Tag Archives: 3DO

FGC #499 Ballz

BALLZ!In the early 90s (practically the infancy of gaming as we know it) there was a tremendous controversy over videogames, sex, and violence. There were concerns that, since videogames had progressed past being red dot versus blue dot and now featured tremendously less abstract decapitations, videogames were profane and poisoning the poor kiddies playing them, and, please, won’t someone do something to protect us all? In a move that certainly wasn’t just a shortcut to placating the masses, the Entertainment Software Rating Board was founded in 1994. It was thus to be the job of the ESRB to rate games according to their content, and clearly label every release with information denoting it as “E for Everybody” to “M for Mature”. However, a year earlier, Sega of America introduced the Videogame Rating Council, a slightly more primitive version of the ESRB that had much the same goal (pacifying Karen). In this case, we had three ratings: GA for general audiences, and two version of MA (mature audiences) with two different ages: 13 and 17. Games that earned a MA-17 rating included Lethal Enforcers and Mortal Kombat 2, while MA-13 went to the likes of Super Street Fighter 2, Mortal Kombat (1), and Lunar: The Silver Star Story.

And Ballz. Ballz is for mature 13-year olds only.

In a lot of ways, Ballz was improbably ahead of its time. For one thing, it’s a 3-D fighting game released about seven seconds before the era where that was the only fighting game style available. Shortly before the release of Tekken or Battle Arena Toshinden, here was a fighter taking place on a “real” 3-D plane where you could just as easily side-step around a fireball as jump. There are even techniques involved here that would become standard within the genre, like dodge rolling away from a fallen position, or grappling with an opponent in a manner that is impossible (or at least boring) in 2-D titles. And there are some systems that never caught on that could be very interesting in the right hands. Every character can morph into every other character. Could you imagine that in a more robust fighting game engine? You’re fighting the entire roster at once every time! High level play in such an environment could be amazing! Counter pick after counter pick until the timer runs out!

Bad dino!But one feature that was certainly adopted by Ballz’s fighting game descendants is the overt bombast of a seemingly average fight. The fighting game genre has always been “loud”, and anyone that spent ten seconds in an arcade in the early 90s could tell you exactly how many sonic booms were tossed by Guile in an afternoon (the answer is infinity plus one). But, as fighting games evolved in graphics, they too evolved in piercing presentation. Possibly as a result of copying real-world, “real” sports, fighting games went on to adopt cinematic staging by standardizing features like replays, wrestling-esque taunts, and announcers. As a result, the average fighting game nowadays is chattier than your average JRPG, and we’re never allowed to forget that the soul still burns. Whether or not this makes things better is up to the player, but it’s pretty clear that if you play a Japanese fighting game, and it doesn’t have seven different settings for “announcer”, toss on your hazmat suit, because you’re handling toxic garbage.

Ballz has its own announcer. Its announcer is just a little more… silent than the modern incarnations.

Ballz’s designers knew the game had to drip attitude, and that that wasn’t going to be properly conveyed by a simple fight between a ballerina and a rhino. No, they needed something more. Silent protagonists were not going to cut it, and primitive 16-bit cartridges weren’t going to support the literary magnum opus required of Ballz. What Ballz needed was special. Ballz needed a damn Jumbotron ™. Ballz decided to screw subtlety to the sticking-place, and just ram a gigantic television screen into the background. Maybe even a couple! And this screen could display taunts, announcements, and a comprehensive running fight commentary in the background. So, during each and every fight, you’ve got a background that is expounding such complicated thoughts as “administer smackies” while a few lesser screens display what appears to be an animated GIF of fireworks before displaying the game’s logo. Is it distracting? Of course! But does it convey exactly what Ballz is all about? Also yes! While it is always confusing who the hell is “talking” through the Get 'emvarious screens (some are clearly statements by the combatants, but there seems to be an omniscient “narrator” somewhere in there, too. And then there’s some random malcontent that really wants you to “taunt the ostrich”…), all of the statements stick to the basic theme and attitude of Ballz. It’s irreverent! It’s anti-establishment! In a world of sober Fatalities and Cinekills, Ballz is juvenile and insolent. Ryu is seriously trying to test his serious skills in a very serious tournament, but Yoko the Ballz Monkey is seriously going to fart in his face. This whole game is a synonym for testicles! Get it!?

And it is for this reason that I must compliment the Videogame Rating Council on a job well done.

Initially, it seemed ridiculous that this title would be rated MA-13. It’s silly! It’s a “violent” videogame, but all the characters are made of multi-colored balls. They are barely human shaped, and the idea that this title could be taken seriously in any legitimate way seems as ridiculous as a sumo wrestler tackling a kangaroo (which, to be clear, can happen in Ballz). Ballz being rated MA-13 literally puts it on the same level as the infamous Mortal Kombat, and, unless there’s some missable stage hidden around here, there is absolutely no one that has their still-beating heart ripped out of their ribs. Mortal Kombat defined videogame violence for an entire generation, while Ballz is roughly as vicious as the Pixar logo. Did you see what that desk lamp did to that letter? I am amazed children are allowed to view such a thing.

But Ballz does warrant its rating. Not because it is a violent videogame, but because only a thirteen year old would enjoy this. Ballz has a tone that matches the way a young teenager farts in the general direction of authority. This isn’t high satire, this is a game precisely designed for someone that is just mature enough to be thirteen.

BUTT STUFF

And everybody behind Ballz knew it.

So thank you, gentle members of the Videogame Rating Council in 1994, for knowing that, too. You truly thought of the children.

FGC #499 Ballz

  • System: Sega Genesis and Super Nintendo initially, and then a “director’s cut” for the 3DO. There’s a system seller!
  • Number of players: Two fighters comprised of ever so many balls.
  • This sucksPort differences: This game was very obviously designed for the Sega Genesis (the three button control scheme gives it away), but it looks so much better on the SNES. However, Nintendo did not have its own ratings board, and demanded that Ballz remove its more risqué elements. There’s no almost naked butt to be found on the SNES version, and instead of starting with “you gotta have… Ballz!” the intro reads “you’ve got to play… Ballz!” One little change makes all the difference, apparently.
  • Favorite Fighter: Crusher the Rhino-Man is exactly the kind of Spider-Man villain that I want to see appear in more games.
  • Favorite Boss: There are five separate bosses randomly sprinkled across the single player campaign. The first three are all animals, and obviously follow the traditional threat graduation schema of ostrich -> kangaroo -> tyrannosaurus. From there, you’ve got an opponent that is a blue genie that transforms into other animals, but is not actually an animal. And then the final boss is a murder clown.
  • So there’s a clown factor? Boomer the circus clown is a regular fighter, and The Jester is the final boss, organizer of this tournament, and theoretical announcer. That’s two scary clowns in one game! There should be a videogame council that exists to protect children from that.
  • Did you know? Lamprey the Genie is so named because of the general pun on the phrase “Genie’s Lamp”. He has nothing to do with eels. Thank God.
  • Would I play again: Nope. There are so many other fighting game options that are actually, ya know, good. Maybe find me a version of Ballz where everyone doesn’t feel like they’re scooting around on rollerblades, and we’ll talk.

What’s next? Random ROB has chosen… Bah. It’s #500. Let’s keep it a surprise. Tune in Friday for something or other. I’m sure it will be nice. Please look forward to it!

Nevermind...

FGC #424 Brain Dead 13

This game are sickFunny thing about the Playstation and its era of videogames: it proved that no one had a damn idea what they wanted from a videogame.

Today’s game is Brain Dead 13. It is another title that, like Dragon’s Lair or Time Gal before it, is barely more than a playable cartoon. The player controls Lance, a typical computer geek, who, during an average tech support house call, winds up in the clutches of a mad scientist (and, as someone in the tech field, I can safely say we’ve all been there). It’s your job to guide Lance back to safety, and escape Fritz, an imp with an impressive mastery of chainsaws for a creature with hooks for hands. Of course “controlling” Lance is a bit of a misnomer, as this entire game is prerecorded, and it’s less Mario, and more “press left now or die”. It’s something you’ve seen before if you were a child of the 80’s, and it’s something we saw an awful lot in the early CD era of gaming. Is it a “game” or is it an “interactive movie”? Gamepro tried to answer that question a couple of times, but I’m pretty sure Scary Larry never gave us a response. C’est la vie.

Of course, whenever a game like this comes up, it is compared to Dragon’s Lair (I’ve already done it once!), the title that pioneered and defined this kind of gaming experience. The corollary to that that is rarely mentioned? Dragon’s Lair hit the arcades in 1983. For a bit of comparison, Super Mario Bros. (1) hit the Famicom in 1985. The laserdisc/CD-based “playable cartoon” is older than Bowser.

Prepare to die... a lotAnd it’s easy to see why Dragon’s Lair was successful. It’s pretty! It probably made about fourteen billion dollars in quarters, as, come on, who can resist those Don Bluth graphics when it’s playing an attract mode next to friggin’ Joust? Who doesn’t want to be Dirk the Daring when the alternative is… Ice Climbers? I don’t even want to consider the universe where someone would choose those parka wearing nincompoops over a fully realized cartoon dude fighting for his Marilyn Monroe-inspired love. Yes, we’ve all been claiming for years that graphics don’t matter, but even one with such a refined palate as myself may or may not have once bought a game entirely because of its fine graphics, and completely ignored a better game that unfortunately looked like the ass end of an ass (or even just looked different from what was supposed to be advanced). A lot of people decided to swim to the Dragon’s Lair shore from the deep, barren gulf between “animated feature” and “pixels that kinda maybe look like a ghost, but we’re calling it a monster”.

So it makes a certain amount of sense that when the CD-based consoles started to become available, there was a push to produce more FMV/”cartoon” titles. It took all of seven seconds to recognize the difference between a Shinobi and the high resolution (for the 90’s) art of any given prerecorded CD title. The thinking must have been amazingly simple: pump out some videogames that look astonishing, and people will line up to buy the newest systems with their advanced graphics. We could have all been happy with games produced under that premise.

Unfortunately, what we got was Sewer Shark. Nobody was happy with Sewer Shark.

The Sega CD, by and large, was a failure. Give or take a Myst, PC gaming would take years to reach the same echelon of fame as its console brethren. And the Playstation… well that revolutionized gaming in a way that is still relevant today. Why? Because it might be the first videogame system that was successful because someone made a conscious decision to make videogames.

Brain Dead 13 is a Playstation title. What’s more, it’s a Playstation title that came at the start of the system’s lifespan, and, thus, was inadvertently influential on a certain demographic of nerds. It would not be surprising to find that not a single person reading this article ever played Brain Dead 13. However, it would be astounding if no one ever saw this gremlin in this exact pose…

Fritz!

Brain Dead 13 wasn’t exactly getting airtime during Seinfield, but it was introduced via a disproportionate number of GamePro pages. It was featured in Electronic Gaming Monthly. And I’m going to go ahead and guess that it probably was on AOL’s frontpage for its videogames community at least once. Like Battle Arena Toshinden, Brain Dead 13 is one of those titles that, should the history of the world be abolished and replaced exclusively with late 90’s videogame magazines, might finally be recognized as one of the biggest games of 1996 (or so).

But you’re not going to find Brain Dead 13 on the Playstation Classic. In fact, you’re not going to find it anywhere. Why? Because the early days of CD gaming taught us a valuable lesson about videogames: we like to actually play videogames.

Sports!Brain Dead 13 is gorgeous, particularly when compared to the polygons that could poke an eye out from the early PSX days. Unfortunately, beyond being pretty, there isn’t much “there” there. This title, designed for home consoles (and computers), and not to be a quarter-munching arcade machine, has all the replayability of a VHS cassette. In fact, Dragon’s Lair and similar titles from this specific genre have been released in recent years with a “just let me press play and watch what happens” feature. Brain Dead 13 has not been lucky enough to receive such a rerelease, but the first Youtube result for BD13 is a 47 minute “longplay” of the entire title (which includes an approximately 15 minute death compilation). And if you watch that 47 minute video? Congratulations, you have seen literally everything Brain Dead 13 has to offer! And, technically, you suffered through the same exact experience you would have if you actually played the game, just give or take actually pressing the buttons and dying a whole heck of a lot.

And, as the past decade of let’s play debates have proven, there are a number of people that seem to believe the preceding statement could be true of all videogames. You watch a longplay of some random game, see the player 100% every last challenge the dev can throw into the title, and then why would you ever need to “play” the game at all? You’ve seen everything there could be! Videogames are videogames, man, and there’s no difference between pressing down to make Lance duck under Fritz’s blades than making Super Mario crouch below Bowser’s fireballs. A videogame is a videogame, so let’s all buy some videogames! Sewer Shark ahoy!

Yeah, it’s all bullshit. (You hear me, Atlus!?)

Netflix might try to redefine gaming with some manner of Bandersnatch Box. Google might try to define gaming by marrying Youtube to a streaming console. Microsoft might try to define gaming with whoever has the most trophies wins. But you want to know who I think got it right? Nintendo. And you know why? Because we both believe videogames come from the same place. We believe videogames should be able to be played anytime, anywhere, with any internet connection. In short, we believe videogames are…

Freedom!

… No, that isn’t right. Not that kind of freedom.

Brain Dead 13 is, by a technical definition, a videogame. However, it offers exactly zero freedom. There is simply a win or loss state in response to every input, and there is nothing in-between. Brain Dead 13’s contemporaries, though? They offered freedom. Mega Man may have been about defeating renegade robots, but it was also about jumping and shooting around vast stages filled with traps and hidden powerups. Contra was about runnin’ n’ gunnin’, but there was always time to kill your little brother on a trip up a cliffside. Zelda offered a world of exploration (and oftentimes, two worlds), and Right in the eyeFinal Fantasy gave us scores of characters to tromp around exotic lands. So which wound up defining the hardware generation: Brain Dead 13 or Final Fantasy 7? Yes, the way Final Fantasy 7 seemed to toe the line between “freedom” and “enjoy watching this movie” (and its many, many imitators that veered over to the wrong side of that divide) may have confirmed that the developers of the Playstation era were still confused about what a videogame truly was; but by the biggest hit of the Playstation 2 era, we truly had our freedom. Grand Theft Auto 3 solidified the freedom that was inherent in videogames, and titles like Brain Dead 13 were forever relegated to the likes of novelty compilations.

Brain Dead 13, you were a relic of a time before gaming had matured enough to know what it was. Forever wield you chainsaw, confident in the knowledge that you are the awkward high school yearbook photo of gaming’s history.

FGC #424 Brain Dead 13

  • System: Playstation 1 for the purpose of this review, but we’ve also got a murderers’ row of CD-based systems, like the 3DO, CD-I, Saturn, and the goddamned Jaguar CD. Also, apparently this was released for iOS in 2010… but that’s probably not available anywhere anymore.
  • Number of players: You are alone in a haunted house.
  • Sexual Dimorphism is a Scourge: Everyone in this title is a cartoonish caricature of various horror tropes, like the nefarious brain in the jar, or at least two characters that seem to originate from Frankenstein. However Vivi is… a little less Roger Rabbit, a little more Jessica Rabbit than the rest of the cast. Though I suppose Elvira, Mistress of the Dark is a horror trope onto herself…
  • NSFW?What’s in the box: This is one of those rare, early Playstation titles that was released in the giant, entirely-too-vertical OG Playstation box. And those things are royal hell on trying to organize a game collection. Tekken 1, you may never be filed next to your latter brethren.
  • Favorite… uh… Room: There is an early one with a puppet that is supposed to be a famous composer or something. Mozart? I don’t know. It seems like the least derivative location in the game. Would you rather I choose the one-eyed witch? Or the other one-eyed witch?
  • So, did you beat it: Nope. I always play this game for about a half hour, die a billion times, and then decide there are better uses for my time. I could be mowing the lawn! Or scraping nails along a chalkboard!
  • Did you know? The absolute first release of Brain Dead 13 for Playstation contained a bug that prevented the game from starting up. At all. Like, that was it. The end. No Brain Dead 13 for you. I realize this may have been a small blessing for some people that had the misfortune of purchasing the title, but, come on guys, I’m pretty sure someone should have caught the bug that refuses to let the game even start.
  • Would I play again: Whoops! Did I already compare this game to nails on a chalkboard? Spoilers: that was the answer.

What’s next? Random ROB has chosen… to just let me talk about Kingdom Hearts 3! Good plan, ROB! So we’re going to get another Kingdom Hearts FAQ entry, and FGC “coverage” of Kingdom Hearts 3. Wow! So much Kingdom Hearts! Two whole articles! Please look forward to it!

Better castle, though

FGC #281 Doom (32X)

Starring DoomguyI remember being cool in high school. … Wait, no, that’s a lie. I was never cool in school. I’m sure you don’t remember me. However, I know I was cooler than a lot of other losers. I was, like, the coolest kid in the computer club, bar none. I dated actual, real-live women. I went to two proms with three dates. I’m moderately certain I was the envy of at least seven freshmen. And, when I graduated high school, I easily cruised right into college, and wasn’t some lame, always-stuck-in-his-hometown dropout of society. I might not have been the coolest kid in the class, but in high school, I was at least… cool enough?

But a funny thing has happened in the intervening million, billion years since high school. I look at pictures from my old yearbook, or albums from cherished field trips, or even some random pic that gets posted on Facebook, and I see… a nerd? Okay, I’ve always been a nerd, but I at least always had an idea of what was stylish, right? What the hell am I wearing in that picture? And why is my hair… doing that thing? Wait… why in God’s name am I wearing nail polish? I wasn’t goth! Wait… I was dating that one girl for…. But that was just a gag! Like, I didn’t look like that for… where did this picture come from again? Can it be burned? Can we destroy the entire internet and any record of human life from before about 2010? That’d be great!

It's a party!Of course, the only thing keeping me going is that I’m not alone in this phenomenon. My best friend looks like just as much of a nerd as me, thank God. That girl I had a crush on for a solid ten years has hair that looks like it lost a fight with a stylist from Full House. And back to that terrible yearbook, even the cool teacher that was literally voted “Coolest Teacher” looks like something out of a particularly poorly cast 90’s after-school special (maybe something hosted by Garfield?). In short, it is horrifying to gaze upon your own past, as it turns out it’s not just the kids these days that have rotten trends and fashion, it’s everybody.

So what else was popular when I was rocking an ill-fitting Final Fantasy t-shirt and thinking I was the coolest thing since Coolio? Doom.

Doom is a classic videogame. Like Super Mario Bros, Doom basically invented a genre that is still going strong today, and, also like SMB, Doom established that genre by just plain being a good experience. … Except, as has been mentioned once or twice, I’m not a big fan of that genre. And there’s probably a reason for that! I was a console gamer. I’ve never been a fan of using computers for gaming because, basically, I rationalize computers as “work” devices, and have since sixth grade. Couple this with years (years!) of learning that keeping your computer “up to date” is a fool’s errand (I realize this has gotten better in recent years, but the mere mention of “video cards” still makes me indirectly nauseous), and it all adds up to Goggle Bob generally avoiding “computer games”. Sadly, this has continued into the modern age, and I still haven’t played Undertale (I’ll get to it!). Whatever the reason, Doom: The Game To Play wound up not being my thing, so I missed that particular trend, and any fond memories of a Doom-based childhood.

Except… that isn’t completely accurate.

Word!I may not have had a gaming PC, but I did have a whole pile of videogame consoles, and a serious drive to be one of the cool kids playing the cool videogames. This eventually led to purchasing Doom on the 32X, obviously the most superior Doom. It’s got all the Doom you love, and hasn’t been reduced to 16-bit low-fi. It’s got a six button controller, so you’re not limited by a keyboard or a mere four buttons! And it’s a cartridge, so no load times! Eat it, Playstation. This is the game of games on the system of systems! This is the best thing ever! … Or at least that’s what my friends seemed to believe.

And I play it now, and… huh. This is embarrassing.

First and foremost, that precious six-button Genesis controller is not meant for a FPS. In Doom’s defense, for exclusively working with a crosspad, Doomguy controls pretty alright, but little things like, ya know, aiming are impossible. Are the legions of Hell slightly above you? Sorry, you’re going to die. And, as far as I can tell, there’s no jump or climb button, so there are these awful pits that just leave you there to die… but not nearly fast enough (side note: I have no idea how body armor is impacted by standing in a puddle of acid). So, right off the bat, steering Doomguy is about as fun as navigating a hallway full of iron maidens in the dark.

But that kind of thing is understandable. You can start a genre, but it’s unusual to start a genre and perfect it, so a few hiccups are to be expected. And, hey, this was designed for the computer in the first place, of course the ol’ joypad is going to have a problem or two. Nobody ever chastises a teenager just for being young, and nobody chastises a port for not perfectly emulating the source material (this entire sentence is a lie).

No, what is most embarrassing about Doom is… Doom. Or, more appropriately, what Doom used to be.

BLAMMOMy social circle was convinced that Doom was the most mature game in history. There aren’t silly yo-yos or swords here; this is wall to wall guns. You’re not fighting daffy robots or whacky Universal monsters, you’re up against hellspawn and spikey eyeballs. There’s no puerile plumber bounding fifty feet in the air, Doomguy is a real person, he can’t jump or shrink or turn into a raccoon; it’s just him and his bare(ish) fists against the world. Monsters bleed. Doomguy grunts. This is real videogames for real adults, not those childish antics you see on your ‘intendo.

And revisiting that attitude as an actual adult? It doesn’t exactly do the game any favors. Have you been looking at these screenshots? Doom looks about as realistic as something you’d hang on your fridge after Timmy has been a good boy. Hell, some of those “scary” demons look downright cuddly. Cuddly isn’t cool. Cuddly isn’t cool at all!

Doom is a great game. Doom is responsible for much of where gaming “is” today, and nothing will ever change that. However, I opened up Doomguy’s yearbook last night and… uh… Bad news, Doomguy, I think…. I think you might have been a nerd.

Please don’t hit me.

FGC #281 Doom (32X)

  • System: Doom got around, bro. It was on the computer. It was on the Super Nintendo. It was on the 32X. It was on the Jaguar. It was on the Playstation, Saturn, and 3DO. It eventually wound up on the Gameboy Advance. It was released on something called “The Acorn”, which sounds pretty nutty.
  • Number of players: I think we’re stuck with one on the 32X. Was there a deathmatch version here? I’m not going to go back and check.
  • Really?Hot Takes from 1993: Why is Doomguy wearing ab-bearing armor? He’s wearing gloves on the title screen, but his fists are bare when punching demons. John Romero has silly hair! Ha-cha-cha-cha.
  • Favorite Weapon: I am partial to chain guns. Chainsaws are a second runner-up. Maybe I just like chains?
  • Did you know? A lot of people seem to forget that Doom claimed a lot of notoriety by being partially released as share-ware at its release. Trying to make your franchise the hottest thing since sliced bread? Give it away! That always works!
  • Would I play again: I feel like I should… but nope. This is another one that isn’t nostalgic enough for me to hold my attention, and has been improved in every conceivable way by later editions. Sorry, yearbook, you’re going back on the shelf.

What’s next? Random ROB has chosen… Breath of Fire 3 for the Playstation! Now it’s time to see Ryu’s baby photos. Please look forward to it!

FGC #110 Primal Rage

No one really wins65 million years ago dinosaurs roamed the Earth. They ruled the world with an iron fist, crushing all other life forms with their clawed talons and mighty jaws. They were the dumbest creatures on the planet, but they were the majority, and the strongest, so they owned the place. However, political allegories must come to an end, and, according to top ranking scientists, Lavos fell to Earth and wiped out our giant lizard friends. Thus ended the tale of the dinos.

Now, even after millions of years, there is still a romanticism involved with the thunder lizards. Whereas the average adult hardly gives the lumbering lugs a second thought, children are often fascinated with creatures that, given the opportunity, would crush any manner of mammal that made them eat asparagus. Dinosaurs are embodiments of reckless power and strength, and, to the average hyperactive five year old, man is that cool. And, since most of us were once five, it will always be in our collective unconscious that dinosaurs are cool. Dinosaurs can do anything! And they can market anything.

Or at least try…

Meet Primal Rage, and, in this case, the SNES version, because it holds a special place in my heart… as cancer. Yes, one day I will die of heart cancer, and one of you crazy readers will say, “That’s because of Primal Rage! It killed him! It killed Goggle Bob!” And then, following a frivolous lawsuit with national attention, all heart cancer will be referred to as “Primal Rage” and my life will not have been in vain.

Yes, that’s why I maintain this site. For the future.

But back to our past. Closer to our epoch than the Age of Dinosaurs, the Age of Fighting Games occurred the precise moment it was cool to watch a FIGHT!hairy Russian wearing a speedo smash a petite Chinese woman into a pile of barrels. Think it was ’92. Anyway, from there, Mortal Kombat came out of nowhere to become a tech demo that went on to create a franchise based on unfettered violence. So producers knew people wanted fighting and they wanted violence, but there needed to be a new gimmick, something to separate a new game from all the Art of Fightings and Time Killerses. And who should come up with that new gimmick but Atari. Yes, the people responsible for the Atari Jaguar, the people who nearly leveled the gaming world with their amazing marketing strategies and game releases, the people who turned away little old Nintendo and that silly Donkey Kong, they had an idea. And that idea was Primal Rage. It’s dinosaurs fighting!

… Now you know everything you need to know about Primal Rage.

Well, to elaborate a little, it’s a Mortal Kombat generation fighting game, which means:

  • 1 on 1 fighting in 7 different arenas, each themed after the 7 different fighters
  • Unintelligible, seemingly random button motions required just to make your character burp fire
  • Combos that consist of guessing the proper button order for “punch in the face twice”
  • Fatalities with even weirder button motions for the major payoff of maybe a decapitation

But there were a few new and interesting things added to the fighting genre:

  • Eating humans chilling in the background for additional health

Yummy!And that’s it. There’s also the “final boss” that refuses to exist, so you just fight the previous six opponents again in an endurance match. Then the game ends, which is an event that should make anyone happy.

Speaking of endings, the plot of the game is that a meteor crashes on Earth, decimates civilization, awakens dinosaurs (dinosaur gods to be precise), arbitrarily moves the continents about, and irreparably destroys humanity’s ability to spell, as Earth becomes Urth. So a meteor destroys man and brings about dinosaurs? Man, those guys at Atari should get a prize. A “Being so Smart” prize. These dinosaur gods are awake and anxious to beat each other to death, because apparently that worked so well the last time they were animated.

And let’s meet those dino gods!

Armadon is an ankylosaurus, which is the walking armory of the dinosaur kingdom. Roughly every inch of this guy is covered in spikes, which would make him a horrible Mega Man stage. As essentially a walking mace, you’d think this guy would be one of the “evil” dinosaurs, but instead he’s a lover of nature and harmony, so naturally he clubs the tar out of his enemies. Blood is good for trees, I think. Evil trees.

Talon is the velociraptor, and has a special finishing move wherein he opens a door really slowly. It’s not very useful, but it builds tension. He’s the fastest of the group, which syncs up with actual raptor facts, but they’re supposed to be faster because they’re Yuckdramatically smaller than the other guys, so I guess Atari only got so far into The Big Book of Dinosaurs: A First Book for Young Children before quitting.

Blizzard is Sub-Zero.

Chaos (not chaos) is a giant ape who coincidentally looks just like Blizzard, except Chaos is red and Blizzard is blue. Really, who needs extra character models when you’re doing alright with just five? Chaos is based on every seven year old you’ve ever met, so he flails, farts, and pukes to victory. And if that isn’t bad enough, he has one fatality where he vomits into his own mouth, and another (which is censored in the SNES version) where acidic pee is involved. Kids love dinosaurs and farting, why didn’t this game do better?

Diablo is our complimentary fire-based tyrannosaurus. As if his name didn’t give it away, he’s supposed to be evil supreme around Urth, and thus hates the good, ice-based Blizzard. Diablo also brings to the forefront why a dinosaur-based fighting game is stupid. Imagine yourself the same size as a T-Rex. Now imagine boxing that T-Rex. You win! T-Rexes are not meant for fighting with their limbs: their arms are nigh useless, their legs are meant for standing, and when their tail isn’t in its normal spot, it’s falling down time. Oh well, at least this one evolved to fire breathing level. No one winsDiablo and Bowser should hang out.

Sauron is the good tyrannosaurus, and the orange version of Diablo. He seeks the one ring that will allow him to conquer Middle Urth, and finally… dammit! Wouldn’t it have been cool if the finale of Lord of the Rings was a hobbit fighting a t-rex? Like, Frodo’s all like, “I must use the one ring for good!” and puts it on and becomes this giant robot that shoots lasers out of its eyes and Sauron the tyrannosaurus is all like “You should have stayed in the shire!” and then they fight for a while and finally Sam has the good judgment to press the self destruct button on the ring which blows up the robot and Sauron and Frodo has sacrificed himself and the day is saved. Dude! That would have been bitchin’! Oh, and Gollum is a cyborg from the future or something.

Vertigo is a dilophosaurus, so she has all of the abilities of the dilophosaurus from Jurassic Park, which is basically just spitting acid on Seinfield extras. Vertigo is the only female dinosaur in the group, which doesn’t automatically draw comparisons to another fighting game with fatalities, color swapped fighters, an ice wielding warrior, a fire based warrior who hates the ice warrior, and a 14.2% female ratio of playable characters. Sonya Vertigo is also supposed to be the goddess of chaos, despite another character being named Chaos. The world is a complicated place.

If this game sounds flat and horrible, then I’m doing my job. There’s a mere seven characters, with five character models among them, which has to be some sort of record for laziness put forth by an established video game company. And the animation of these fighters, especially on the SNES, is Poundinginsanely limited. If there’s one thing a fighting game needs, its animations that seem to actually correspond to what you’re doing, and these guys… one step and it’s about a half hour before it looks like you can use a move again. Forget about jumping, it all moves at a pace that is indescribably wrong. Somehow the AI knows when to attack, though, so get ready for a long haul if you’re hoping to win. And I bet you never thought seven fights would be a “long haul”.

So Atari, in the same year Squaresoft released Chrono Trigger, gave us all Primal Rage for the Super Nintendo, a game so bad, it will eventually be the death of me. Don’t weep for me, for I know my fate, I chose it, albeit without knowing the full extent of the pain involved, but it was my choice. Just remember, for future generations, that this game is pain, inside and out, and should be avoided like radioactive ass lice.

… Dinosaurs are still cool, though.

FGC #110 Primal Rage

  • System: Super Nintendo, but also Sega Genesis, Game Gear, 3DO, PC, Gameboy, Playstation, 32X, Sega Saturn, and not just the Atari Jaguar, but the Atari Jaguar CD. Oh, and arcade.
  • Number of players: Can I just say “fighting game” and be done with it? No? Two.
  • Merchandising: I guess someone thought this game was going to take off, because, in addition to being released for every system that ever was at the time, they also produced a Primal Rage comic series, action figures, and even a novel. Michael Crichton was not involved.
  • And I bet you bought all the action figures: Well… they were cool! And there were a couple of characters that didn’t appear in the game, like this rad skeleton-dinosaur with wings that… oh man, so cool.
    So cool
  • Legacy of Rage: I guess that skeleton-dinosaur, Necrosan, was supposed to appear in Primal Rage 2, but that game never materialized, because there is a God. I guess the plot of Primal Rage 2 is what the novel is based on, too.
  • Favorite Fighter: Blizzard has Don King hair. Winner.
  • Did you know? Primal Rage was the first fighting game to show a “percent of damage done” indicator after performing a combo. Goes to show that even in the smelliest turd, there still might be a peanut worth saving. That analogy just made be throw up a little.
  • Would I play again: I’m more likely to play with the action figures again.

What’s next? Random ROB has chosen… Konami Classics Series Arcade Hits for the Nintendo DS! I believe that’s the compilation that contains arcade Contra, Gradius… and probably at least one other game? Guess we’ll find out. Please look forward to it!