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FGC #590 Final Fight: Streetwise

Today’s article contains one (arguably) graphic GIF of Playstation 2 quality. The image is basically the point of this essay, but if you are squeamish around such a thing, please be aware of its presence beyond the “read more” link du jour. Probably nothing you haven’t seen before, but, ya know, it bothered me, which brings us to today’s topic…

That logo is hotWhere is your videogame uncanny valley threshold?

Today’s game is Final Fight: Streetwise. As many people know, this was Final Fight’s attempt to enter the 21st Century with a Playstation 2 game that upgraded/marginally rebooted the original arcade classic. And, given Final Fight was always a handful of baseball bats away from just being The Warriors, this could have worked out well. Fight weirdos in strange costumes across a generally grungy city? Tale as old as time! And, while Final Fight: Streetwise maintained the concept of “beat ‘em all up”, it went a little off the rails when it decided to start aping the wrong crowd.

The blitheringly obvious greatest influence on Final Fight: Streetwise? Grand Theft Auto 3.

And this was not a good thing.

It is easy to see what happened here. Grand Theft Auto 3 was possibly the most popular and influential videogame of the era. And, to be clear, “influential” in this case absolutely means “there were 10,000 games all trying to get a piece of that sweet, sweet GTA3 pie”. This was the epoch when “sandbox gameplay” became a bullet point on every game cover from Final Fantasy to Hitman. Some of these copies were net goods, though. Spider-Man went from having “levels” to gaining the sprawling cities he always needed, and we likely would have never seen something like Fable without it being pitched as a “medieval GTA”. But, on the other end of the spectrum, we had any number of titles that wanted to make a claim at “gigantic, open worlds” without putting in the effort to actually design said worlds. And thus did we play through a number of games that would have been simple, progress from level to level affairs a few years earlier, but now had to have “hub cities” that were about as densely populated as Lost Springs, Wyoming (look it up!). And now you were forced to putter around for hours between missions and maybe the best you could hope for was some kind of collectible scavenger hunt. Apparently, the lesson so many game designers took from GTA3 was not that it had a fun, varied world where you were constantly learning you could do new things (God, I could write an article just about the exhilaration of finding a car jump ramp for the first time in GTA3), but simply that it was “big”, and you could walk around at your leisure. Oh, and GTA has a lot of “maturity”. Maybe we should shoehorn some cusses into our games, too…

FIGHT!Final Fight: Streetwise decided to chase the gameplay concepts and maturity of Grand Theft Auto 3 like a Japanophile running down a katana collection. FF:S takes place in a largeish (by PS2 standards) world with distinct neighborhoods, shops, and citizenry. There is the main plot, and a variety of “side quests” that can be distributed by assorted townsfolk/drug dealers. There are quests, both required and optional, that allow for the player to experience an escalation of regular gameplay, or more “minigame”-like fare. And, while Final Fight has always been a “street” franchise that included mature themes (the boss of Level 3 is a corrupt cop! You can eat his gum!) and roaming, malevolent gangs, the decision was clearly made at some point to make Final Fight: Streetwise feature characters that could be immediately described as “hardcore”. The central problem of this story is not a princess kidnapping, but a new drug on the streets. Our current hero is battling in an underground fight club to make ends meet, and all the previous protagonists are all suffering from various states of decay and corruption. And the new characters are all either morally compromised, or clearly too good to survive the whole of this adventure. This is a real story about real people in a real mean neighborhood.

And, unfortunately, you are not at all prepared for how this game is blitheringly, rock stupid from top to bottom.

You can read a game summary, Final Fight wiki article, or even the previous paragraph and think to yourself, “Well, that doesn’t sound so bad.” You may be like me, and imagine a game that indulges in that “grim ‘n gritty” style, but, even if it’s not your thing, it can still be good. It has happened before, right? It doesn’t have to be bad! This is a Capcom game! They know what they’re doing!

This happens all the timeWell, bad news, folks, Final Fight: Streetwise is an aggressively stupid game. There is no other way to describe it! This is a story where the featured characters are all idiots that always choose the single stupidest move possible. “This guy tried to kill me once, but maybe if I be polite, things will be better… whoops, got tricked, now he tried to kill me again.” That’s a plot point! It is meant to be a surprise when the mafioso that initially threw the protagonist into a deadly pit fight then again tries to kill the hero through an immediate bout of arson even though he was being so polite. And, granted, “being polite” should be rewarded for Kyle Travers, as his default mode is just cursing and punching people. I am not just talking about during gameplay, either! Kyle immediately resorts to fighting literally everyone he encounters. With a deft hand, a writer could portray Kyle as a man that knows he is in a rough situation, and immediately reacts to even the slightest kindness with inversely reciprocal brutality. But this is not a story written by a deft hand. This is a story about solving every problem with punching, and being rewarded for punching as hard as possible. And this translates to the gameplay, as literally everything in this world, from the sidequests to the gyms where you can spend your rewards, exists exclusively to power Kyle’s punches. And, again, this is a videogame, that could work. But, unfortunately, it all works to make this Final Fight world seem entirely too small to support the kind of game that could be happening here. It makes every corner of Kyle’s quest feel… stupid. This is a stupid hero doing stupid things in a stupid world.

A meeting of the mindsBut it is still a world. And it is a world that, with its “streetwise” aesthetics, tries to be realistic. The voice acting and graphics are great (by a Playstation 2 standard), and, if you are willing to forgive a number of (stupid) limiting choices in the game, you could easily see this as more of a “real world” than the cartoon world where you frequently see a dude in a gi tossing fireballs out of his hands. The venues in Final Fight: Streetwise are like those from the original Final Fight: subways, fighting rings, and the mean streets. And, while there are a few fantastic special moves as Kyle levels up, the majority of the fighting is based on traditional punches, kicks, and grapples. It is easy to slide into the simple comfort of playing this generally mundane game, and imagine you are controlling a real character in a real world.

And then you bash a sleeping dog with a baseball bat.

Here comes a GIF of that thing I just said

FGC #578 Red Earth & Capcom Fighting Evolution

Let's fightNow for the tale of two separate and incredibly unequal videogames.

And, uh, don’t worry. Both games contain dinosaur-dragons, so that should keep your interest.

In 1996, Capcom released Red Earth. Known by the much more metal name of War-Zard in Japan, Red Earth was a fighting game that did its best to set itself apart from its peers. Just how different is it? Well…

· There are four selectable characters, and if you do not play 2-P mode, you will never fight the other heroes of the adventure. But who do you fight?
· Dinosaurs! And Squids! And at least one Chimera+ (the plus is for two extra heads)! There are eight levels in Red Earth, and each features a decidedly not-human adversary. The closest you are going to see to something like an even matchup is a harpy that at least does not have any extra limbs on your character, but the same cannot be said for Gi Gi the robotic statue with as many arms as possible.
· And, to be clear, these “bosses” are absolutely not fair fights, complete with a few super moves that can eliminate half your lifebar in one go. These moves are very telegraphed, but if you choose not to dodge at the right time? Down you go.
· Likely to mitigate some of this unfairness, there are health power-ups randomly scattered around. Additionally, continuing after a loss does not reset your opponent’s life meter. Unlike in your typical fighting game, you can (more or less) pick up exactly where you left off after dropping in another quarter.
ROAR· And you’ll want to pick up that joystick again, because every fighter has a story that advances with every fight, and an ending or three with multiple available choices. Play the game well enough, and you just might see your heroine naked and humping an alien. Or maybe she gets a puppy!
· And you may want to pursue all those extra endings, because your character actually levels up, gains new abilities, and increases stats with points that are awarded for every hit. This serves the dual purpose of encouraging playing the game more, and offering the possibility of growing stronger mid-match even if you have been repeatedly losing to the oni du jour.

This all adds up to a game that feels like a fighting game in the individual moments, but plays like an entirely different animal. Much like Konami’s Monster Maulers (released three years prior), this is an attempt to bring some of the most popular conventions of the beat ‘em up genre (health powerups, “boss fights”, multiple routes) into a fighting game to create a more inimitable experience. Additionally, the “leveling system” may unfortunately be a naked attempt at adding “grinding” to a genre that absolutely does not need that kind of nonsense, but it does encourage the player to earn a “new experience” when trying a replay. And, if you are the type to never deviate from a preferred “main”, that’s a pretty big get. Make your Lion King (uh… not that Lion King. He’s just a king that happens to be half-lion) the best Lion King (still not Disney-related) he can be.

Squidly bitsAnd while we are looking at reasons Red Earth was able to set itself apart from the pack (no lions at all involved in that statement, to be clear), consider that this was the first of three(ish) games to feature Capcom’s CP System III. In layman’s terms, pondexter? It means that, like its CPS3 brother, Street Fighter 3, this is one of the most gorgeous sprite-based fighting games out there. Everything from the cloth on Tessa’s hammer pants to the heat bellowing out of Hauzer’s maw is elegantly animated. Even “incidental” bits, like the continue screen countdown, include pixels not likely to ever be seen again. CPS3 may be known for Street Fighter 3 (and maybe a JoJo game), but its maiden voyage here really makes an impact on the ol’ eyeballs.

In short, Red Earth is unique and stunning. It is exactly the kind of fighting game the world needed in 1996, and it promised a great future for the genre.

But there never was a Red Earth 2. Not even a “Turbo” edition graced this title, and the OG version was barely even distributed in North America. If you wanted to play as the lord of lions or the ninja that could fell a sphinx, you would have to wait eight years to see their second adventure. You would have to wait for Capcom Fighting Evolution.

And, sorry Warzard fans, it wasn’t very good.

Further squidsCapcom Fighting Evolution came on the heels of the Marvel vs. Capcom series that was amazing, but also assumed to be totally dead/impossible thanks to Capcom losing Marvel’s favor (don’t worry, kiddies, it would eventually return). Capcom Fighting Evolution also came after the Capcom vs. SNK series, an evolutionary offshoot of the Versus franchise that some still claim is some of the best 2-D fighting you’ll ever see. And what could Capcom Fighting Evolution offer after all of that? Well, even without the accompaniment of Captain America or Geese Howard, the Capcom universe had its fair share of luminaries. You could simply toss every Street Fighter into a game, and it would be gold. Or you could combine Darkstalkers, Street Fighters, Final Fighters, and… what have we got left here? Rival Schools? Whatever! It could work! And that’s before you get into including the likes of Mega Man or Breath of Fire heroes. A “pure” Capcom Versus fighter could be a thing of beauty!

Or it could just be a mishmash of random sprites all slapping against each other. Guess which one we got?

While Red Earth was a potential new future for fighting games, Capcom Fighting Evolution forsook its name and sounded a death knell for the genre. Capcom Fighting Evolution was less a brand new experience and more of a “going out of business sale” for an era. Capcom took four fighters from each of its most popular fighting games, and plunked them all in a 2v2 fighting game. And, while that could have been fun for everybody, a significant drawback of this process was reusing the original sprites of each of these brawlers without any attempt to visually normalize… anything. Morrigan’s sprite was the creaky bane of MvC2 in 2000, and Dimitri did not look any better next to Street Fighter 3 characters four years later. And, to make matters worse, those sprites from Street Fighter 3 that looked so gorgeous in their original game had a number of frames and animations reduced, so they were literally pale imitations of their former selves. And, lest you think these complaints are entirely graphics-based, don’t worry, a game that attempts to merge the intricacies of three different Street Fighter games, Darkstalkers, and an asymmetrical “boss fighter” doesn’t exactly work from a gameplay perspective either. You wouldn’t parry a dinosaur!

WINNER!But that’s kind of the thing: you can parry a dinosaur. Capcom Fighting Evolution contains characters from Street Fighter 2, Street Fighter Alpha, Street Fighter 3, Darkstalkers, and (most importantly) Red Earth. And, while there are still exactly four Red Earth playable characters, now two of the “bosses” are available for your playing pleasure. Want to be the dinosaur? Or the squid? Have at it! Are these former boss-class monsters rebalanced to be appropriate combatants? Well, as much as anything else is balanced in this game! You probably do not want to take a lumbering dinosaur’s gigantic hitbox up against Metro City’s best ninja, but you can certainly fell that fighter if your fireballs are true. And, while playing as ol’ squidly bits is probably less rewarding than the more sensible adventures of Tessa back on Red Earth, it is inordinately satisfying to see Zangief piledrive an eldritch horror.

And that’s basically Capcom Fighting Evolution in a nutshell: it is objectively bad, but can be subjectively good. CFE is a rushed product featuring many poorly considered decisions, but it is also a game wherein Sakura can fell a furry Conan. Is Red Earth a better game than Capcom Fighting Evolution? Pretty much by every metric! But, in being a tighter experience, it loses the fun you might experience with a looser game that lets you pit a rifle-toting ninja against a psycho-powered dictator.

Some games are good. Some games are bad. But any game where you can fight a dinosaur at least has its priorities straight.

FGC #578 Red Earth

  • THE WARZARD!System: Arcade exclusive. I guess we have to hope for some manner of “Capcom Mini” device to see this one. Maybe they could stick it in the inevitable next Street Fighter 3 compilation?
  • Number of players: Two players, and you can only play as the (mostly defined as) humans. No playable living suit of armor for you.
  • Favorite Character: Like in Pocket Fighter, I’m going with Tessa here. She’s a witch that may or may not have found a second job in Little Witch Academia, and her general… Ryu-ness goes down easy. Second place goes to Kenji the Ninja, but he is a little too Strider-esque to win on his own merits.
  • Favorite Boss: Gi Gi is the robotic monster that Huitzil wishes he could be. Also, his multiple arms and swords may have inspired the best boss in The Legend of Zelda: Skyward Sword, so bonus points there.
  • Finish Him: A lot of sources will claim Red Earth was one of the few Capcom titles to include Mortal Kombat-esque fatalities. And they’re not entirely wrong… but these “fatalities” are a lot closer to “Zero slices a robot in half because he used his sword for the final hit” affairs. And, considering you’re only “killing” monsters and robots, comparing it all to Mortal Kombat seems a little disingenuous.
  • What’s in a name: In America, this is Red Earth, clearly meant to convey how this takes place in an alternate timeline/Earth that is ruled by swords and sorcery (and the occasional mech). In Japan, this is known as Warzard, because the final boss is a wizard that starts a war. Either title seems appropriate, but Red Earth at least explains why there is an island nation called “The Kingdom of Reese”.
  • SLICEAn end: If you continue too often, you only get a paragraph of text and a basic message that your protagonist won, hooray. If you manage to conserve a few credits, though, you get a “choose your own adventure” where you can decide your central character’s ultimate fate. Be warned, I was not kidding earlier when I said that the wrong choice could see Tessa naked and straddling an alien, though. Generally NSFW proof here. Oh, also, if you continue the exact right number of times with Mai-Ling, she gets a new pet. Not certain how one heroine winds up in a porno, and the other gets a puppy.
  • For the sequel: Literally every one of Kenji’s endings involves his death. I have to wonder if there were plans to make Kenji a “legacy” character in future titles (as it is easy to replace a ninja that doesn’t ever show a bit of skin, left alone his face), or if Kenji just slept with the director’s spouse, and had to be punished for his hubris. One way or another, it is a wonder that guy made it into Capcom Fighting Evolution.
  • Did you know? The most obvious bad guy (but not the final boss) is Blade, who is a living suit of armor powered by an emerald containing his (once human) soul. This is notable, because, four years later, the final boss of the seminal Marvel vs. Capcom 2 was a living suit of armor powered by a magical gem-core. Is MvC2 the secret sequel to Red Earth? No, of course not. That would be silly. Shuma Gorath doesn’t have enough tentacles.
  • Would I play again: It is a shame Red Earth was only ever four playable characters and a handful of bosses. It feels like an expanded Super Red Earth II Turbo could have really been something special. As it is, it’s a game I’ll likely pick up again, if only to satisfy my need to bisect an oni.

FGC #578 Capcom Fighting Evolution

  • I ain't lionSystem: Apparently there was an arcade release, but most people were exposed to this contagion through Playstation 2 or Xbox. There is the distinct possibility you were able to get it on Playstation 3 as a PS2 rerelease, though.
  • Number of players: Two alternating fighters per team, and two players may control them. Sorry, these are more King of Fighters rules, and not the rapid switching of proper Versus titles.
  • Midnight Bliss: This is another title that went the extra mile and included Dimitri and his ability to metaphorically rape his opponents. While this move never stops being gross, at least most of the Midnight Bliss sprites lean on “humorous” rather than “sexy”. I mean, assuming “schoolgirl with the fossilized head of a dinosaur (wearing lipstick)” isn’t your fetish. If it is, hey, more power to you.
  • Original the Character: Ingrid is the only original character in Capcom Fighting Evolution, and was created for the game Capcom Fighting Evolution was always supposed to be… but never, ever came to fruition. So the last daughter of Capcom Fighting All-Stars has been forced to bounce around the universe with an ever-mutating backstory. In Street Fighter Alpha 3 Max, she was a time traveler. In Project X Zone 2, she had nigh-omnipotent dimension hopping powers. And now, in her Street Fighter 5 profile, she’s a “Code Holder” that is fighting against a fellow named Death. This is the story closest to her original concept, but who knows how long it will last…
  • What does dinosaur blood taste like?Favorite Character: This is one of the weird situations wherein my first pick is the biggest bear wrestler of them all, Zangief. Probably to balance out with the prehistoric heavyweights, Zangief actually has a little agility in this title, and a grappler with some speed is something to be feared. Or maybe they just wanted him to be able to compete with Alex? Who is pretty much the same, but without that all-important chest hair situation? I really can’t say.
  • Did you know? For the record, all sprites in CFE are from the character’s most recent appearance in their designated game… except for the iconic Street Fighter 2 cast. Ryu and M. Bison are encores from Capcom vs. SNK, and Guile is from Street Fighter Alpha 3. And Zangief? He’s a got a completely new sprite that is predominantly (but not entirely) based on his Alpha 3 incarnation. I guess somebody at Capcom liked Zangief, too.
  • Would I play again: I still think of this game as “bad”. On the other hand, in just trying to get a feel for it for this article, I wound up playing the thing for a little over an hour. That might not seem like much, but I had it in mind that I would only play for one arcade cycle… and just kept playing. So there’s something there! So, yeah, I’ll probably be tricked into playing this one again. Maybe I’ll even play as the dinosaur…

What’s next? Random ROB has chosen… Guacamelee! 2! Enter the Mexiverse, and lucha your brains out! Please look forward to it!

Look at that hat
Is this… like… a sex thing?

FGC #472 Godzilla: Destroy All Monsters Melee

GODZILLA!In 2002, Godzilla: Destroy All Monsters Melee was released. In 2020, Godzilla: Destroy All Monsters Melee has given me an incredibly dumb idea for a new videogame, and I would like it very much if one of my readers could get around to creating such a game.

Allow me to explain.

Godzilla: Destroy All Monsters Melee is a Nintendo Gamecube title that was released a solid eighteen years ago. At the time, it was very well received, as it allowed four players to sit down on a couch, grab a controller, and then destroy the entire city of London with atomic fire breath and the occasional assistance of Mothra. This was a game that was never going to be the next Super Smash Bros. Melee, but it was still a damn good party game. Hell, it was basically the bastard monster child of Rampage and any given Wrestling title, and how could that possibly go wrong? There’s even immediate accessibility, because, unlike most fighting games, you don’t need to “know” the fighters beyond “this one has drill arms” and “that dude has wings”. Ultimately, it’s not like this was ever going to be a game we were talking about twenty years later (wait a minute…), but it was certainly a fun way for a quartet of bored college students to whittle away the wee hours of the morning before finals (not that I have any extremely specific memories of this game or anything).

But, like so many games of the era, there was an immediate problem with Godzilla: DAMM: it required an unholy amount of unlocking. There are a total of three monsters initially selectable, and (if my math is right) that’s one shy of the total number of players. We need two Godzillas! … Which there actually are on this roster, but that’s not what I’m talking about! That second Godzilla requires playing through the entire game once, just like the other six unlockable fighters (“fighters”). And, yes, that only adds up to a roster of ten total monsters for meleein’, which feels very lacking when you’ve got four players palling around. DRILL!You can “see” the entire roster inside of three matches… but only if you’ve actually unlocked that monster roll call. And who wants to play through a game ten times (Mecha Godzilla requires three separate adventure mode clears) just to prepare for a Melee party? Yes, Super Smash Bros. Melee had similarly byzantine unlocking methods available, but that game was incredibly fun to play, and featured a whole host of interesting modes. God:DAMM was limited to one cruddy arcade mode.

… Which is probably why we just used cheat codes to unlock everybody every time we played. Man, we gotta go buy seventeen gallons of vodka, we don’t have time to unlock Ghidrah.

But if we had to manually unlock everyone in Godzilla: Destroy AMM, well, then there probably wouldn’t be any pleasant memories of this otherwise forgotten game. This is an amazing game when playing with three other humans that are all pretending to be monsters and occasionally attempting to simulate bad engrish dubbing across the couch. However, when it’s just you against the adventure mode, it’s an entirely different experience. The computer cheats! Or, more accurately, the AI seems to have complete awareness of the battleground beyond the view of the traditional monster cam, so they will often break off from the fight to pursue some previously unseen powerup. And let me tell you, an AI monster can book it when it wants to! Meanwhile, your own Godzilla (why would anyone play as Aguirus? Godzilla is right there!) moves like a slow, lumbering beast. This is right and proper for a King of the Monsters, but it does feel a bit like you’re being taken advantage of when a rival is pelting you with fireballs from across the screen. FLY!This is never an issue when you’re playing with friends, as you’re all equally slow and terrible thunder lizards, but when you have limited continues and an opponent that seems to have extrasensory awareness? It gets old fast. A fighter controlling like a mack truck isn’t great under normal circumstance, but it’s somehow even worse when the same rules don’t seem to apply to your opponent.

And that’s when I had my grand idea: why not make a videogame where everybody sucks?

Wait, no, let me try that again.

My thinking here is that G:DAMM is a game where you’re controlling classic movie monsters. And, let’s be real here, absolutely every movie monster from earlier than about 1990 was a dude in a dreadful rubber suit. If a head was allowed to peak out, there could also be a dreadful mask or dreadful prosthetics involved, but, by and large, we’re only talking about big, puffy, and inevitably sweaty rubber suits. And, while this certainly also applies to Western monsters (Abbott and Costello simply could not afford a CGI Frankenstein), we all know that Godzilla and his many opponents were all dudes (and ladies, presumably) in rubber suits. So, while this game sees your monsters maneuver about as well as a freight train being steered by FRA-licensed cow, that feels almost appropriate, as how well do you think you would be able to maneuver while being trapped in a miniature, mobile sauna? Godzilla controls terribly, but it always looked like “real” Godzilla would have the same kind of problems. Oh, a powerup appeared outside of your line of vision? Well, do you think it would be easy to see in that suit? Of course not! This is immersive gameplay!

Which is where my game idea originated: why not create a fighting game where all the fighters are stuck in big, cumbersome monster costumes?

POWER!Haruo Nakajima is the man behind the monster that played Godzilla in twelve separate films from 1954 to 1972. When you close your eyes and picture Godzilla destroying Tokyo (aka every time you close your eyes, obviously), you’re picturing Haruo Nakajima inside a Godzilla costume. And you know something else about Haruo Nakajima? He had a black belt in judo. This means one thing: Haruo Nakajima could kick your ass. And, considering he did his job masterfully for nearly twenty years, there are pretty good odds he could kick your ass while wearing a Godzilla costume. And wouldn’t that be kind of neat? – Well, to watch, not to get your ass kicked by Godzilla… or… Or would that be even more interesting… Wait, never mind, back to the original topic – Wouldn’t it be fascinating to see how a martial artist adapts to fighting within a giant rubber suit? How moves are changed and adapted to accommodate for added bulk, extra exertion, and, inevitably, a little foam tail? And wouldn’t it be fun to control a fighter of black belt caliber trapped in such a suit?

Yes, I am suggesting someone create Rubber Movie Monster Fighter (Melee).

Look, I know we have the technology. And it doesn’t have to go full QWOP (though that would be kind of amazing), I’m just suggesting a fighting game where it feels “right” that your fighter is struggling to survive while locked inside a mascot costume. And, to be clear, we don’t need a Godzilla license. The Power Rangers franchise alone has to be responsible for a collection of rubber “movie” monsters greater than the actual population of Iowa. It’s wouldn’t be that difficult to work out some original monsters that may or may not be Tyrannosaurs-adjacent. ZAP!And nobody gets “fireballs” or “dragon punches” or alike, it’s just all mascot monsters throwing fists and stubby little kicks. Bonus points for posing after your opponent has been knocked over, and maybe a mini-game involved on just finding the effort to stand up again if you’re the one that toppled over in an enormous turtle costume. It would still be, at its core, a fighting game, but it would be a very different fighting game.

And if Godzilla: Destroy All Monsters Melee proves anything, it’s that people will put up with cumbersome controls if it means enjoying a “different” fighting game. So, if you’ve got some coding experience and a graphics department laying around, have your people call my people, I’ve been anxious to add a “concept by” credit to my résumé. I mean… it could be a really fun game!

FGC #472 Godzilla: Destroy All Monsters Melee

  • System: Nintendo Gamecube initially, and then ported to the Xbox (one… but not that One). There was also a Gameboy Advance title that Wikipedia thinks is the same game (Godzilla: Domination), but that was a Wayforward joint that was completely different by virtue of containing an enormous Mecha Ghidrah.
  • Number of players: Four, as is appropriate to a melee.
  • Blazing!Further Issues: Maybe the reason the controls for this seem so wrong so often is that many of the monsters have non-standard body types. No, I’m not saying some of the monsters are shaped unusually, I’m saying many of the fighters don’t even have arms. That impacts the “one size fits all” controls pretty significantly. And don’t get me started on all the monsters that just happen to have the power of flight…
  • Favorite Kaiju: Technically it is hard to choose anyone but Godzilla. But Megalon does have drill arms and the ability to dig through the Earth for some rad flip attacks, so he’s certainly right up there.
  • Missed Opportunity: Jet Jaguar basically looks like a budget Ultra Man, and he’s completely missing from this adventure. Granted, he’s not technically a monster, but I wouldn’t mind having at least one vaguely menacing humanoid robot running around.
  • Did you know? Haruo Nakajima had an asteroid named in his memory in 2018. I really hope that asteroid stays the hell away from Earth, because, if we somehow survive such an apocalyptic impact, we’re going to spend the next century talking about the grand irony of Asteroid 110408 Nakajima destroying Tokyo.
  • Would I play again: Nope. I might have an idea for a game where characters control like bulky monsters, but it’s not all that fun on the Gamecube. I enjoyed this title in its time, but its time has passed.

What’s next? Random ROB has chosen… Dragon Warrior 4! It’s time for Alena and a bunch of losers to save the world. Please look forward to it!