Tag Archives: n64

FGC #618 Body Harvest

SPACE STATION BODY HARVESTHelp me out here. I am trying to determine whether Body Harvest, a Nintendo 64 game released in 1998, absolutely needs a modern remake, or if it is a game that could only ever be a product of its unique time.

Body Harvest deserves the 21st Century!

Superficially, Body Harvest has a traditional videogame premise that could slot into any gaming epoch. Giant, vaguely mechanical bugs have attacked Earth, and it is your job to repel the invasion. Hell, that’s just Space Invaders! But the twist here is that you have the ability to 4-D travel along the timeline of their invasion, and you can battle bugs back in the far-off past of World War I or the far-flung future of six years ago (hey, 2016 seemed pretty advanced in 1998). And it isn’t just about slightly changing the background to match a setting, either, each of the four time periods featured in Body Harvest dramatically differ in the firepower, vehicles, or just plain people you encounter.

And that is the first check in our “please remake” column: this was Grand Theft Auto before there was a GTA(3), but with even more variety. Technically, this should not be a surprise, as Body Harvest was designed by DMA Design, which went on to become Rockstar, which was directly responsible for Grand Theft Auto 3 a scant three years later. You can see the exact gameplay with your little orange warrior skipping from car to tank that would be recycled for Claude hopping from… well… He got a tank, too, didn’t he? But, as much as Grand Theft Auto 3 and its descendants tried to mix things up with fun or interesting new vehicles, they still have nothing on rolling around in a Japanese Zero plane while splatting insects. The different time periods naturally lend themselves to a variety of vehicles, and Body Harvest deserves to have Adam grabbing a veritable Gran Turismo of automobiles during his 1966 trip to America.

Stay dampBut this also leads to a significant sign of Body Harvest’s times. There are multiple vehicles in every epoch… but they are all pretty much the same. A plane is a plane, a tank is a tank, and nobody ever likes to be railroaded into a boat. A modern remake of Body Harvest could actually make these vehicles feel distinct, as you better believe it would feel different to drive a Grecian jeep in 1916 versus an American luxury car in 1966. And the weapons? There is a mythical “sun shield” in early 20th Century Greece that functions exactly like a laser from decades later. Does that make a bit of sense? Nope. A game that was designed nowadays could truly make the gulf of a century of technology felt during gameplay.

And speaking of modern changes, you have likely heard that every franchise wants to be The Legend of Zelda: Breath of the Wild nowadays. Well, here is a game that was Breath of the Wild long before Link ever considered his first sheikah slate. The worlds of Body Harvest are huge, and they even follow a familiar pattern of “fog” obscuring the world map until you find and defeat a proper giant bug. Unlike a similar DMA Design game of the era, Space Station Silicon Valley, Body Harvest revels in its open world gameplay, and rewards the player with massive playgrounds when they unlock the epoch’s plane equivalent (usually a plane). Yes, the regions of these worlds work like “levels” with bite sized challenges, but the future tech justified “fast travel” between different areas reinforces how Body Harvest was definitely a game before its time.

What in blazes is thatAnd, yes, that means these “huge” worlds are 100% “huge” with the caveat that they are areas in a N64 game. Just like how the giant bugs scale with your lil’ space marine, so they do seem to be gargantuan, formidable opponents… that can barely move. In the same way that exploring a giant world needs a little more horsepower to craft a truly giant world, the enormous bug monsters would be a whole lot scarier if they were not hampered by a system that allowed them to move about as fast as a sloth contemplating the benefits of a reverse mortgage. The whole concept here is that bugs the sizes of buildings are wiping out humanity, so it is super important that these creatures are immediately perceptible as maddeningly enormous. Unfortunately, that makes everything but the basic drones effectively immobile, so a little more RAM under the hood could really add to the threatening bug realism here.

In short, everything that Body Harvest tries to do could be made better by modern technology. You can almost feel the game that Body Harvest could be if it were released in 2022.

But would it still be the same game if it were released today? Because…

Body Harvest is a relic of the 20th Century!

Want to know the number one thing that surprised this 21st Century Boy when playing this pre-2000 videogame? Adam the Orange Warrior can enter houses. In fact, you have to enter a house as part of the opening of the game, and making progress through the various areas all but requires stopping into people’s homes. And they are not just dialogue boxes hiding in houses: these are actual “maps” that include hidden items, health refills, and even the occasional puzzle. Some of the “ancient Greek” dungeons could be mistaken for Zelda areas, and some of the future “sewers” could be entire (terrible) games on their own. And they just don’t make ‘em like that anymore! You know that if Body Harvest were made a few years later, “somebody put the bridge up” would simply be a communications dialogue box, and not a house including a person. The “dungeon puzzles” would somehow be modified to be solvable without leaving your car du jour, and any sort of regional/epoch variety would be completely lost. Actually seeing and interacting with people in a game where you are trying to save said people makes a big difference. You are not rescuing random humans that fill up your “humans lost” meter, you are saving that guy that lives in that house over there. The one with the water barrel that fills up your health! He’s important!

This is a friendly placeBut that does bring us to the whole “different time periods” problem of Body Harvest’s design. To be absolutely clear on what happens in Body Harvest, every epoch also has its own geographic location. 1916 is Greece, 1941 is Java, 1966 is a generic city in America, and 1991 is Siberia. If you find some NPC you like in the first time period, sorry to say that you are not ever going to encounter that guy again. It is a shame, as one of the coolest things a videogame can do is play with time travel for the ever popular “plant a seed, watch the tree grow” experience that is generally impossible in actual reality (or at least far too boring). However, this also means Body Harvest straddles the line between “open world” and “levels”. By the finale of the 1916 area, you can go practically anywhere on that map, and maybe find a random laser component or two to make your life easier. But the minute you activate the boss of the level and claim victory? You ain’t seein’ 1916 or Greece ever again, boy-o.

And that is antithetical to modern day “open world” design. The benefit of Breath of the Wild is that, barring Link breaking his own legs while shield-surfing down a mountain, you can always return to the starting plateau. You can venture around the world in any order you want, and then venture backwards through that same world as you so choose. Cutting off areas by epochs? That is either going to mean there are places you can never return to; or, even worse, making “backwards” time travel a mandatory solution to puzzles. It is cool to see a world grow up over a hundred years, it is dramatically less fun to be told you have to scoot back to previous areas every other scene because someone programmed in backtracking puzzles. That’s the opposite of an open world! That’s a crap world!

It must stink down hereSo maybe Body Harvest is bound to its own epoch. Maybe we could never see such a game today, because too many modern conventions seem to state, “we don’t do that anymore”. Designing entire building interiors just to support random NPCs? An open world that is not an open world? Levels? Screw that noise. That is some 1998 wiz biz, and we are unlikely to ever see it again.

Or not? What do you think, humble reader? Could we see an ideal Body Harvest HD? Or is it never going to be half the game it once was in an effort to be the game it could be today? Past or Future? And does said past or future include giant bugs?

The world may never know. Then again, maybe we’ll see Body Harvest HD before Grand Theft Auto 6…

FGC #618 Body Harvest

  • System: Nintendo 64. It was nearly a launch game! … But then some stuff happened.
  • Number of players: Adam Orange must fight a hundred years of giant bugs all alone.
  • Where in time is giant bugs: Most of the epochs are just an excuse to pal around in familiar settings of the last century, but the modern level in Siberia is either a tremendous diss to Russia, or an excuse for a zombie level. Or both! Siberia’s military facility (?) is lousy with all sorts of modern armaments, but it also has a severe nuclear zombie issue. Maybe it is supposed to be a Chernobyl reference? The dangers of modern technology? Whatever. Point is that it is a really weird final “real” level, and maybe speaks to the developers getting bored about 80% of the way through their own idea.
  • I do not like it hereAn end: The finale is, as was the style at the time, a level that forsakes everything that made the game great, and just an excuse to zoom around an alien asteroid in a homicidal hovercraft. At least you used the hovercraft in other levels/battles, so it is not completely out of left field; but it is still a sad excuse to not have a final “future” level with more interesting future vehicles. And then you kill a giant cockroach that is also your brother. Real Shakespeare s%&# right there.
  • Filthy Cheater: There are also a variety of cheats coded into the game, with some lifesaving (health refill, have all weapons) and some a little more on the silly side of things (have fat legs). Come to think of it, the N64 era was the golden age of ridiculous cheats. Or maybe we all just enjoyed big head mode a little too much.
  • Favorite Vehicle: For some reason, my dad has always liked the Ford Edsel. It is a weird little car, and my dad is a weird little guy, so it makes sense. So imagine my surprised when Edsels pop up as the first car available in the America stage of 1966! Despite the fact that the Edsel stopped production in 1960! Weird little choice, guys!
  • Did you know? Body Harvest was going to be an N64 launch game compliments of Nintendo publishing. And, according to a scant few interviews on the subject, Body Harvest was micromanaged by Nintendo of Japan quite a bit before the company outright dropped the title for theoretically “it’s too violent” reasons. DMA Design struggled to find another publisher, and Body Harvest was eventually released in its current (and only) incarnation. Worth noting? This inevitably caused a bit of a gulf between DMA Design and Nintendo, and considering DMA digivolved into becoming Rockstar… is there an alternate universe where Body Harvest stayed the Nintendo course, and Grand Theft Auto 3 is a Nintendo Gamecube launch game?
  • God bless America/bugsWould I play again: Maybe? Body Harvest is a strange game that is very much a product of its time, but it is a downright shame it never saw a follow up to its own unique flavor of gameplay. Grand Theft Auto 3 is the obvious descendant, but I could use a game with a rocket launcher and a few more giant bugs. So maybe I’ll try Body Harvest again for the experience.

What’s next? Looks like Valentine’s Day is next Monday, so we’re going to have a special Wankery Week article ready for the holiday of love. There will be cooking! Please look forward to it!

FGC #606 Mega Man Legends

Go, Mega!I’ve been trying to figure out why I’m so bad at Mega Man Legends, and I’ve settled on a culprit: it’s-a Mario.

As True Gogglebob.com Believers may already be aware, I recently streamed the entirety of Mega Man Legends as part of our now-been-happening-for-a-year-holy-cow Tuesday night streams. Mega Man Legends was chosen because we had been talking about it randomly across other streams, I was kind of anxious to replay the title, and (the most important factor) I just plain remembered liking the game. And I still like it! I just happened to discover that, apparently, I am no longer any good at Mega Man Legends. I died to that dang bulldozer boss like sixty times! It was nebulously embarrassing!

So, in an effort to make sure that every stream is not a gauntlet of Goggle Bob death, I went back to my original save, and loaded up the “final” save I had on my ancient Playstation 1 Memory Card. I beat the game from that file, and, since Wee Goggle Bob had satisfied the necessary conditions, I was able to play a New Game Plus/Easy Mode that all but guaranteed my success on stream. Nothing can stop MegaMan equipped with the Easy Mode Buster! And how do you earn that ultimate weapon? Well, you beat the game on Hard Mode. And wondering how you unlock Hard Mode? Simply beat the game on Normal Mode! So, to be clear, at some point in my not-too-distant past, I not only completed Mega Man Legends, but beat it twice with escalating exertion. I was once super good at Mega Man Legends! Data, can you tell me what happened!?

I hate this guyI will admit that I did not particularly like Mega Man Legends when it was released. I beat it. I played it a lot. But I did not like the trajectory of Mega Man and his fellow “8-bit mascots”. Castlevania had its 64-bit, 3-D adventure. The Legend of Zelda dropped its top-down perspective for 3-D fluting. 2-D fighting games had to make way for 3-D ballerina fights. Contra was doing… something. And, while we certainly had Mega Man 8 and Mega Man X4-6 on the Playstation, Mega Man Legends seemed to imply that 3-D was the next big frontier for our Blue Bomber. Did I identify Mega Man Legends as a good game? Of course! It is a good game! But it represented a trend I did not endorse, so I felt my time was better spent banishing Jet Stringray over in the 2-D Mega Man X universe. In fact, while I played nearly every “3-D reimagining” of a beloved franchise that came down the pike, I want to say there was only one 3-D title that I replayed repeatedly during the N64/Playstation 1 era. Ladies and gentlemen, it is time to look at Super Mario 64.

And, fun fact, I have no idea if I even like Super Mario 64.

Here are the objective facts: I have collected all 120 stars in Super Mario 64. I accomplished this feat “back in the day”, and without the assistance of a strategy guide or FAQ. I explored every inch of Princess Peach’s Castle, unearthed every last portal-world (it took me forever to discover that Rainbow Ride even existed), and saw Mario nab any and all “secret stars”. Despite 100% completing the game in 1996 or so (I wonder if I finished it in “just” three months…) Over the years, I have returned to Super Mario 64 again and again, playing through its many ports (Wii! WiiU! Switch for a limited time for some reason!) and incarnations A nice sip(Release the DS version again, you cowards!). Whenever I play the game, I always go for all the stars, because it is a Mario game, and tricking yourself into playing less Mario in pursuit of a “speed run” is folly. There is a whole portrait world over there that you can skip, but don’t you want more game out of your game?

Except… I am not certain I like any of those portrait worlds.

Here, I made this chart of courses in Super Mario 64, and my opinion of them:

Bob-omb Battlefield Fun, but a little too “baby’s first world”
Whomp’s Fortress One “fight the boss” course stretched to six remarkably similar challenges
Jolly Roger Bay Swimming world that is absolutely zero fun. Eat my ass, collecting 100 coins
Cool, Cool Mountain Princess’ Secret Slide is a better version of the one fun part of this course
Big Boo’s Haunt What’s the trick to this stage? Random “invisible” panels? Pass
Hazy Maze Cave Should probably be six separate secret areas, and not one big, boring dungeon
Lethal Lava Land If you are not surfing a shell through lava, you are not having a fun time
Shifting Sand Land Absolutely the worst. Every star is just… ugh
Dire Dire Docks Should have just been one secret star, extremely thin on other “challenges”
Snowman’s Land We reskinned the lava stage. Hope you don’t notice
Wet-Dry World One interesting gimmick on a level no one ever wants to play
Tall, Tall Mountain Pretty fun, assuming you do not have to worry about 100 coins
Tiny-Huge Island You like bottomless pits? Sure you do!
Tick Tock Clock No. Just no.
Rainbow Ride Oh we heard you like losing all your progress to bottomless pits from Tiny-Huge Island. Guess what?

And then the game ends!

WeeeeeAnd before Mario 64 defenders flood my inbox (yes, I still operate under the delusion that I am capable of upsetting the internet at large), I realize I am being hyperbolic. I cannot think of a single SM64 stage that does not include a justifiably redeemable star (well, except Shifting Sand Land. Screw that stage). And, yes, my own Mario enjoyment does seem to lend itself to Super Mario Galaxy-esque experiences where stages are over quickly, and you move rapidly from new setting to new setting. It seems only natural that I would swiftly tire of “now do the same thing again in a slightly different way” gameplay (looking at you, Cool, Cool Mountain). But if I am being honest, there are stars that I fear like nothing else in the Mario pantheon. I would chase a thousand Liquid Marios in Super Mario Sunshine before I ever wanted to collect a hundred coins across Tick Tock Clock again. And I would rather jump rope forever than follow around an eel in Jolly Roger Bay. I understand that it is the nature of the completionist itch that I do not have to do any of these things to fully enjoy Mario 64, but what is even the point in being alive if I play Mario 64 and don’t earn 120 stars!?

But I am alive, and I did earn 120 stars in Super Mario 64. Before I moved on from SM64, my cartridge had four different save files with a total of 480 stars. What was the point of that? Perhaps to showcase that I had done it. Or maybe to remind myself that I played SM64 more than practically any Mario title before or since. I may have hated individual levels, but I explored the living hell out of that castle. I spent hours and days of my life on Super Mario 64 to the point that it is now part of my bones. If I “had to” replay the game right now, gun to my head, you have to find Yoshi or you die, I could do it. I do not think I could do that with Mega Man Legends, and the stream of my failures all but confirms this. Why is that?

Because the Nintendo 64 didn’t have any other games, dammit.

BZZZZZZTI scrimped and saved my allowance to afford a Nintendo 64 at launch. I was the happiest boy in the world, and I was going to be damned if I did not use that system to its utmost… Even if the only other game available was Cruis’n USA. I may not have liked the general format of Mario 64, or even a number of its individual challenges, but I was going to play it as much as possible, dagnabbit. I would rescue the princess over and over again. I would toss Bowser into the sun as many times as it took. I did all of this because there were no other options. And, naturally, I got better at it. Naturally, I interpreted this endless playtime as some kind of affection. Naturally, I played the game when it was rereleased, because didn’t I play that game a lot back in the 90s? Yeah, that sounds right. Let’s try it again. I played and continue to play Super Mario 64 out of a sort of eternal attrition, because, for a time, it was my only videogame. Or, at least, it was the only next gen videogame worth playing.

Super Mario 64 kidnapped my attention, and gave me Stockholm syndrome for life.

WeeeeAnd Mega Man Legends? I am willing to say that is a better game than Mario 64. If it is not better, it definitely offers a different, wholly unique experience that is a parallel, but just as good, game as Mario 64. It is more of a “run and shoot” game than Mario’s punch ‘n hop times. It features a huge, interconnected dungeon world, and encourages finding connections between areas that would be eternally separate in Peach’s Castle. The characters and their attendant voice acting/animated acting are marvelous, and a far cry from Mario’s “let them eat cake” morsels of a plot. Mega Man Legends may not have anything as sublime as recklessly gliding over a bob-omb battlefield, but it does have jet boots to spare. Mega Man Legends is an amazing game, and, playing it in 2021 reminds me that this has always been one of the best Playstation games out there.

But it was just one of an amazing crop of Playstation games that were released in 1997. It was not the only decent N64 game release in 1996. As a result, one game got played over and over for years, and the other was left to rot thanks to the likes of Final Fantasy 7, Symphony of the Night, and maybe even Alundra.

And that’s why Mario is responsible for my lack of Mega Man Legends skills. It is all that pesky plumber’s fault…

FGC #606 Mega Man Legends

  • System: Playstation (1) is host to the original and most beloved release. The Nintendo 64 version came along in friggen’ 2001, and was way too late to make an impact on gorram anything. And it was a compromised port on top of it! The PSP version came out four years later (but exclusively in Japan), and a Playstation 3 port scuttled out a decade after that. This is arguably the saddest release schedule gogglebob.com has ever recognized.
  • Number of players: Would have been cool to see another digger get into the act, but we are sticking to one Mega Man here.
  • What's so funny?Favorite Sub Weapon: It is a shame that the signature “variable weapons system” of Mega Man is relegated to refining treasures here, and not gaining, like, the Bonne Blaster after a boss fight. That said, the tactical laser weapon on my original save file is the bee’s knees… and not something I felt like earning on the stream. I guess I am going to say the drill arm this time, because I very much appreciate drill appendages.
  • Story Time: I very much appreciate how 90% of Mega Man Legends is just “have fun running around a neat island”, and then the last 10% is some hoary old tale of apocalypses, fallen civilizations, and allusions to MegaMan Volnutt being the secret chosen one that will change the world. This is an extremely JRPG-esque twist, and I have to wonder if this kind of plot just automatically bubbles to the surface the minute your otherwise carefree games includes treasure chests. See also Hearts, Kingdom.
  • Come to think of it: Complete with the myriad of sidequests and an ending that pretty closely apes the beats of the original Dragon Quest, was this all an early attempt to make the ultimate Mega Man: The RPG? And, if that is accurate, why did it take two Mega Man Battle Network games to get there? And why did they even bother with Mega Man X: Command Mission? So many unanswered questions.
  • Tron Resurrection: Tron and her family are easily the best part of Mega Man Legends, and it is pretty clear this was noticed practically from the beginning. You see a Servbot before you meet about 90% of the cast! Not even counting the title screen! The biggest loss in not seeing the Mega Man Legends franchise flourish was having to only see Tron in random spin-off titles.
  • Watch it, Buddy: Want to see the previously mentioned stream? Well here you go.





    It gets good around Part 3. … Or I just get good…

  • Did you know: Motion capture was distinctly used to create the iconic cinema scenes of Mega Man Legends. This makes Mega Man Legends one of the first games to use motion capture in a videogame for something other than ruthless decapitations.
  • Would I play again: I will play Super Mario 64 again. I will not play Mega Man Legends again. What?! I would rather play Mega Man 3! That’s how it goes!

What’s next? Random ROB has chosen… Metroid! The first one! With the space lady! Please look forward to it!

Roll your eyes
“Why you gotta make this about Mario, Goggle Bob?”

FGC #545 Bangai-O Spirits

Gogglebob.com officially started in 2015, and it also contains articles written months or even years before the official launch of the site. I don’t personally consider myself someone who puts forth a “brand”, but, after something like 700 articles about videogames (total reached by including all auxiliary Kingdom Hearts and Let’s Play materials), I feel like my general opinions and “tone” have been well established. It’s been over five years of Gogglebob.com… and for most of that time, I was single. And, now, considering my bride-to-be isn’t much of a videogame fan (past some obvious luminaries), gaming is still generally a solitary hobby for myself. What am I getting at? Well, I worry, because, as of publication of this article, I am about two weeks away from getting married. Is that going to change me? Is that going to change the articles you find on Gogglebob.com? Am I going to become a “wife guy”? I’m worried about my identity! Even when I’m writing about something as esoteric as Brain Dead 13, this website is my autobiography, and I’m worried about who I am (and the site!) mutating in the face of such a drastic life change.

But, no, that’s silly. I am Goggle Bob, and, no matter what happens, no matter who becomes a permanent part of my life, a permanent part of me, I am always going to be myself. This is gogglebob.com, I am Goggle Bob, and that is never going to change.

So today I (Goggle Bob!) am going to talk about tampons.

I, being of the biological male persuasion, do not understand tampons. I am unfamiliar with their exact usage, and, while it has been explained to me a few times over the years, all I could really grok from those lessons is that they look really uncomfortable. They kind of resemble future-tech Molotov cocktails? And they’re supposed to go where? Yeah, that’s not for me. And, while I’ve had a general grip of the purpose of tampon usage for years, they had yet to live in my home until my fiancée officially moved in a little while back. Now, in the same room where I read my all-important leftover 1999 strategy guides, there is a box of tampons. And, because I occasionally get bored of reading how important it is I visit Playonline for more information, sometimes I dare make eye contact with one of those tampon boxes. And what did I find in perusing this box? Tampons come in different levels! Apparently here is the ranking for one brand:

POW

  • Light
  • Regular
  • Super
  • Super Plus
  • Ultra

And, to be clear, that is from lightest (light) to heaviest (ultra). And, while I may not be blessed with body parts that ever have to interact with a tampon, I do have an opinion on this situation from an engineering perspective: This is stupid.

Seriously, ladies (or the men that are apparently in charge of ranking women’s menstrual flow), there are some serious issues here. Light makes sense, but regular? You are claiming there is some sort of national average for periods, and it is apparently only level 2? And then super to super plus? Okay, there’s at least an escalation, but, unless you’re Kara Zor-El, I don’t think anyone has ever described anything to do with that time of the month as “super”. And the final level is ultra? Were tampons invented as a tie-in to the N64? Because that is the only explanation for a final level being “Ultra”. Ultimate is right there! It starts with a U, too!

So, in the interest of making the lives of people who menstruate better (they already have to deal with so much! Like the entire population of people who don’t!), I propose a new ranking system for tampons. In the future, all tampons should be ranked according to Bangai-O titles.

LEVEL1
Level: Light Hover Attack

The Bangai-O franchise theoretically started in the late 90’s. However, there was a game that was the main inspiration for Bangai-O: Hover Attack. Hover Attack features a robot (maybe a human?) who has a limited missile gauge and a hover gauge, but, other than those limitations, the world is their oyster. They can fly! In a game from 1984! And they’ve got a cool hoverboard, too! The people of the 80’s loved those things! Unfortunately, if you’re looking for a real Bangai-O experience, the technology of the time could not cut the muster on rendering more than a few misssiles, so it doesn’t feature what would be the defining staple of the series. It’s like Bangai-O, but if Bangai-O was much… lighter.

LEVEL2
Level: Regular Bakuretsu Muteki Bangaioh

WeeeeeeOkay, there’s no question here: we’re dealing with a tried and true Explosive, Invincible Bangai-O here. There is flying. There are enemies. There are missiles upon missiles upon missiles. You can blast your opponents out of the sky, and then collect enough fruit to live like a king. It’s here, and there’s no question it’s here. Or… actually, that’s kind of the problem: it’s not here. It’s Bangai-O, but it’s also limited to a Japanese release, and barely surviving there at that. So, in short, this is Bangai-O that exists, is definitely a Bangai-O experience, but is still on the slight side of things.

LEVEL3
Level: Super Bangai-O!

Oh blastNow we’re talking. If there are going to be five levels of something, here’s the exact, recognizable middle. That’s how numbers work! Bangai-O is the game we all know and love (and occasionally inspires hallucinations). This is Bangai-O… nay… BANGAI-O! and its accomplishments are legion. This is the game that taught us all to love shoot ‘em ups again in the age of ubiquitous polygons and JRPGs. This is the game that satisfied all our ids with explosions of a Bay-ian caliber. Bangai-O was a revelation… and the only downside is that many people don’t even know it had any sequels. It is the baseline of Bangai-O, so it stands in the middle of all other levels, presumably inviting an errant Goldilocks.

LEVEL4
Level: Super Plus Bangai-O HD: Missile Fury

May as well just call this game “Bangai-O: Super Plus”. It’s Bangai-O taken to the next level. Stage creation? Check. Online options? Check. Big honkin’ missiles that defy all laws of conservation of mass? Double check. Depending on your thinking, though, it is not exactly the straight-up action game that Bangai-O pioneered for the franchise. In short, thinking of this as “simply” a shoot ‘em up will get you killed pretty fast, but treating it as something closer to a puzzle title will see your ship surviving well into a fruit coma. It’s just a puzzle game where, you know, the solution involves a healthy number of explosives. Some people can’t handle it, though, so this is a fine signifier of a “heavy” Bangai-O.

LEVEL5
Level: Ultra Bangai-O Spirits

PEW PEWBut this is as hefty as Bangai-O gets. In a similar manner to its descendant, Bangai-O HD, Bangai-O Spirits is a puzzle game masquerading as an action title. But where Missile Fury sticks to a more straightforward loadout for its challenges, Spirits drowns its audience in a multiple choice quiz before every battle. Do you want to focus on shooting, or melee attacks? Bringing in the rebounding laser, or the baseball bat? Going to focus on reflecting opponent’s shots, or simply blasting them out of the sky? You’ve got options! Options upon options! And these options are absolute murder, because it is often difficult to say if you failed because you didn’t identify what you were supposed to be doing, or because you didn’t drag in whatever weapon you were supposed to have. There’s a reason this title has such a comprehensive tutorial structure (which includes the game’s seemingly contractually obligated plot), because if you’re not prepared, the “real” levels of Bangai-O Spirits are going to drown you in a deluge of pure, unfettered Bangai-O.

But if you’re aware of the weight of Bangai-O Spirits, you’ll be prepared. And that’s why tampon companies and Bangai-O should get together to revamp their level grading, and get everybody on the same page. You need to know what kind of tampon you’re purchasing in the exact same way you need to know what kind of Bangai-O you’ll be experiencing. Tampax, give me a call, I’m certain we can work out a level grading system that is a little more explosive/invincible.

FGC #545 Bangai-O Spirits

  • POWSystem: Nintendo DS, and this is another sad tale of a game being locked into a system that time has now forgotten.
  • Number of players: It’s technically multiplayer with the whole level sharing thing, but it’s really a one-player experience.
  • Are there skeletons? Yes.
  • Is there a Pac-Man pastiche? Certainly.
  • Is this the best game ever? Very much a contender.
  • What’s with that tutorial? Yes, there are a lot of tutorials involved. Yes, you should consider them completely mandatory, because there is no way you are going to remotely survive the “real game” if you don’t learn about the myriad of new ways to blow stuff up in Spirits. Also, it’s the only part of the game that has a “plot”… if you’re into that kind of thing.
  • How’s the plot? Funny, but forgettable. I’m pretty sure there are at least three characters involved. Maybe four? They probably have names.
  • Favorite weapon: It hurts my soul to not choose the baseball bat, but I’m more into the missiles that tear through enemy bullets like tissue paper. I’m sure they have a distinct designation, but that’s inconsequential: if I can survive the level with ‘em, they’re my first choice.
  • POWDid you know? You can share created levels with other players by playing tones out of the DS that other Bangai-O Spirits games can interpret and decode. This is what gaming looked like before the internet was widely available, and I am here for it.
  • Would I play again: There is a heavy, overflowing chance that that is a solid yes. Doubly so if someone could port this to a modern system. Switch? Please? This is an ideal portable experience, and I could use a new reason to wreck a joycon.

What’s next? Random ROB has chosen… Jet Set Radio! Yo yo yo, DJ Professor K is gonna tell you the righteous tale of the GGs, son. Please look forward to it!

No Pow

FGC #529 Banjo-Kazooie

knock knockIt is 2020, and Banjo-Kazooie is still one of the best 3-D platformers of all time.

Let’s get one thing straight from the start: I have no affection for Banjo and Kazooie. I hit puberty right around when Banjo was making the scene, and that resulted in some lingering issues regarding the goofy bear. Actually, to be clear, I officially became a teenager a couple of years earlier (right about in time for me to focus on other things in polygonal graphics), and that meant I was well and truly over it by the time the Nintendo 64 was hitting its stride. Did I still play videogames? Of course. But did I only play videogames for mature, highly sophisticated teenagers such as myself? Indubitably. Excuse me, Rare & Nintendo, I only have time for developed JRPGs right now. Did you see that tactics game insult God during the intro? I don’t think this fuzzy creature is going to offer me a similar experience.

So I didn’t play Banjo-Kazooie in its prime. Despite loving Mario 64, I had moved on to other genres by the time one was supposed to be collecting collectathons, so BK was dropped as easily as DK (he’s the leader of the bunch). And, as I eventually became a poor college student during this time, I didn’t wind up snagging the game in any capacity until the Gamecube had conquered the gaming continent (or at least the Nintendo island). Then I was able to pick up N64 games by the bucketful, as they had dropped in value from “hundreds of hours of fun should cost nearly a hundred dollars” to “you can have a new game, but you have to buy one less taco”. So Banjo-Kazooie was purchased with other titles that I had deigned too “kiddy” at the time (see also: Paper Mario). I played it for about a week, collected what I could, beat the bulk of the game, and then moved on to other adventures. There were new, better games out, and why should I waste my time on something so obviously past its prime? Just look at Eternal Darkness! Need I be more fair? Aim for something more in the same genre? Well, I recall jumping directly from BK to Mario Sunshine. “Now this is a modern platformer!” I exclaimed to an empty room while dropping bear ‘n bird forever…

And who knew that nearly 20 years later, I’d be writing an article about how Banjo-Kazooie kicks Mario Sunshine’s soggy ass?

Here we goWait, heck, I feel like I have to elaborate on my own opinions again. I like 3-D Mario titles. Hell, I consider all of them to be some of the best videogames out there. I’ve spoken of it before, but the feeling of controlling Mario is unparalleled. There is nothing like perfectly leaping over obstacles to grab another star, shine, or moon. I like Mario Sunshine. It is probably the Nintendo Gamecube title I revisit the most, and that’s saying a lot when you consider how many smashing brothers reside in that system. 3-D Mario games are still the gold standard for moving and “playing” in a 3-D space.

And, to be clear, Banjo is no Mario. This bear might have the somersault jump, and something approximating Mario’s 3-D triple leap, but the similarities end there. Beyond that, Banjo’s moveset is a bit stiff. It’s not bad! It’s actually pretty great compared to some of the turds that appeared in the 3-D space in the late 90’s. But there are a lot of… little things that hold Banjo back in his first adventure. Shooting requires stopping and ducking, which is immediately frustrating when a witch is lobbing fireballs. Switching to Kazooie’s footwork is fun for climbing hills, but it’s another move that requires you stop and swap. And why are we even talking about a bird walking when she can be flying? Banjo’s Kazooie-aided float jump is pretty fun, but actual flight can be a bear. Landing and/or determining your exact location relative to the ground is difficult when you’re anywhere past about six feet off terra firma, and dive-bombing your opponents is nearly impossible to properly aim (and, half the time, you add injury to insult by losing health if you miss). Maybe it’s the familiarity, maybe it’s the focused design, but, somehow, Mario feels effortless to control, while Banjo is stuck in a number of situations where his abilities are lacking thanks to a combination of controls and camera. It should not take any more than a second to power-poop an egg into a hole!

Don't look at meBut judging Banjo-Kazooie as merely a platformer does it a disservice. Yes, Banjo doesn’t control as well as Mario. Mario wins that match every time, against every opponent. But Banjo-Kazooie does beat Mario in its own, chosen field: Banjo-Kazooie is a better collectathon than Mario 64. What’s more, Mario, from Yoshi’s Island to Odyssey, has never beaten Banjo-Kazooie at its own game.

Banjo-Kazooie is every bit the collectathon your parents warned you about (“Stay away from that bad boy, and don’t waste time grabbing everything in a collectathon!”). Every one of the nine worlds in BK contain no less than 100 music notes, 10 jiggies, 5 jinjos (required to obtain one jiggy), 2 honeycombs (health), and any number of silver skulls, eggs, and feathers of all colors. And, like many collectathons, every last bauble and collectible is simultaneously optional and mandatory: you need to nab a certain percentage of everything previously listed, but you don’t need every last item if you stocked up on some in an earlier level. Regardless of required amounts, though, this does mean there is a lot to find in every level, which is always a blessing and a curse. It is fun to find a new jiggy, but it is also a pain when you’ve got nine out of ten and… where did that last one go again? Was I supposed to beat some manner of giant crab, or explore the depths of the ocean? It’s… somewhere around here… Right?

But that is exactly where Banjo-Kazooie excels. By clearly defining the number of essential collectibles for every area, a simple checklist is immediately generated. By limiting the size of levels to something that can be easily traversed in minutes, you’re never stuck in an area that is far too large to explore for that final music note. By transparently outlining “extras” in an area with the assistance of a friendly mole, you always know if there is still a new move or ability to find. And when every world gives you a clear goal and a constrained play area, you wind up not having to sweat the small stuff. Found eight jiggies, have a general idea on the locations of those last two, but haven’t completed their associated challenges yet? Great! Now you can caper around the area at will, and all you have to worry about is eventually returning to those last few pieces of gold. When you know the parameters of every world’s challenges, you can have fun within those borders. No need to obsessively press A next to every nook, cranny, and NPC to hope for the best…

WeeeeeeAnd this is a lesson Mario never seems to learn. Mario 64 vacillated between “you can earn every star immediately” and “you must complete challenge A before moving on to challenge B” from level to level. Mario Sunshine decided to focus on sequential challenges, and wound up making each “world” more of a “level” in the process (and aggravatingly tossed unaccountable blue coins all over the place in the process). The Super Mario Galaxy games focused even further on making “courses” as opposed to “exploration worlds”, and would once again hide a collectible or two around a level, but never a consistent amount. Mario Odyssey finally returned to the exploration of Marios gone by… but every area suddenly contained an unruly number of moons. Would this mundane block randomly grant you a moon? Or do you have to defeat a mighty boss to get the same reward? How about jump roping for thousands of hours? All the collectibles were equal in value, but violently varied in their collection methods. And, since that “final moon” for the level could be found through something as routine as throwing a hat at an unexceptional frog (basically how I spend my Tuesdays anyway), a player without a distinct guide was forced to try every goddamn thing in every world about six times. Hey, sorry to bother you again, but maybe you are the one skeleton dude that will hand over that final moon…

Banjo-Kazooie doesn’t have this problem. Banjo-Kazooie doesn’t have autoscrolling levels, flying shyguys hording red coins, or areas that require six kinds of backtracking. Every one of its nine worlds is very honest about its challenges and collectibles, and, if you’re getting lost, there’s probably a googly-eyed toilet around that will shout some clues at you. There are no situations where you will have to repeat an entire area just for one last jiggy, and (by my count) there is only one possible challenge Nice placethat requires a powerup out of sequence with the rest of the game’s flow (that would be the running shoes in the ice stage, for the curious). Everything else is straightforward to a fault, and you’re every bit as capable of immediately finding everything in the first world as you are at the finale. Banjo-Kazooie is designed in such a way to help a player understand the rhythm of its worlds very quickly, and then, once that is accomplished, gently guide play from one challenge to the next.

Banjo-Kazooie is an expertly planned collectathon that wholly avoids the greatest pitfalls of the genre. That makes it one of the best 3-D platformers ever committed to cartridge. It is, to this day, a smashing success.

FGC #529 Banjo-Kazooie

  • System: N64 to begin, and then it migrated over to the Xbox 360. It’s currently available on Xbox One, too, as part of the Rare Replay collection. This is ideal, as N64 games make my eyes bleed.
  • Number of Players: This is one of the few “Nintendo” N64 games that didn’t at least try to use all four controller ports. So one player here.
  • Reused Game: As I have stated before, I generally do not delete old save files from used games if I can help it. This is because I have brain problems, and treat save files like precious children. So, speaking of children, here’s what the previous owner of my copy of Banjo-Kazooie was up to…

    33 hours, and they didn’t even beat the game. Tell me your secrets, N64 cartridge! Did someone just like running around in circles for hours? That’s perfectly okay! Just tell me what happened!

  • Port-o-Call: Okay, I might insult the graphics of the N64 on a routine basis (I think it goes back to that teenage angst thing mentioned earlier), but the controls of Banjo-Kazooie really were made for the N64 controller, so playing it on the original hardware at least once adds a little context to how the whole “using a gold feather” thing made sense on at least one console. That said, definitely play the Xbox360 version, because at least that unlocks new features for other Banjo-based games.
  • Are you talking about the Stop ‘N’ Swop Eggs and the Ice Key? Yes. Please don’t get me started on Nintendo Power lying to me yet again. I’m still grumbling about Crash Man.
  • This is the worstHey, Mario 64 called, it wants its everything back: There was a lot of discourse in the 90’s that Banjo-Kazooie wholesale ripped off Mario 64. There’s a desert level full of pyramids and flying, a huge castle filled with secrets and portraits, and, perhaps most damning of all, an entire ice level themed around an impossibly large snowman. And, while these are all great points, it’s important to note that Banjo-Kazooie is 100% its own adventure. How can you tell? Well, you don’t see oversized cartoon eyes on Mario 64’s ridiculous eel, do you? Check. Mate.
  • Favorite Level: Tick Tock Woods actually disproves my thesis, as you are repeatedly returning to the same area with slightly different changes, and then have to explore the whole area all over again. It’s like a dry run for Donkey Kong 64! That said, it’s the exception that proves the rule, and I enjoy even the slightest scraps of time travel, so I’m down. Also, it contains the only worthwhile magical transformation in the game, so I’ll take it.
  • Everybody Talks: If I’ve got one complaint about Banjo-Kazooie, it’s that absolutely every damn thing has something to say, and 90% of that dialogue is awful. I don’t need a shark explaining that he is trying to eat me, Rare, he’s a shark. And the whole Gruntilda thing could be fun from a “she’s a scary/gross Halloween witch” perspective, but the entirety of her interactions with the world boil down to “she’s fat”. Over and over again. Same joke. She’s fat, and nobody likes her because she’s fat. And it’s wonderful to see that joke continued into the most recent Banjo adventure…
  • The goggles do nothing: And they insult people for wearing goggles!

    The goggles!

    But I guess it gets better.

    They do nothing!

    Partial credit.

  • Did you know? Diddy Kong and Donkey Kong are not disguised as a basic chimp and guerrilla lurking in the first world. Those are totally different characters, and, if you want Banjo and Diddy to interact, you’re going to have to look elsewhere.
  • Would I play again: Probably! I was impressed by how Banjo-Kazooie fares compared even to its own direct sequels, and I’ll probably give Banjo another go in the future. It’s fun collecting things when a game is designed around placating my OCD, and not just running it into overdrive.

What’s next? Random ROB has chosen… Little Nemo: The Dream Master for the NES! Yes, that’s right, it’s inexplicable bee transformation week here at Gogglebob.com! Please look forward to it!

Bee yourself