in CnDRR, and improved it across the board for the sequel. Too bad it was released after everyone stopped playing NES games…

Favorite Boss: One of the last levels is a clocktower that seems like it was shamelessly imported from a Castlevania. And at the top of the tower is not Death, but an ostrich riding a gear like a unicycle. It is hard to remember anything else after dealing with that kind of nonsense.

An end: We get the typical Capcom NES ending sequence here, as the heroes teleport away to watch the villain’s castle crumble to dust. But did Fat Cat survive? Well, no, not if you only use further NES games as evidence. Maybe this movie will inspire a retro Chip ‘n Dale Rescue Rangers 3?

Did you know? Monterey Jack using cheese as a drug metaphor was already part of the text, guys. Like, it was the entire basis of the character. You’re not clever.

Would I play again: Yes. I’m going to play the Disney Afternoon Collection again, and then I’m going to watch the Disney Afternoon Modern Movie, because I am a loser. I admit defeat. Happy?

What’s next? Okay, now we’re going to hit The Incredible Crash Test Dummies… assuming nothing more interesting happens again. No guarantees! Please look forward to an unknown future!

Posted by gogglebob. Categories: Fustian Gaming Challenge. Tags: capcom, chip 'n dale, minecart, cats, Nintendo Power, nostalgia, advertising, steam, playstation 4, xbox one, disney, nintendo entertainment system, autobiography, mega man, two players.

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Jan. ’22

FGC #617 Astro Boy: Omega Factor

This is Mega Man. Mega Man has appeared in countless videogame titles, a handful of animated series, an excellent comic book, a reasonably acceptable holiday special, and more sprite comics than will ever be acknowledged. Like many “stars” of videogames and videogame adaptions, the Blue Bomber has a choose-your-own-adventure sort of canon, and, while there is a dedicated Mega Man timeline, if you want to claim that Mega lives in San Francisco or Monsteropolis, you don’t have to be wrong. And, on a personal note, I type this all with no small amount of authority, as I have dedicated thousands of hours of my life to Mega Man. That right there is Mega Man as he appears in Super Smash Bros Ultimate, and, should you require I provide a complete history of his exploits and appearances, that can be arranged.

This is Astro Boy. It is a well-known fact that Astro Boy is a significant influence on the creation of Mega Man. Astro Boy was the creation of Osamu Tezuka in 1951. That would have been a year when my grandfather was younger than I am now, so Astro Boy has been around for quite a while. Astro Boy has appeared in a number of cartoons, comics, and movies since his premiere, and he even scored one of the best Gameboy Advance games ever created in 2003/2004. Astro Boy: Omega Factor is a Treasure beat ‘em up/shoot ‘em up that plays like a lost Super Nintendo classic in the absolute best ways. It also features a surprisingly remarkable story mode involving betrayal, racism, time travel, and Osamu Tezuka creations as guest stars. In fact…

A major point of Astro Boy: Omega Factor is that it includes a full, Smash Bros-esque roster of classic characters. Some are allies, some are bosses, and some only exist to be hidden powerups. Whatever their purpose in the game, they all appear in a final “who’s who” that relays to a neophyte fan who you are looking at and why you should care. In a lot of ways, it is similar to the “trophy mode” of many Smash Bros. titles, and it similarly begs the player to learn more about Osamu Tezuka and his prolific body of works.

And… uh… I know nothing about these guys and gals. In fact, I am going to see if I can view the Tezuka stars exclusively through the lens of the various Smash Brothers. It worked for Mega Man and Astro Boy, right? Let’s start this off with…

Dark Pit

Dark Pit is the evil twin of the star of Kid Icarus, Pit. Pit has been around since the bygone era of Captain N: The Game Master, but Dark Pit was a new addition to the mythos back when Kid Icarus finally earned its third title, Kid Icarus: Uprising. Dark Pit was created by a magical mirror that was meant to draw out the worst traits of Pit… but Pit was too much of a good boy, so it created an “evil” twin that could best be described as surly. Dark Pit is an exact match for Pit in combat, though he has different divine patrons, so he can beat his counterpart in a few key areas. Regardless, Dark Pit pretty well defines the concept of the darker, edgier rival character, even if “darker” in this case mostly means “can say one (1) additional cuss word”.

Atlas

Atlas is Astro Boy’s mechanical adversary, and, in many incarnations, his literal or figurative sibling. This bother of a brother is as angry as Astro Boy is friendly, and has the typical rival problem of always having to be the very best, even if it means burning down the planet on the way to victory. In Omega Factor, Atlas is a tragic villain with a background involving moons and girls in suspended animation on said moons. This puts Atlas in some prime real estate to be the obvious villain at the start of the adventure, but more of a footnote as the story goes on. In fact, if you want a real villain, you should look at…

Ganondorf

Ganondorf first appeared as the Dark Wizard Ganon in The Legend of Zelda in 1986. Fun fact: distinct from characters like karting king Bowser or baseball star K. Rool, Ganon was one of the few Nintendo villains to never be playable in an affable capacity. You couldn’t even control Ganon outside of Smash Bros. until Hyrule Warriors in 2014, and even there, he was involved in a campaign to kill literally every other playable character. Not the friendly sort! And why would he be? He is an immortal outcast that desires nothing more than ruling/destroying a kingdom or two. Ganondorf is not a pleasant fellow.

Garon

Garon is an unstoppable robot from the stars that towers over Astro Boy and may have nearly conquered Earth once or twice. And, oh yeah, depending on the translation, sometimes he is simply known as “Satan”. That is not a name you want to see assigned to a giant robot. Garon is one of the monsters that Astro Boy wasn’t able to defeat with basic armaments in his original appearance, so ol’ Astro has to trick Garon into monkeying with the gravity and inadvertently hurling himself into the stratosphere. Now, I’m not saying this could ever work on Ganondorf, but has anyone ever tried tricking the big guy when he was making a wish on the Triforce? It might have some fun results.

Falco Lombardi

Let’s get back to the heroes. Falco Lombardi is the ace pilot of the Star Fox team. He has occasional fights with his leader, Fox McCloud, but generally seems to get along with his other fellow pilots, Slippy and Peppy. There have been a few rare occasions when Falco tried to strike out on his own, but, give or take when he tried to join F-Zero, he remains a loyal pilot. He’s also a bird-man. This isn’t unusual in his universe of eclectic animal people, and nobody really makes a big deal about his avian ancestry.

Duke Red

Duke Red appears in all sorts of Tezuka materials, most notably (in my mind) as a criminal kingpin in Metropolis. He has been a villain many times, but is a well-meaning politician in Omega Factor that kinda sorta creates a doomsday device that literally destroys the planet. Whoopsie. Regardless, what is important is that Duke Red is some kind of bird man, and nobody ever draws attention to this fact. Many Tezuka worlds are racist as hell, so he is patently not living in some kind of utopia universe. Maybe people aren’t familiar with birds in these stories? Whatever. This whole thing makes a whole lot less sense when there isn’t a talking toad around…

Bayonetta

It is miraculous that Bayonetta appears in Super Smash Bros. This is the franchise that had to stick nylons on some scantily clad weapon ladies, and could not include King of Fighter’s Mai as a background character because her design was not built for good little boys and girls. Bayonetta meanwhile is a bullet witch that hunts angels with the power of removing her clothes. She exclusively appears in games rated M for Mature, and swears like a sailor while destroying celestial creatures with hair-based attacks. And those heels! Attached to those legs! Won’t someone please think of the children!? I mean, she kicks ass and her games are awesome, but she looks a little out of place standing next to the Ice Climbers.

Prime Rose

In Omega Factor, Prime Rose is practically the definition of a damsel in distress, as she is caged in a tube for nearly her entire appearance, and two boy (robots) have to fight over her while she is double rescued by a brilliant surgeon. Likely as a result of being stuck in a tube/operating table, when Prime Rose is finally well enough to speak, she exclusively appears while stark naked. However, when she later is part of the game’s glossary of characters, she is wearing a battle bikini and equipped with a sword. Why? Well, apparently she originates from a 1982 manga that was meant to capitalize on a “cute girl” craze. And then there was a movie where she was some kind of anime Red Sonya. So, hey, when do we get to play that game? Prime Rose and Bayonetta could team up!

Banjo & Kazooie

Speaking of pairs, in the beginning, there was Banjo, and he was pretty good at racing. But this bear’s career didn’t take off until a bird’s egg fell into Banjo’s backpack, and Kazooie was born. Thus, the inseparable (except in that one game) pair joined forces, and beat back any green witch mean enough to cause a ruckus in Banjo’s neck of the woods. Banjo & Kazooie haven’t seen much play in recent years, but they are the good kind of goofy mascots that can appear in practically anything. Hey! Nintendo and Rare? Let Banjo do the Olympics with Mario. Everybody will enjoy it.

The Amazing Three

The Amazing Three are aliens from a far-off planet that were sent here to assess whether or not Earth should be allowed to continue to Earth along, or should be obliterated with a neutron bomb. Considering we’re still here, looks like we passed. Once the Amazing Three arrive on Earth, they take the forms of a rabbit, horse, and duck. That is enough like a bear and bird for me to be happy with this article’s comparison. Also, let’s be real here: Banjo & Kazooie need the ability to destroy their planet at all times. Can’t find that last musical note? Destroy the universe. It is appropriate retaliation. Oh, anyway, The Amazing Three appear as comic relief in Omega Factor, so let’s not worry about how Nokko the Horse Alien is eventually responsible for the birth of Bojack Horseman.

Piranha Plant

Piranha Plant is just one of those dudes you never consider who appears in damn near everything. Not unlike the cheap cheap, P.P. has not only done his best to appear in countless Mario platformers; the prickly plant has also appeared as background fodder in various Mario Karts, Parties, and probably somewhere in those soccer games. Of course Piranha Plant became a full fledged fighter in Super Smash Bros Ultimate: he appeared in the original Smash Bros as an obstacle in the hidden arena. Even Bowser didn’t make an appearance in that game!

Black Looks

Black Looks, aka Black Lux, was little more than a pissed off dude that hated robots in his original appearance. However, in Omega Factor, Black Looks becomes a trench coat clad army of dudes with laser guns and a major hate-on for robots. They are relentless, and, in typical Treasure fashion, there are some inexplicably stretched sprites of Black Looks, so you get to fight a few “humans” that are twelve feet tall. And this is the legacy of the piranha plant: a simple fellow that, through no fault of his own, is now an entire army unto himself. No one should be surprised when Black Looks start popping out of pipes and biting plumbers.

Incineroar

Incineroar, the heel Pokémon. Although it’s rough mannered and egotistical, it finds beating down unworthy opponents boring. It gets motivated for stronger opponents. When its fighting spirit is set alight, the flames around its waist become especially intense.

Brontus

Mont-Blanc, aka Brontus, one of the world’s seven strongest robots. A guide from Switzerland, it is said he had over 100,000 horsepower. He met Pluto, a gigantic bull robot, and was destroyed within a minute. He then appeared in the 1963 and 1980 anime… and was similarly immediately crushed. In Omega Factor, he is marginally invincible, and can shoot fireballs. So, like a Pokémon, his abilities are increased dramatically the minute he can run around in an actual action game.

Sora

Super Smash Bros. Ultimate’s final fighter: Sora hails from Kingdom Hearts, a game that may have been discussed on this site. Sora has an extremely convoluted backstory, but what is important is that he will fight for his friends, and his friends include a whole lot of Disney properties. Goofy, Mickey, Aladdin, Elsa, Jack Skellington: Sora knows all the big players, and they are all connected to his heart. Of course, you’re not allowed to mention any of them in Smash Bros., because Disney keeps an iron grip on its intellectual property, and apparently the world will explode if Mario’s white gloves touch Donald’s feathery butt. And speaking of Disney being litigious…

Pook

I know this one! Pook (aka Bobo) is a trouble making little boy robot that appears across various Astro Boy stories, but, more importantly, this Pook can transform into Jungle Emperor Leo aka Kimba the White Lion. Ever hear about Kimba? Kinda sounds like Simba, don’t it? Well, that is theoretically not a coincidence, as there have been many accusations over the years that Disney outright stole much of Kimba the White Lion when it was not able to purchase the rights. But, let’s be real here: that’s hogwash. After all, everyone involved in The Lion King’s production has claimed that they never even saw Kimba the White Lion, and it is just a coincidence that both stories involve lion protagonists with rhyming names, wise mandrill advisors, fratricide, a lion with an eye scar taking over in the prince’s absence, hyena henchmen, and a cute lioness love interest. And the scenes that look like they were wholesale lifted from the original Tezuka anime? Complete fluke! And Kimba doesn’t even know Elton John, so they’re absolutely separate movies. Let’s just put that rumor to rest now.

Donkey Kong

But we can’t ignore every bit of litigation in every company’s past. Donkey Kong is an established bit of Nintendo history now, but he came with a lawsuit in his early days. The estate of the late great King Kong claimed Donkey Kong was biting on the whole “big gorilla kidnaps woman and climbs on stuff” shtick, and Nintendo nearly had to retract its greatest selling arcade game for fear that it would be squashed by copyright law. While Nintendo won in the end, it just goes to show that even the most original companies often come from origins that border on theft, and all ideas stand on the borrowed shoulders of giants. If we are being honest, there would be no Donkey Kong without King Kong, and there would be no Mighty No. 9 without a Mega Man who needs his Astro Boy.

Sharaku

And that’s just Krillin fused with Tien Shinhan, right? This Osamu Tezuka guy is a hack.

FGC #617 Astro Boy: Omega Factor

System: Gameboy Advance. If ever a game deserved to be ported to something for modern consoles, this would be it.

Number of players: Astro Boy gets by with the support of his friends, but is stuck in a single player game.

Favorite Astro Friend: It is a great bit of storyline/gameplay synergy that Astro Boy levels up as he meets more people. I normally cannot stand a leveling system in a beat ‘em up, but I’ll allow it if it means Unico adds to your fighting power. Anywho, Don Dracula, head vampire of Mu, is cowering on a train, and will sell out his boss unprompted by anything, so going to congratulate that vampire on being my favorite “ally” in this adventure.

What gets your points? Power up Astro Boy’s mega death laser for maximum fun. Yes, it is a hyper move that requires charging some punches, but it is absolutely the best way to do damage to practically everything. In a way, it seems like Astro Boy learned how to be a videogame from Marvel vs. Capcom 2… which may explain why I like it so much.

So, did you beat it? I used a FAQ back in the day, because some of the conditions for unlocking the proper paths are complete nonsense (replay the tutorial stage? Really?). That said, for a game that is based on just punching and/or lasering stuff as hard as you can, the way the plot progresses is a really interesting way to get the player to experience the same levels over again. I would be annoyed if it weren’t so much fun.

Goggle Bob Fact: This game was a Christmas gift from my grandmother, and now this article is publishing on her birthday. She would have been nearly 110 this year! That’s weird!

Did you know? The North American version of this game was delayed to coincide with the release of the Astro Boy Saturday Morning Cartoon. This allowed Treasure to put some additional polish on the experience during the waiting period, so maybe that’s why this is easily one of Treasure’s best games. Or maybe fighting robots are just a natural fit for videogames. Whatever. It works!

Would I play again: Yes. Now somebody release it on Switch so I can play it without having to dig out an ancient portable system with pulsating batteries.

What’s next? Random ROB has chosen… Body Harvest for the Nintendo 64! We gonna fight some bugs! Please look forward to it!

Robots! We get it!

Posted by gogglebob. Categories: Fustian Gaming Challenge. Tags: pokemon, regular sized robots, kid icarus, bayonetta, giant robots, ganon, banjo, shoot 'em up, treasure, astro boy, smash bros, donkey kong, gameboy advance, star fox, mario, one player, mega man, beat 'em up, sora, Osamu Tezuka.

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Dec. ’21

FGC #611 The Misadventures of Tron Bonne

nice airplane This was Mega Man’s last chance to be a contender, but now Mega Man will always only be Mega Man.

For those of you that do not follow the career of our favorite super fighting robot, Mega Man has gone through several permutations throughout the years. He started as the simple Mega Man, but already graduated to being the “spirit” of (separate) Mega Man X six years later. From there, Mega Man has gone through many different versions and spin off franchises. Some of these franchises were further explorations of “original” Mega Man gameplay (Mega Man Zero somersaults to mind as an example), while other offshoots used familiar iconography in conjunction with wholly unique situations (Mega Man Battle Network… oddly enough, often releasing simultaneously with Mega Man Zero). But whatever the situation, you could count on Mega Man running, jumping, and shooting his way to victory.

… Except when he was hosting a board game. Or racing a go kart. Or that one time he wound up in a bad SEGA CD-esque anime “super” adventure…

There was a hot minute in Capcom’s history when the likes of Super Joe or Captain Commando were intended to be the Mario of the brand. But, somewhere in there, Mega Man became the de facto face of a business that was almost immediately synonymous with gaming. Mega Man! The little robot that blinks! And it was not just a matter of Capcom promoting its blue bomber; Mega Man appeared as a regular on Captain N: The Game Master, too! Complete with a Nintendo Power covers, Mega Man was extraordinarily popular in his salad days.

Oh blast it And, as one would expect, this meant Mega Man became involved in several experimental titles. Mega Man could always be relied on to show up every Christmas with a handful of Robot Masters to rob and/or obliterate, but did you know that Japan saw Rock Board, featuring Mega Man’s two feuding daddies playing boardgames? Or that time Mega Man had to rely on soccer to defeat Dr. Wily? And once we got past the Super Nintendo, the Playstation proved to be the console generation that saw Mega Man experimenting the most. Mega Man: Battle & Chase was Mega’s chance at a kart racer, and Super Adventure Rockman saw Rock starring in his own FMV/anime challenge. We also saw two Mega Man quasi-fighting games in the arcades during this era (finally! You can play as Duo!), and, as the Playstation gave way to the Playstation 2, the obscure Rock Strategy appeared on Asian PCs. Mega Man got around at the turn of the millennium, all while his “traditional” action gameplay had three different flavors immediately available. How should Capcom fill your cup? Mega Man Classic, dark and frothy Mega Man X, or the newest hotness, the legendary Mega Man Dash?

Back in its prime, we had no idea Mega Man Dash/Legends would only ever see three entries. Two of these titles were the straightforward Mega Man Legends and Mega Man Legends 2, which both featured running, jumping, and exploring a world that would be very comfortable including a Duff McWhalen or Doc Robot. But the second title released in this quasi-trilogy, The Misadventures of Tron Bonne, included running, jumping, and… a robot management simulator? And a puzzle game? And some light gambling? Wait, did I just see a rogue-like sneak into the background? What is going on here!?

STAY OUT In more ways than one, it is clear that The Misadventures of Tron Bonne was intended to be the experimental offshoot of the already fairly experimental Mega Man Legends. While Mega Man Legends went out of its way to confirm that this was the next generation for our blue hero, his “sister” Roll, and quasi-father Beard Guy, TMoTB barely made the most token of efforts to confirm it existed within the Mega Man universe. 8-Bit Mega Man appears in a random easter egg cameo, and… that’s it. No Dr. Wily boat rental here, and the concept of “Mega Man Legends” is barely even acknowledged on anything but the box copy. Beyond that, this is a story starring Tron Bonne and her family (characters introduced exclusively for Mega Man Legends) before they encountered our third favorite Mega Man. All characters outside the family, whether they be allies, villains, or frenemy police officers, are wholly new and were created exclusively for this adventure. And, give or take visual connection between Glyde and Glide.exe, none of these characters ever received so much as an echo in other Mega Man materials. The Misadventures of Tron Bonne is an island onto itself that was never truly revisited again in a franchise that has lasted to this day.

And that’s a damn shame, as once The Misadventures of Tron Bonne gets going, it fires on absolutely every cylinder available. Entire sections are given over to block puzzles, and said puzzles are careful, fun, and thoughtful. Meanwhile, “let’s rob a bank” or “let’s steal all the cows” are exaggerated bits of buffoonery where the action immediately feeds into the exact level of chaos you need when you can chuck whole trees at houses. The weakest segments are the “RPG dungeon” levels, which drag as you wait for your lil’ servbots to stop being squished, flaming casualties long enough to hit a switch or open a treasure chest. But even there, the NPCs of these caves are entertaining and memorable, and, give or take a quiz champ that should be left to die in a forgotten grotto, every “person” in these events could stand to survive to see the Battle Network franchise. Maybe they could control TediousMan.exe? Of course, even those RPG bits remind you that the “action segments” are king here, as every RPG boss is a matter of properly strafing around an arena and targeting servbots at the right weak point. Additionally, the opening and final segments of the whole game are both 100% examples of “action bits”, so, sorry if you really excelled at block shuffling, you need more active abilities to see Ms. Tron save the day.

GET ME OUT OF HERE Or… maybe that isn’t completely accurate. The final battle is a fight like practically any other standard Mega Man title with patterns to recognize and weapons to utilize; but there is one significant difference: levels. Your final matchup is fought not by Tron, but her favorite servbot. And said servbot can be a complete weakling or a daring master of bazookas. What makes the difference? You are responsible for “raising” the servbots between other events, and their levels are wholly dependent on the amount of love, care, and torture you shower on your minifigs. This means that, if you ever want to succeed in this world of airpirates battling other airpirates, you must engage in some light Tamagotchi gameplay to keep your army growing apace with your pocketbook. It’s an action game! It’s a simulation! And if you overlook either side of the equation, you’ll be no more successful than a JRPG player that ignores every town’s equipment shop. You have to remember to upgrade your g(G)ear(s)! (Not that that problem ever occurred on the stream…)

In short, The Misadventures of Tron Bonne was wildly experimental, and required the player to manage all sorts of skills to maintain a proper Tron Bonne capable of triumphing over her (relatively more) evil foes.

And then we never saw another Mega Man game try that again.

Asked and answered The Mega Man Zero franchise was the obvious continuation of Mega Man 2-D gameplay, but from Mega Zero 1 to Mega Man ZX Advent, we never saw so much as a cyber elf farming simulator. Similarly, Mega Man X made one attempt at its own JRPG with action elements and some very confusing warring factions… but probably the number one thing anyone remembers from that adventure is that it could unlock Cut Man in Mega Man X8. It seems the only future Mega Man franchise that tried to branch out from its “we’re doing the same thing every year like clockwork” gameplay was the Mega Man Battle Network series. Though, even in that case, its side games were either attempts to emulate other Mega Man games (Mega Man Network Transmission), or diversions that could barely come together as complete titles (Rockman.EXE Battle Chip Stadium, Mega Man Battle Chip Challenge). And by the time that franchise graduated to Mega Man Star Force on the next generation of hardware, the best anyone could hope for was an enhanced rerelease in the form of Rockman.EXE Operate Shooting Star. Bit of an inglorious end for an entire Mega Man Universe…

The Misadventures of Tron Bonne was a wildly experimental, incredibly entertaining diversion from traditional Mega Man gameplay that somehow still included wholly recognizable experiences. And not only was it never attempted again, but it apparently was the end of any experimentation in the Mega Man franchise. Pac-Man and the Ghostly Adventures 2 sure ain’t what my grandfather would recognize as a Pac-Man game, and Zelda Warriors is not your traditional Link jaunt. But Mega Man? Mega Man 11 is very much “the next Mega Man game”, and apparently a tie-in game for Mega Man: Fully Charged is too much to hope for. Mega Man is no longer allowed deviation, and that mandate has apparently been the norm since Tron retired from questing in 1999.

The Misadventures of Tron Bonne is a great game that apparently had horrible consequences. Sorry, Mega Man, but looks like Miss Tron is the reason you’ll never see a tennis court. Maybe Mario could let you guest sometime…

FGC #611 The Misadventures of Tron Bonne

System: Playstation 1, because that is the system that could include a demo disc for Mega Man Legends 2 (coming soon!). A Playstation 3 PSN release is also available.

Number of players: For a game with forty servbots, you only get one player. Kind of amazing some multiplayer minigames didn’t sneak in there.

For the Future: You can see the first rumbling of much of the Mega Man Battle Network franchise in the Mega Man Legends series, and it is hard not to notice how the various “characters” of the RPG segments in TMOTB map easily to personalities that would be revisited by the time Lan was playing with his NetNavi. Tuttle, the dork exploring a cave in a top hat and suit, is just begging for something like FancyLad.exe.

Risk it All: There is also a casino level available. I am sure there is some ridiculous method for exploiting this mission and earning all the zenny you would ever need inside of the third mission or something. But, as someone that finds gambling inevitably stacked against my favor in most games (and most of reality), I only ever see my poor favorite servbot losing cash while his mistress rests. Sorry, Miss Tron!

Favorite Weapon: Give me a bazooka, or give me death. Or give me death, too, when my rate of fire is too low to beat back some ruins-based monster mech. That happened on the stream!

Watch it, Buddy: Speaking of which, here is the archival footage of my misadventures with Tron Bonne.

There is a bit of an audio issue at the top of video 1, but the rest is just vibes. Oh! And I’m not super terrible at this one like the last Mega Man Legends game!

Did you know? Tron’s voice actress sings the theme songs in the Japanese version. Under normal circumstances, “the main character sings” usually strikes me as out of character for nearly every videogame heroine I can name. However, the concept that Tron is trying to earn a few extra bucks through releasing her own album is 100% congruous with a woman that would spend her day shuffling apple boxes for a meager payout. Karaoke is Plan R or so on the list.

Would I play again: Yes. I had forgotten how much fun this game can be. Mind you, I am not going to play it again for a while, but when I do? Oh boy! Fun times to be had!

What’s next? Random ROB has chosen… Jim Power: The Lost Dimension in 3-D! Possibly because I accidentally vacuumed up some automaton’s favorite gyro, this robot is trying to visit misery upon me! Please grab your 3-D glasses, and look forward to Jim Power!

Posted by gogglebob. Categories: Fustian Gaming Challenge, Even Worse Streams. Tags: one player, mega man, playstation, mega man legends, servbots, live, playstation 3, keep beach city weird, skeletons, jrpg, capcom, puzzle, action, tron bonne, BEAT, fanboymaster.

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Nov. ’21

FGC #606 Mega Man Legends

Go, Mega! I’ve been trying to figure out why I’m so bad at Mega Man Legends, and I’ve settled on a culprit: it’s-a Mario.

As True Gogglebob.com Believers may already be aware, I recently streamed the entirety of Mega Man Legends as part of our now-been-happening-for-a-year-holy-cow Tuesday night streams. Mega Man Legends was chosen because we had been talking about it randomly across other streams, I was kind of anxious to replay the title, and (the most important factor) I just plain remembered liking the game. And I still like it! I just happened to discover that, apparently, I am no longer any good at Mega Man Legends. I died to that dang bulldozer boss like sixty times! It was nebulously embarrassing!

So, in an effort to make sure that every stream is not a gauntlet of Goggle Bob death, I went back to my original save, and loaded up the “final” save I had on my ancient Playstation 1 Memory Card. I beat the game from that file, and, since Wee Goggle Bob had satisfied the necessary conditions, I was able to play a New Game Plus/Easy Mode that all but guaranteed my success on stream. Nothing can stop MegaMan equipped with the Easy Mode Buster! And how do you earn that ultimate weapon? Well, you beat the game on Hard Mode. And wondering how you unlock Hard Mode? Simply beat the game on Normal Mode! So, to be clear, at some point in my not-too-distant past, I not only completed Mega Man Legends, but beat it twice with escalating exertion. I was once super good at Mega Man Legends! Data, can you tell me what happened!?

I hate this guy I will admit that I did not particularly like Mega Man Legends when it was released. I beat it. I played it a lot. But I did not like the trajectory of Mega Man and his fellow “8-bit mascots”. Castlevania had its 64-bit, 3-D adventure. The Legend of Zelda dropped its top-down perspective for 3-D fluting. 2-D fighting games had to make way for 3-D ballerina fights. Contra was doing… something. And, while we certainly had Mega Man 8 and Mega Man X4-6 on the Playstation, Mega Man Legends seemed to imply that 3-D was the next big frontier for our Blue Bomber. Did I identify Mega Man Legends as a good game? Of course! It is a good game! But it represented a trend I did not endorse, so I felt my time was better spent banishing Jet Stringray over in the 2-D Mega Man X universe. In fact, while I played nearly every “3-D reimagining” of a beloved franchise that came down the pike, I want to say there was only one 3-D title that I replayed repeatedly during the N64/Playstation 1 era. Ladies and gentlemen, it is time to look at Super Mario 64.

And, fun fact, I have no idea if I even like Super Mario 64.

Here are the objective facts: I have collected all 120 stars in Super Mario 64. I accomplished this feat “back in the day”, and without the assistance of a strategy guide or FAQ. I explored every inch of Princess Peach’s Castle, unearthed every last portal-world (it took me forever to discover that Rainbow Ride even existed), and saw Mario nab any and all “secret stars”. Despite 100% completing the game in 1996 or so (I wonder if I finished it in “just” three months…) Over the years, I have returned to Super Mario 64 again and again, playing through its many ports (Wii! WiiU! Switch for a limited time for some reason!) and incarnations A nice sip (Release the DS version again, you cowards!). Whenever I play the game, I always go for all the stars, because it is a Mario game, and tricking yourself into playing less Mario in pursuit of a “speed run” is folly. There is a whole portrait world over there that you can skip, but don’t you want more game out of your game?

Except… I am not certain I like any of those portrait worlds.

Here, I made this chart of courses in Super Mario 64, and my opinion of them:

Bob-omb Battlefield	Fun, but a little too “baby’s first world”
Whomp’s Fortress	One “fight the boss” course stretched to six remarkably similar challenges
Jolly Roger Bay	Swimming world that is absolutely zero fun. Eat my ass, collecting 100 coins
Cool, Cool Mountain	Princess’ Secret Slide is a better version of the one fun part of this course
Big Boo’s Haunt	What’s the trick to this stage? Random “invisible” panels? Pass
Hazy Maze Cave	Should probably be six separate secret areas, and not one big, boring dungeon
Lethal Lava Land	If you are not surfing a shell through lava, you are not having a fun time
Shifting Sand Land	Absolutely the worst. Every star is just… ugh
Dire Dire Docks	Should have just been one secret star, extremely thin on other “challenges”
Snowman’s Land	We reskinned the lava stage. Hope you don’t notice
Wet-Dry World	One interesting gimmick on a level no one ever wants to play
Tall, Tall Mountain	Pretty fun, assuming you do not have to worry about 100 coins
Tiny-Huge Island	You like bottomless pits? Sure you do!
Tick Tock Clock	No. Just no.
Rainbow Ride	Oh we heard you like losing all your progress to bottomless pits from Tiny-Huge Island. Guess what?

And then the game ends!

Weeeee And before Mario 64 defenders flood my inbox (yes, I still operate under the delusion that I am capable of upsetting the internet at large), I realize I am being hyperbolic. I cannot think of a single SM64 stage that does not include a justifiably redeemable star (well, except Shifting Sand Land. Screw that stage). And, yes, my own Mario enjoyment does seem to lend itself to Super Mario Galaxy-esque experiences where stages are over quickly, and you move rapidly from new setting to new setting. It seems only natural that I would swiftly tire of “now do the same thing again in a slightly different way” gameplay (looking at you, Cool, Cool Mountain). But if I am being honest, there are stars that I fear like nothing else in the Mario pantheon. I would chase a thousand Liquid Marios in Super Mario Sunshine before I ever wanted to collect a hundred coins across Tick Tock Clock again. And I would rather jump rope forever than follow around an eel in Jolly Roger Bay. I understand that it is the nature of the completionist itch that I do not have to do any of these things to fully enjoy Mario 64, but what is even the point in being alive if I play Mario 64 and don’t earn 120 stars!?

But I am alive, and I did earn 120 stars in Super Mario 64. Before I moved on from SM64, my cartridge had four different save files with a total of 480 stars. What was the point of that? Perhaps to showcase that I had done it. Or maybe to remind myself that I played SM64 more than practically any Mario title before or since. I may have hated individual levels, but I explored the living hell out of that castle. I spent hours and days of my life on Super Mario 64 to the point that it is now part of my bones. If I “had to” replay the game right now, gun to my head, you have to find Yoshi or you die, I could do it. I do not think I could do that with Mega Man Legends, and the stream of my failures all but confirms this. Why is that?

Because the Nintendo 64 didn’t have any other games, dammit.

BZZZZZZT I scrimped and saved my allowance to afford a Nintendo 64 at launch. I was the happiest boy in the world, and I was going to be damned if I did not use that system to its utmost… Even if the only other game available was Cruis’n USA. I may not have liked the general format of Mario 64, or even a number of its individual challenges, but I was going to play it as much as possible, dagnabbit. I would rescue the princess over and over again. I would toss Bowser into the sun as many times as it took. I did all of this because there were no other options. And, naturally, I got better at it. Naturally, I interpreted this endless playtime as some kind of affection. Naturally, I played the game when it was rereleased, because didn’t I play that game a lot back in the 90s? Yeah, that sounds right. Let’s try it again. I played and continue to play Super Mario 64 out of a sort of eternal attrition, because, for a time, it was my only videogame. Or, at least, it was the only next gen videogame worth playing.

Super Mario 64 kidnapped my attention, and gave me Stockholm syndrome for life.

Weeee And Mega Man Legends? I am willing to say that is a better game than Mario 64. If it is not better, it definitely offers a different, wholly unique experience that is a parallel, but just as good, game as Mario 64. It is more of a “run and shoot” game than Mario’s punch ‘n hop times. It features a huge, interconnected dungeon world, and encourages finding connections between areas that would be eternally separate in Peach’s Castle. The characters and their attendant voice acting/animated acting are marvelous, and a far cry from Mario’s “let them eat cake” morsels of a plot. Mega Man Legends may not have anything as sublime as recklessly gliding over a bob-omb battlefield, but it does have jet boots to spare. Mega Man Legends is an amazing game, and, playing it in 2021 reminds me that this has always been one of the best Playstation games out there.

But it was just one of an amazing crop of Playstation games that were released in 1997. It was not the only decent N64 game release in 1996. As a result, one game got played over and over for years, and the other was left to rot thanks to the likes of Final Fantasy 7, Symphony of the Night, and maybe even Alundra.

And that’s why Mario is responsible for my lack of Mega Man Legends skills. It is all that pesky plumber’s fault…

FGC #606 Mega Man Legends

System: Playstation (1) is host to the original and most beloved release. The Nintendo 64 version came along in friggen’ 2001, and was way too late to make an impact on gorram anything. And it was a compromised port on top of it! The PSP version came out four years later (but exclusively in Japan), and a Playstation 3 port scuttled out a decade after that. This is arguably the saddest release schedule gogglebob.com has ever recognized.

Number of players: Would have been cool to see another digger get into the act, but we are sticking to one Mega Man here.

Favorite Sub Weapon: It is a shame that the signature “variable weapons system” of Mega Man is relegated to refining treasures here, and not gaining, like, the Bonne Blaster after a boss fight. That said, the tactical laser weapon on my original save file is the bee’s knees… and not something I felt like earning on the stream. I guess I am going to say the drill arm this time, because I very much appreciate drill appendages.

Story Time: I very much appreciate how 90% of Mega Man Legends is just “have fun running around a neat island”, and then the last 10% is some hoary old tale of apocalypses, fallen civilizations, and allusions to MegaMan Volnutt being the secret chosen one that will change the world. This is an extremely JRPG-esque twist, and I have to wonder if this kind of plot just automatically bubbles to the surface the minute your otherwise carefree games includes treasure chests. See also Hearts, Kingdom.

Come to think of it: Complete with the myriad of sidequests and an ending that pretty closely apes the beats of the original Dragon Quest, was this all an early attempt to make the ultimate Mega Man: The RPG? And, if that is accurate, why did it take two Mega Man Battle Network games to get there? And why did they even bother with Mega Man X: Command Mission? So many unanswered questions.

Tron Resurrection: Tron and her family are easily the best part of Mega Man Legends, and it is pretty clear this was noticed practically from the beginning. You see a Servbot before you meet about 90% of the cast! Not even counting the title screen! The biggest loss in not seeing the Mega Man Legends franchise flourish was having to only see Tron in random spin-off titles.

Watch it, Buddy: Want to see the previously mentioned stream? Well here you go.

It gets good around Part 3. … Or I just get good…

Did you know: Motion capture was distinctly used to create the iconic cinema scenes of Mega Man Legends. This makes Mega Man Legends one of the first games to use motion capture in a videogame for something other than ruthless decapitations.

Would I play again: I will play Super Mario 64 again. I will not play Mega Man Legends again. What?! I would rather play Mega Man 3! That’s how it goes!