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World of Final Fantasy Part 12: Let’s Review

Thanks to a witch’s curse, I am obligated to write about any videogame I have played for longer than a half hour, so let us contemplate World of Final Fantasy.

Long story short on the whole game? It was a noble attempt at… something, but it is hard to say if it ever succeeded at anything. I’m trying to work out those “goals”, though, so I’m thinking a good start would be…

World of Final Fantasy is World of Final Fantasy, dummy, it’s about the Final Fantasy heroes

There’s one reason that everyone bought this game (well, everyone that actually did buy the game), and it is Final Fantasy with a capital F. Final Fantasy has one of the greatest pedigrees in the history of gaming, and, while Mega Man, Castlevania, or alike has dropped off in recent years/decades, there has never been a year without a Final Fantasy or Final Fantasy-adjacent product since the advent of the Buster Swordcitation needed. Final Fantasy may be right up there with Mario and Madden as one of the most established gaming franchises out there, and, like it or not, we’ve got Final Fantasies filling up shelves all over the place.

And, in a weird way, that might be a problem.

Dance through the dangerI know a lot of people reading this have been gaming all of their lives, right there from the advent of the Nintendo Entertainment System. And that likely means you’re damn well near forty. And you know what that also means? You’re old! There were an awful lot of people that were born in the intervening four decades! And they might like Final Fantasy, too! Except, you know, their first Final Fantasy game was Final Fantasy 7. Or Final Fantasy 10. Or, wonder of wonders, they may have played their first Final Fantasy game this year, and it’s a MMORPG involving a strangely high number of cat boys. And that’s before we even get into the people that got into gaming later in life, or just recently decided it was time to see what this “Final Fantasy” was all about, or just picked up Final Fantasy 6 because it came with the Super Nintendo Mini, or even they’re interested in finding out the deal with these weird dudes from the Kingdom Hearts 3 expansion. Point being is that there are 35 years of Final Fantasy out there, and people could have started with Final Fantasy “one” or fifteen.

And, if you’ve found you enjoyed Final Fantasy, it’s only natural to have a desire to see what else is out there in the franchise. Only issue? That could take you the rest of your life. There is a lot to any given Final Fantasy, and, before you get into the idea of how even the smallest FF takes like ten hours, nearly every FF also has wildly disparate moving parts. The battle system in Final Fantasy 5 isn’t going to effectively help you learn whatever Lightning is flipping around about in Final Fantasy 13, and everything you ever learned about harvesting Flan Princess in Final Fantasy 4 is not going to be relevant by the time you have to complete all the “hunts” of Final Fantasy 12. Even if you had infinity time for playing as many videogames as you ever wanted (I want to live there), the Final Fantasy franchise is still daunting, as you have to rapidly switch tracks between mastering materia and farming playing cards. And then you never see a reason to have that “skill” ever again in the franchise (or, for that matter, anywhere else in any other game).

I am a master of the gambit system. That didn’t even survive to see Final Fantasy 12-2 (it happened! It was on DS!)

I like this oneAnd, to be absolutely clear, it is in Square-Enix’s best interest that you have not only an affection for the whole of the Final Fantasy franchise, but that you also know it inside and out. Easy example? Dissidia Final Fantasy NT is a fighting game (basically) that relies on you having a familiarity with its cast of Final Fantasy luminaries. And when SE decides to release expansion materials like new fighters, management is literally banking on you not only knowing who Zenos yae Galvus is, but also that you like said character enough to shell out five bucks for the experience. Locke Cole isn’t going to put cyberdollars in cyberwallets if everyone that ever cared about the dude stopped playing videogames in 2010. And this is just one game! Mobile experiences like Pokémon Go, Fire Emblem Heroes, and the entire Fate/Stay franchise are all at least partially based on the concept that people will do godammned anything to get a shiny Pikachu wearing a party hat (or, for the equivalent in the Fate franchise, a shiny, sexy Benjamin Franklin wearing a party hat). Square Enix needs every man, woman, and lilkin on Earth to love Cloud Strife, because the quarter 2 profits are already based on the idea that a million people are going to buy Lara Croft’s Tifa crossover outfit.

Oh, and I guess it’s good for gaming discourse if everyone has the same Final Fantasy knowledge, too. But that’s not super relevant to the people that choose which games get greenlit.

This finally brings us to World of Final Fantasy. It is clear what World of Final Fantasy was trying to do: in the same way that Kingdom Hearts condenses entire Disney movies into “worlds” that feature five characters and two dungeons, World of Final Fantasy boils down its Final Fantasy “guest stars” into their component parts with generally distinctive plots and locales. Yuna the responsible summoner is hanging around the Pyrefly Forest where she first boned a ghost, and Rydia the more cheeky summoner has a peppy adventure where she faces her fear of fire. Final Fantasy guest characters show up just long enough to make an impact on the player, but not outshine the “real” heroes of this tale. In short, by the end of World of Final Fantasy, the player should have a general fondness and understanding of characters from a solid fourteen or so Final Fantasy games. And it’s reasonable to say that playing one 40-hour game is a faster path to understanding the Final Fantasy pantheon than playing fifteen games that could potentially suck up the rest of your life.

I know that guyBut there is a bit of an issue with using the “Kingdom Hearts approach”. No one is going to mistake Pinocchio for Aladdin for Jack Skellington. However, when you hit the FF games, well… Squall is a competent SeeD “hero” that has some issues with confidence. Cloud is a competent SOLDIER “hero” that has some issues with confidence. Lightning is a competent… ah, crap, we’ve already hit a wall. A lot of Final Fantasy characters kind of boil down to the same character once you remove them from their more complicated home plots. Squall and Cloud are very different protagonists in their respective adventures, but, in the limited World of Final Fantasy, they’re practically the same as Tidus. In fact, in a weird way, the “knights” of World of Final Fantasy become something approaching a boy band. Tidus is the funny one, Lightning is the serious one, and Squall is the one that is interested in gardening for some reason. They are only graphically distinguishable, and, frankly, the funko-ization of the gang doesn’t help in that department either.

And, while this at least gives a new audience the cliff’s notes on a particular hero or supporting character, it’s disapointing for anyone that is in this to see those beloved Final Fantasy characters again. Tifa is in “Nibelheim flashback” mode, so she’s… what? A martial artist in training/cowgirl? That’s a far cry from the confident “mom of AVALANCHE” that starred in Final Fantasy 7/Remake. King Edgar comes off as little more than an aggravating flirt compared to the original king that was willing to participate in a hentai to rescue his countrymen. Vivi had practically an entire game’s worth of meditation on mortality and the meaning of life in Final Fantasy 9, and here he barely even has a name. It’s cool that the “intervention quests” all seem tailor made to please people that want to see Pirate Princess Faris and Ifrit have a conversation (I have been writing that fanfic since I was thirteen!), but everything here is so shallow as to be nearly insulting. Final Fantasy fans want a phoenix, yet World of Final Fantasy offers chicken feed.

Lil' DudesSo World of Final Fantasy is shallow as an introduction to Final Fantasy characters, and even shallower for anyone that wants to spend more time with particular protagonists. But maybe we’re barking up the wrong tree! Maybe it was never supposed to be about the “cameo” characters, maybe…

World of Final Fantasy is its own game, dummy, this is about the original characters and plot

First of all, to break kayfabe for a moment: ha ha ha, oh man, that’s a good one.

Second of all, this is a place where World of Final Fantasy knows what to do, but refuses to put in the time on the “homework” to make it actually happen. As previously stated, World of Final Fantasy follows the usual arc of a Kingdom Hearts story: the plot and main characters are introduced, that is then ignored for hours as our heroes have a ball with a pile guest characters/worlds, and then it all comes back to an original “point” in time for the finale when guests met across the adventure may or may not find a way to help in the concluding, ridiculous battle. Unfortunately, what works for Kingdom Hearts absolutely does not work for World of Final Fantasy for one simple reason: you are never given a reason to care about Lann and Reynn.

The twins are, like, your main characters, right? So you probably feel something there. But beyond that? I technically spent entire days’ worth of hours with those two, and I could barely tell you their defining attributes. Yes, they’re both generally well-meaning heroes that will fight against injustice and love their parents… but past that? Lann is the goofy one, Reynn is the responsible/contemplative one, and, aside from a certain woman’s hatred for cactus men, that’s all I got. They are not really characters beyond broad archetypes, and, when bad things happen to them, nobody cares. Oh, they were wholly responsible for a hundred years of hardship? Yeah, alright, I could buy that. As believable as anything else in this world.

Everybody happy?And a reminder that this game is from the same people that brought you Kingdom Hearts 2, which somehow made the fans demand an entire Kingdom Hearts “miniseries” game based on some dork from the opening skateboarding tutorial or whatever. KH2’s Roxas is a fully established, sympathetic character inside of like seven seconds. His own featured game made him a tragic hero that could rival the likes of Shakespeare (or at least anything from the Marvel Cinematic Universe). Lann and Reynn never come close to that over the course of an entire game.

And don’t try to claim the other original supporting characters in World of Final Fantasy fare any better, because there aren’t any. Wynne and Enna both alternate between macguffins and lore dumps, and then we have… Tama the fox mascot? Do not waste my the-time.

But maybe it’s about the overarching lore, right? Maybe this is another Final Fantasy 13 situation wherein the cool, established world is masked in data entries and other “data logs” hidden around the world. Maybe this is the kind of story that isn’t necessarily about the characters, but about the world (of Final Fantasy).

And, sorry to say that I’m continually setting you up for disappointment here, but World of Final Fantasy flubs there, too. This wasn’t explored much on the stream (what kind of maniac would make a “let’s read” let’s play?) but there are “datalogs” and glossaries to spare in World of Final Fantasy; and, spoilers, they all add up to a big fat nothing. Yes, there are multiple, fascinating stories in World of Final Fantasy’s backstory (and even more in Maxima), but they all combine to form a Voltron of oblivion (and Enna Kros forms the head).

Let's just chillThe ultimate punchline to the lore of World of Final Fantasy is that there are some people that merge with powerful summons to ascend to godhood, and, once they have established their nigh-omnipotent powers, they can create worlds. So there are worlds of fantasy, there are worlds of sci-fi, and (since some people are jerks) there are worlds of death-spewing dragons. And some worlds are proper Final Fantasy games, some worlds are obviously implied to be the spin-offs, and some worlds are like this one: where there’s a little sprinkling here and there of the familiar, “main” worlds, but they’re still fairly bonkers. And, of course, sometimes the worlds fight. And, end of the day, that’s that. There are infinity worlds with infinity permutations, and World of Final Fantasy 2 could have equal odds of being another adventure in “this” world, or one where you’re piloting a space ship in a shoot ‘em up (Einhänder is unquestionably implied to be another world). And when your final word on lore is that “all worlds happen and could happen and are happening” it kind of makes the whole thing feel… pointless? Like, I saved this world, I saved Wynne, but apparently there a bunch of other worlds? And even other Wynnes? There’s possibly a great moral here about how saving your own world and the people you love really matters in the face of infinite choices, but that lesson is seemingly absent here. This is one World of Final Fantasy, there are a thousand out there, too, and good will always triumph over evil regardless of what anybody does.

By Alexander, it’s Bioshock Infinite all over again. That’s never good!

But it’s possible that this is all purposeless anyway. Maybe you’re not even supposed to take these characters seriously at all…

World of Final Fantasy is a comedy, dummy, just laugh it off

Punch!There are 100% funny moments in World of Final Fantasy, and a lot of lesser jokes that could conceivably be funny to an audience that has not become jaded after years of watching Poshul die on the cross in complete earnestness. There are also some amazing mirage entries that are hilarious, and a few that are… well, that one where they keep trying to make "Lich" rhyme with a naughty word. And the twins really are the classical "straight man and goofy man" partnership.

That said, if you’re trying to make something a comedy, maybe don’t hang it all on a story where you’re required to kill your parents. Twice. If World of Final Fantasy is a comedy, it falls under the same issues: it can’t fully commit, and the parts where it veers into drama stand out a lot more than Lann playing football in the background of an info dump. It can be a funny game! The characters can be enjoyable! But if you’re going for funny, go for actually funny, and don’t hang it all on a world that is literally based on a genocide that was instigated by the "wacky" heroes.

While my contemporary, BEAT, believes “the choice of character models being those dead-eyed funko pop abominations prevent the kind of expressiveness required for any sort of character-based comedy,” I take the opposite position: it feels like, maybe, the fact that Cloud is a wee puppet man is supposed to automatically add levity to any situation. Mini Cloud and Lil’ Tifa are facing Ultima Weapon, and Nibelheim is in danger, but, ha ha, they’re action figures, who cares? It’s silly! But nothing else about the narrative seems to indicate the Lilkin Heroes are anything but serious about their world, and, yes, you’re supposed to take Cloud fighting an impossible monster as seriously as in Final Fantasy 7 Remake. So, yeah, Lann might make a crack about something being ridiculous in the midst of that, but you’re still in a situation as "serious" as real Final Fantasy, and, give or take a cactuar on your head, you’re in a battle that is exactly as serious as your average Final Fantasy.

Giggle through the gallowsThis game was intended to be comedic. And there are funny bits! World of Final Fantasy sincerely tries. But, end of the day? There were more genuinely funny bits in Final Fantasy 7 Remake than World of Final Fantasy. And, in some cases, it came from the exact same characters! It can be done! Just WoFF doesn’t seem to know what it wants enough to stick to it.

But it’s possible that this is all purposeless anyway. World of Final Fantasy shouldn’t be judged like a dedicated comedy…

World of Final Fantasy is a videogame, dummy, it’s supposed to be fun to play

Look, let’s get one thing out of the way (he said 2,000 words in): this is supposed to be Final Fantasy: Pokémon. Like a lot in WoFF, it only half commits, as the whole “mirage keeper” aspect of this adventure is arguably generally ignored in the plot (being a mirage keeper is super important to the plot, but you could also replace the nuts and bolts [and backstory] of “mirage keeping” with “making coffee”, and very little about the story would change.) (“Oh, your mom was a high barista of the cappuccino lineage? How interesting.”) But it is everything during battles. The meat of World of Final Fantasy’s challenge isn’t so much about fights that are “hard” to actually manage, but more that you have to manage your mirages before every bout, and be sure you’re prepared for whatever is going to happen this time. A new mirage can only be captured by casting fire on it? Great, be certain you have a fire mirage. This boss is weak to ice? Well, you might lose once, but come back with a Shiva in your gang, and you’re set. And the stacking aspect makes this replacement for “equipment” interesting every time: you can’t just don an anti-lightning ring accessory, you have to “stack” an anti-lightning mirage with another mirage that isn’t going to negate your prime immunity. You have the ability to create completely contradictory stacks, and then never get anything done! Or properly manage all your mirages, and blaze through a volcano with all the (metaphorical) ice armor of the Light Warriors of lore. It might take some time, but it is empowering to “get it right” with your stack for a particular area.

Go birdyOf course, if World of Final Fantasy is biting on Pokémon for this gameplay, they missed one key feature in that experience: being able to switch Pokémon on the fly. Like in Pokémon, you have a limited number of mirages that can be on your belt at one time; however, unlike the Gamefreak original, you absolutely cannot switch your mirages in the midst of a battle. Whatever you chose to start this battle with is stuck until you either win, run, or die. And, while it’s not difficult to solve the puzzle of maybe you need an electric team in the robot-based dungeon, many of the later areas are more generic, and require a greater swatch of abilities and resistances. And there is nothing worse than facing down a gigantic behemoth, knowing you have you the proper instrument in your toolbox right over there, but, sorry, you’re stuck in this battle right now, and you’re going to have to whittle down those health points in the most boring, least satisfying way possible. And then you switch in your trump card for the next behemoth battle, only to face a mag roader team that requires a totally different solution. It’s exhausting, and another place where World of Final Fantasy falls just short of being a great game. It’s not terrible! It’s just… close enough to great that you can see exactly what went wrong.

And while the battle system may be satisfying when it comes together, the dungeons need some serious work. Final Fantasy hasn’t ever been a franchise that was particularly known for its dungeons (monster closets? Yes. Dungeon design? No), so we’ve got an uphill battle there to begin with. But here the dungeons are generally extremely generic locations (ice cave, volcano, basement) with marginally interesting gimmicks (ice sliding puzzle, put out fires, turn on machines). There is exactly one dungeon in this entire adventure that I found remotely memorable (underwater temple complete with wall-walking action), but even that wound up overstaying its welcome by about 20%. Past that, the only other dungeon that even came close was the Train Graveyard, but that loses some significant points for being an extremely confusing maze of platforms that easily loop on each other.

Let's get mistyAnd speaking of the Train Graveyard, that was a dungeon that absolutely required bringing particular mirages with particular abilities (in this case, “zap” and “smash”), whereas previous dungeons only relied on the “map screen abilities” as a way of accessing extra treasure. Was there some warning that I absolutely had to bring a smash-based mirage to this dungeon? Not that I saw. So did I waste a solid half hour trying to figure out if I could solve this “puzzle” without needing a specific mirage, like I had in every dungeon prior? Yep! And that doesn’t leave an impression at all.

And if this entire writeup makes World of Final Fantasy sound like a bad game, I apologize, that is not the intention. This has been a list of the significant problems in World of Final Fantasy, but it is also a list of the only significant problems in World of Final Fantasy. I will admit now, before God and audience, that there were moments when I absolutely did not want to stop playing World of Final Fantasy. The whole adventure really clicked around the 30% completion mark, and, from that point on, I was tempted on a weekly basis to play without my streaming company. Hell, I technically did play the game during those times, I just played the less cinematic bits, like fighting through the coliseum or completing mundane fetch quests. This is a fun game! World of Final Fantasy is a fun game! And it does hold up to its pedigree a lot better than many other spin-offs of popular franchises. This ain’t no Wand of Gamelon.

Fist time!But my theory has always been that if you’re going to do it, you should do it right. That’s why everything I have ever written, including this article, is absolutely prefect. Final Fantasy is a pedigree in the gaming sphere, and this Final Fantasy product falls short of its forbearers. It’s still a fun experience, but it is also flawed in some very obvious ways. Maybe a World of Final Fantasy 2 will correct these problems, or maybe a third World of Final Fantasy released seventeen years later will address the issues. Maybe it will always be a weird, one-off “quirky adventure” in the Final Fantasy pantheon. Whatever the case, the game we have here, even in its expanded state, is still just “good”, and far shy of flawless.

But, hey, it’s still a fun way to spend eleven nights of streaming.

What’s next? Welp, I feel like we’ve covered an awful lot of World of Final Fantasy at this point, but there is still that whole “lore” thing I’ve admitted to ignoring. Maybe we could take a more focused look at that…

World of Final Fantasy Part 11

Maxima Content Part 1: The Final Xover
Initial Stream: 12/1/20



00:00 – We start this video with a short video of its own called “What I did on my Thanksgiving Vacation”. Long story short: you can unlock a bunch of stuff by beating the final boss after completing all intervention questions (and I still had one undone when we did that on the previous stream), and I sorted much of that new content while nobody was looking. There were three whole dungeons featuring reused assets (complete with recolored bosses) that were tackled and defeated between streams. That unlocks a fourth “reused” dungeon, and we pick things up at the culmination of that quest. And our final boss for that area is…

6:00 – Mr. Xenogears, aka XG. A full discussion on the Xeno franchise’s ownership and its plots naturally follows. I consider myself something of an expert on the subject.


Also, since I didn’t actually wind up summoning XG during the stream, here’s the lil’ big guy in action. I have to assume that “Little Walking Head” XG was originally designed to be a more present part of the plot. Either that or someone really wanted to toss a headmaster in here.

22:00 – So XG is the final “secret” boss of the original content for World of Final Fantasy. The Maxima upgrade offers some new content, and that’s going to be the majority of these last four parts. There’s a full explanation of that here (in the video), but, long story short, there was a mobile World of Final Fantasy game, Meli-Melo, and, while it appears to have been a failure (it was discontinued almost exactly a year after launch), my understanding is that a lot of the “new” assets from that game got recycled into the Maxima upgrade. Never waste a pixel, Square-Enix! So we’re going to see the new, Maxima-based intervention quests, starting with Cecil trying to cure a friend of desert fever. It’s not the friend you think!

32:00 – Zack time. I guess he died? If you check his in-game biography, it distinctly notes that he is basically a zombie reanimated by mako in this world. Don’t worry, he’ll get better. This is a happy dimension.

40:00 – See? He’s better now. And Serah, sister of Lightning, fights Shiva while we play with wikis. fanboymaster, I just checked, and apparently your edit will only be preserved on this video.

45:00 – Discussion of the upcoming Saga Frontier remake. TLDL: they better do something about the overt implication that a blood transfusion can give you immortality/gay.

What actually happened in the plot:

At the culmination of the “first” ending (maybe second?) Wynne is appointed the new guardian of the world, while Lann and Reynn are sucked into another dimension. Now, the “extra” ending reveals that Wynne receives two “twin mirages” from Enna Kros (god), which allows her to summon little duplicates of her adopted twin siblings. Thus, all post-game content is apparently Wynne having adventures with Lann/Reynn golems. It’s not weird at all!

• XG (Xenogears) is defeated in a presumably non-canon bonus battle (or maybe it’s in another dimension).

• Cecil secures a restorative flower for a sick Kain by defeating Yojimbo.

• Zack reawakens in Castle Figaro’s basement as a berserker, and, after fighting the heroes, flies off with Bahamut (who was coincidentally trying to take a nap in that same basement).

• Serah fights Shiva-Ixion, her fiancee’s summon-cycle, for the right to decorate her for Snow’s birthday (seriously). Zack is dropped off nearby by Bahamut, who cured Zack of his mako poisoning (possibly accidentally). Wynne followed Bahamut/Zack here, and identifies Serah as having some unknown, but super important destiny. Zack asks out Serah. Zack with a C does not play Serah with an H’s favorite song.

Maxima Content Part 2: This is Why I didn’t Stream the Other Dungeons
Initial Stream: 12/1/20



1:00 – The rules of the Ultimate Dungeon suck! Apparently there are distinct warps that occasionally take you back to the start of the place, and random floors may have random rules that severely limit your options. And, of course, this dungeon is going to be nothing but reused assets. Bah! Let’s just discuss a Playstation Superman game and collectors being annoying.

8:30 – I don’t know east from west. I’m going to blame Shantae for this.

14:50 – “Nobody fucks with Dr. Brainshit.”

20:00 – Kary/Marilith is our first boss of the area while we talk about Amalgam comics. I too miss Lobo the Duck.

30:00 – Time to refuel after a discussion of Devil May Cry 3, and then on to part two (of four) of the dungeon.

49:20 – “I envy your optimism”… by the way, this dungeon takes forever. We’re not even a full third of the way done with this nonsense yet.

50:00 – CaliScrub arrives… he missed the best, giant-robot based part.

54:00 – The Kraken Boss fight. We already did this one, as two of the ol’ Final Fantasy 1 fiends already appear as part of the mandatory plot. This Kraken is like forty levels more powerful, though, so at least it isn’t as easy as before. Wee?

56:00 – Minecraft human trafficking is described as we wrap up this section.

What actually happened in the plot: Nothing. Wynne is venturing through The Ultimate Dungeon toward whatever is down there. We’re about 40% through that.

Maxima Content Part 3: The Ultimate Slog
Initial Stream: 12/1/20



00:00 – I couldn’t remember the details on the stream, but here’s the full rundown on the economy of what was apparently Planet Zoo. I will never look at warthogs the same way again.

7:00 – Hyrule Warriors: Age of Calamity is discussed, which I believe means we have successfully gone full circle on discussing a separate game during the World of Final Fantasy Stream. Long story short, everyone in Hyrule should already have fish.

Also, this bit occurs during a “no item floor” in the dungeon proper. These dungeon rules are truly random (they’re not tied to particular floors, and may change between dungeon visits), and losing the ability to use potions between battles in a game where you can’t even cast cure outside of a fight is a little… terrible. This means that “no item floors” make a little more of an impact than, say, “extra damage” or literally any other random effect.

15:00 – Lich appears. You can’t use Raise/Phoenix Down on an opponent, but you can use an elixir. Guess how Lich goes down.

25:00 – There is just so much Hyrule Warriors: Age of Calamity discussion here. We will never stream that game.

31:00 – Tiamat, and we already beat her, too. Kind of a wet fart of a way to finish the first 80% of this dungeon.

37:00 – The ultimate section of the ultimate dungeon begins as fanboymaster explains the name switch between Kary/Marilith.

42:00 – Please enjoy watching me engage in ice Sliding dumbassery for five pointless minutes.

50:00 – Florida leadership is discussed on the way to the ultimate boss of this ultimate area… but we stop just shy of the battle itself. Sorry!

What actually happened in the plot: Still nothing. We’re about 95% of the way through this dungeon as of this update. Incidentally, it is noted in the in-game encyclopedia that these adventures are technically canon for Wynne… just we’re well past the actual “end” of the game, so it’s pretty safe to claim none of this will ever be referenced by anything.

Maxima Content Part 4: The End
Initial Stream: 12/1/20 (mostly)



00:00 – Starting off by taking the bold stance that Hitler was not right as we finally approach the final boss of this area. The boss fight is partially expected, partially a surprise. It’s a battle against Garland (Chaos or Garland would be anticipated after the four fiends), but also all four of the fiends simultaneously. Given each of those fiends was an individual (and not easy) boss battle on the way here, this could get dicey.

9:00 – Playstation 4/5 Spider-Man says “defund the police”.

13:00 – Game Over! I had a choice between healing one stack or reviving the other, and I chose wrong, as a powerful, party-wide attack was apparently coming. I came surprisingly close to winning this fight… but nope.

15:00 – Rather than bang my head against that wall again, we try the next secret boss battle, a fight with Enna Kros. As I learn here, it sucks because this trio of bosses can revive themselves repeatedly. And ol’ Enna doesn’t really have any combat animations, so this is the most… lazy of the new Maxima content (and I’m saying that after two hours of a recycled dungeon).

29:00 – Game over again! Same exact reason, too! I have learned nothing!

31:00 – Super Boss #3 requires an airship-based scavenger hunt. And it’s clear right off that this “hunt” is going to take forever, so we pretty much sizzle out with our final World of Final Fantasy stream.

35:00 – And now I avenge myself upon my losses. This section of the video is just highlights of me playing by myself, narrated by myself, because I wasn’t going to drag the stream team through another series of fights that could potentially take forever. I’m not that cruel!

Immortal Dark Dragon is first, and he’s from the anime movie that was produced to promote that mobile game. He’s apparently on the same inter-dimensional team as this game’s main antagonist, but is otherwise wholly new to this title. Fighting him necessitates finding switches across the world, then standing up to a dude that patterns his attacks after Teenage Mutant Ninja Turtles: The Arcade Game’s Shredder

38:00 – Garland and the gang all over again. The secret to my success this time is to kill Lich, use water to take out Tiamat and Kary/Marilith simultaneously, and then focus on dropping Kraken. Sorry, can’t kill Kary last. Garland has a bunch of elemental weaknesses after all his buddies are down, so, once again, I was really close to winning the last time.

41:00 – Enna Kros is a pain, with nine extra lives, and still those cheap animations. I’m not certain if this fight would be easier if you focus on exclusively killing one opponent nine times, or spread the death around. Regardless, at the very least you can game the “weakness aiming” by unstacking whenever targeted, so there is a bit of a trick to the battle. However, even if you know what to do, this battle takes forever, and took me personally about forty minutes with the internal speed up feature.

43:00 – And defeating all of those super bosses unlocks the right to fight a super hard version of the original final boss of Final Fantasy Maxima. It’s the same fight, just with absurd attack/HP stats. Beat that final-final boss, and you get to see the all new, secret “teaser” ending for World of Final Fantasy/ Presumptive Trailer for World of Final Fantasy 2. Or, considering how much this whole setup/content is biting on Kingdom Hearts, let’s say World of Final Fantasy 2/418 Days: A Missing Piece 1.8.

46:00 – Oh yeah, you can fish with Final Fantasy 15’s Noctis. Thanks for watching!

What actually happened in the plot: Wynne conquered Garland, an “Anti-Champion” created at the same time as Warrior of Light, deep in the Ultimate Dungeon. She also repelled Immortal Dark Dragon, a threat from another dimension (again, DLC super bosses or not, in-game datalogs confirm these events as canon). After that, a version of Diablos from another dimension attacks her world, but she defeats him with the aid of Tama and Odin. However, more interesting than the fight is that that Diablos seems to be linked to a mysterious figure in a cloak bearing two Mirage-keeper gauntlets and an odd preoccupation with searching for his “sis”. What does it all mean? Guess we’ll find out some day…

Next time on World of Final Fantasy: A sober look at a funny game.

Kingdom Hearts FAQ #16: A Song for Kingdom Hearts

I try to stick to a FAQ format for most any Kingdom Hearts post
But some come out a little different than most
Many say the next Kingdom Hearts is but a song
And, for anyone curious, they’re not particularly wrong
Kingdom Hearts: Melody of Memory is a rhythm game
It’s Theatrhythm: Kingdom Hearts in all but name
And if you’re looking for a fun time, it’s a can’t-miss
It’s great gameplay with a soundtrack that is bliss
Though that depends on how much you love the franchise
And whether you dream of sailing Chip n’ Dale’s skies
Or if you hum the Traverse Town theme to sleep
Or count Meow Wows instead of sheep
And you can play as Sora, Riku, Aqua, and Roxas
And use all their friends to smash heartless and boxes
This is pure, unfettered Kingdom Hearts nostalgia
Looking for something else will cause psychalgia

Looks like fun

But, as is ever common here
Nomura wants your ear
Yes, this game is nostalgia with a plan
(Even if we’re not going to include Tarzan)
See, at the end of KH3, Sora went missing
So it’s up to the girl that he should be kissing
To sort through her boyfriend’s thoughts
And find a memory that connects the dots
To find where her poor Sora has gone
And to make the time before KH4 drag on
Pretty Crystals

And to Kairi’s credit, she does find that important key
It just happens to be something Sora would never see
The answer was always in Kairi’s memories
And how “Ansem” planted one most cleverly
Back when our heroine’s planet heard its final knell
And the villain rocketed Kairi away like Kara Zor-El
Seems Xehanort was aware of other universes beyond their own
Worlds where a Gummi Ship has never flown
Places that appear in their own universe as mere fiction
But are real on the other side of this barrier’s restriction
So if Sora can’t be found
That is where he must be around
Here is that guy

And, by the end, our heroes have a new world to see
(And if you want to know how, be sure to buy KH3’s DLC)
Riku ventures forth to a whole new place
And Kairi stays home to, I don’t know, wash her face
And maybe the next adventure will truly let her participate
As opposed to just sticking her on the cover like fan bait
But if you’re looking for more plot, that’s all you’ll find
Because this whole game takes place in Sora’s mind
Very sparkly

But there is an unexpected bonus to this whole affair
And that’s the way the recap focuses on the joy and despair
Unlike a certain handsome blogger’s focus on franchise phantoms
This story wastes no time on the differences between Ansems
The whole tale of Kingdom Hearts is told from I to III to 358/2 days
And it features not the bad guys, and all of their wily ways
But the trials, tribulations, and feelings of our idols
Because Kingdom Hearts was never about lore bibles
It was always about a trio of separated teens
And how they reconciled through any means
And they made friends and enemies along the way
But didn’t let any silly Organization ruin their day
Let's all work together

Kingdom Hearts always had Disney and Square
And bad guys in cloaks with dubious hair
But it was never about Mickey, Ansem or all the rest
It was about a boy, a girl, and a boy that thought he knew best
And Melody of Memory takes the time to remind us all
That this franchise is more than a lore wrecking ball
It’s about the people that have caused us to care
And the pain that we all share
I know that guy

So, maybe this interpretation of a silly rhythm game is wrong
But I still think, at the very least, it is a game worthy of a song
And I might still be working out the key to its chorus
But that’s only because we’re trying to find our Soras

Kingdom Hearts FAQ #15: Re Mind and DLC

So Kingdom Hearts 3: Re⏀Mind is DLC that is now available. What’s KH’s first DLC like?

I refuse to answer a question that comes from an incorrect premise.

Whatchu talkin’ ‘bout, Goggle Bob?

In a way, Kingdom Hearts has never not had DLC. The original Kingdom Hearts (1) had three different versions before we ever saw a sequel. It started with OG Japanese Kingdom Hearts, and then graduated to Kingdom Hearts: USA Version. Yes, in the original version of Kingdom Hearts, there was no Sephiroth, no sequel-teasing special movie, and a distinct lack of Kurt Zisa (don’t ask). This inevitably led to Kingdom Hearts: Final Mix, a Japanese version of the game that included all of the American content, a handful of new enemies/challenges, a smattering of mute cutscenes, and, most importantly, a secret boss and secret reports that more distinctly alluded to plot points of Kingdom Hearts 2, then still three years away from release. Kingdom Hearts: Final Mix even set the standard of sticking the next game’s final boss in a nondescript coat, and turning him (inevitably “him”) into a super difficult, super confusing battle. Yes! It was “DLC” that established KH’s love of zippered coats!

Wow! DLC in the bygone year of 2002? Wasn’t that pretty great?

Slice 'n DiceHell no. Unfortunately, this was the bad ol’ days of “full game ‘DLC’” releases (see also: Devil May Cry 3). If you wanted to see any of the new content (or, at least, any of the content that was actually worthwhile), you had to replay the game from scratch again, because every new version was technically a whole new game. It didn’t matter if you had a Level 100 Sora in Kingdom Hearts, you needed to grind all over again in Kingdom Hearts: Final Mix. No way you’re going to conquer that “bonus content” otherwise…

So you’re saying no one responsible for the Persona series’ last three entries ever suffered through Kingdom Hearts: Final Mix?

Yep. More’s the pity.

But at least you got more Kingdom Hearts content!

Well, not so much, either. Kingdom Hearts: Final Mix was initially never released outside Japan, so if you wanted that “Kingdom Hearts DLC”, say, because you were a bored college student sinking fast in the merit-based quagmire of the American educational system and you required Kingdom Hearts to bring your life meaning, you were pretty much out of luck unless you wanted to learn Japanese and pay exorbitant import fees.

Well, at least that only happened to Kingdom Hearts 1… Right?

Nope! Kingdom Hearts 2 had a similar trajectory. In fact, Kingdom Hearts 2: Final Mix had an even more alluring collection of “DLC”: it featured an all-new dungeon, rematches against the significant bosses of KH2, the prerequisite mysterious bonus boss battle, and all-new 3-D models of all the Organization XIII baddies that died alone and 2-D in the previous GBA game (Chain of Memories), so you could fight them “for real” in the Kingdom Hearts 2 engine. Oh, and the game included a full 3-D remake of that GBA game, too.

Wow! That is a lot of content!

Yep! And it didn’t make it across the Pacific, either. We did eventually get that GBA-PS2 remake on the PS2, though… but only as its own, separate budget release. No Kingdom Hearts 2 Lingering Will super battle for American folks.

Boo! Boo I say!

Stupid WhaleBoo indeed! And this continued to be the new normal for the franchise. Birth by Sleep (the PSP one) Final Mix featured upgrades like a battle against Pinochio’s Monstro, Coded got Re:Coded, and, in the end, it seems that poor Kingdom Hearts 358/2 Days was the only Kingdom Hearts title to not see any gameplay changes after its initial release. … And that is the case only because it was repurposed as exclusively cinema scenes for the inevitable HD release. I shudder to think how many secret boss battles could have been squeezed in there if someone decided to properly convert the DS game.

So did America ever see any of this “DLC”?

Not for a very long time. But we did eventually see all of this content with the 1.5/2.5 HD remasters that were released in 2013/2014. Now, as of 2017, you can play all of this bonus content on your Playstation 4 as part of the Kingdom Hearts Complete compilation. So it only took an extra console generation, a whole new title, and XIII years for America to see Kingdom Hearts DLC. Seems about right!

So you’re saying we should consider ourselves lucky that this DLC is a worldwide release and only $30?

Yes. Please bring Nomura gilded zippers as an offering of goodwill.

So how does Kingdom Hearts 3: Re¤Mind shake out?

KISS!Your mileage may vary, but, as these things go, this seems to be pretty beefy DLC. First of all, there’s the signature “Final Mix” difficulty mode, this time allowing for some interesting challenges or lack of challenges. You can make the game more difficult by adding conditions like a HP drain, or make the game easier with one-hit kills for your opponents. It’s like a built-in Game Genie! There’s also a boss rush of some significant opponents, and the requisite secret boss du jour. And there’s an expansion to the “photo mode” of the original game, with the ability to set up dioramas so you can see what it would look like if Riku and Sora kissed in new and interesting worlds. We’ve also got additional keyblades, Oathkeeper and Oblivion, that were conspicuously absent during the initial release, and some additional battle options that manage to change the entire feeling of Sora’s combat. … Actually, I think those items are free as part of the DLC’s update, but it’s really hard to keep track of what is what. I know for certain that the new plot elements are part of the DLC, though!

A new plot?

Well, “new” is kind of a misnomer here. On one hand, for the first time in a Kingdom Hearts “Final Mix” situation, there is a significant amount of entirely new voice acting, new cinema scenes, and wholly new scenarios (you get to play as new characters!), on the other hand, almost all of this content is in some way “recycled” from the main game. Most of what you’ll find in ReØMind is either something that was already in KH3 but now seen from a different perspective, or a battle repurposed from its original context. The first bit of gameplay in KH3: RM is a struggle against what was previously the only wholly optional heartless in KH3, and that seems to be stating an opening mission statement of repurposing many of KH3’s “scraps” into complete meals.

So it’s just warmed up leftovers?

Yes, Kingdom Hearts 3: Re⍟Mind is leftovers. But they’re super delicious leftovers. This is some prime rib going in your lasagna leftover repurposing.

Is… is that something you actually eat?

With gusto.

So do the new plot details at least offer something new for fans?

Nope!

What the hell!?

I know, right? Kingdom Hearts 3 ended on a very confusing finale. Here’s where the spoilers for the franchise start in earnest…