The Mega Man franchise has become vaguely unwieldy. A simple game about running, jumping, and shooting at robots has quickly become a franchise juggernaut that now contains thirty years’ worth of titles spanning multiple genres, systems, and epochs. If you want the whole of the Mega Man experience, you need multiple consoles, hundreds of games, and maybe even some time to watch an anime or two.
Or you could just play 2003’s Mega Man Network Transmission. That game has got it all.
This is Mega Man Battle Network!
At the turn of the 21st century, a great many videogame franchises went through a bit of an identity crisis. Nintendo declared Bowser was dead, or a dad, or maybe some kind of skeleton monster. Zelda drowned all of Hyrule, and Kirby got into star racing. The pervading thought seemed to be that old franchises had to change and grow to compete with the new generation, and, while there were some standouts from this period of change (hello there, Metroid Prime), we mostly now look back and lament Mario being strapped to a water gun for an entire console. Don’t worry, 2002 Goggle Bob, we’d regain our somersault jumps in time…
However, one success from this time was the reimagining of Mega Man. Completely dropping the Mega Man storyline that had been inexplicably going since 1987 (a storyline that had, incidentally, wiped out humanity), Mega Man Battle Network told the tale of an alternate timeline wherein Dr. Light/Hikari ditched robotics and really got into his own cyber-sona. This led to universe where Mega Man was not a super fighting robot, but a super fighting digital assistant that was also Dr. Light’s grandson and was also controlled by Dr. Light’s other, human grandson. In this universe where apparently human babies can be converted into immortal digital slaves damned to watch as their fleshy twin grows, ages, and dies, there are also viruses and “evil” net navigators to be fought, so the official Mega Man of the digital generation has a lot more to handle than existential crises in any given adventure.
Mega Man Network Transmission is technically the fourth released Mega Man Battle Network title (fourth or so, there is a little wiggle room with some of the other games that year), but is firmly placed in the franchise’s story as Mega Man Battle Network 1.5. Shortly after Megaman.exe’s first adventure, a mysterious “Professor” pops into the picture, and releases a terrible virus across the net. Lan the Human and Megaman.exe the Undying scramble into action to save the day! But this adventure is a little different from their Gameboy Advance origins, as…
This is Classic Mega Man!
First and foremost, Mega Man Network Transmission was designed as a retro title that harkened back to the gameplay of the original Mega Man titles. This was the 15th Anniversary of the Mega Man franchise, and MMNT was intended as a throwback to that “old style” that had died with the Sega Saturn. So, whereas Mega Man Battle Network had always paid tribute with its cast of Fire Mans, Proto Mans, and Wilys, now it was going to include actual movement options that recalled those bygone days. Megaman.exe can run, jump, and even slide (slide, slide!). Continually charging while jogging through a maze is encouraged, and memorizing a boss pattern or two is the name of the game if you want to make some progress. There are even some imitations of classic stages involved, like everybody’s favorite Quick Man laser gauntlet. You love instant death? Of course you do! It’s classic gameplay/horrors all over again!
But it’s not all classic gameplay here. Some bits of Mega Man Network Transmission are downright prescient, like…
This is Mega Man Starforce!
The big draw of the Mega Man Battle Network franchise (aside from stupid, sexy Dr. Regal) has always been its unique battle gameplay. To quickly summarize what is ultimately a very complicated system, it’s basically a card game, but including action movement, and sometimes the cards have letters that allow you to use multiple cards at once, and I think there are “classes” involved, and sometimes they combine into an “advanced” version, but only if you have the right cards, and you can only get cards from fighting viruses, or maybe by playing a lottery, and if you don’t have any cards, then you can still attack with a basic laser, but that doesn’t have an element, except maybe if you used a class change to be a different color Mega Man, but you can’t switch that during battles, and wood beats electricity. See? It’s simple!
Mega Man Network Transmission streamlines the chip system by a fair amount, allowing you to equip multiple chips at once without fear of matching letters or elements or whatever. Ostensibly, this is because you are using the chips for a much longer time (it takes goddamn forever for that gauge to refill before upgrades) and in a much wider battlefield (in “normal” MMBN, you only ever have to handle a maximum of three viruses at a time), but it works out to a more simplified version of traditional MMBN battle chip challenging. And that’s great! MMNT was meant to bridge the gap between old, new, and people that had just watched the surprisingly popular anime for the franchise, so simple is good!
And you know what else utilized a simplified version of Mega Man Battle Network’s battle chip system? Mega Man Starforce, the “sequel franchise” to MMBN. Was this inspired by Mega Man Network Transmission? Probably not, but it was an acknowledgement that MMBN might have had a little too much cruft from the get-go, and that could only be jettisoned in a spin-off or sequel franchise.
So enjoy Mega Man Network Transmission’s battle system. It’s like living in the future!
And speaking of the future…
This is Mega Man X!
Mega Man Network Transmission is supposed to harken back to the good ol’ days of Classic Mega Man, but there is a significant dosage of RNA here, too. For one thing, there’s the plot, and it features the Zero Virus. That sound familiar? Yes, our favorite Wily reploid is now a literal virus that is attempting to cause netnavis to go maverick. And, as one might expect, Zero starts off as the obvious antagonist, but transforms into a helpful dude over the course of the adventure. He might not have as much luxurious girl hair as in his other appearances, but it’s pretty clear that the guest star du jour is straight out of Mega Man X.
And that gorgeous robot-virus-thingy is not the only item borrowed from Mega Man X. There are a number of gameplay flourishes straight out of the Maverick Wars here, complete with the increased speed, the likelihood of using a double jump, and these weird wire things that no one ever remembers fondly (or, often, remembers at all). It was clear that even the classic series was adopting Mega Man X moves later in its life (hi, Mega Man & Bass), but there is more Mega Man X here than Mega Man, even if there aren’t as many stages that directly harken back to that franchise.
But while we’re on the subject of Mega Man’s pal, Zero…
This is Mega Man Zero!
The number one complaint about Mega Man Network Transmission? It’s too hard. In some ways, this complaint was completely valid, as it was a huge pain to restart entire levels because you got wrecked by a bad boss matchup. Sure, that had always been the way a Mega Man game played anyway, but this was coming off a franchise that allowed for saving anywhere, and a population that had gotten used to Mega Man containing save states. A “back to basics” approach also invited a “back to difficult” style that a lot of 2003’s audience wasn’t expecting.
But this was exactly what Mega Man Battle Network’s 2-D brother on the Gameboy Advance had been reveling in all along. Mega Man Zero was “classic Mega Man” on the GBA before Mega Man Battle Network ever even thought of testing the boundaries of the genre, and, as many had noted, it was super-duper hard. Or, if it wasn’t hard, it at least expected a lot of the player. “Save points” (or 1-ups) were stretched few and far between, and health was always at a premium. In much the same way, MMNT requires your best offenses always be locked behind battle chips, and you are often left unprepared if you blow all your mighty cannons on some middling mouse opponent.
But that’s exactly where Mega Man Zero and Mega Man Network Transmission are so similar: they’re all about resource management. Unlike the original Mega Man games that only encouraged weapon energy rationing (and provided a pile of powerups to help with that), MMZ and MMNT both demanded much more administration from the player. Whether it is battle chips or cyber elves, an inexperienced player is practically required to figure out what works for getting through a level, and then utilize those assets only when absolutely necessary. Of course, that winds up having its own kind of learning curve (and Mega Man Zero’s persistent ranking system seems to punish the player for using any resources, so mixed messages there), so, yes, these games probably could be considered hard. But whereas you only had one Flash Stopper to skip through Quick Man’s gauntlet back in the day, newer takes on that challenge offer additional options to the observant player.
Unfortunately, the challenge of Mega Man Network Transmission really did work against it. While you could claim Mega Man Zero was made for “hardcore” fans, MMNT seemed to aim for a different audience. In fact, you could say…
This is a Mega Man Cartoon!
Mega Man has had a number of animated tie-ins through the years. There was that Ruby-Spears nonsense, the anime about saving Christmas, and (particularly relevant to this article) an entire anime based on the Mega Man Battle Network series. It was popular. It was so popular, it rivaled Yu-Gi-Oh for number of stupid card-based plastic wads that were released through tie-in merchandise. And, even better than Yu-Gi-Oh, you actually cared about the characters, so buying action figures was not off the table. Stick that Bass/Forte figure on your desk with pride, young one, as any digital personal assistant that wears a cloak has to be badass.
Mega Man Network Transmission seemed to be catering to the audience that watched that anime. This, the first MMBN to be played on console (and presumably a big screen television), was pretty as a princess riding an oddly attractive horse. It is cell-shaded, various viruses have twinkling auras, and Megaman.exe rarely looked so good (in 2003). It was a feast for the eyes, and the graphics style certainly seemed to be designed to appeal to anyone that was watching cartoons (as opposed to the more “realistic” graphics of its contemporaries).
What’s more, it had full voice acting (albeit, not in many languages), and an easy to follow plot that was more about making friends with your potential enemies than blasting robots into everlasting pieces. Whether it was difficult or not, the general presentation of Mega Man Network Transmission seemed to harken to the many times Mega Man had mega fun with his mega pals on the mega television screen.
Though if you really want to compare Mega Man Network Transmission to another Mega Man experience, you probably should consider…
This is Mega Man Legends!
Mega Man Network Transmission, for one reason or another, was not received well. According to reviewers it was too difficult, too cartoony, and/or too different to survive. Or maybe it wasn’t different enough to be its own thing? Regardless of the reason, MMNT never saw a direct sequel to its distinct kind of gameplay, and the franchise moved on, never taking the time to look back at what might have been in the parallel universe where Mega Man Network Transmission was popular.
So, like Mega Man Legends never continuing again, Mega Man Network Transmission was a gaming dead end.
And nobody has gotten around to releasing it on modern consoles, either!
Mega Man Network Transmission is every Mega Man game all rolled into one. The good, the bad, and the heartache.
FGC #561 Mega Man Network Transmission
- System: Nintendo Gamecube, and then never anything again. And Capcom loves porting titles!
- Number of players: The Mega Man Battle Network series is usually two player, but, sorry, only one netnavi at a time here. We can’t always have Mega Man 7.
Cold Hard Cash: If you want to even stretch it a little further, the frequent zenny coins scattered around the levels are very similar to how screws were used to tempt players in the Gameboy classic Mega Man titles (Mega Man Land?). That said, “Mega Man collects money” is something that seemed to show up all across the franchises eventually, whether that be through screws, alloys, or zenny again. So you’re not getting a full section, Gameboy Mega Man, but you do at least earn a bullet point.- What about Mega Man ZX? I guess you can summon bosses? I don’t know. Ask me again at some point when I haven’t typed “Mega Man” 66 times.
- Favorite Rival Navi: If we’re going with any navi, I choose Shadowman.exe, because I am secretly a twelve year old that loves ninja. If we have to choose one distinctly created for this adventure, though, I’d pick Gravityman.exe. That dude was never going to work in the constrained, “who cares about gravity anyway” world of MMBN, and he feels vaguely weighty (ha!) as a foe. He big. He round. He’s an absolute unit of an opponent.
- Favorite Chip: For the second game in a row, I’m going to choose the humble sword. I like getting up close and personal with my opponents, and sword chips are so plentiful here, Megaman.exe practically becomes Protoman.exe. Runner-up is the life virus aura, but that does feel like cheating.
- Did you know? Zero appears and becomes the first Mega Man X character to enter the canon of Mega Man Battle Network, but he would later be joined by Colonel and Iris. Unfortunately, none of the main Mavericks ever had a chance to shine in Battle Network or Star Force, so Wire Sponge got robbed.
Would I play again: If I was stuck on a desert island, and could only play one (non-compilation) Mega Man title, I would choose this one to get my Mega fix. That said, it is by no means the best Mega Man game, nor is it the most accessible, so the odds of me actually playing it again are slim. But maybe if Capcom deigns to release it again, it could happen…
What’s next? Random ROB has chosen… Q*Bert! The little orange hopping whatsit rides again! Please look forward to it!
If you are concerned about your own struggles with imposter syndrome, please remember that even the big guys aren’t always confident.
Street Fighter 2 was popular when I was a kid, and I know that time seemed to flow relatively differently when I was a child. I am aware of this issue, but I’m still pretty confident in saying that between the release of Street Fighter 2 and Street Fighter 3, approximately 12,000 years passed. But don’t worry, children of tomorrow, we had routine Street Fighter 2 content during that time. There was Street Fighter 2: Champion Edition (play as the bosses, even if some are broken!), Street Fighter 2: Turbo (maybe Dhalsim is teleporting on purpose now!), Super Street Fighter 2 (now with four new butts!), and Super Street Fighter 2 Turbo (one more angry butt!). The same basic gameplay carried the title forward, though, so if you were a Blanka main (because you were awesome), all you ever got out of these upgrades was like one new move, and the ability to make Fei Long feel bad for existing. Which is great… For Capcom, at least, because they could still earn your quarters through releasing the same game over and over again. There was no risk of Street Fighter 2 accidentally becoming Final Fight: Streetwise if you never even tried to make a new Street Fighter sequel. No need to distill the essential “what works” of Street Fighter 2 if you just keep releasing Street Fighter 2: Now with Super Moves. Capcom is happy to see the quarters, you’re happy to play a game that is familiar, and E. Honda is happy just to have a steady paycheck. Everybody’s happy!
Apparently the production of Street Fighter was a legendary disaster, so it’s really little surprise that the whole thing turned out a bit off. What’s more, the direction seemed to go well out of its way to include every Street Fighter that had appeared in Street Fighter 2 (give or take the one that was actually supposed to be a movie star), which mean that a lot of characters were adapted in unfortunate ways. Vega is a cage fighter, and Sagat is an arms dealer? Okay, it’s a little GI Joe, but it could work. But Balrog is a camera man in Chun-Li’s employ? That is less defensible. Dhalsim becoming a scientist is a vague stereotype upgrade (at least he isn’t wearing skulls like a necklace anymore), but Zangief as a mindless minion works dramatically less so. And Ryu and Ken go from franchise heroes to… karate hobos. Granted, that’s always been kind of Ryu’s thing (dude probably has an awful credit score), but he’s more of a grifter than the world’s greatest fighter in Street Fighter: The Movie. And, given one of Street Fighter 2’s paramount attributes was allowing the player to choose a “favorite character” out of a very varied (and international!) cast, the fact that the movie reduced most of those luminaries to be sidekicks to one of three “real stars” was a roundhouse to the lil’ Bison.
You may be thinking that, given Street Fighter: The Movie existed only because it was based on one of the most popular videogames of the time, it did not need another, additional videogame exclusively based on the movie itself. But you’d be wrong, apparently, because Capcom commissioned Street Fighter: The Movie for arcades. And please note that this Street Fighter game was not actually developed by Capcom, but Incredible Technologies, the maniacs behind 
At a time when home consoles were finally reaching that coveted echelon of “arcade perfect”, the concept of anything about Street Fighter: The Movie being arcade perfect was wholly dropped. Now appropriate for a movie game, Street Fighter: The Movie: The Home Game featured a dedicated “story mode” that would not be seen again in the franchise until Street Fighter 5. You can guide Guile through different locations and scenarios, and fight your way up to beating Bison. It’s… not very good, but it feels more like a justified videogame of a movie than its arcade counterpoint. And speaking of being a videogame, this version drops the physics of the arcade version, and returns to gameplay that is virtually indistinguishable from Street Fighter 2 Turbo. Give or take the impact of real digitized actors and actresses versus the stretching and shrinking of animated sprites (yes, Virginia, Ryu’s fist is normally an object of variable size), this is Street Fighter 2, the game you all know and love.
So we’ve got two different versions of Street Fighter 2: both based on the original smash hit in one way or another, and both are totally skippable. Why? Well, that’s likely something someone at Capcom circa 1995 would like to know. Hell, maybe they still would like to know. Why is Street Fighter 2 successful? It’s not just the characters, because they’re all (mostly) here, and that didn’t do the trick. The lack of super violence? No. The special moves? Probably not. Whatever made Street Fighter 2 into the juggernaut it became could not be replicated for two different movie games, and two duds were dropped out into the world, never to be seen again (save by bored bloggers bossed around by bots).
Number of players: The arcade version has a hidden tag team mode (once again aping Mortal Kombat’s endurance matches), but all versions are still just two players.
Frank West is a consumer whore.
And, of course, no discussion of Dead Rising would be complete without noting its well-worn plot. Tell me if you have heard this one before: Frank West is an “everyman” journalist that inadvertently gets caught up in a zombie outbreak that takes place at a gigantic mall. Frank must survive not only the zombies, but also other survivors that maybe aren’t coping in the healthiest of ways. Yes, give or take some extended lore that tells the full story of the origin of this outbreak, we’ve got Romero’s Dawn of the Dead here, right down to helicoptering into a mall “sanctuary”. And, to be absolutely clear, that’s perfectly fine! 
Dead Rising 4 apparently started production as Dead Rising 1: Remake. This makes a certain amount of sense, as Dead Rising 2 focused on a wholly different character and setting, and Dead Rising 3 did much the same. Yet, through all of that, Frank West was regarded as 
And, for many players, this change in gameplay is an unequivocal check in the plus column. You could easily make the argument that Frank “unfettered” is the most fun way to play any Dead Rising, and isn’t that what you were always working towards in the previous games? That all-important “free play” reward you’d obtain for clearing all the stiff requirements of the “real” game? It’s just in reverse here, as the “old” gameplay was still available (eventually) as DLC. Hell, if you’re playing the game on the Playstation 4, you can skip right to that mode immediately. But for the many other players that simply want to have fun transforming zombies into putrid pudding, all you need is the ability to hit that start button, and you’re off to the (shambling) races. There’s a great big world out there, Frank West, go have fun with it.
Dead Rising 4 is a stuff-based game. A dollar bill is useless in zombie society, but “scrap” becomes your new currency, and it is veritably indistinguishable from any other kind of zenny, gil, or cash. You can spend money at “shelters”, and, if you’re a good little Frank, you can rescue other survivors that will expand a shelter’s inventory. That’s right: your most coveted reward is the opportunity to buy more things. And even if you somehow don’t engage with this scrap-based economy, you’re going to need every last trinket and inexplicable Vega claw you can find. Weapons break frequently, and you’re always going to need to find something new to bash the hordes. But wait! There’s more! This limited time offer allows you to combine weapons and items into even better items, so having a spare dinosaur hat or Christmas decoration is always going to be appropriate, because you never know what might turn out to be the essential component of a 5-star weapon. 
Dead Rising 4 is not a bad game. Far from it! But in a franchise that previously did its best to be downright oppressive with limiting indulgent tendencies, having so much freedom right from the start neuters the message of Frank’s previous adventure. No longer do you have to carefully weigh the cost of time spent recovering that Servbot hat against saving a survivor’s expiring life force, now you can leisurely grab as much of this world as you want, anytime you want. Dead Rising 4 is a very different game from its predecessors, and, as a result, it undermines the original in more ways than one.
How about those expansions: Mini Golf and Multiplayer appear to be strictly… uh… multiplayer, so I’m not hitting those anytime soon. Frank Rising is the obvious continuation of the story and a pretty interesting concept (Frank is a zombie!), but it quickly just becomes a fairly rote rehash of recurring Dead Rising stories/gameplay (Frank is a zombie… but that just means he has a different standard moveset and can’t ever pick up a bat for some reason). Capcom Heroes, a mode where you can randomly utilize the moves of other Capcom “heroes”, seems like it would be right up my alley, but considering it’s tied to a complete play through of the entire game again… it’s really not a substitute for the real thing. Also, giving Ryu a chi grenade seems wrong somehow.
Did you know? The original Dead Rising was chastised for employing a font that was optimized for HD resolutions, and was practically unreadable on old, standard definition televisions. This problem indicates that Dead Rising was initially released billions of years ago, possibly before the extinction of the dinosaurs.
I don’t know about your experience, but, back in the 90’s, the local arcades had more than a few beat ‘em up mainstays. There was always Teenage Mutant Nina Turtles and/or 
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System: Arcade only, guys. Maybe one day we’ll see some kind of home version. Maybe something that inexplicably also includes every other game on this list? You can use my name if you want, developers!