Tag Archives: religion

FGC #591 Jay and Silent Bob: Mall Brawl

Gonna be a mall brawlI have put some thought into this, and I have come to a realization:

I am mad that Kevin Smith is happy.

I am, and have always been, a comedy nerd. Back in the dark ages of VHS tape rentals, I would always convince my dad that it was in his best interest to rent the likes of Airplane, Young Frankenstein, and Nation Lampoon’s Any Goddamned Thing. And this worked out well, as my father generally enjoyed comedies as well. After all, he was the man that introduced me to Woody Allen, and I watched the likes of Annie Hall, Love and Death, and Crimes and Misdemeanors well before I understood about 110% of the sex jokes contained therein. But, while I loved all these comedies, I had one complaint: all of this humor was aimed at my dad’s generation. Chevy Chase had never played a Nintendo, and Leslie Nielsen clearly would never have an opinion on Voltron. I could watch a thousand “80’s comedies”, but when would I ever see a comedy that had the voice of an actual 80’s kid?

Enter Kevin Smith and Clerks.

To be absolutely clear, Kevin Smith is, by all definitions, not a contemporary of my generation. He was born nearly fifteen years before this author, and his experiences are firmly those of Generation X. That said? Goddamn did his early film oeuvre capture the feeling of being a teenager in the 90’s. Perhaps something about his directing and writing was universal, or maybe my generation just happened to live at the edge of such things as “malls” and “the Catholic Church” existing, but, whatever the cause, Kevin Smith’s films spoke to me. They were vulgar, often sexist/homophobic, and generally vaguely immature, but there was a truth buried in there that I felt like only my generation would understand. I was not old enough to date someone that had sucked 37 dicks (I mean, as far as I knew), but I was old enough to hang out at the mall, hate on magic eye posters, or have substantial opinions about working at a menial job. And if you want the kind of low-key youthful rebellion that would inevitably be inspired by Kevin Smith’s films, consider the fact that my friends and I watched Dogma around midnight on gigantic screens in the sanctuary of a church. Had the damnedest time finding the remote for that DVD player…

Hey, this is relevantAnd, since we are moderately on the subject, let’s talk about Dogma. Clerks was Kevin Smith’s amazing debut, and it all but defined the mood and attitude of a generation of people that were not even supposed to be here today. Mallrats was a farcical look at the world outside the horrible fate of retail (but still firmly entrenched in that world), and, while still a comedy, Chasing Amy tried its hand at being a little more serious than other Kevin Smith fare (and, I feel it is worth publicly stating: wow, watching that movie in 2021 is a different experience than in 1997). But Dogma? Literally holy crap, Dogma was an experience. It was star-studded! It was hilarious! It was taking huge, obvious swings at “The Church”, Christianity, and religion in general! And these were topics that were generally considered taboo in polite society! Sunday school never made references to crucifixions producing shit monsters, and they certainly never acknowledged how clergy would inevitably try to pimp themselves out with bobbleheads if given the chance. This was revolutionary stuff for my teenage friends and I, and it confirmed something I had always suspected: Kevin Smith was going to be the voice of my generation for our generation. This writer/director is going places, and he is going to go places we never would have ever expected.

And then Kevin Smith’s next movie featured a character named Cocknocker.

A sack full of 'emLet’s take a step back and address Woody Allen. First of all, to be perfectly clear, fuck Woody Allen. This paragraph is likely going to sound like Woody Allen is being lauded, but, to be clear, fuck that guy. However, one can complement the arc of his works from his first movies back in the sixties (and works going back to fifties) to today. He started with generally farcical parodies, gradually moved into what would define the romantic comedy, and then made his way to something more akin to “serious pieces” that happened to have a few jokes sprinkled in. From there, there was a clear period of vaguely defensive “I liked your old, funny movies” bouts of navel-gazing, and then he finally seemed to settle on something more comedic again, albeit usually with a sort of mature (re: old man) edge to the proceedings. And, say what you will about your enjoyment of any of those movies, but it is certainly a way to see a man progress and grow and change with his own media. Woody Allen did not win an award and simply make that same prestigious movie over and over again, he, like all of us, changed, and his output reflected that. And, sure, he did eventually go back to that romantic comedy well an awful lot, but he tried to do something different, and really did produce some films that could have only come from a man that had the life experiences of someone that had been writing comedy for arguably his entire life. Woody Allen has done odious, reprehensible things in his existence, but you can also see how the art changed with the man, and thus, also with a generation.

As I write this, Kevin Smith is currently promoting his latest production: He-Man: Masters of the Universe: Revelation. What’s more, he is promoting it by saying, “Your old toys are exactly where you left ‘em, Kids – and we took really good care of them!” The potential voice of our generation is still speaking for our generation, and he is advocating for nearly forty years of arrested development. Play with your old toys again, children of the three-hour Saturday Morning Advertising Block. Do not think critically of your current situation at all! Enjoy Mer-Man!

This looks familiarAnd, in much the same manner, here is today’s game, Jay and Silent Bob: Mall Brawl. To be clear, Kevin Smith is not directly responsible for JaSB:MB. He definitely approved the project, it is all based on characters he created, and he does technically headline/star in the game, but he did not sit down to program this View Askewniverse-based adventure. That was primarily left to Tomas Guinan and Spoony Bard Productions. But does Jay and Silent Bob: Mall Brawl feel like something that was produced by Kevin Smith? For better or worse, yes, very much so. JaSB:MB is filled to the brim with references to Smith’s most popular works (like Mall Rats, Dogma, and Clerks), as well as significant nods to less fashionable productions like Clerks: The Animated Series and Jay and Silent Bob Strike Back. Or maybe they were his more popular productions with his fans? I cannot say for certain, as I have personally been quoting Plug and Leonardo Leonardo for years. And they both appear in Level 6! Wow! If you are a fan of “those Jay and Silent Bob shows”, you are going to love this trip through the mall.

But if you are not here to see Patrick Swayzee (and his horse, Road House, from that movie he was in), there is not much here for you. This is a beat ‘em up heavily inspired by the likes of River City Ransom… but without the leveling/advancement system that made that title so memorable. Or this is a beat ‘em up heavily inspired by Double Dragon… but without the precise punch/kick system and platforming that made Double Dragon and its sequel NES mainstays. This is a hodgepodge of concepts and characters from other NES beat ‘em ups (Abobo appears as a pretzel!), but ultimately something that never even pretends it is better than its original sources. There is a Turbo Tunnel! Like in Battletoads! But it is shorter and includes far less risks than the game it is referencing (come on, man, you couldn’t figure out how to implement pits into this system?). Same for the faux Mega Man fight against Cocknocker, as that simulates a robot master battle with sound effects and graphics, but not any mega-gameplay that makes that situation fun. About the only thing that really stands out as innovative in JaSB:MB is the battle against Golgothan the Excremental that requires your chosen hero wield a nearby plunger to actually do some damage. This adds an extra, previously unseen bit of strategy to the proceedings, and it would be a fascinating mechanic if the damned boss could not “camp” the one item you need to defeat it. So actually grabbing that weapon-of-choice can be a shitshow if the enemy AI decides to be crap? I know that guy!Wonderful. And that seems to be the game in a nutshell: there are good bones here, but the flesh wrapped around it is powered by about 5% good ideas, and 95% nostalgia.

But what the hell would you expect?

Jay and Silent Bob: Mall Brawl never claimed it was going to be the next Taro-esque commentary on the state of gaming. It was never supposed to be an evolution for the beat ‘em up genre, or the apparently-a-genre-for-the-last-decade 8-bit retro craze. This whole exercise was never going to be anything of the sort. This is a game that was released for Kevin Smith fans, and initially distributed on an actual, playable Nintendo Entertainment System cartridge because Kevin Smith fans are inevitably fans of the NES. This is a game wholly entrenched in its own nostalgia for media that is now old enough to drink, and a writer/director that could be a literal grandpa any day now. This is a “by fans, for fans” affair, and asking it to question its medium or source material is folly. You want to ask greater questions of the universe, you buy a different game. You buy a Jay and Silent Bob game because you want to participate in goofy antics with Jay and Silent Bob.

And you do not watch a Jay and Silent Bob movie for deep thoughts. You watch a Jay and Silent Bob movie because you want to laugh. And you will laugh, because farts are funny.

I also know this guyKevin Smith could have, at one point in his career, pivoted to becoming a “serious” creator. He could have become a serious man in a serious world that has very serious things to say about serious topics. He could have followed the same arc as so many comedians before him, and focused on his deeper thoughts. He did not. He decided to use his filmmaker clout to write comic books where Green Lantern eats out Black Canary, and Batman pisses himself (uh, to be clear, these were two unrelated events). He said his piece on religion, and then went on to create whatever the hell Tusk is supposed to be about. And the thing about all of that? He seems happy about it! He is uncritically producing a movie about a commercial from forty years ago, and he is having a blast doing it! I can barely get through this paragraph without throwing shade at Mattel, but Kevin Smith is right there, happily telling his audience that all their toys are back and better than ever.

And you know what? Good for him! Kevin Smith seems happy. And, unlike other writer/directors, we are not constantly hearing about how he is a horrible person. Maybe we need more people producing a lifetime of “light” entertainment, and significantly less “serious” directors that are currently wanted for various sex crimes. When the biggest scandal to come out of a guy is “those jorts”, we are in a good place. Kevin Smith may not have become the auteur I wanted him to be, but he seems like a good person. And if he produces a funny movie every once in a while, hey, all the better.

The world could use more Kevin Smiths. And the gaming world can have a few Jay and Silent Bob: Mall Brawls, too.

FGC #591 Jay and Silent Bob: Mall Brawl

  • System: Technically, this is a NES game. There’s a cartridge and everything! But the expanded-palette “arcade mode” is also available for the modern usual suspects, like Nintendo Switch and Playstation 4.
  • The fans are upsetNumber of players: Well, it is Jay and Silent Bob, so two players are available. Does the game get more difficult with more buddies? Or are the enemy mobs the same? I don’t know!
  • Favorite Boss: Abobo-as-a-pretzel is super annoying, but he reaches an entire other level when he is joined by some weird little pretzel baby creature. We’re in a crowded elevator, kid, I don’t need you jump kicking me over and over again while I’m trying to punch your dad!
  • A moment for the departed: Clerks: The Animated Series (which is referenced frequently across this game) is easily the funniest single six episodes of any cartoon ever produced. It was also, technically, the first DVD I ever purchased, and the first disc that ever went into my Playstation 2. Sorry, Dead or Alive 2, but I was a little more interested in finding the answer to the immortal question of “why are we walking like this?” Also, mark this one down as another animated series that made reference to South of the Border.

    Put it on the list

    I’m going to start keeping track of this.

  • Let the past be past: Back to the actual game, I could have done without the NES standard of starting every stage from the start after a continue. The fact that Jay and Silent Bob refill health as time passes is helpful, but if you get unexpectedly wrecked by a boss, it is a gigantic pain to have to repeat everything on your way back to another potential loss. And the final stage being a boss rush? Nobody wanted to play that in the first place…
  • An end: If you are curious about the secret identity of the final boss, go ahead and consider that mystery story trope about how the culprit is always the named character that is otherwise mysteriously absent. And, without revealing the shocking conclusion, I can disclose that, yeah, Jay and Silent Bob do make it back home to Quik Stop.
  • Who is Leonardo Leonardo?For the sequel: Theoretically, this game is the “Curse of the Moon” to an eventual, other beat ‘em up titled Jay and Silent Bob: Chronic Blunt Punch. It looks good! It looks like more of the same, actually, but with modern art and conventions. And that’s enough! Trading 8-bit graphics for “goofy” animation should be fun. And we need more fun.
  • Did you know? Dante was supposed to die in the first Clerks movie, but that “alternate ending” was scrapped before the premiere. This is why, in the Devil May Cry franchise, there is often a “Dante must die” mode. Some people just won’t let it go.
  • Would I play again: Probably, but purely as a novelty. This game may have issues, but it doesn’t wear out its welcome, so I could see playing it again with another Kevin Smith fan. Hey, I might not watch Dogma every other day, but I do watch it again every decade or so…

What’s next? Random ROB has chosen… Muse Dash for the Nintendo Switch! Time to run to the music! Or from the music? Something like that! Please look forward to it!

It's the turbo tunnel
This is like some kind of generational trauma, isn’t it?

MKK: D’Vorah

And now it’s time for an autobiographical story no one asked for. I get one per project, and it’s happening now.

Time for some religion

I mentioned before (at the end of a Let’s Play that covered three separate videogames and took nearly two years) that I used to work at a church during my high school years. To be clear, this is likely not what you would immediately picture as “a church”, its form and function was more akin to a Non-Denominational Christian Convention Center. During the summer, there would be a different speaker every week, and, in general, these speakers were people that were nationally known and drew crowds that topped out around 1,300 people. It was, definitively, not your typical church.

Now, a church of that size requires a large staff. Not just for the religious services, but also for “little things” like grounds keeping, custodial services, and even rudimentary office work. And, since this was a church (“church”) that prided itself on helping out the community in uncommon ways, the staff for these tasks was mostly teenagers. There was an adult management group, but the personnel for this whole operation was easily about 80% teenagers mostly originating from the two local high schools. And, since the church dedicatedly paid slightly better than minimum wage, it wasn’t a bad job for someone that might otherwise be stuck working at Jimmy’s All-Nite Chiken ‘n Taters.

Of course, this was still a church, so the majority of kids working there came from one of two circumstances:

1. Their parents thought they were godless, irredeemable sinners, so go get a job at a church, maybe they’ll straighten you out.
2. Their parents were overly zealous, dedicated Christians, and getting a job at a faceless, godless company would ruin their faith forever. How about you work with Men of God at a church?

Now, I want to be clear here that, should anyone reading this be a parent thinking about sending their child to work at a church for either of the above reasons, neither option up there actually works. The “bad kids” pal around with the bad kids, and they network to learn new and exciting ways to deceive their parents so they can get back to doing the drugs and the sexes. And the Flanders children? Well, you really want someone to lose their faith, send them to a dedicated Christian job or Christian University. They’ll thus inevitably see exactly how the sausage of souls is made, and likely lose their faith for a solid month or two while they reconcile how a Cardinal can house an entire bagel tray while people starve outside in the cold.

But, then again, that isn’t how it worked out for Kevin.

Time for some religion

Kevin is someone I still speak to, and he kind of has a public job, so I’m using a pseudonym. I also, now twenty years later, know how Kevin has turned out. He’s a kindergarten teacher. I’m pretty sure he was going to be a kindergarten teacher from the time he was in kindergarten. He has that exact personality, and I don’t know how else to describe it as “he’s Mr. Rogers” (I should have just called him Roger, dammit…). He is nice, caring, and unerringly patient. I’m certain he is always going to be this way, and, ultimately, always has been this way. We need more Kevins in this world.

However, this kind of personality is rather undesirable when you’re a teenager that is working at a church where you’re one of the “dedicated Christian” kids, and you’re dealing with other teenagers that are, ya know, teenagers.

One other thing that went on at this church was the “guest list”. This was still back in the day before cheap (“cheap”) tablets and computers being used for public data entry, so, every week, the “congregation” at this church “signed in” by hand with as much information as they wanted to provide. A lot of people simply wrote their names, but many more people actually listed their full addresses. This church drew people from coast to coast, so there was no small amount of bragging involved if you happened to travel literal days to see one speaker. Additionally, as everyone knew, if you signed in with your address, you’d receive mailings of brochures for upcoming speakers (very important in the time before reliable website schedules), and, of course, the occasional request for donations. As these donations were central to the church, it was the responsibility of the teenage office staff to spend the whole week typing these handwritten addresses into the church’s unwieldy database. This was a gigantic job, and if you want to guess the name of the geek that earned his first official job in tech converting this database into a format that wouldn’t stop functioning as of Y2K, feel free. It starts with “Goggle”.

Time for some religion

Of course, anyone that has dealt with teenagers and hand-written data entry knows that you need more than a few safeguards to confirm the job is actually getting done. For the congregation, there was never any obvious check mark for whether a person was already in the database (aka someone had visited and provided their address before), so it wasn’t unusual to see someone tossing entire reams of paper in the trash without entering a single name “because they’re already in there”. Hell, you could “finish” this job and get back to smoking behind the sanctuary by claiming literally everyone was already in the database. And you’d never know if your dedicated employee was even reading the pages before declaring them done. So, just for giggles, it was determined that the more senior staff would write in “fake” entries. This was something that was already happening thanks to some random funny (“funny”) guests that had visited the church, so it wouldn’t upset the apple cart to throw in a few ringer names. Basically, on a few pages every Sunday, amongst the other names, we’d scribble down “Seymour Butts” or alike, and let that sink into the pile. If someone doing data entry that week mentioned “Ha ha, someone wrote down this funny name” to someone else in the office, you knew they were actually reading these sheets. And, while some “funny names” would inevitably be missed or ignored, you had a pretty good handle on whether or not someone was paying attention if they literally never acknowledged the fake names.

Kevin was frequently on data entry. Kevin, according to available evidence, read all of the names. Kevin usually mentioned the fake names, chuckled, and then moved on. But one day, Kevin read one of my fake names, and absolutely freaked out. It wasn’t intended to be a particularly clever fake “name”, it was simply a thought that crossed my mind while I was trying to think of something creative, and I scribbled it down haphazardly one unexceptional Sunday morning. Most of the staff relied on something vulgar for this exercise, I went for the absurd. Kevin wasn’t a complete babe in the woods, he could deal with general offensiveness, but, in this case, I managed to so squarely hit on a phobia that I apparently traumatized Kevin to his core. He immediately needed to be consoled, and, even though he rationally knew this was a deliberately ridiculous entry, it still disturbed him to the point that, even to this day, I feel bad about shaking him to such a degree. Kevin was and is a good guy, I’m still sorry that this bit of nonsense ruined his day.

That fake “name”?

10,000 Angry Bugs in a Human Costume.

… What? I was in church! It put me in a Hellraiser mood!

Bugs!

So I’m not saying Ed Boon is stealing my ideas from twenty years ago (he certainly stole my quarters from that era), but D’Vorah is 10,000 angry bugs in a human costume. That’s her whole deal. She’s a scary bug lady, and I hope Kevin stays far away from the Mortal Kombat franchise.

If you want further details, D’Vorah is the new generation of Tanya, as she always backs the big bad/loser of the game. She betrays Kotal Kahn for Shinnok in MKX, and she betrays Shao Kahn for Kronika in MK11. Other than that, her significant contribution to the plot is earning one of the best, “real” kill kounts in the MK franchise, as she permanently killed “present” Baraka in MKX and “present” Scorpion in MK11… though both of their past versions are alive (“alive” for Scorpion) in MK11. At least Mileena stayed dead!

But she’s mostly just a professional henchman (woman) that is 10,000 angry bugs in a human costume, so… uh… Sorry for the nightmares, Kevin.

Next time: Kotal’s buddies that don’t have anything to do with childhood trauma.

FGC #489 Breath of Fire 2

BREATH OF DEMONS!Breath of Fire 2 is the story of Ryu, an orphan adventurer who starts out by rescuing a pig from a hungry old man, but eventually graduates to killing god. Pretty typical JRPG stuff. Though there is a bit of a twist on the JRPG formula here: god is bad. Yes, god is usually bad when he’s the final boss worthy of an assault of chainsaws, but, in this case, there is no question as to Deathevan’s intentions. His name is Deathevan, for crying out loud! And his “secret origin” is that he is a deliberate “scar” left by the final boss of Breath of Fire (1), and has no other purpose other than to fester, grow, and eventually wipe out humanity. The whole “god” angle? He’s no more a god than any other JRPG opponent, he simply set himself up as the head of a religion in order to suck up sacrifices. Though perhaps the same could be said of all religions.

So, yes, in the end, Ryu and the gang are putting down a boss monster. The end. They’re not killing god anymore than Cloud, Ashley, or even Mario (give or take Culex). They save the world from a creature lurking in the depths of the underworld, and return to the light of day to find a beautiful, appreciative world waiting for them.

Or… nobody notices they did anything.

They saved the world, but did anyone even notice? Let’s take a look at the world of Breath of Fire 2, and see if there’s a single person on that planet that would have noticed the death of an evil, wannabe god.

The not-so-good churchWe’ll start with the obvious source of all this trouble: Evrai, the holy city of the Church of St. Eva. Evrai is a small town attached to a gigantic, magic-powered church/fortress. It is the base of operations for the whole of the St. Eva religion, and, likely because they’re responsible for recruiting people to worship an evil god, the place is just crawling with monsters. And church services are led by Habaruku, a Lovecraftian squid dude that apparently kills enough people during services that his congregation doesn’t even bat an eye when a tiger person is struck down by unholy lightning. The whole premise of BoF2 is that the St. Eva church has been masquerading as a benevolent organization this whole time… but there sure is a lot of blood splattered around their base.

Or maybe it doesn’t matter anyway, because the party needs a friggen’ magical bird to scale the sheer cliffs that surround Evrai. If nobody is making it back to the home office, it doesn’t matter if the religion is obviously a death cult. That’s been working out for the Republican Party for years, so it would undoubtedly work in a world without videoconferencing.

Oh, and also related: Ryu blew the whole church, city, and presumably every follower in it straight to Infinity when he rescued his dad from a magical eyeball machine, so it’s kind of a moot point. The explosive end of Evrai probably made more of an obvious impact on the world than defeating Deathevan, but it’s not like anyone was going to visit that freshly smoking crater anyway. Package delivery was probably screwed up for a week, but then all of Habaruku’s mail started forwarding to Gate, and business returned to normal.

This guy might be evilAnd if you’re curious how anyone ever even gets to Evrai, there’s Bando Church, which supposedly takes the most dedicated believers to their grand home. The only issue? Bando Church is actually led by a skeleton demon that zombifies his followers, and then sends them out into the wild to be slain by adventurers hoping to gain a few zenny for herbs. Naturally, Ryu takes care of this issue through unrelenting dragon blizzards, and the one place on the planet that was offering direct flights to Evrai is also left abandoned. So, just to be clear, long before he discovered the secret truth of Deathevan, Ryu really did a number on church infrastructure.

But let’s stop focusing on the malevolent Church of St. Evan. The whole point is that they A. are evil as hell, and B. they’re infiltrating otherwise “good” towns and growing their followers. Ryu was inevitably going to wipe their bases off the face of the Earth (or… uh… “Earth”), so let’s look at some population centers Ryu didn’t completely obliterate.

I don't buy itWe may as well start at the beginning, so HomeTown is first up. This is the adopted hometown of Ryu and Bow (oh, I just got that), and it’s a surprisingly affluent area for a pair of street urchins. The only two rich guys on the planet live here, and HomeTown is also home to the only school, magic or otherwise, anyone will ever see in Breath of Fire 2. There’s a church, too, but it is by no means the center of the city. It’s slightly left of the center. But HomeTown’s biggest problem is the same as Gotham’s: the local Joker Gang is menacing random townsfolk, and it winds up being Ryu’s responsibility to stop their attempted kidnapping. He does so through some light genocide, and HomeTown returns to a peaceful life, give or take one of the two rich dudes turning out to be a greed demon. But it’s not like the townsfolk care about such a thing. The wealthy always have strange hobbies.

The director of HRThough if we’re talking about strange hobbies, we may as well hit Coursair. Coursair is home to a coliseum (and, depending on your transliteration, the whole place is just plain called “Coliseum”), and it’s a town that lives for bloodshed. Violent battles are held here as often as the plot demands, and gigantic lumberjacks can roughhouse with catgirls to their heart’s content. And it’s all a secret front for that evil church to get people to pray. Or… something? Look, there isn’t a clear connection between “church that publicly is all about peace and love” and “thunderdome”, but somehow it all works out for Deathevan and Augus, the local two-headed wolf monster. Ryu defeats Augus, but it’s not like anyone knew there was deception afoot. The coliseum isn’t even closed for renovations after Augus’ defeat, so Coursair is going to be business as usual before and after Ryu’s adventure. At least Katt has a job to fall back on.

Dammit, momBut Coursair is where Ryu finds his horse-friend, Rand. And Rand’s hometown is FarmTown. FarmTown is interesting, as it is one of the few places that does not worship the Dragon God (good!) or St. Eva (bad!), but St. Namanda, an earth god. Daisy, Rand’s mother, appears to be the mayor (or… something?) of this town of horse folk (not centaurs. Never centaurs), and there is much concern about messengers from St. Eva attempting to get a foothold in FarmTown. Do they succeed? Well, they successfully forge Daisy’s signature (and kidnap the poor woman just for funsies), but that winds up being the inciting incident for Rand and Ryu invading Evrai and blowing the whole organization sky high. Dangerous blunder! In the end, Daisy winds up dead anyway, and it’s unclear why that wasn’t just everybody’s first move. I’m not saying murder is always the answer in real estate dealings, but when you’re running a death cult, it sure does seem like a viable option. Regardless, thanks to a shakeup-by-swordpoint in St. Eva management, FarmTown’s church never gets built, and the residents probably just went ahead and anointed Rand as Daisy’s successor, anyway. Back to plowing the fields, Shell Clan, the rest of the world needs you to drop turnip prices.

Thanks, RayAnd speaking of places where the church has meddled (and everyone got over it), Capitan seems to be home to one of the few actually successful St. Eva operations. This tiny village has a well full of monsters (mostly of the face-hugging variety, which never ends well), and Ryu assists Ray Bradoc, a priest of St. Eva, in saving the town. And that’s pretty great! Ray has magical powers that are generally divine in nature (even if they originate from a slightly different god), and his helpfulness and heroism is clear for all the townsfolk to see. He’s a good guy! St. Eva must be full of good guys! And if he wasn’t literally the only good guy to ever be associated with St. Eva, he might trick our good guys, too. Unfortunately, Capitan doesn’t seem to have any particularly exciting plans for Capitan: they’ve already got a church, and there are, like, nine people living in town, so building another church just seems gauche. Maybe there was some blank that was to be filled in later on this plan before the “profit” step, but it sure seems like all we’ve got here is a well full of dead monsters. One way or another, that’s not going to put a crimp in the average villager’s day. Well… until they die of the magical equivalent of lead poisoning, at least.

Nothing going on hereAnd speaking of terrible plans, it seems like the bad church has a number of bizarre irons in the fire. Is the traveling circus sowing discord by showing children turtles? Is Whale Cape’s titular whale frozen in rock so the local children can keep selling disgusting cakes? Does Guntz, home to the Iron Ogre Clan, not have anything to do with anything, so why even bother? St. Eva has one clear goal: gain more followers. How is trapping a grass man in a cage or threatening some dolphins going to help achieve that? Who knows, but it does mean there are a number of places on the planet that don’t even know they were ever being menaced, left alone that Ryu saved them from an evil god.

CroakBut maybe we’re not thinking big enough! We need to look at the real players in this world! We need to look at the kingdoms! Like SimaFort, a castle full of frog people living in the middle of a moat. What resources do they have? They’ve got a lot of cockroaches, worms, and flies! Is their national army powerful? No, they’re mostly just fun-loving, artistically oriented amphibians who would rather host a cooking contest. Is there absolutely anything of value in SimaFort? Well, there’s supposed to be a magically powerful sword in the basement, but, like SimaFort’s own Prince Jean, it’s very likely to make you croak. Regardless of having absolutely no strategic merit, Kuwadora attempts to infiltrate and conquer SimaFort through guile and trickery on behalf of St. Eva. Ryu defeats the fake prince via swords/vomit, and life in SimaFort continues on as normal, complete with Prince Jean wandering off again. At least the local battle princess feels better about the situation.

MONKEY FIGHT!And speaking of princesses, distant Highfort is being menaced by another usurper, Shupkay. This demon is taking a much more direct route, and has earned her position of leadership through leading the Highlander Tribe (monkeys, not immortals) as a general in many wars that you think you would see some evidence of somewhere else in the world. Maybe this is why the whole continent is a wasteland? Regardless, Shupkay threatens to take over Highfort through word and deed, and attempts to gain control of Highfort’s lost technology (I’m sensing a pattern here). This time, Shupkay is thwarted by party member Sten, who fakes his own death along the way because he missed two mortgage payments while he was out adventuring. It was the only way. Oh, and there isn’t a church or clergy to be found within Highfort, so no monkey is going to miss that meddling god.

Toot tootYou know what? Screw these Johnny come lately kingdoms, let’s look at the big boys that have been around since Breath of Fire 1. Now here are some locations where a Ryu made a difference! Like Tunlan! Back in Breath of Fire 1, Tunlan’s matriarch fell in love with the evil emperor, and the party had to commit a daring robbery to save a kingdom from the poor decisions of its own ruler. Surely, BoF2 offers a scenario that is just as thrilling and… Oh. Uh… apparently Deathevan made the queen fat. And I guess there’s a multipart quest that involves finding a weird old man, mushroom medicine, and eventually shrinking down and fighting Fatties hiding within the queen’s bloodstream. Huh. Apparently cellulite is the proper punishment for not giving the evil church enough advertising in your kingdom. “Cursed to be fat” sure is a moral everyone loves to see…

Fly awayBut Windia! There’s an old standby! And the Princess of Windia isn’t weighing down your sidequests, she’s an active member of the party! And there’s this whole, ancient prophecy about a princess being born with black wings, and how that will destroy the kingdom! And the king has been poisoned by the church, and he only gets better during the finale, after sealing Deathevan! So chalk this one up to a win for the party! Everyone in Windia is going to notice that the king is better!

Except… the party kind of turned the other princess of Windia into an unintelligent, giant bird in the quest to stop Deathevan. And, thanks to that prophecy, Nina was hidden from the public from a young age. So all the population knows is that their former future ruler is mysteriously missing and presumed bird-brained. And it’s not like anything was done to avert or satisfy that prophecy about Nina destroying the kingdom, so she can’t very well pop up in the public eye now. “I’m your princess! Don’t mind the death wings!” It’s not gonna fly. So, the king might be feeling better, but Windia has got bigger fish to fry when Nina flies home on her massive, avian sister.

And… that’s everybody, right? The whole of the world, and, at best, some towns maybe notice that the local church isn’t getting as much mail as it used to. God is dead, Ryu killed him, and life goes on. Maybe that’s the real moral of Breath of Fire 2: your chosen deity might be good or evil, but what really matters is what people do in their lives. Ryu changes the world not through slaying a mysterious spirit hiding at the center of the planet, but by changing the lives of people globally for the better. God can live or die, but as long as people keep making the world better, there will be good in the world. We don’t need change any more dramatic than that.

Oh, except in Gate, where Ryu smashed an entire flying town into another town in an effort to seal Deathevan forever. Those people probably noticed something had changed.

FGC #489 Breath of Fire 2

  • Tony the tiger!System: Super Nintendo, then Gameboy Advance, and now available on the Nintendo Switch. There was probably a Wii version somewhere in there, too.
  • Number of players: Ryu and his six or seven companions can only be controlled by one player.
  • Favorite Character: When I was first playing this game on the cusp of adolescence, I preferred Katt, as she was a woman that notably did not ever wear pants. However, as an adult, I prefer Rand, the big, reliable horse-man who can roll around the world map without random encounters. Any person or thing that can stop random encounters in this game is a godsend.
  • Maybe actually talk about the game for a second: This was one of my absolute favorite JRPGs as a kid, but it is rough to play as an adult. The encounters happen roughly every three seconds, and it’s nearly impossible to get a sense of “place” in some of the larger dungeons as a result. The final dungeon is a nightmare, and I’m not certain I’ve ever determined the exact dimensions of the closing area as a result. That said, BoF2 oozes personality, and, somehow, you know everything you ever need to know about characters like Bow or Spar from like three dialogue boxes. In an alternate universe where BoF2 was a runaway success, people are still taking online quizzes telling them “which BoF2 character are you”.
  • Goggle Bob Fact: I want to say I got this game for Christmas at the same time my dad received the Queen’s Greatest Hits 2-CD set. As a result, while I can dimly recall any BoF2 musical track, what really plays in my head when seeing any screen from this game is likely Bohemian Rhapsody or Fat Bottomed Girls. I have no complaints about this issue.
  • Flowers for this jerkFeeling Bleu: Bleu/Deis, an immortal sorceress that recurs over the Breath of Fire franchise, is a hidden character available for your party. This is the only BoF where she appears but can be completely missed, and I’m still considering how I feel about that. On one hand, it is really easy to miss her “secret town” and then the additional unlock condition of scooting over to an area you’re unlikely to revisit again. On the other hand, it’s the kind of “secret” that, once you know the trick, you will literally never forget what to do (which is something that cannot, for instance, be said of the “true ending” conditions for Persona 4). So… I guess it works? Still, I would like to see more active Bleuing in any given Breath of Fire.
  • Favorite Shaman Combination: Jean the frog can upgrade from slimy little loser to handsome frog prince of destruction thanks to the combination of the Holy and Water shamans. He’s… still not all that useful, but he can randomly kill literally everybody in a strike if he feels like it. Not bad, toady, not bad.
  • The Sad Tale of Patty: Ryu’s sister is lost at the top of the game, and apparently grows into the “bat-winged” thief that the party spends like half the game tracking. There’s a really interesting parallel story there… and BoF2 never follows up on any of it in any way. This is the biggest reason I’d like to see a “Breath of Fire 2 Remake”, because, dammit, I want to know more about what happened to Yui. She could have been the destined child, too, guys!
  • I know him!Further Sad Tales: This is the only videogame I’m aware of where you can unknowingly, accidentally kill your own father. That’s usually slightly more telegraphed.
  • Did you know? Eichichi is the technologically savvy ogre woman that is essential to getting your flying town off the ground. Unfortunately, like another Capcom heroine, her whole name is a breasts-pun, and her original dialogue involves questioning her about her “dimensions”. And her full name (available during the credits) is “A Titi Efcup”. Capcom horny, Michael.
  • Would I play again: Definitely, but with cheats. Game Genie has a “turn off random encounters” code, and I want to say that would make the game about 90% more enjoyable. And I still have to try that “real” translation patch…

What’s next? Random ROB has chosen… Dig Dug for the Atari 2600! I was just saying I wanted to try Dig Dug again, and here we are. Thanks, ROB! Please look forward to it!

Big problems
2020 state of the USA in a nutshell…

FGC #367 Mega Man X8

Mega Man!Here lies the Mega Man X series. Forever may it rest.

Let’s get one thing out of the way immediately: Mega Man X is one of my favorite games. Mega Man X2 and X3 are both great experiences, too, as, while they’re not as great as OG X, they both contain that same (exactly the same) enjoyable X gameplay. Then we get into X4 and X5, which introduced Zero as a (permanently) playable character. The jury is still out on whether or not this improved the series, but, for my money, there is nothing more joyous than double jumping around with a lightsaber and dicing mavericks to maver-bits. Then, starting with X6, the series tried to be experimental. And by “experimental” I mean “completely horrible”. If the stories are true, Inafune stopped formally directing the X series with X5 (so he could move on to the Zero series), and X6 was left in hands that were… slightly less capable. X6 may not have been the disaster some have claimed (it is an extremely unpolished mess, but it is still “X gameplay” at the end of the day), but then we got X7.

I’m probably never going to forgive Mega Man X7.

I’ll save the majority of this rant for when ROB inevitably pegs that Playstation 2 title, but, long story short, Mega Man X7 tried to do the “bring old franchise to the modern era” trick… but failed miserably. 3-D action areas were broken and slow, and the beloved gameplay of the SNES/PSX titles was forsaken for Flame Hyenard announcing his intention to “burn”. It was a rotten experience all around, and, while the drive to innovate is always appreciated, it certainly did not work out in this situation.

But, aside from the crummy gameplay, Mega Man X7 introduced another fine addition to the X canon: it firmly planted X’s head so far up his own ass, he could lick the inside of his own reploid ribcage. Only the buster on his arm knows for sure why, but the Mega Man X series always had a sort of maudlin sentimentality to the storytelling. It was mostly confined to the endings during the first three titles, but X4-X6 managed to wedge in conversations with Mavericks that often involved robots lamenting their sorry lots in life shortly before shooting homing fish at each other. Pew PewX7 ratcheted that up a notch or two with a tale of betrayal, refugees, and Sigma that was, fun fact, the exact same plot as Mega Man X4. X7 managed to expand the talky talk of the X series, but still told the exact same story as ever.

The next logical step was clear: an endlessly philosophizing JRPG called Mega Man X: Command Mission. Wait! No! That’s a terrible idea! Please keep the franchise going! We like action games! Please give us a new Mega Man X game, and please let it be an actual goddamn Mega Man game! Please?

Well, we mostly got our wish.

Mega Man X8 should be lauded for a number of reasons. First of all, it was a return to (almost entirely) 2-D gameplay, so 90% of X7’s inane bullshit went right out the window. Additionally, X8 did its best to add an interesting facet to the series, so it allowed for character switching “in battle”, and based a number of scenarios, like escaping a grasping opponent or teaming up for a double attack, on the convention of having two combatants available. X got some curious armor, Zero scored a menagerie of weapons, and Axl’s “morph into a mook” ability got expanded to something actually viable. Couple this with some stimulating secrets, one of the better uses of “money” in the franchise, and your typical eight mavericks ready for a beat down, and Mega Man X8 is a pretty good game to actually play. Assuming you can forgive the vehicle sections and a few areas that are entirely instant death traps, X8 is an enjoyable experience.

But then there’s the story. It’s not that the story is bad (which it certainly is), it’s not that the story is somehow at war with its own continuity (thanks, Zero series!), and it’s not even that the story pukes all over the very concept of even basic science (Earth does not need a space elevator!); no, the greatest sin of the plot of Mega Man X8 is that is tries to be Mega Man Genesis Evangelion without the tiniest hint of irony or self-awareness. The subtitle is “Paradise Lost”. The first stage is Noah’s Park. The final battles are against Sigma as a fiery devil, followed by a fallen angel with beautiful wings. X whines about having to murder his fellow robots while battling the thinnest allegory for the Light Bringer in the history of gaming. Someone thought it was a good idea for Mega Man X, the robot built by Santa Claus to bring about world peace with his flamethrower arm, to play out some Bible fanfic while incidentally battling Isn't that a song?Bamboo Pandamonium, the nihilistic panda robot with swords for fingers. This is a thing that happened, and it absolutely could not have happened by accident. Someone… probably multiple people… thought this was the proper direction for a series featuring a robot that is occasionally named after granite.

And… it killed the X series.

There are likely a number of reasons Mega Man X8 was the final chapter. At this point, it was becoming more and more complicated to create realistic and cartoony graphics, and the general population wasn’t a fan of the latter appearing in practically anything. The man behind the Mega had already moved on to a new series, and the new home of 2-D gaming, the booming portable market, would wind up hosting a number of different Mega experiments (see ZX, Powered Up, and the X-based Maverick Hunter releases). And, hey, the original Mega Man series had stopped at 8 at this point, too, so maybe that’s just the cutoff for Capcom properties (sorry to be the one to tell you this, Resident Evil). The fact that Mega Man X8 had sagging sales compared to other Capcom properties may have been a factor. But, all told, it’s terribly unlikely that anyone looked at the plot of this bonkers adventure, acknowledge said bonkinality, and decided it was time for a break. But should we have received a Mega Man X9 on PS2, I have no doubt it would have continued the story of Axl, the lamest Maverick Hunter in the world, and maybe involved a parable about the sacrifice of Christ or something.

So I have to say this right now: Capcom, if you considering rebooting or reigniting the Mega Man X franchise, please, please ignore every X game since… let’s say… Mega Man X.

Please.

All together nowLook, you don’t have to throw the baby out with the bathwater. Zero is a lock for inclusion, and even Axl could be pretty interesting with his Bass-esque abilities. Include armor parts, weapon upgrades, and maybe even a chip system. That could all be pretty great. But please ignore the entirety of Mega Man X continuity. Please let X just be moderately conflicted, and don’t make him fight gods. Let him run, jump, and explore, but don’t let him in the same room as anything called “The Jakob Project”. X, Zero, Dr. Wily, Sigma: that is all okay. Fighting angels is not.

Mega Man X8 is where the X series died. Let it be dead, and pray that its next resurrection is decidedly less holy.

FGC #367 Mega Man X8

  • System: Playstation 2, and PC a year or so later. Let’s hope the PC version fixed that glitch where the robot ant becomes accidentally trapped in his own box.
  • Number of players: Two hunters at a time, but only one player.
  • She's my buddyBest Reward for OCD: I normally disparage collectathon elements, but the reward for playing this game an unnecessarily long time is unlocking the three navigator lady reploids as playable characters. They’re just reskins of the main cast that are randomly weaker… which is not sending the best message… but they’re also the first you’ve been able to play as anyone with a rep-gina in the X series (give or take the JRPG). And Layer with Sigma’s humongous sword is a beast, so I will hear no detractors.
  • Favorite Maverick: Gravity Antonion is an excuse for flipping stage orientation in a 2-D game, so he gets my vote. He’s also one of the few insect-based mavericks that is any fun at parties. Uh… don’t ask.
  • Did you know? Dark Mantis‘ Pitch Black stage is located in Africa. Darkest Africa. Are you getting Capcom’s clever/racist joke!?
  • Would I play again: I guess there’s an X collection on the horizon, so it’s kind of inevitable. Not looking forward to reclaiming all my hard-earned powerups from scratch again, nor do I want to hear X shout “Lumine” ever again, but, hey, sacrifices must be made.

What’s next? Random ROB has chosen… Street Fighter 4 for whatever system I can find! Hooray! Street Fighting times for the last article of the year! Please look forward to it!

So much purple