Due to the subject matter today, some items may be NSFW. Barring some terrible graphics, we’re sorta aiming for PG-13 screenshots here, but, given everyone has a different threshold, anything potentially offensive will be behind the “Read More” links du jour. Just so you are aware…
Is a game with a horrible message also capable of relaying a wonderful moral?
Today’s title is Gun Gun Pixies. If ever there was a game that fit the criteria for Wankery Week, it was GGP. That criteria? Well…
It stars a cast of exclusively teenage-ish, skinny, large-breasted women
Every character literally cannot even speak without their chest excessively jiggling
Every character has lovingly rendered panties, and you better believe you’ll be seeing them often
Speaking of which, it is a videogame where health points are displayed by clothes tearing
Your playable character cannot even so much as duck without presenting a view that would be appropriate for a rectal exam
And just to throw a random fetish in there, thanks to scale, if you are into “giant” women, your kink is going to be satisfied a hundredfold
And if you are curious about that last item, it segues flawlessly into the general gameplay of Gun Gun Pixies (editor’s note: it would be a flawless segue if it wasn’t noted as such, dumbass). Gun Gun Pixies is a game where you play as one of two alien “pixies” that run around girls’ dorms and shoot those dorm residents with magic bullets. There is one enemy type (a “living computer virus” that takes the form of a squid that occasionally ducks to look [more] like a dick in a condom), but, other than that, your entire job is to scamper around, “investigate” dorm rooms (press A where something is glowing) and participate in something akin to a 3-D bullet hell involving extremely short skirts and literal panty shots. (…. No, it’s not Nier Automata, that is a completely different situation.) And, yes, you are pixie sized, so all the NPC women are comparatively giants. And if there happens to be a “boss battle” where one of these giant women is pole-dancing, then go ahead and have fun with that.
And speaking of fun, to be absolutely clear, do not mistake Gun Gun Pixies for a videogame that is, ya know, good. If you are here for varied gameplay, you’re pawing at the wrong panties. There are a whole three “rooms” in this dorm, so you have seen 66% of the level layouts before the tutorial is over. These same locales are recycled over and over again, and, seemingly in an effort to prolong the average mission, you have to “investigate” the same stupid things over and over in an extremely specific order, lest you waste your time attempting to speedrun your way to the obvious goal. Look, GGP, you tell me a new character is hiding in this room, and I’m supposed to find her? I’m going to investigate the closet immediately. It is literally the only place a legally-adult sized woman would be able to fit! But, nooooo, I have to click on all the tangential “clues” around the room in a weirdly specific order in order to eventually gain the right to let someone out of the closet. And don’t even get me started on some of the more “actiony” levels! I can only kill so many copy/pasted squids before I want to quit and head out for some calamari.
But Gun Gun Pixies ties its single player content to a story mode. And that story? It is actually good…
Oh, also fanboymaster has an apology for any Family Matters enthusiasts in the audience.
Also, between updates, I ventured around some of the older dungeons to find their hidden, stronger monsters. It was 95% backtracking, and roughly 4% interesting content (the other 1% was a pair of cactuar I’m genuinely sad wasn’t on the stream), so you didn’t miss anything. The final result is that there are a lot more ignored mirages sitting in my monster box. The only relevant one seems to be the Phoenix that has joined my party, so that prompts a conversation about the upcoming Final Fantasy 16.
10:00 – Technically this update is starting from the very tail end of the previous chapter. We beat the first boss of that prior chapter (Tiamat! And a bull!) while fanboymaster describes Babel II.
21:00 – Finally done with the second boss, Kraken and eyeball, so now the new chapter officially begins. Feel free to log how little gameplay is actually in this chapter.
26:00 – A boss fight against Not-Garland, who will not-knock us all down. And, inexplicably, we all have stories about Squall’s Griever.
33:00 – Here is formally where all hell breaks loose in the World of Final Fantasy plot. This, naturally, prompts some discussion on Kingdom Hearts versus World of Final Fantasy. Did WoFF establish its characters enough to support this swerve? Did Kingdom Hearts?
38:33 – Can you identify this silhouette?
Tidus stops it from being officially summoned into this world, but if you recognized our guest villain, here’s your congratulatory image:
45:00 – Final Fantasy 8 is discussed while the heroes regroup and review exactly how they all started to hang out. If you needed some backstory on why Lightning suddenly knows Cloud, here you go.
48:00 – Technically gameplay resumes for the first time since…. What, 26:00? This is reminding me of another Let’s Play… Meanwhile, we unanimously agree we would like to go to the moon.
58:00 – Unfortunately, gameplay doesn’t last long. Hauyn and Tama both host cutscenes that are simultaneously long and not every informative.
1:01:00 – Towards the end here, just letting BEAT know that I did fulfill that request. This chapter putters out after more discussion over what the hell is happening. If you need more information on that…
What actually happened in the plot: After defeating a fiend or four, the twins open a crazy big door (not the Ultima Gate, that’s coming up), and defeat Brandelis, King of Bahamutian Army, in an area that looks like Heaven. The Masked Woman that appeared last chapter says to open the Ultima Gate, which inspires some weird flashbacks in the kids. Masked Woman unmasks, and turns out to be the twins’ (kinda adopted) sister Hauyn (aka Wyn). No, she wasn’t established in the plot previously, but just roll with it. The twins, trusting in Wyn, open the gate, and they free from a magical box… Wyn? Another Wyn? “Masked” Wyn turns out to have been Knight in the Golden Mask the whole time, and it was always the villainous generals (including the obviously not defeated Brandelis) leading the heroes to open the gate.
So all of “heaven” is revealed to be an evil arena (or something), and the four summoners that had been kidnapped (Rydia, Eiko, Yuna, Terra) are being tortured to hold the gate open. The bad guys are identified as the Order of the Circle (also never mentioned before). The Order of the Circle were apparently conquering the world for (sacrificial) giggles, and their true goal was summoning the Cogna, machine creatures from another dimension. And they’ve succeeded, as Cogna stream through the gate to invade the world. Looks like they are cyber-izing the planet, and resistance is futile. The Champions (FF heroes) rescue the summoners, though, shutting the gate. The villains escape, and the world is overrun with Cogna that already made it through. The heroes make it out thanks to Quistis in an airship, and they swing by Balamb Garden, which flies in the sky in this world. It is assumed that the Cogna were released so the generals could conquer the world (more?), and Reynn is afraid they accidentally released the bad guys when they were collecting the keys. Which they kinda did. Go back and check, there were ominous cutscenes and everything.
Mascot Creature Tama is freaking out about the whole thing, but the twins talk him down. Tama elaborates on the Exnine Knights maybe being The Order of the Circle, and, whatever, they’re bad. Maybe Enna Kros, the “god lady” tried to make this happen by setting the adventure in motion? Wyn seems to blame the twins for something, but literally states she will not help (or explain a damn thing) while the twins have their selective amnesia. Rorrik, the twins’ dad, is mentioned by Wyn for the first time, though. Wyn has a magic dagger, Siren the Summon, and a will to save the twins’ parents, so she’s going to peace out and save the world herself. And then we get an airship.
Chapter 21-1: Chapters of the Chosen Initial Stream: 10/27/20
1:36 – Yes, we are playing this game on the 5 year anniversary of the international release. Can we talk about Final Fantasy 10-2, though? Let’s do that. It seems to be influencing my chapter titling, at least.
5:00 – We’ve got choices! There are five separate stories that all have to be sorted. Starting in Besaid, we fight Einhänder. Yes, that Einhänder. I apparently, impossibly kill it with a Blitzball in one hit during the ensuing minigame. This was not the result of cheating or raw skill, it was just pure, unfiltered luck.
14:00 – The Lute of Ragnarok is some manner of giant laser sword. This is the most helpful/apocalyptic Final Fantasy 1 reference I’ve ever seen. If you haven’t figured it out, this section of the game is a series of disparate minigames. Lightning has to play something like a rhythm game (minus the rhythm).
24:00 – Callback to BEAT’s favorite Cactuar Battle becomes a super random minigame. I looked up more information on this minigame afterwards, and, yep, it’s just totally random. Let’s talk about developing games for various Playstations while we punch a precious cactuar.
34:00 – Talking about some manner of Vee-ta game system opposite Edgar flirting with Terra. Then it’s time for battleship.
43:00 – Rosella understands this minigame a lot better than I do, and here’s where we start working together to finally conquer it while BEAT and fanboymaster play other games out of boredom. This officially makes Rosella the most useful person that has ever been on the stream. She might not provide 70,000 references to Adult Swim, but her assistance in conquering robots is invaluable.
49:30 – And our reward is a simple battle. What the heck, World of Final Fantasy?
What actually happened in the plot: Serafie, our fairy friend, finds “gossip” all over the world. Apparently the cogna are attacking everywhere at once, so the twins go to The Girl Who Forgot Her Name, who exists outside time, so they can help the Final Fantasy characters simultaneously. The Five Cogna Lords are attacking five distinct locations/hero squads. Shantotto, Yuna, and Tidus defend Besaid against Einhänder. With the help of a blitzball, they succeed, and Shantotto captures Einhänder for study. Warrior of Light, Princess Saria, and Eiko defend Corneria while Lightning recruits Ramuh to help in fighting Omega Weapon. Cid, Celes, and Squall fight Phantom Train and War Machine thanks to assistance from Cactuar Conductor (whom Reynn finally got to punch). Edgar, Vivi, Shelke, and Terra defend Figaro against wheelers.
Chapter 21-2: Cogna Line Initial Stream: 10/27/20
00:00 – Picking up exactly where the last one left off, time to kill robots and insult Picross.
7:30 – fanboymaster again makes his feelings on Final Fantasy 6 known (see other streams for more information), and Wheels obliterates the chat in retaliation. Sorry, Wheels.
11:00 – We’ve completed the five cogna fights… and BEAT rages into his own death. Sorry! He’s dead now.
13:00 – We can advance the plot now, but since BEAT is dead, we’re going to just futz around with some optional content. Let’s see the airship content. It’s… basically just a few monsters hiding around the map. We can’t even land this airship anywhere!
20:00 – Rosella tells an amazing story about virtual reality, virtual skeevers, and actual dogs. All I’m doing is fighting dumb monsters.
30:00 – Despite the fact that other streamers need food badly, we try a few optional scenario things. Let’s check in on Chocobo times. Chocolatte and Bartz team up!
34:00 – Gigglemesh.
That is all.
36:00 – People have been kidnapped, chocobos have been kidnapped, let’s close this out with a mecha chocobo.
What actually happened in the plot: Tifa, Cloud, and Rydia fight Supraltima Weapon, which has absurd HP. After all five Cogna Lord locations have been saved, Quistis found the bad guys at the end of the chains connected to various towns. We need to hit a conquered town’s church to advance. Elsewhen: Bartz and Chocolatte save chocobos from black chocobos and robot chocobos. It was pleasant.
Next time on World of Final Fantasy: We need an intervention or twenty.
Gravity Rush is a game that is… a might confused about its intentions.
Gravity Rush is only available on Playstation Vita (currently owned by six people) and the Playstation 4 (currently only owned by jerks), so I’ll forgive you if you haven’t played it. In short, the gameplay of Gravity Rush is based on the magical skills of Kat and her cat (oh, I just got that), Dusty. Kat has the ability to twist the horizon to her will, so she can, at any given moment, “rotate” gravity so she can run up walls, across sewer ceilings, or just haplessly “fall up”. It’s a simple, easy to control mechanic, and it’s a testament to the designers that an entire city and all the “stages” contained therein work so well with Kat able to spider-crawl all over the city.
Oh, also, it’s fun as hell.
There has always been an unusual amount of debate over “sandbox games” (aka GTA clones) and whether or not it’s even possible to make a modern, city-based sandbox game and still be a good guy. Grand Theft Auto (3) set the standard with its rotating cast of psychopaths, and the likes of Saint’s Row refined the concept with superpowers and aliens (aliens make everything better), but even in games where you’re a “good guy”, you still kind of come off as less Robocop and more Judge Dredd (hi, Crackdown!). And, while it’s always fun to watch someone attempt to play GTA while obeying every traffic signal and only stealing cars when absolutely legally appropriate (huh?), nearly all of those games are based around “the fun is in the mayhem”. Heck, I’d argue that the absolute worst parts of any of those franchises are when you’re forced to follow the rules, and maybe not launch your date into the stratosphere just because she’s taking too damn long to get in the car.
Gravity Rush has a very GTA-esque setup with its four main “districts” that comprise one giant city, but you’re a law abiding citizen. And, while you can damage property, kick pedestrians, or “accidentally” gravity-hurl soldiers into the next zip code, there are no rewards for doing so. There’s no penalty, either, so you’re not going to summon a tank because you’re causing too much mischief. It’s just you, Kat, and some gems to collect that are mysteriously hanging upside down off that Space Needle-wannabe. The only “things to do” around town are complete missions, collect gems from weird places, and maybe try to discover a secret or two hidden around the nooks and crannies of the city. That’s it. No stand-offs with the police. No vehicle theft. There isn’t even a single weapon available beyond Kat’s own limbs (and maybe tossing a trash can around). This should get old fast.
Yet, I could “gravity rush” over this city for days.
It’s difficult to even try to put into words, but there is a simple joy in running all over Hekseville. And I do mean “running all over”, as I’m pretty sure I left Kat’s footprints on every last surface in town. From way down in the depths to the tippy top of that clock tower, Kat gets around. And there’s no penalty for being… shall we say… careless. Kat does not experience fall damage, and, presumably because her spine is made of some manner of jelly substance, there’s never a single complaint even when the gravity gauge inopportunely runs out while our heroine is a mile up. You even are safely deposited back on terra firma if you manage to fall off the edge of the world. This is essential to the game, because, if there were a penalty for “improper” gravity rushing, then you might carefully conserve those gravity powers and not, ya know, have fun with it. With very few penalties for falling (okay, it might be a pain to get back to where you were if you plummet particularly badly), you’re always encouraged to gravity rush around, and, yes, it’s a rush.
It’s just a shame the rest of the game doesn’t quite understand that.
There are two sides to Gravity Rush: the exploration and the combat. This is pretty normal for a video game, because I could describe, say, Super Metroid in exactly the same manner. You’re using a different skill set when you’re getting to Ridley than when you’re fighting Ridley, and, while there is some overlap, they’re very different experiences. Gravity Rush is no different, and, while the exploration of Gravity Rush is new and exciting, the combat is rote and, frankly, archaic. You’ve got a basic melee attack, a dodge roll, a jump kick, and a dash attack. Hm, we’re barely a step above Final Fight here. But you have gravity powers! And you can use ‘em to hover high in the sky, and then deliver a devastating dive kick. And… that’s about it. You have a few other gravity powers, but they’re all extremely limited by a sort of “magic meter” that will refill just in time for the battle to be over. So you’re stuck dive-kicking over and over again, which is fun for like five seconds, but if I wanted to play a game that was dive kicking all the time, I’d just play some dive kick based game like, I don’t know, Street Fighter.
Oh, and did I mention that there are a number of flying and “tall” monsters that absolutely require all dive kick, all the time? Yeah, it gets old.
And, unfortunately, Gravity Rush’s combat leaves such a sour taste in my mouth that I made this chart describing my time playing the main campaign:
It wouldn’t even be so bad if there wasn’t so much of an emphasis on bosses and monster mobs. Or if the bosses/monsters worked as intended, like, at all! I can’t tell you how many times I attempted a dive kick on some random monster, and somehow rammed into their underside, or some random bump on their model, or something, and, whoops, no, Kat is just hovering there doing zero damage for no reason now. There’s even a special “drill kick” homing attack that is really powerful… but half the time I used it I got stuck on a tree or a wing or whatever, and the attack petered out to nothing. That’s always fun! Let’s make the worst parts of this game take even longer!
And it’s a damn shame, because replaying the city “free” bits for this article, I was reminded just how overwhelmingly fun this game can be. Like a good Metroid or Mario game, there’s joy just in playing around, not necessarily working toward the next goal, but shooting around this enormous playground and enjoying your time in this world. And then there are the missions that, overwhelmingly, suck. Or, even if they don’t completely suck, they at least drag down the fun to a monotonous level. And that’s no fun at all.
So, hey, people that made Gravity Rush? You made an amazing, innovative game here… How about you let me play that?
FGC #247 Gravity Rush
System: Playstation Vita and Playstation 4. The PS4 version contains all the additional Vita DLC, for the record.
Number of players: It’s Kat against the world. Or with the world. Depends on the day.
Port-o-Call: I own this game for both systems (yes, I’m a jerk), and, frankly, I don’t think I could go back to the Vita version. Everything feels so… cramped. This game kind of needs the widescreen, movie-theatre treatment, because, seriously, when you’re shifting the horizon, it should be life-sized.
Favorite city division: Who decided to put the red light district next to the largest school in the city? A genius, that’s who!
Aesthetics Corner: Is there an art book for this game? There should be, because, damn, I could look at Gravity Rush art for at least 200 pages or so. That said, whether it’s deliberate or not, I feel like the first area of this game is its ugliest, which provides a poor first impression. Or maybe I just don’t like yellows…
Cats always land on their feet: Oh. Just got that, too.
Did you know? This game was the brainchild of Keiichiro Toyama, previously best known for Silent Hill. However, according to interviews, he had the idea for Gravity Rush well before the creation of Silent Hill, and it was partially inspired by the comics of Moebius. If you’re unfamiliar with anything in this bullet point, please check out the output of both of these men immediately.
Would I play again: I would play the “completed save” again, but I’m not so sure about the actual game-game. I’m even looking sideways at those side missions…
What’s next? Random ROB has chosen… Cruis’n USA for the N64! Let’s see the sights at 90 MPH! Please look forward to it!