They don’t make anti-heroes like they used to.
Today’s game is Wario Land: Super Mario Land 3. After premiering in Super Mario Land 2 as the main antagonist and only man with the raw chutzpah to steal an entire land out from under Mario’s moustache, Wario returned for his own adventure in the direct sequel. This is fairly significant, because, in almost all other cases with Nintendo characters, it takes forever for prominent villains to get their own adventures. And that’s assuming it ever happens at all! Ganon(dorf) wasn’t playable in a “real” Zelda game until Hyrule Warriors, and the canonicity of that one is dubious at best. Bowser similarly is usually only allowed to costar in spin-off titles, and King Dedede is only ever granted a turn as the hero when his wee nemesis is taking a nap. Other mascot villains don’t fare much better, as our favorite mad scientists didn’t see playable appearances until much later in their careers (Dr. Wily is, of course, represented by his creations in this example. Dude does not want to leave his hoverpod). The opposite numbers for our favorite heroes back in the 90’s were rarely controlled by the player, which was a huge shame, as everybody wants to be the villain. Wario being a playable character so soon after his introduction was unheard of in its time, and it is still a rarity today. Final Fantasy 7 Remake didn’t involve a single playable Sephiroth!
But Wario made the scene in his first “heroic” appearance. Wario wasn’t on a quest to save the princess or liberate some foreign land: he just wanted housing! Wario was homeless after Mario kicked him out of his ill-gotten estate (and what does Mario need a castle for anyway? He’s always away! He’s probably listing it on AirBnB as we speak), so Wario turned his eye to a group of pirates so he could steal their castle. Never mind that the pirates had apparently heisted a building-sized golden statue (!) that Peach had commissioned (!!!), Wario was is in it for the possibility of having a roof over his head. That’s a sympathetic quest, right? A man just wants his own sanctuary, and if a billion little round guys with spears are standing between him and his goals, that’s on them. Wario might not end up with Captain Syrup’s castle in the end (mostly because it exploded), but he does collect a hefty helping of coin over the course of the quest, so he buys his own castle/shack/planet (variable ending!) off a genie. Happy ending for everybody! Wario might be a “bad guy”, but his goals are not so much bad, just a little self-serving. It’s the American dream!
But if you think for even one second that Wario is at all a good guy, well, take a look at this malcontent:
Wario is established as his own man in a variety of ways. He has Mario’s mad ups, but he also has a downward “butt stomp” that was new for the gamers of 1994. His “fire” isn’t a flower that launches balls, but a dragon hat that functions like a flamethrower. Garlic, not mushrooms, will cause Wario to become super, and his most iconic powerup turns him into something approaching a raging bull. And, whether he’s part bovine or not, Wario doesn’t run, he smashes with a forward shoulder. Wario’s Wario Land appearance is an expert case in modifying “normal” gameplay to still be extremely similar, but just different enough to establish the new protagonist as his own man. When Nintendo did the same again for Princess Peach’s solo outing, the addition of magical umbrella emotions to the Mario formula felt clunky and “gimmicky”, but Wario was a slam dunk right from the starting gate (I am working on understanding sports metaphors).
But none of that matters, because look at this bitch:
Wario moves and looks like a… well… asshole. Wario is designed to quite literally walk around like he owns the place. Lesser monsters bounce off of him, blocks tremble in his presence, and the ground literally quakes at the force of his unruly ass. Through it all, Wario perpetually gazes out at the player as if to say, “Hey, I’m gonna wreck some shit. Wanna come along?” And that’s the thing: Wario doesn’t say anything. Wario is just as mute as Mario was in his previous adventures, and, long before anyone ever heard about how it was “Wario time”, Wario had to showcase his boundless personality through mime and pixels. The game starts with Wario menacing a pirate duck, and, before the player even smacks start, Wario is out and proud about the fact that he’s a gigantic jerk. Even if you missed Super Mario Land 2, this nimrod with elf shoes establishes himself inside of the opening seconds without so much as uttering a “Hello, stupids”.
And Wario isn’t alone! The pixel pioneers of the 90’s were apparently experts at establishing “this is your protagonist, but he is not a good guy.” It seems like there is a dearth of antiheroes on the pre-FMV consoles, but when you do have a bad guy in a starring role, they’re established pretty damn quick. Want to see another famous walking animation on the Gameboy?
Firebrand is not a friendly dude, and his jaunty little walk is the signature of a demon that is going to burn down your village. Firebrand is saving his kingdom right now, but if you need a princess kidnaped later, he’ll swoop in when he gets a chance.
And, at the risk of sounding like a nostalgic old man, you just don’t see that kind of instant character formation anymore.
Back in the day, you knew when you were dealing with an anti-hero. What do Wario and Firebrand have in common? They were both enemies first! If you stood in opposition to a brave knight or plumber, you knew you were on Team Bad Guy. Nowadays? Who bloody knows what makes a bad guy. Kratos has a kill count that is literally the population of Ancient Greece (complete with gods!), but his most recent adventure portrays him in a very forgiving light. The criminal stars of Grand Theft Auto participate in the same carnage as your average Lego title, but Trevor has terrible hair, so he’s probably the worst. And it’s telling that at least one franchise was able to hide the fact that you were playing as the main villain all along, the player just didn’t notice due to being so numb to the average amount of slaying inherent to the genre (I’m talking about this game/franchise, for the record). It’s difficult in your average modern videogame to tell whether you’re a playing the part of a vaguely homicidal hero or a villain with a heart of gold. All these heroes and villains are just so good at murdering…
And, by and large, this is by design. One way or another, the saintly protagonist of one game is supposed to look like the secret maniac of another tale for all sorts of reasons. Is this a game where the ultimate revelation is that you were the bad guy all along? Or how about you were supposed to be bad, but the plot has proven you were in the right, and it was society that was bad? Or is it just because market research has told us that mostly white guys with dark hair buy videogames? Whatever the root cause, our heroes have become indistinguishable from our antiheroes, and the only thing you can really count on is that the more villainous among us at least are going to make surly comments after encounters.
But is that all we have now? One-liners that are more or less cutting depending on the darkness of the character involved? Even the good guys have goatees, so we can’t judge someone by malevolent facial hair. Gone are the days when a walk would tell you everything you needed to know; you have to complete a 40 hour adventure just to figure out if your protagonist was on the side of the angels or the devils. And don’t even get me started on whether or not the slightest drip of moral ambiguity is going to cause a flood of youtube explanation videos that will list all the ways you’ve been wrong all along. The real villain was the player all along? Gosh, you don’t say. Throw another plank of switcheroo wood on the pile, Shamus, this lumber will keep us warm for another seven winters.
Wario does not know uncertainty. Wario does not have a greater, more benevolent motive. Wario is an asshole. He looks like an asshole. He moves like an asshole. There is no debate: Wario is an asshole, and that’s all he needs to be.
Give us more modern characters like old school Wario. Give us more amusing, unambiguous assholes.
FGC #531 Wario Land: Super Mario Land 3
- System: Gameboy. This one came back on the 3DS Virtual Console, and is well worth a look if that thing is still around.
- Number of players: Wario needs only his pith helmet on his quest for riches.
- Big Bad Wario: I want to say Wario Land was the first 2-D platforming game where I was allowed to bump into a weaponless opponent without suffering terrible consequences. Mario can’t so much as get within spitting distance of a goomba without losing his powerups, but Wario bumps around bad(der) guys with ease. Unless Wario is hit by the pointy end of something (which, granted, happens a lot), he is practically invincible compared to his “good” counterpart.
- Favorite Powerup: Give me Jet Wario or give me death. Incidentally, I was very saddened when I first grabbed a fire hat after having a jet hat, and it didn’t transform into a flying-dragon hat. That was only in the Virtual Boy game! And I liked that!
- Bizarro World: It’s interesting to compare the map of Wario Land to Super Mario World to see how many similarities there are. Inexplicable giant dome-hills are always nice, and there’s a prerequisite Forest of Illusion waiting before the final areas, too. I wonder if this was an effort to further affirm that Wario, right down to his very “land”, is a funhouse mirror version of Mario… Or if there just weren’t that many great ideas for world maps back in the 90’s. It could go either way.
- So, did you beat it? Not only did I beat the game, but I apparently earned Wario his own planet. I guess you only have to have all the treasures and clear about 10,000 gold to get the highest reward. And that’s not too hard when you get lucky with the “double your money” chance game after every boss fight. … Or use save states to always get the best result. Yes, I’m cheating, but it’s what Wario would have wanted.
- Did you know? Apparently there is an unused scene in the game data for Bobo, the giant vulture boss that rules the roost of the SS Teacup. It seems to showcase Bobo sitting in the woods… and that’s about it. Was Bobo supposed to be more involved in the plot? Was he the big bird of the island that initially appeared to be the main antagonist, but was then replaced by Captain Syrup? Was this the inspiration for Captain Toad’s arch nemesis? The world may never know.
- Would I play again: This is an excellent game, and possibly one of the best Gameboy games. That said, the Virtual Boy sequel and Wario Land 4 does this basic gameplay better, and the later Wario Gameboy titles are revolutionary in new and exciting ways. Wario Land is great for a long car ride in 1990, but it has been surpassed by its sequels in every way. I’m glad for having playing Wario Land again, but it’s unlikely to happen again while other Warios are around.
What’s next? Random ROB has chosen… Crazy Taxi for the Sega Dreamcast! Let’s go for a wild ride! Please look forward to it!
I know the later games have surpassed it in their own ways, but I still love how Wario Land: Super Mario Land 3 is basically a caricature of a Mario game. Wario’s looking to “save” a solid gold statue of Princess Peach,* his equivalent of Goombas are little more than defenseless projectile weapons, his power-ups are basically a more offensive take on Super Mario/Fire Mario/Flying Gimmick, and hoarding as much cash as possible is the end goal i stead of just that thing you do for extra lives.
I love this game so much.
* In hindsight I am all the more disappointed that Nintendo has kept the “Bowser kidnap Peach Mario save” thing a goin’ all these years when over 2 & 1/2 decades ago somebody realized ever so briefly that she was literally little more than a MacGuffin in most Mario platformers.
WHERE HAVE YOU BEEN!?
I’ve been around; still checking the site on Mondays and Fridays. Just haven’t had much to say about recent games.