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FGC #542 Splatterhouse (2010)

It goes splatLet’s give some respect to a game that knows exactly what it wants to be, even if it just wants to be disgusting.

Here is a list of games that were released in 2010:

  • God of War 3
  • Red Dead Redemption
  • Dead Rising 2
  • Bioshock 2
  • Dante’s Inferno
  • Castlevania: Lords of Shadow

And 2010 was also a year some of these games were noted as champions of storytelling within the medium. Red Dead Redemption is a game that deserves to be held in the same exalted pantheon as its western forbearers. Bioshock 2 wasn’t as revolutionary as the game that (mostly) birthed its franchise, but it was still a somber look at greed and decay. Dead Rising 2 has a lot to say about the current state of the medical industry in the United States. Dante’s Inferno is the retelling of an epic poem that now somehow involves a hell of a lot of dismemberment. Actually, come to think of it, literally every one of these games involves a surprising amount of mutilation. And… was that the point? Were these complicated stories of love, betrayal, and a dude that somehow forgot he was Dracula, yarns that just happened to be attached to bloodbaths? Or was it the reverse? Were these violent videogames (utilizing the latest technology of the day to clearly render when you had successfully ejected an opponent’s spinal column) that also, incidentally, included tales that would rival those of Dante? These were all games that enjoyed varying levels of success, and now, ten years later, it’s impossible to discern the intentions of the writers and directors involved.

Such a fun place!Or we know exactly what they were thinking: hyper-violent action games were all the rage in 2010, and your average player would eat up any story that claimed to have influences more cerebral than a Burger King Kid’s Club flyer (… yeah… people in 2010 were dummies, I’m sure gamers got better in the meanwhile). If you had a game that was primarily shotgun-based, but wanted to score a few reviews that somehow still included the word “elegant”, all you had to do was wrap your story around a few heady concepts, and, before you could say “Kafkaesque”, you’ve got a hit on your hands. And, for better or worse, this would happen over and over again for years. A new game is released, it embraces an unhealthy amount of face punching, but also includes a reference to a philosophical concept or two, and it is graded as some manner of genius event for everyone involved. Then the shine rubs off (usually sometime around when the DLC release schedule winds down), and we’re left with a number of people scratching their head, vainly attempting to figure out why the hell there was such a big hubbub in the first place. Bioshock Infinite cured racism? I’m sure I remember that happening once…

But there was one game released in 2010 that knew exactly what it was and what it was about: Splatterhouse.

Splatterhouse is a 3-D, modern reimagining of the original Splatterhouse franchise. All of the old staples are there: a disastrous visit to an old house in the middle of nowhere, a girlfriend kidnapped, and a haunted mask that propels our protagonist to stalk the halls in a very Voorhees manner. There’s a clear goal (rescue girlfriend), obvious monsters (they’re the dudes with asymmetric tentacles), and an excuse or two for a little blood splatter. Old weapons are scattered about the area (who couldn’t use a 2×4) and even the old bosses are represented in straightforward (there cannot be that many dudes with chainsaws for hands) or figurative ways (a haunted room must evolve into a poltergeist colossus). This Splatterhouse is not a “modern remake” that completely eschews the source material in favor of something new and different, it is completely recognizable as Splatterhouse.

Hey buddyBut there is technically a new plot hoisted on Splatterhouse. What we have here is something that could have been implied by the original, practically narration-less Splatterhouse, but is now made concrete in 2010. “The Mask” is an ancient prisoner of monsters that slipped out, and is now using its magical/deadly powers for revenge. Your ultimate opponent is a Lovecraftian cadre of formless ones that want to enter this universe and transform it into their personal meat grinder. The majority of your foes are literal monsters stitched together by a vengeful, immortal college professor (that, incidentally, kind of looks like Lovecraft). And poor, traditionally mute Rick is now a conflicted student stuck in the middle. Rick wants to save “his girl”, and he certainly doesn’t want to be dead, but does he need to kill so many ostensibly living creatures in order to meet his goals? Mask is all about the violence, but Rick seems to have objections to the kill count that is rapidly mounting at the end of his fists. Does Rick need to be so violent? Is all this carnage really necessary? Can’t we all just get along?

And the answer is: No, Rick, you dumbass, this is a videogame. You’re here to paint the walls red. Everybody knows what this is, Ricky Boy, don’t fight it.

So much splatSplatterhouse may momentarily flirt with a greater calling to make comments on the nature of violence or explore its Cthulhu inspired universe; but, more than that, it is a game that knows exactly what its audience is here for. Like a good 80’s horror film, it assumes the viewers only want two things: blood and tits. To satisfy that bloodlust, practically every enemy can become part of a fatality-esque finisher that offers organs aplenty being splayed about. And if you choose to hold off on those QTEs, all monsters pop like blood ticks, so your Mask’s thirst for the red stuff is always satisfied. And if you’re looking for the other reason for an R (M) rating, Splatterhouse has straight up nudity ready to go from the first level. Jenny is apparently the only human female seen in this universe (granted, technically, there’s only like one 100% human male on screen in this story, and he’s dead before the game starts), and she has been kidnapped, but don’t let that stop you from whipping it out in her honor. Every stage has four fragments of “Jenny’s Pictures” scattered around, and, boy, let me tell you, Jenny was an exhibitionist. The Jenny model is shamelessly used in all sorts of situations, so whether it’s a steamy shower scene or a skimpy Halloween costume that is going to wet your noodle, Splatterhouse has got you covered. Ha! Covered! Totally unlike Jenny!

And is this gross? Absolutely. 90% of the content of the previous paragraph is disgusting. The idea that the player would be “rewarded” with naked pictures of the ostensible heroine of the story is not only narrowly male heteronormative, but also just plain gross. Jenny is not only a damsel in distress, her naked (and thereabouts) pictures are the prime reward for a player exploring these environments. By all accounts, she was created just to be ‘bating bait for the audience, and, plot-wise, all we learn about Jenny is that she likes posing for risqué photographs (on actual film! Is that a character trait?). And once you get past her, the only friendly cast member, the fact that you can only interact with your antagonists through bloodsport isn’t much better. Your opponents are monsters, yes, but it is plainly stated that a number of these “creatures” are humans that have been experimented on and mutated. And how do you deal with these lost souls (some of which are distinctly noted as people Rick once knew)? Your tear their insides out. And when a door is a pulsing eyeball, you tear that out, too! But don’t worry, when a mouth-door is involved, then you have to feed blood to it, so there’s no tearing there. But there’s still violence! In fact, there is nary a single problem in Splatterhouse that can’t be solved by wanton, bloody destruction. And that’s a moral we don’t need! Violence is not the answer, and any “game” that encourages hours of carnage cannot be good for the national psyche.

Except… that’s not any different from every other bloody brawler released in 2010. The only variance here is that Splatterhouse is completely honest about its vices, while its contemporaries tried to hide behind a veneer of respectability.

It looks badGod of War 3 ended by claiming the entire franchise was about the relationship between an abusive father and his son (that may have murdered his family), but it was also a trilogy that always took time to include topless women and what could best be described as a “sex minigame”. But don’t worry, kiddies, that happened slightly offscreen! This is a respectable game! Castlevania: Lords of Shadow was a “mature” reimagining of Castlevania that incidentally treated its female cast like disposable props. Any women left standing? There’s Carmilla, a former holy warrior whose desecrated earthly remains became a vampire that is going to flirt with her opponent for about 80% of the fight. So a nun that has become corrupted and is now overtly sexual? Gosh, that couldn’t be an extremely well-trodden fetish or anything. This is a mature game. It’s not like Carmilla is wearing something like a nun’s habit split to reveal her breasts or anything. But that’s the way it goes, right? These are sophisticated games, so there might be a little t(its) to accompany your v(iolence). You know, maybe.

Or that’s the entire point, and so many games in 2010 were simultaneously nakedly chasing the heterosexual, 20-something male demographic and attempting to claim a seat at the table of “mature” media like books or movies (because everyone knows those mediums never pander to anybody). Testosterone-fueled escapes for a man’s Id were the norm (ha, were), but you could get away with it if you attached some tragedy to the proceedings. And not, like, horror movie, you-decided-to-take-the-wrong-turn tragedy, either! Pathos! You need the hero to really feel bad about his dead wife (do you want to review the previously mentioned 2010 games and tally up the number of dead wives involved? It is a concerning number!), so that way the “hero” is at least grimacing when he rips the heart out of the malevolent Tig Biddy. Kratos might be involved in an adventure that could incidentally involve a lot of nudity and violence, but he’s doing it for his family (even if they’re dead). This isn’t an adolescent fantasy, it’s a tale of love and redemption. It’s epic.

Don't touch that guySplatterhouse is just like its contemporaries, except it doesn’t chase that “epic” banner. Splatterhouse is a game that accepts its audience wants some nudity and violence, and, hey, here you go. You don’t have to analyze it. You don’t have to think about it. You just have to press X to explode-a-head. You can just review a gallery of naked pictures. You can be as horny or ferocious as you want, and Splatterhouse isn’t going to judge. It might be gross, but if it’s your thing, it’s not trying to hide your thing. Splatterhouse seems to believe it knows exactly what its audience wants, and it is going to unashamedly drown everyone in it.

Splatterhouse doesn’t try to be what it is not. Splatterhouse is Splatterhouse, and it should be commended for never apologizing for such.

Stay gross, Splatterhouse.

FGC #542 Splatterhouse (2010)

  • System: Playstation 3 and Xbox 360. Splatterhouse is not listed as an Xbox One backwards compatible game, but apparently something called “The Splatters™” is listed, so the search function is working properly.
  • Number of players: Just Rick and Mask, working as one player.
  • QTE fun!Beyond the Gore: Splatterhouse is a pretty typical 3-D action game of the era, but it does have a few tricks up its sleeve. There are some 2-D areas that harken back to the old days, and they’re generally enjoyable (mostly because most of the usually spongey mooks suddenly are all 1-hit kills). There are also a few “jump areas” and “chases” that are predominantly quick time events, and they’re… less fun. It feels like we have gotten away from continual QTEs with our current gaming generation, which almost makes these portions vaguely nostalgic.
  • Favorite Area: The plot finds an excuse for magical portals to beam Rick outside of the titular Splatterhouse, so there are a few interesting venues available. The “ruined future”, “the past”, and slaughterhouse are all fun locations, but you really can’t beat the “Murder Carnival” that is some kind of pastiche of Disney World, a local fair, and an unruly number of giant entrails. And the hall of mirrors offers an excuse for all kinds of fights for Rick, so just enjoy the ride.
  • Are there Murder Clowns? Yep.
  • Say something mean: It’s fun being a murderous psychopath, but the final few areas find excuses to add different kinds of timers. Sometimes it is a collapsing bridge, sometimes it’s an “escort mission”, and sometimes there’s just an outright timer on the screen; but regardless of the reason, anytime your seconds are limited in Splatterhouse, it is pretty lousy. “Aiming” is a pain in the ass, and most combos keep going well after your opponent is finished. The result? You’re punching air for seconds on end while your death ticks closer and closer. Losing control isn’t a good thing when you don’t have time to spare.
  • Favorite Boss: Experiment 765 is a giant, electric ape with a hammer. He beats ol’ chainsaws-for-hands any day of the week.
  • Make clowns go splatDid you know? Whether it was intended as part of the original release or DLC that would never come, there was a lot of cut content in Splatterhouse. There was supposed to be a Nazi ice base (featuring that previously mentioned ape), a “dead island” tropical setting (including a boss that is only seen in a fish tank in the game proper), and even a finale in a collapsing chapel (there is a wedding/human sacrifice happening sometime around then, after all). Splatterhouse was kind of a bomb, so it’s unlikely we’ll ever see what was intended to be “Splatterhouse Complete”, but I have to formally state that any game that includes extra violence against Nazis is a good thing.
  • Would I play again: Probably not. This is fun in the short term (most of the time), but it’s not really my thing. That said, Berserker Mode is a hoot, and, if I have to play a PS3-era beat ‘em up, this ain’t too bad. I’m not stalking the halls again anytime soon, but I could conceive of a world where I might give it a shot. At least there is a New Game+!

What’s next? Random ROB has chosen… Mario Tennis for the Virtual Boy! Spooky times are over, but we’re still seeing red. Please look forward to it!

That's what it looks like

FGC #541 Splatterhouse

Things go splatSigmund Freud put forth the psychological theory of psychosexual development. In short, Freud’s hypothesis was that boys and girls went through certain sexual developmental stages during childhood, and each of these phases had particular erogenous triggers that should be satisfied, even if only subconsciously. If these conditions were not properly met, a child would grow into an adult that had a specific fetish/fixation. If all went well, then the kid would grow to be a sexually well-adjusted man or woman that doesn’t google pictures of half-dressed centaurs when his fiancée is asleep. While Freud’s psychosexual outlines have been derided since the early 20th Century as sexist, homophobic, euro-centric, scientifically inaccurate, and generally unpleasant, Freud’s teachings still persist through to today… even if they only wind up as part of pop-psychology lectures provided by sitcom characters. Oh! And in videogames!

So let’s review Freud’s theory of psychosexual development through the medium of Splatterhouse.

The Oral Stage

The first stage lasts from birth until about one year. During this stage, the only way a person knows how to interact with the world is through oral means. It starts at the mother’s teat, and ends with every goddamn thing within reach being shoved into that toothless maw. Supposedly, if there is too little or too much (Freud is astrology for psychology nerds) oral gratification, they will grow to be an adult that is passive, gullible, and/or immature.

Not too gross

The Oral Stage is the foundation of Splatterhouse. Rick, a boy anxious just to have some alone time with his girlfriend in a creepy house that may or may not have blood all over the walls, is murdered seven seconds into his romantic rendezvous. But all is not lost! Rick is revived by a haunted facemask. The only caveat? He has to keep wearing the mask, which means he cannot orally enjoy anything. His face is permanently bound for the entirety of his adventure, so he has become little more than a deprived child (albeit one with the power to punch monsters to death).

Gross

Taunting Rick is the final boss of Splatterhouse, a gigantic head with toothy jaws that can only devour everything in its path (and throw rocks, but that doesn’t fit the metaphor). Rick has no mouth with which to orally interact, while his greatest foe is all consuming. Give or take a particularly unpleasant skin condition, Rick is forced to envy everything about his ultimate opponent.

The Anal Stage

If you like big butts and cannot lie, you are likely fixated on mistakes made during the anal stage of development. This stage, taking place from approximately eighteen months to three years, sees the focus shift from the upper digestive tract to the lower half. Pleasure is derived from satisfying the urges of everything below the equator, and the biggest factor here on whether or not someone will forever be hypnotized by the booty is effective toilet training. If training is too strict at this stage, it will inevitably lead to someone being “anal” and controlling; or, in the event of parents that aren’t too concerned about Kid Stinky, an adult might wind up becoming one of those guys with visible stink lines.

Gross

So it should be no surprise that Rick winds up in a literal sewer as soon as Level 2. Despite the fact that the titular Splatterhouse is a house that is literally in the middle of nowhere, it apparently has a robust sewer system, complete with water monsters. It is obvious that these creatures are meant to represent excrement, and would be festering, pulsating poop monsters if Splatterhouse had been released with more high definition options. Regardless, Rick fighting through the muck to murder monsters made of messes is a clear allusion to the anal stage, and how no one can ever truly live in a world where everything is clean.

The Phallic Phase

Here’s where things get interesting! From the ages of three to six, a person will explore their genitals. This is not a “sexual awakening” as we commonly think of it, but it is a time when the person involved realizes they can derive pleasure from touching their no-no places. Additionally, as children usually acquire a curiosity about other dark corners of anatomy, this is traditionally when they learn about the physical differences between men and women. This is also where the Oedipus complex comes into play, as a boy child is apparently coming around on “real” sexual feelings, and wants to unseat his father and claim his mother as a lover. If you’re wondering about Freud’s equivalent thinking for women, don’t bother, as Freud left Electra to Carl Jung, and claimed that women simply experience a “negative Oedipus complex” that, if not properly managed, will lead to a woman with the affliction of “high self-esteem”. Remember how I said this thing was a little sexist?

Gross

But Rick isn’t a woman! Rick is a man’s man, and, as such, he has to fight a pile of blood worms that couldn’t be any more phallic if they were starring in Captain Toad. The boss of Stage 1 is little more than a pile of severed, bloody wieners, and Rick has to fight off every last one before they drain his life force. And could there be any greater metaphor for the phallus? Well, there’s the final worm that bursts forth from a hanging man’s abdomen, but that one is a little more Alien than outright phallic.

The Latency Phase

From about age six to puberty, psychosexual development apparently just takes a moment to collect itself. You know all about “bloodworms”, but you can’t really do anything about any of that yet, so may as well just chill on everything until those hormones get going. But thoughts are still there! They just have to be channeled into something else. So, essentially, Freud thought that every 2nd grader is a churning ball of sexual energy, but is trying not to think about it while learning how to play dodgeball. Whatever, Siggy.

Not too Gross

However, this can be seen within Splatterhouse in the lead up to the finale of Stage 5. Rick is trying to rescue Jenny, but is menaced by ghost women in an art gallery. These apparitions are the only obviously female foes in the house, and it is clear they are restless spirits meant to represent Rick’s feelings for his mate. Rick knows he must find Jenny, but he has no idea how or where. Does he even know what he’s going to do when he gets there? In the meanwhile, he must turn his focus elsewhere. These ghosts seem to indicate that Rick’s desires are real, but no more substantial than wisps.

The Meaty Dude with Chainsaws for Hands Phase

For an extremely brief period just before puberty begins, it is posited that everyone goes through the meaty dude with chainsaws for hands phase. This is an oft-overlooked stage in development when people’s thoughts turn exclusively to a meaty dude with chainsaws for hands. Why does this happen? Is it a universal, deep-seated affection for Leatherface? Or is it a matter of the fact that the most natural, pure sexual attraction is the one between a person and a meaty dude with chainsaws for hands? Nobody knows. But ask anyone over the age of 12 about their own meaty dude with chainsaws for hands phase, and they’ll likely sigh contentedly.

Back to gross

The Meaty Dude with Chainsaws for Hands Phase is best emblemized by the boss of Stage 3, Biggy Man. Biggy Man is, naturally, a gigantic, fleshy fellow with gardening equipment implanted on his arms. Like his attendant phase of psychosexual development, he is a difficult boss if you do not come prepared. If you show up at his door with the (unsurprisingly phallic) shotgun, though, he’s a wee kitten, and will be purring (bleeding) in no time. Fear not this perfectly natural phase!

The Genital Phase

The genital phase is the grand finale of psychosexual development. At this point, we’re well and truly into puberty, and, in the immortal words of my pants when I turned 13, “let’s get our freak on” (to be clear, my pants could not actually talk, there were simply some unusual clothing designs available at Hot Topic in the 90s). Assuming someone has successfully completed all of their psychosexual development homework over the previous decade and change, the Genital Phase is where it all pays off, and adult, consenting relationships/relations can happen. You no longer want to have sex with your mom (or, if you’re a woman, negative-mom), and you will gain sexual satisfaction not only from your own biological parts, but also from satisfying the needs and desires of others. It’s a good time for everybody!… Unless you messed up on one of the earlier phases. Then you’re stuck begging randos on Chat Roulette to talk dirty about My Little Pony until you can finally climax. Sorry! I don’t make the rules!

Gross

In Splatterhouse, the genital phase is clearly meant to be the true climax of the game, and it presents itself as the boss fight with Rick’s kidnapped girlfriend, Jennifer. Aliens (?) implant… something… in Jenny, and she becomes a horrifying monster that may or may not resemble something from This Island Earth. She jumps around attempting to murder Rick, but occasionally reverts to her human form so she can beg for death. Homicide and suicide all in one? That sounds like every relationship I ever had as a teenager! Rick will eventually succeed in putting Jenny down, and, while she does return (to life) in the sequel, he did technically satisfy her desires in this instance, even if it may be brief. Good job, Rick, you’re psychosexually developed!

Enjoy the next stage where Splatterhouse keeps burping out fetuses.

Super Gross

And it all starts all over again! Thanks Siggy, for the eternal cycle of psychosexual development!

FGC #541 Splatterhouse

  • System: Arcade, and then the TurboGrafx-16. The arcade version is much more enjoyable if available (apparently as part of a Switch collection), as it has the original, lawsuit-bait Jason Voorhees mask. The TG16 version is available currently on the TurboGrafx-16 Mini, though, so it may be slightly more accessible if you never nabbed the Wii version.
  • Number of players: Two players alternating. There is apparently code in the game for simultaneous play, but they couldn’t get it 100% implemented for release. Or they just thought it was dumb. Either way, not widely available.
  • Maybe actually talk about the game for a second: This is one of those pre-Final Fight beat ‘em ups where it’s kinda sorta a platforming game, too. Splatterhouse does seem to have a leg up on the competition, as it features multiple, branching paths, and very memorable bosses and environments. Unfortunately, it is still a quarter killer, so its difficulty is high for its relatively simply gameplay. And no one ever tells you how to do that essential slide move! Splatterhouse, overall, seems to balance out to a “medium essential” experience.
  • Things go grabWon’t someone please think of the children: The gore was turned down dramatically for the home versions. Additionally, a floating, upside cross was replaced with a severed head (or maybe a doll’s head?), and bladed weapons (like a meat cleaver) were replaced with sticks of wood. Oh! And when you murder the beating heart of the mansion, it doesn’t gush fluids, but immediately catches fire. That at least explains why the following stage is a bit toasty.
  • Favorite Weapon: The shotgun is amazing, but there are inexplicable harpoons around the mansion, too. Was the unseen Dr. West into whaling in his spare time? Or is this yet another phallic object of power produced by the mansion?
  • Favorite Moment: I always love mirror matches, so Rick’s malevolent reflection busting out of a reflection is simultaneously scary and fun. Jumpscares in an arcade game! Who would have thought?
  • What’s in a name? According to the TG16 port’s manual, the final boss is named “Hell Chaos”, and is presumably the mutated corpse of Dr. West, the Splatterhouse’s landlord. Hell Chaos doesn’t technically appear again in the franchise, but he does return as a cardboard cutout over a door in the 2010 version. He’s that (not) spooky. Sorry, Nemesis.
  • Did you know? In the arcade version, the crawling hand will occasionally give Rick the finger. That’s not polite, severed hand!
  • Let's reflect on thisWould I play again: Maybe. This is a game that is too difficult to play casually (without save states, memorization, or a childhood of playing the title constantly), but maybe I’ll give it a go for a credit or two sometime. It is damn satisfying to splat monsters against walls, and the arcade version is available as part of Splatterhouse 2010. Speaking of which…

What’s next? Random ROB knows how this goes, so we’re playing Splatterhouse again, but this time it’s the 2010 version. Let’s get ready to splat on a whole new generation of hardware. Please look forward to it!

FGC #525 Parodius

Today, we’re going to address some reader mail. Let’s look at our first letter from one Mr. Tiger of Battle Creek, Michigan.

It's Greeeeeat

Well, Tony, if we want to know what parody actually means, we should look at some videogames. Are parody videogames supposed to be fun? Funny? A “send-up”? Let’s find out! We’ll start with the game that apparently prompted your question…

Parodius (Franchise) (1988, Konami)

PARODY TIMEWhat is it? In a long forgotten age, Gradius was one of Konami’s tent pole franchises. Given Gradius was a super-serious shoot ‘em up wherein the fate of the galaxy depended wholly on a ship that exploded every seven seconds, someone at Konami decided to produce a game with the same basic gameplay, but a wildly different tone. Parodius was born, and it featured an octopus saving the world from penguins. Or something. Parodius wound up becoming a franchise onto itself, and, for about a decade, you could count on at least one adventure every once in a while where a ship that shot boxing gloves attacked a giant lady that moved like a robot.

Is it fun? If you like Gradius, you’ll like Parodius. You’ve got overwhelmingly fragile “ships” (sometimes they are octopi) that can cycle through powerups by nabbing orbs to launch missiles against gigantic bosses. The game is just as difficult as its serious Gradius cousin, though, as death means losing your abilities and often starting back from an earlier point in the level. But it’s an excellent and ultimately fair shoot ‘em up, so if that’s your thing, it’s going to be a fun time.

But is it funny? Initially, it’s simply funny for the absurdity of sticking an octopus or lone option in the place of the Vic Viper. Eventually, the franchise tried its hand at adding more complicated joke characters, like a bald eagle decked out for American patriotism, or an entire stage full of slave-labor penguins (uh… it’s funnier than it sounds). Later games even added an overarching plot that involved a cantankerous octopus boss making off with your wages in clearly labeled dollar sign bags. That’s always funny! I think!

So is it a parody? Yep! It’s right there in the title. Parodius features familiar bits from Gradius, R-Type, and other games of the era repurposed to be funny or occasionally sexy (and we are very much employing air quotes for “sexy” here). This is a “burlesque imitation” to a T.

Splatterhouse Wanpaku Graffiti (1989, Namco)

Splat!What is it? Splatterhouse was a hyperviolent beat ‘em up/action title that was released in arcades in 1989. It is, at its core, a pastiche of horror movies of the 80’s roughly adapted for a videogame format where you’re the monster combating other monsters to save a princess. In a way, this already makes Splatterhouse a sort of parody. So it shouldn’t come as a surprise that, in an attempt to make Splatterhouse gameplay more palatable for the Nintendo Family Computer (emphasis on the “family” part of that Famicom), the gore was turned down to one, and the comedy was cranked up to eleven.

Is it fun? In so much as Splatterhouse gameplay is fun, S:WG is fun. It’s pretty basic: walk to the right, chop down baddies, eventually reach a boss, kill what you gotta kill to move forward. Not unlike Parodius, the game is very unforgiving, and you’ll want to take as little damage as possible if you want to stretch your three lives (continues) to the end of the adventure. With the caveat that this is an early NES game that should not be judged by 2020 standards, Wanpaku Graffiti is pretty fun to play.

But is it funny? Again, judging it as a NES game from 1989, it’s pretty comical. It follows the same pattern as Parodius and doesn’t rely on text, but presents bosses and opponents that are… amusing. The big bad is The Great Pumpkin. The boss of the first level is Thriller-era Michael Jackson. The finale sees “the director” accidentally stumble on set. It might not be laugh out loud funny, but it is at least silly.

So is it a parody? Transforming one of the most violent games of the day into its own “kiddy mode” sure seems like a parody. Also, the protagonist, Rick, is downright adorable in his chibi form, so it’s hard not to smile as you chop up zombies riding tombstone pogo sticks. There’s a lot of ambient amusement in this affectionate adaptation.

Kid Dracula (1990, Konami)

It's the kidWhat is it? Parodius worked out for Gradius, so why not parody Castlevania? Kid Dracula is the story of Dracula’s son (or his younger self? Or Alucard’s younger self? Can we get a timeline here?) venturing around the world to stop the forces of Galamoth, a robot dragon from the end of time. Or… something. Whatever the situation, it’s Castlevania through a more comical filter.

Is it fun? This is basically Castlevania sensibilities mixed with Mega Man-style gameplay and the ability to walk on the ceiling or transform into a bat. If it was released in America in 1990, I would have married the game by now.

But is it funny? Like other games on this list, it has a general level of “whacky” to its humor. Once again, the basic concept here is that the original franchise is deathly serious, so any time you have to fight a “goofy” chicken, it’s supposed to be funny. Of course, Kid D’s shorts are always going to be funny on their own.

So is it a parody? Unfortunately, Kid Dracula seems to drop the distinct parody elements pretty early in the adventure. The first level is straight up Castlevania, and it’s a blast to deal with a castle full of spikey traps and inane zombies, but the franchise connection seems all but lost later when you’re fighting a giant robot on an airship. For better or worse, Kid Dracula moves past its parody factor pretty quickly.

Star Parodier (1992, Hudson Soft)

Right there in the name againWhat is it? Parodius worked, so why not another parody shoot ‘em up? Hudson had the Star Soldier franchise kicking around since 1986, so why not give that shooter a send up? Will I ever stop asking rhetorical questions?

Is it fun? This is the vertical shoot ‘em up to Parodius’s horizontal shoot ‘em up. That said, it seems a lot easier to survive in Star Soldier/Star Parodier, as you acquire a shield a whole lot quicker. There’s also a slightly more cerebral powerup system, wherein you have a few options (not those options), and can enhance them by grabbing like-colored pickups, or switch to another color for a slightly different attack. It’s a neat idea for a shoot ‘em up, which is already a style of game that requires a lot of quick thinking and darting around the screen.

But is it funny? Parodius clone plays by Parodius rules. Star Parodier is definitely its own game, but its humor style is still “look at the next whacky thing that shows up”. Also a strangely high number of penguins…

So is it a parody? Yes. Or… I assume. I’ve only ever played like three levels of one Star Soldier game… so this seems like a parody of that. I think? They replaced a round boss with a ferris wheel, so I think that counts. Whatever! Look, you can play as a flying Bomberman, so that’s at least a parody of something.

ClayFighter (1993, Interplay)

Whack em smack emWhat is it? Shoot ‘em ups are old hat, let’s move on to the next big thing: fighting games. Clayfighter is technically your typical fighter, but with a cast of Claymation loonies that lampoon everything from Elvis to… blobs? Is that a thing? Do people not like blobs? But… nothing beats the blob!

Is it fun? OG Clayfighter is a fighting game in the Street Fighter 2 mold (… was that a pun?), and plays very similarly. It doesn’t have quite the move variety as its target franchise (ducking attacks are often exactly the same as a standing or jumping action), but it’s still a much better fighter than some of the turds that were cranked out during the era of its birth. You ever play Fighter’s History? Don’t.

But is it funny? Hey, this is the first parody game on this list created by an American studio! And it’s pretty amusing in a 90’s kid kinda way. Remember when “Fat Elvis” was the target of every other late night show, despite the obvious handicap that he had been dead for decades? And “the fat lady sings” was somehow an oft-repeated and literalized phrase? And we were all afraid of clowns? Clayfighter spends all of its humor bucks pretty quickly after you see a fighter’s complete moveset, but isn’t that how all fighting games work, anyway?

So is it a parody? Clayfighter eventually went on to produce C2: Judgment Clay, which was more of the same, but with a veneer of extra MK parody, and Clayfighter 63⅓, which was a super specific parody of Killer Instinct Gold. That said, the original Clayfighter isn’t too precise of a parody (N. Boss is the closest we get to a fighter parodying an actual character from another game, and that’s mostly just the name), and more a parody of the concept of “serious” fighting games. So it qualifies, but it’s less “parody” and more “vaguely humorous”.

Pyst (1996, Parroty Interactive)

It's pronounced P-ystWhat is it? Myst was an adventure game that was the most popular videogame of 1993/1994. It was ubiquitous, and, somehow, everyone from your next door neighbor to your dad to your other next door neighbor that was secretly your real dad had played it. Realizing that such an omnipresent game was ripe for parody, Parroty Interactive (a division of Palladium Interactive) was founded to produce a game mocking Myst and its associated culture. Pyst was released three years after Myst, and… it wasn’t great.

Is it fun? Pyst is barely a game. There had been adventure games that were funny in the past (the entire LucasArts oeuvre was amazing, and would be featured in this article if they weren’t their own thing, completely eschewing the need to be a parody to be funny), and there’s a lot of potential in lampooning the esoteric puzzles of Myst… but this ain’t doin’ it. Pyst is little more than going from screen to screen and clicking on buttons to activate videos. It’s about as fun as “playing” Youtube (but marginally less racist).

But is it funny? I will admit that I chuckled a bit at Pyst when I was a young’un. It’s like Airplane! But for a videogame! That said, the jokes are rough, and it’s less an affectionate parody of the game itself, and more of a parody of the culture and general public reactions to the game itself. It’s not something that was produced by someone that played Myst for twenty hours and then ran out and bought the companion books, it’s a Saturday Night Live skit based on one those videogames the kids seem to like. And, further cementing the SNL connection, John Goodman is in a few scenes for some reason. That… is something.

So is it a parody? Well, certainly, even if it barely qualifies as a game. Someone forgot to fill in the whole “videogame” part of the “videogame parody” equation, but it definitely happened. Take that, game that revolutionized what a videogame could be, and was then somehow forgotten presumably because all the sequels sucked!

Star Warped (1997, Parroty Interactive)

STAR!What is it? Parroty returned the next year with Star Warped, their “parody” of Star Wars. In this case, someone decided to include a videogame in the videogame, as there are some meager minigames and a skimpy fighting game pastiche. The whole experience is hosted by a pair of brothers that are Star Wars superfans that supposedly have not left the house since first watching and consequently dedicating their lives to Star Wars. But they were somehow able to collect oodles of Star Wars merchandise in the meanwhile! Before the advent of the internet being “The Internet”! This parody has some gaping plot holes!

Is it fun? There might be a game this time, but nobody said those games had to be any fun. Do you enjoy using your mouse to play whack-a-ewok? A fighting game that looks like it was animated in the most primitive version of Flash available (actually, in 1997, that might be a completely factual description)? If you’re looking for actual gameplay out of a Parroty Interactive title, you’re barking up the wrong tree.

But is it funny? Do you like laughing at nerds? Great! Enjoy watching them caper around and talk about Star Wars like it’s a religion. And then you can play as Cool –Handless Luke and fight Pizza-Flipping Greedo. Yes! Someone took the time to make a parody of Greedo! Are you laughing yet!?

So is it a parody? Man, this game sucks, but it’s why parodies are important. This is one of the last remaining relics of the “before time” for Star Wars. You know how Disney bought Star Wars for $4,050,000,000? They did that because Star Wars is a very serious film franchise for very serious people (and certainly not children). And it only got to that point because the hype around the “Prequel Trilogy” rebranded Star Wars as a cultural phenomenon on par with the Moon Landing. Before 1999, though? Star Wars was just some weird franchise for weirdos that hang around in their weird basements. Star Warped is a perfect encapsulation of that embarrassing era for the franchise. It’s a parody of a particular time and place in a cultural zeitgeist, and it would be all but forgotten if not for digging Star Warped out of the dustbin of history. In the same way that Scary Movie can remind us all of the Scream-craze of the late 20th Century, Star Warped inadvertently can remind us of the Dork Ages of Star Wars.

Conker’s Bad Fur Day (2001, Rare)

It's kind of a swearWhat is it? Parroty Interactive went on to produce an X-Files parody and a parody of an operating system (seriously!), and then went out of business. Or pivoted to making learning games. Whatever. They didn’t survive to make it to Riven, so somebody else had to pick up the parody torch. Rare had always produced games with a generally humorous bent (even Donkey Kong Country premiered with DK kicking out the old man), so it seemed natural when they produced Conker’s Bad Fur Day, a game meant to clash with the traditionally “squeaky clean” image for Nintendo systems/releases. Join a typical “videogame mascot” that has become a little more surly than your average bear or hedgehog.

Is it fun? This was Rare at the height of their 3-D action/adventure/collectathon powers, so Conker’s Bad Fur Day is, if nothing else, a pretty fun game to play. For the personal Goggle Bob rankings, I’d put it above Donkey Kong 64 and Jetforce Gemini, but below Banjo-Kazooie or Mario 64. And those are all top tier games to begin with! It’s right up there! And, hey, it even foresaw the future of Mario with context-based abilities that only appear in particular levels. Mario should write Conker a thank you note.

But is it funny? I was the exact right age when this title was released (old enough to not be shocked, but young enough to find peeing unequivocally funny), so your mileage may vary, but Conker’s day is a funny one. The basis of much of the humor is the cute animal creature (Conker) having to deal with “real world” problems, like war or hangovers. And the juxtaposition works! It (as is always the case with Rare) maybe relies on being a little too talky and anxious to explain the joke on many occasions (a googly-eyed poop needs no explanation), but it’s about twenty times funnier than anything else on the Nintendo 64 not involving a giant ninja robot.

So is it a parody? One could easily argue that the gameplay of Conker’s Bad Fur Day is a 100% mundane 3-D platformer experience, and the occasional jokes or wisecracks from his furry friends aren’t enough to warrant a full parody label. But CBFD is more than that! The gameplay doesn’t have to be that subversive when an alien bursts from out of a panther’s chest. The incongruity of this Diddy Kong Racer facing a world that is about twenty miles above his maturity level is the joke here, and it winds up as a perfect parody of the heyday of videogame mascots. Gex could never touch this squirrel.

The Simpsons Game (2007, Electronic Arts)

Katamari MilhouseWhat is it? Hey, everybody, it’s another Simpsons video game. Try to sound excited! This time, we’ve got a game that was actually penned by writers of The Simpsons series! That’s good. But it is The Simpsons writers of 2007, and it gets very self-referential, very fast. That’s bad. But it’s the best videogame The Simpsons have ever seen. That’s good. But it is also looking at videogames from a very “dad” perspective, so the jokes are more broad than biting. That’s bad. But you can earn all kinds of achievements. That’s good. But the achievements contain Potassium Benzoate.

Is it fun? Continuing the platforming/collectathon tradition of Conker, The Simpsons Game predominantly vacillates between “obstacle course” style levels and excuses to bump around and find random crap all over the place. And The Simpsons get super powers! Which is fun! Homer turning into a big, doughy wrecking ball is always going to be a great time, and the different ways the various Simpsons can work together through diverse levels is a great.

But is it funny? It’s basically a Simpsons episode in videogame form, so what is there to complain about? This is the first game on this list that allowed for the “modern” convenience of overt and incidental voice acting, so quips come fast and furious. And the various super powers and situations the Simpsons encounter add some much needed physical/visual humor to the proceedings. Humor is hard when all you can do is make a whacky looking dancer boss, it’s a lot easier when you’ve got next gen graphics and the best voice actors in the business.

So is it a parody? While The Simpsons themselves are the yellow butts of a few jokes, the main target here is generic “videogames”. The family ventures through levels themed after Dungeons & Dragons, Pokémon, and whatever franchise is exploiting World War 2 the most this week. And one of the big collectibles for the game is simply “videogame clichés” that can be amassed for achievements. And special guest Will Wright wants to destroy NES cartridges full of 8-bit Simpsons. It’s still very broad (Patty and Selma are a two-headed dragon! That’s a thing happens in games, right!?), but it is very much “The Simpsons tackle videogames”, so calling it a parody of the medium at large (of 2007) seems accurate.

Hatoful Boyfriend (2011, PigeoNation Inc.)

Love dem birdsWhat is it? It’s another Japanese visual novel where you’re the transfer student at a high school, and you’re about to get into all sorts of weird and wacky situations with your new classmates. Maybe even romance will bloom! One minor caveat, though: you’re the only human in a world of giant, intelligent birds. Yes, this game started as an April Fool’s Day “prank”, but it’s one of about three visual novels this author can stomach.

Is it fun? It’s a visual novel, so that’s a resounding no. What? Press X to advance text isn’t my bag on a good day. Oh, I’m supposed to enjoy the roleplaying? Well la de da, give me a call when your roleplaying involves killing god.

But is it funny? You don’t play visual novels for the gameplay, you do it for the sweet, sweet writing. Or the pictures where “you” fall face first into a cyclops’ panties. Whatever floats your boat. Regardless, the writing and scenarios for Hatoful Boyfriend are some top notch anime bullshit. And that’s great! Because the entire cast is comprised of photo-realistic birds, so it’s immediately apparent how everything in your average visual novel is absurd nonsense even when there aren’t avian creatures abound. And then a doctor eats you.

So is it a parody? Most visual novels “reward” the player with scenes of…. Can I say pornography? How about art? You receive art for taking particular paths or options. A game where your potential suitors are replaced with pigeons is certainly going to qualify as a parody, as it draws a stark contrast between the usual expectations and our feathered friends. It is parody in absurdity in a genre that has had already entered the realm of self-parody. Good birds. Pretty birds.

Divekick (2013, One True Game Studios)

Kick it againWhat is it? It’s another fighting game, but this one more or less the result of decades of giant nerds playing fight games. Years of scientists studying characters, tiers, and frame data have determined one thing: the divekick is the only viable fighting game move. So here’s a fighting game where all the characters can only perform a diving jump kick. There are different combatants. There are different techniques. But there is only divekick.

Is it fun? In a way, this is a fighting game boiled down to its absolute essence. There’s a variety of characters, a story mode with rivals and endings, and warnings about the prevalence of concussions. But it’s all in the service of a fighting game where one hit wins every match, and one (or two) buttons is all you will ever need. And that’s fun! It’s not the kind of game anyone would want to be alone with on a desert island, but it is enjoyable for short bursts. The ideal downloadable title for the modern console/computer.

But is it funny? There’s a mutated skunkbear that is named Redacted because it is way too similar to one of Marvel’s mightiest mutants. That’s funny! Kicking someone in the head might not be the funniest thing in the world, but the characters and general situations are filled with humor. Oh, and the master wears boots on his hands. That’s silly.

So is it a parody? This is one of those “affectionate parodies” I’ve been referencing elsewhere in the article. This is insider politics for fighting game fans, and a true work that was created by fanatics, for fanatics. It’s a parody that loves its source material, but still acknowledges fighting games are more than a little goofy. There could be another paragraph here just explaining the seven layers of dumb Street Fighter jokes surrounding the final boss, and that’s a sign that something parody-related has happened here.

Lego City Undercover (2013, TT Games)

Goin' undercoverWhat is it? The Lego Videogame franchise finally got away from straight franchise adaptions in 2013, and produced Lego City Undercover, a game featuring an average (Lego) cop that runs over a strangely high number of (Lego) pedestrians. The game is a large departure for the traditional gameplay of the Lego titles, as it is less “levels”, and more of an open-world, mission-based situation. Also, there is full voice acting and a wholly original plot, so this is like a real videogame, and not just Star Wars-lite.

Is it fun? Damn right it is. Lego City Undercover is basically a Grand Theft Auto title with Lego sensibilities, and it’s kind of amazing how effectively those two genres mesh. What’s more, Lego City Undercover is better than your average Lego game, as it doesn’t require the player to obsessively break every goddamn thing every seven inches for additional studs (there is more than a little breakage, of course, but it doesn’t have nearly the same emphasis as seen in other Lego titles). This is just swinging, driving, and busting criminals all over a Lego city, and that’s pretty damn great.

But is it funny? Double damn right it is. Lego City Undercover is generally hilarious on occasion, which should come as no surprise, as actual comedy writers were hired to punch up the entirety of the game’s script. If there are seven seconds of “downtime” in the plot, you can be sure that space will be filled with some manner of capering. And, on a personal note, while cops and robbers are equally lampooned across the game (along with anything else that wanders into the frame), I am currently enjoying any humor derived at the expense of the boys in blue. Those egos could stand to be deflated a pinch…

So is it a parody? In Grand Theft Auto, you are a criminal. In Lego City Undercover, you are a police officer. Somehow, the gameplay is exactly the same. Funny how that works. Lego City Undercover manages to present a family-friendly take on the genre that also provides some insightful (and seemingly deliberate) commentary on the state of the world, and that’s a sign you’re dealing with an excellent parody. Some of GTA’s imitators may border on parody (Saints Row comes immediately to mind), but Lego City Undercover distinguishes itself as its own, albeit parodic, animal.

Goat Simulator (2014, Coffee Stain Studios)

DEM GOATS!What is it? You’re a mundane goat. That’s it. Thanks for playing.

Is it fun? Oh, wait, little caveat here: Goat Sim is more of a game physics demo that evolved into a full-fledged game… Or… almost evolved, at least. There are general goals for your goat simulating here, but, by and large, it’s just you (a goat) in a medium-to-large playground, and your only real tasks are finding new and interesting ways to be destructive. It’s like Blast Corps, but, ya know, with a goat.

But is it funny? In a way, this is a total “make your own fun” adventure. However, despite the fact that the game generally lacks legitimate goals or a level structure, the “playgrounds” available are all meticulously designed. What does that mean? Well, imagine a million perfectly aligned dominoes, and you’re playing as the wrecking ball that just crashed into this clumsy metaphor. This is not a game that relies on clever dialogue, this is a game that relies on the player’s innate need to lick a moving tractor to see what happens. Spoilers: it winds up funny.

So is it a parody? Goat Simulator is the kind of game that could only happen after decades of established videogames. This is a game that looks at the many, many ways you can interact with a world in a videogame, and then pushes them to absurd levels. Yes, you can climb that gigantic crane and jump off… but please don’t do that while aiming for the highly volatile gas station, or bad things might happen. Combine this with a variety of “cheats” and achievements that encourage complete lunacy (a basic rule of the universe is that you should never give a goat a jetpack), and Goat Simulator is more than a simple goat game, it’s a parody of gaming as a whole. And then there’s that MMORPG mode. Class: Microwave is just silly.

Rainbows, Toilets & Unicorns! (2019, Fantastico Studio)

What is it? A man eats a unicorn-flavored ice cream, and, yada yada yada, now he’s being propelled through the sky on a toilet and shooting up his worst fears. And if you guessed “worst fears” included “Salt Bae”, then congratulations, you’re one of the cool kids for today!

Is it fun? It’s a modern “bullet hell” shoot ‘em up, so if you like that, this one is pretty great. The gameplay conceit du jour is that every explosion drops rupees, and catchin’ ‘em all will lead to your arsenal being immediately upgraded. Like with Star Parodier above, this is an interesting mechanic for advancement in an already frenetic genre, so it fits into the shoot ‘em up genre like a glove. Oh, and you can barf unicorn puke all over the place if things get too overwhelming.

But is it funny? This is referential humor at its most obvious. You could be shooting ships or wieners or whatever, but, no, it’s all references to pop culture. Is it overtly funny? Not necessarily. Is it satisfying to lay suppressing fire on a giant, orange toupee? It’s not bad. The basic joke in this game is seeing what ridiculous thing pops up as a boss next, so please enjoy a chuckle when you have to go hand-to-hand with The Pope.

So is it a parody? We’re right back to where we started: a shoot ‘em up with the usual nonsense replaced with joke characters. If Parodius was a parody of Gradius, then it makes transitive sense that Rainbows, Toilets & Unicorns is the modern (and American) parody of Gradius’s same genre. This parody doesn’t have much to say beyond “yes, these things exist”, but it winds up being an amusing way to spend an hour or so. Not all parodies are created equal, but there is certainly room for parodies in the videogame sphere.

So what does parody actually mean, Tony? It means you’re going to have a good time.

… Until you die sixty times in a row to the same stupid boss. Then the joke gets a bit stale.

FGC #525 Parodius

  • Poor penguinSystem: You may find Parodius on practically any videogame system… outside of the United States. Even Europe saw a couple of Parodius games! The best the Americas can hope for is the occasional big fat nothing. I somehow have a Gameboy version, though. Blame Europe again.
  • Number of players: 2 player simultaneous! Who cares if Americans wouldn’t get the references, here’s a reason this shoot ‘em up could have done well in the West.
  • What did you actually play: As is my wont, I played through the complete Parodius arcade collection for this article (even if ROB did technically choose the Gameboy version). This is definitely a franchise that gets better as it progresses, and Sexy Parodius is great with its branching paths and gigantic monsters/ladies. My understanding is that there is also a Parodius Tactics game for the Playstation 1 by the name of Paro Wars… and I’m not touching that with a ten foot penguin.
  • Favorite Pilot: Michael and Gabriel are flying pig angels. I’m pretty sure there need be no further explanation.
  • Worst Powerup Ever: The Oh!/!? powerup block will immediately strip you of all power. It is horrible beyond measure, and, considering the average arcade game doesn’t come with much of a manual, downright mean-spirited. One would suppose it at least gives you a reason to pay attention to manual powerup activation…
  • Konami gonna Konami: If you’re wondering what the Parodius franchise is up to nowadays, may I interest you in a series of pachinko machines?
  • Super 'Sexy'Most Excellent: Otomedius carried on the basic concept of Parodius for a little while, basically focusing on the “sexy” part of Sexy Parodius. It didn’t last very long, but at least it gave the Twin Bee franchise another spotlight.
  • Did you know? Koitsu, Aitsu, Soitsu and Doitsu, the little dudes riding paper airplanes, reappear as monster cards in the Yu-Gi-Oh franchise. The Vic Viper pops up there, too, so Konami kept its crossovers going.
  • Would I play again: Yes! Can someone look into porting this entire franchise to the Switch? Get to working on that! That system needs more penguins!

What’s next? Random ROB has chosen… Final Fantasy 7 Remake! Time to get reacquainted with some old friends! Please look forward to it!

Big ol' heads