Tag Archives: vita

FGC #446 Odin Sphere (Leifthrasir)

Good catWhy bother with yet another beat ‘em up? Why bother with Odin Sphere?

Odin Sphere is, at its core, a beat ‘em up game. Yes, it is the unusual 2-D beat ‘em up, and, yes, it has many “RPG elements” that separate it from the typical beat ‘em up title, but it is still “only” a beat ‘em up. You move from screen to screen, defeat some enemies, and then break a few crates for items before eventually reaching the boss. Basic mooks are continually recycled between areas, the areas themselves are limited, and even bosses are fought multiple times in multiple configurations. Odin Sphere is a beat ‘em up, and, even though it is gorgeous (or maybe because it is gorgeous), it is still fairly limited. It seems like there are five hours of unique gameplay in this twenty hour game.

So why bother? This isn’t an arcade beat ‘em up that includes fun times with friends, and, while some of the “JRPG elements” are interesting, you can’t hang an entire game on shoving sentient turnips into flasks. While Odin Sphere is damn pretty to look at, graphics are not everything (or at least I’ve been told that by every lying gamer I’ve ever encountered). There’s good beat ‘em up nonsense available here, but hitting any other title that is over in about a quarter of the time seems like a better choice.

Except other beat ‘em ups don’t feature Velvet.

Odin Sphere might be a simple beat ‘em up with repetitive monsters and locations, but it contains a very engrossing story. This is not to say it is a unique story! Most of the heroes and heroines of Odin Sphere are basic operatic archetypes, and God help me if I have to deal with one more character that has daddy issues and must go on an adventure to find their own place in the world. “What is this emotion called… love?” asks the entire speaking cast of Odin Sphere. And Oswald is clearly just Darth Vader minus the fatherhood angle, which leaves us with… Darth… Nothing? But! Despite all of this, the walking clichés of Odin Sphere are a collection of surprisingly memorable lads and lassies, likely because their proclivity for Shakespearean soliloquies grants us a rare look into these protagonists’ minds (also: fun Shakespearean tropes like “I can only be killed by a tree” “Well my middle name is ‘Tree’” “Oh fiddlesticks”). Aren’t we all tired of silent protagonists? Give us more adventurers with deep-rooted psychological issues.

And the leader of the pack for these nerds is obviously…

VELVET!

Velvet Valentine. I mean, look at that idle pose! She’s got more personality just standing there glaring at a rabbit than most characters earn over the course of a 40 hour adventure.

Get 'em!

But it’s not just about classy poses, she also possesses a ridiculous whip chain weapon (that incidentally absorbs the souls of the dead). And everyone knows that in videogames (unlike in our mundane, crappy world) whips are the most powerful weapons on whatever passes for Earth du jour (Erion?). Whips have range, power, and, if you’re good, the power to command fire (Belmonts have known this one simple trick for centuries). Yes, there’s that whole bondage connotation, but who cares about that when…

Spider-Man!

Whips allow you to become Spider-Man! Who cares about anything when you can be Spider-Man? Actually, given Velvet has experience as a dancer, she’s more Spider-Gwen… and maybe that’s even better? I mean, there are a lot of Spider-Mans running around out there, but Ghost Spider is pretty unique. And, like Velvet, she has a cool costume, too.

But it’s not all sunshine and roses for Velvet…

This sucks for everybody

Velvet comes from circumstances. Velvet and her twin brother were abused by their grandfather, a man who also killed their mother in a fit of rage. Apparently Grandpappy King Valentine would arbitrarily whip his grandchildren, and force his granddaughter to dance for him for reasons that can only be maximum skeevy.

Bro!

This created an unfortunate situation wherein Velvet’s brother grew up to be a duplicitous jerk/three-headed dog monster (although Pappy Odin kind of added to those issues, too), and Velvet herself eventually became an adult with an understandable level of PTSD. And, considering Velvet is also stuck in a magical universe where anything can happen, she lived in fear of her abusive grandfather returning from the grave. When he inevitably does that and kicks off a (surprisingly successful) plan to destroy the world, suffice it to say, Velvet is not having a fun time.

Samus!

But she’s having a fun time when she’s flipping around like Samus Aran. Hey, that bounty hunter had problems with authority and dead parents, too! Samus and Velvet should hang out and play with their grappling beams together!

Such a dreamboat

And it’s not only jumping skills that will make Velvet’s life better. She has the love of a loyal prince, Cornelius, who, despite being cursed about ten seconds after his introduction, is a true Prince Charming. He fights for his country, his people, and, most importantly, Velvet. And he didn’t even need a magical sword to defend his love against his vaguely patricidal father. That’s a man worth keeping, Velvet! I can count on one hand the number of people I know that would fight a sewer dragon for their lover.

Bunny!

Oh, and she really likes rabbits, too. Rabbits, in many cases, are better than a doting boyfriend. If only there were some way to combine the two…

Now, is anything about Velvet here all that revolutionary? Nope! I compared her to three other fictional characters in the span of a few hundred words, so it’s pretty clear Velvet isn’t the most original character (that you should not steal). But she’s… fun. All these traits seem to alchemize into a perfectly golden heroine, and wanting to see what becomes of the wannabe Romani is a fine reason to fight the same stupid five bosses all over again.

Why do we play some videogames? Maybe it’s just a matter of having the right character.

FGC #446 Odin Sphere (Leifthrasir)

  • KISS MESystem: The original Odin Sphere appeared on Playstation 2, but then we saw a rerelease on Playstation 3, Playstation 4, and Vita eight years later, presumably because of phat piles of Dragon’s Crown cash.
  • What’s the difference? The new and improved Odin Sphere Leifthrasir contains a number of quality of life improvements, new skills, and the occasional area where you can jump around like an idiot for no reason. But it barely offers any new story content or “levels”, so only seek out the remake if you have eyeballs that enjoy gorgeous graphics carried along a HDMI cable.
  • Number of players: One Valkyrie at a time, please.
  • What’s in a name? The titular Odin Sphere is likely a reference to Odin’s gigantic spikey-ball thingy. Or it could be a reference to the circular arenas featured in every battle stage. Or some kind of upgrade on Wagner’s “cycle” of music dramas. Or it just bloody sounds cool. I didn’t make this game!
  • Other naming issues: Wagner the Dragon has a name that is pronounced like “Vagner”. Oswald the Unlucky Rabbit gets the proper American/English soft pronunciation of his W. I’m not one to fiddle with accents and articulation, but try to be a little more consistent, Japanese-created magical Norse creatures.
  • Favorite Character: Go ahead and take a guess.
  • An End: I very much appreciate that the final boss gauntlet initially appears as a “choose your favorite fighter” situation, but is actually deeply tied to the lore of the piece, and asks the player if they’ve been paying attention to the various prophecies floating around. However, I am not a big fan of the fact that these five (mostly) original bosses were all herded into the final moments. We could have used original content elsewhere, guys!
  • Did you know? Sheep grow on trees.
  • Would I play again: Maybe we could see this one on the Switch? The grindiness seems like something that would be ideal for a kinda portable system… but then again the same could be said of nearly every modern beat ‘em up. That’s it! Go ahead and put every beat ‘em up on the Switch! It’s the only way to be sure!

What’s next? Random ROB has chosen… We ❤ Katamari for the Playstation 2! That one is sure to roll up a lot of fun. Please look forward to it!

This sucks for everyone involved

FGC #445 Dengeki Bunko: Fighting Climax

Anime!Dengeki Bunko: Fighting Climax is anime fighter: the animest. While so many anime fighters out there are just about a random bunch of yokels that Arc System Works sneezed into existence after passing a particularly allergenic cat-girl, Dengeki Bunko: Fighting Climax mixes a healthy number of established anime characters from across manga and television series. It makes for a very Marvel vs. Capcom-esque experience, right down to the fact that certain characters seems to employ “continual cosplay” as their main fighting style (actually, maybe it’s more like Pocket Fighter). But regardless of the gameplay, if you watch a lot of anime, this is where you can see your favorite protagonists fight it out.

And, hey, I watch a lot of anime!

But do I… remember my anime?

I’ve said it before, but I watch anime like many people watch “trash TV”. Okay, yeah, come to think of it, a lot of anime is trash. And I eat up that trash like some kind of ravenous trash panda. I watch anime to relax (and maybe play some games while I’m at it), but does any of it make an impact? Well, one way to find out is to review the characters in this game, and see if I remember a damn thing about their origin franchises. That should prove, once and for all, whether I consume anime in a manner that sustains my appetite, or if it’s all just empty calories.

Mikoto Misaka of A Certain Magical Index/A Certain Scientific Railgun

BOOMWho is this, officially: Mikoto is a student in Academy City, a place filled with… let’s just call ‘em mutants. Mikoto is one of the strongest mutants, and possesses magnetic superpowers that allow her to shoot off a common coin like a railgun bullet.

What do I remember of this series: We are starting here because I have vivid memories of this complete franchise. It is, essentially, The X-Men for a time when The X-Men has kind of sucked for a solid decade or so (do I mean in comics? Movies? Games? How about all of the above?). And, bonus, A Certain Scientific Railgun has a predominantly female cast that offers a little more variety in plots and relationships than “Wolverine and Cyclops are fighting over Jean again”. Unfortunately, Railgun was also the spin-off of another series, and spent a solid season literally going through the exact story as its progenitor series. That killed any momentum I ever had with the show, so I don’t know if it continued past that extremely ill-advised waste of my time. I remember when I have been wronged by an anime! I will never forgive you, seventeen Bleach filler arcs! Melancholy? You’re next!

Anyway, aside from the stock “predatory lesbian that will not stop pursuing her crush that is also her roommate and that gets damn creepy, damn fast” character, A Certain Scientific Railgun left a generally good impression, and seeing Mikoto on the boxart for this title is likely the reason I purchased this game in the first place.

Rentarō Satomia of Black Bullet, Shizuo Heiwajima of Durarara!!, and Yukina Himeragia of Strike the Blood

Okay, I know I didn’t watch these shows, so I’m totally skipping them. I thought Strike the Blood might be that anime where a woman with a sword fights vampires, but I was totally thinking of something else. Next!

Kirito & Asuna of Sword Art Online

It's a fight over foodWho is this, officially: Kirito and Asuna are two ordinary humans that become trapped in a virtual reality MMORPG. Despite people screaming “log off!” at their respective houses, both are stuck in the game for years until they complete an annoyingly complicated dungeon. They also both lovers, and hooked up in the game world thanks to a mutual love of swordplay and log cabins.

What do I remember of this series: First of all, this is the wretched hive of villainy that seemed to popularize the anime conceit of “modern man in strange world” (concept invented by the venerable mangaka Mark Twain). And I can see why it worked out so well: Sword Art Online is interesting at the beginning! The whole conceit of being “stuck” in this MMORPG world is fascinating and explored with a focus on the characters and their growth from extreme disbelief to adapting to this exciting new existence (that incidentally revolves around a lot of questions about the meaning of life and the mystery of death). And then, in a shocking twist, Kirito wins the game, sees everyone released, and must now live a life on the outside, “real” world after years in a magical fantasy universe. That could be an equally interesting adventure! But we’ll never know, because the plot gets bored with that notion after an episode, and the main cast dives into the next MMORPG, because the princess gets kidnapped by an evil dragon. Or something.

It’s stupid. It’s really stupid.

There’s a second season and a complete spin-off series revolving around the sword’s modern cousin, the gun. It’s all extremely stupid. I’m pretty sure the franchise just exists to sell sexy statues at this point.

Oh, speaking of which…

Kirino Kosaka of Oreimo

Little annoying sisterWho is this, officially: Kirino appears for all the world like a smart, athletic, overachieving 8th grader. But she has a secret! She’s obsessed with “cute little sister”-based visual novels of the wink wink, nudge nudge fare, and is a giant otaku nerd as a result. And the greatest irony? She is a “cute little sister”, and her older brother barely wants anything to do with her.

What do I remember from this series: I hate everything that happens here. I could write an entire essay on exactly why this franchise is possibly the worst thing to ever happen to fiction. It is wrong on so many levels, from a moral to a storytelling perspective. I’m moderately certain this anime killed my cat. Long story short: what starts as an actually worthwhile homosexual allegory then jackknifes into a random high school dating comedy, and then somehow mutates into the most insidious of harem animes. It all ends when the brother decides to marry his sister.

The whole wretched thing left an impression, and that impression is that this whole “human culture” thing was a mistake. Maybe dolphins can be responsible for fiction for the next millennium.

Kuroyukihime of Accel World

Dances with fairiesWho is this, officially: Kuroyukihime is the student council president and all around overachiever. She is also a leader of a MMORPG faction in Accel World. And she has an incredibly convoluted backstory involving getting mad at her sister/videogames. What’s important is that she is super-strong in her MMORPG world, and she looks like a magical faerie.

What do I remember from this series: This is where things start to get fuzzy. I know I watched an entire season of this nonsense, but… what was going on? I guess there was some kind of virtual reality MMORPG, and your avatar was based on your rank, so the hero was a wee piggy? And Kuro loved little piggy boy, because he was really good at nibbling on scraps or something? And… that’s all I got. I could not name a single other character from this series. One was named “Lime Bell”? Yeah, maybe my brain is in better shape than I thought. It is protecting me from useless information…

Miyuki Shiba of The Irregular at Magic High School

Sheeb!Who is this, officially: Magic is real! And you can go to high school to learn it! Miyuki is head of the class (I’m seeing a pattern here), but Tatsuya, her brother, is not very adept. Regardless, they both have to hide their hated ancestry, and, I don’t know, they probably learn about life and love along the way.

What do I remember from this series: I can’t rightly remember if I ever watched this one. And, to be clear, this isn’t like “oh maybe”, it’s just that I am reading a description of this series right now, and it could be describing seventeen different animes I can recall off the top of my head. This isn’t the one with the kiss-swapping, and I know it’s not the one with the one girl who turns into a baby when she gets upset. Magic school is… ugh… can we just leave this genre behind? It’s not even like Harry Potter did it all that well. “School, but with magic!” still winds up with the same tropes, just maybe someone turns into a cat at some point. This one only adds brother f$^*ing to the mix, and we already had that in Boy Meets World.

Shana of Shakugan no Shana

fieryWho is this, officially: So, there’s a parallel universe filled with people and creatures that fight all the time, and they’re basically vampires, but different. One of these fighters, Shana, pops into our universe, befriends a well-meaning boy, and she leads a semi-regular life while also occasionally flipping into superhero mode to battle other rejects from her dimension. She also has the coolest hair, ever.

What do I remember from this series: It was basically Buffy the Vampire Slayer: Anime Edition for a solid two seasons, and then the third season got all sad and angry and all about how much life sucks when you fight. Or maybe I’m thinking of something else. I don’t know! My lasting impression of Shakugan no Shana is that I liked it for a hot minute, but the finale left such a bad taste in my mouth that I didn’t want to see it ever again. I think someone had amnesia? That’s never a good thing.

Tomoka Minato of Ro-Kyu-Bu!

Who is this, officially: It’s a sports anime! And that sport is basketball! Tomoka is a class president or overachiever or something, and…

LOOK AWAY

AHHHHHH!

What do I remember from this series:

LOOK AWAY

AAAAAAAAAAAAAAHHHHHHH!

Taiga Aisakaa of Toradora!

RoarWho is this, officially: Oh, finally. We’re back to a basic, slice-of-life anime. Taiga is a short, high school girl who is publically regarded as a menace because she has an equally short temper. She befriends a boy that is publically regarded as a menace because he has permanent angry eyes. Together, they fight crime navigate the complicated halls of high school, and wind up involved in a love polyhedron that is completely incidental to the continual gags poking at the very concept of a love polyhedron.

What do I remember from this series: I liked it! … And I can’t remember much more than that. And you know what? That’s okay! I consume anime as comfort food, and I don’t need to remember who had sex with whose sister. What’s important is that I enjoyed the show itself, and I don’t have to sit down and write a thousand word essay about what was important in its themes before moving on to update the wiki from now until dawn.

You can forget about the plot to an anime, but never forget that it is okay to simply find something enjoyable, but forgettable. Not everything has to be analyzed. Not everything has to be poked and prodded until it cries for mercy.

Anywho, tune in next week for a couple thousand words on the topic of a random Playstation 2 game from a decade ago!

FGC #445 Dengeki Bunko: Fighting Climax

  • System: Playstation 3 and Vita. This was released around the time that everything got a PS4 version, too, but that never materialized.
  • Number of players: It’s a fighting game, so eleventy billion.
  • BounceyOther Fighters: This is a Sega title, so there are a couple of guests that originate from videogames that are just really similar to animes. Akira of Virtua Fighter looks a lot more interesting here than in his originating franchise, but he’s still duller than a doorknob from the whitest part of town. There’s also Selvaria Bles of Valkyria Chronicles. She’s possibly the most annoyed character in the whole roster, likely because someone decided to glue a pair of overinflated balloons to her chest.
  • Other cameos: All of the backgrounds are based on Sega franchises/stages. This means that, against all odds, we’ve got Green Hill Zone in a game that doesn’t even involve Sonic. It’s escaped containment!
  • Turbo Edition: There’s also a revised version of DB:FC for the arcades that has not seen consoles yet. It contains a few more characters… and one is Ako of And You Thought There is Never a Girl Online?. You do not want me talking about that series. I have opinions on gender politics of MMORPGs that could go on for days!
  • Story time? The plot is that Good (as represented as a cute anime girl) and Evil (a blocky eyeball) are fighting, and Good has selected “your” fighter as the last stand against Evil. This is significant, as this choose-your-own-adventure outright states that every other fighter and world has fallen, save your chosen one. Couple this with the backgrounds involved, and it’s pretty clear that Evil killed not only all anime, but also Sonic the Hedgehog. Bold, but understandable, move!
  • Did you know? There’s a background based on 7th Dragon 2020.
    Roar!

    I’m excited anytime someone mentions dragons in multiples of seven.
  • Would I play again: Maybe? It’s a fun, if a little dumb, fighting game. I like seeing these characters, and it’s entertaining to look at in a general sense. Basically, it’s enjoyable, if a bit forgettable. So I’ll play it again if I ever happen to think of it again.

What’s Next? Random ROB has chosen… Odin Sphere! That’s a big ball o’ god right there! Please look forward to it!

FGC #440 Persona 3: Dancing in Moonlight & Persona 5: Dancing in Starlight

EVERYBODY DANCE NOWLet’s talk about stones, and how much blood you can get out of them.

It all started back on the Super Famicom with Shin Megami Tensei. The SMT series was, at its core, a JRPG about playing Pokémon while the forces of Order and Chaos battled for the very soul of humanity. It was philosophical. It was deep. It was banned in the West, because Satan may or may not have made an appearance. And it kicked off an entire franchise of titles based on the simple dichotomy of order and chaos and a general need for humanity to steer penis monsters riding chariots. SMT wound up a success for Atlus, which spawned a number of sequels and spin-offs, the most popular (eventually) being Jack Bros. Persona.

The Persona series started as, essentially, a slightly less apocalyptic version of SMT. Yes, there are demons, angels, and the occasional Hitler running around, but they’re all operating on the fringes of society, and not outwardly participating in the end of the world. It was basically the Harry Potter to Shin Megami Tensei’s Lord of the Rings. Many of the SMT trappings were still all over the titles, though, and no one was going to mistake Persona for an entirely independent franchise. Then we hit Persona 3, and things started to… mutate.

Persona 3 features demons, monsters, and a particularly homicidal version of Jungian psychology. It is also Day Planner: The Game. Persona 3 has frequently been referred to as “Japanese high school simulator”, but, even more than that, it is a game about balancing your (avatar’s) life. Do you go out tonight (and fight monsters), or do you stay home and study for that test tomorrow? Are you going to spend the afternoon hanging out with your girlfriend, or your best friend? The nerds dance, tooAnd would you like to spend time with the kindly old couple that is obsessed with a tree (?), or is it time to while away the afternoon playing a MMORPG where your homeroom teacher is inexplicably hitting on you? Decisions, decisions! Persona 3 isn’t only about choosing your battle tactics, it’s also about choosing your friends, afternoon plans, and how you combine trading cards into demons that may or may not summon the apocalypse.

Persona 3 wound up becoming a pretty noteworthy hit. While there are a number of potential reasons for the success of the title, one significant factor is likely that you, the all-important player, so fully inhabit the life of this protagonist. In making practically every decision for this “hero” for one year of game life and about seventy hours of real life, it is rather inevitable that an audience would grow overly attached to their individually curated protagonist. And what happens the moment the main character is separated from the player? (Spoilers for a thirteen year old game incoming!) He dies! The protag literally cannot live without you!

The death of Persona 3’s hero is substantial for a number of reasons. The most obvious, of course, is how Persona 3 is all about death. Death, dealing with death, and the broad knowledge that one day you too will die are all general themes that pop up again and again in this title where you can also summon Thor to cast a lightning spell. But beyond that, there is the simple explanation that this is a focused, self-contained story that starts when a strange boy enters a strange city, and ends after that man has made meaningful relationships with people that will live on after his adventure and life have concluded. Persona 3, whether by thematic or simple writing convenience, is meant to be a wholly contained, limited story about the significant, last year of a teenager’s life. Persona 3 is not a story that is meant to go beyond its own borders. Persona 3 is a deliberately claustrophobic tale that is enhanced by its own limits.

And then, naturally, we had Persona 4. And it was a success. So we saw Persona 4 Super. And Persona 4: The Fighting Game. And Persona 4: The Fighting Game Turbo. And Persona 4: The Animation. And Persona 4: The Rhythm Game. By about the time we got to Persona 4: The Rogue-Like, a certain pattern had emerged: the enormously successful Persona 4 was, perhaps from its inception, built to be less a self-contained story, and more a franchise unto itself.

And then Persona 5 finally emerged. Persona 5’s fame may have peaked with this…

It's a whole new game

But we are also talking about a protagonist that practically launched alongside his own canon fursona…

Sonic Heeeeeroes

So it is pretty safe to say that Persona 5 was designed with a slightly different goal than the title that “started” the (most profitable version of the) franchise. Shin Megami Tensei gave way to SMT: Persona that gave way to a series that was simply known as Persona, and now it appears that individual Persona titles are attempting to be franchises unto themselves. Please look forward to Persona 5: The Shoot ‘Em Up.

And here’s Persona 5: The Rhythm Game right next to its simultaneous release of Persona 3: The Rhythm Game.

And, honestly? These twins seem to prove that both titles are equally lacking in meat on their respective bones.

SO BLUELet’s cover the good first: the soundtracks of both Persona 3 and Persona 5 are amazing, and an entire game based on their respective OSTs is incontrovertibly a good thing. Any excuse to listen to some of the iconic tracks from either series is a welcome pretext to press buttons along to the beat, and we’ve got an excellent GUI on our hands here, too. Some rhythm games can get a little confusing with their various “press this now” prompts, but there is no such screen muddling here. And you’re not expected to free-style for extra points, either. The game portion of Persona 3: Dancing in Moonlight and Persona 5: Dancing in Starlight is excellent, and a fine way to re-experience one of the best parts of both “origin” titles.

But it couldn’t just be a simple rhythm game. No, the Persona series seems to demand that every spin-off be somehow “canon”, so there is a full introductory scene that explains exactly why the casts of both games now must dance. It’s all a dream! Orchestrated by dueling sisters! There are no consequences for losing! There are no consequences for anything! But we’ll be damned if we let one Persona title pass without a novel’s worth of words that amount to absolutely nothing. It’s not nearly as egregious as Persona 4: Dancing All Night’s story mode (which, reminder, was an entire visual novel’s worth of dialogue and twists and turns that only amounted to “believe in yourself”), but, if you want to play the full game (and why wouldn’t you want the full experience available to you?), you must participate in “social link”-esque dialogues with various party members. Ever wanted to learn exactly what Mitsuru thinks about dancing? No? Well, too bad! It’s the only way to complete this escapade!

But the twin release of dance parties for Persona 3 and Persona 5 conveys a very telling tale: both supporting casts are boring as hell.

VIDEO TIMEOkay, that might be a bit harsh. And, frankly, it even feels wrong. In the case of Persona 3, I finished the title, and immediately wanted to dive back into a New Game+ just to revisit all my old friends at Magical Dungeon High School. Similarly, Persona 5 had an unforgettable cast to the point that its fans could talk for hours about how some characters are violently underserved by their forced interactions with other (likely misogynistic) characters. In both cases, it seems like there’s a reason people would want to see the entire cast pop up again in new spin-off titles… or at least hang around in the background of a Smash stage. I liked Futaba! I could deal with more of her!

But the writing for this rhythm game (that may or may not simply be a way to further capitalize on an unforgettable soundtrack) truly underserves these casts. They are left as simple caricatures of themselves, and certain characters blend together across titles into one indistinguishable blob of archetypes (Ryuji and Junpei are the same guy, apparently). What’s the difference between the cold, calculating, but ultimately caring woman on Persona 3’s team and the cold, calculating, but ultimately caring woman on Persona 5’s team? Ostensibly, not much!

The worst teamAnd this seems significant, as the cast of Persona 3 was only really meant for one (albeit long) adventure, while it is obvious that Persona 5 meant for its Phantom Thieves to go on and steal the show in other franchises and Persona byproducts. Joker is going to stop by Sonic World and the Mushroom Kingdom, but is he any more developed than Jack Frost? Persona 5: Dancing in Starlight seems to indicate that he’s not. He’s just as remarkable as the other cypher that didn’t even survive his maiden adventure.

In the end, the support conversations of P5: Dancing with the Stars and P3: Dancing with the Doomed -the entire plot of both “adventures”- prove one thing: there isn’t much difference between Persona casts. And, considering one gang was meant for bigger and better things, that is rather demoralizing. Persona 5 was built to be the Big Mac to Persona 3’s Dollar Menu cheeseburger, but, once you’ve got your order, it turns out they’re both little more than a chicken nugget.

Just remember this moral when we hit Persona 5: Shin Arena Diving Space Tractor 2 Turbo. The Persona 5 well is already feeling a might dry…

FGC #440 Persona 3: Dancing in Moonlight & Persona 5: Dancing in Starlight

  • System: Playstation 4 and… Playstation Vita? Really? Are you… sure?
  • Number of players: I’ll be dancing with myself.
  • Two Games? Let’s face it: the separation of these games into two different versions is a pretty obvious cash-grab. Persona fans are suckers, and pretty much every brand manager involved is well aware that those losers were always going to buy Persona: Dancing Red and Persona: Dancing Blue. And they’ll buy the special edition, too, because it comes with a plushie or something. And that plushie is still sitting on my desk as I type this. Damn fans.
  • The best teamYou’re complaining about the plot of a rhythm game? It’s not about the plot per se, it’s about that someone had the idea to make this a cool “hang out” game featuring both casts… and the “hanging out” seems less fun and more like a job required to earn a new hat. If I’m interpreting having a conversation with Ann as a boring slog now, I can’t imagine what’s going to happen in another seven spin-offs.
  • Favorite Track: Rivers in the Desert is severely underappreciated. Then again, Persona 5 has an amazing soundtrack all on its own, so there is some steep competition.
  • Sexual Dimorphism is a Scourge: Most of the songs are accompanied by random characters bopping around to the rhythm, but two tracks per cast are dedicated music videos featuring either the boys or the girls. In general, one is kind of goofy and silly, and the other is sexy and sultry, complete with costumes and swimsuits. Want to guess which gender gets assigned to sexy times?
  • Did you know? There’s probably a universe where someone decided to model all the social links for dancing, but Dr. Tae Takemi still refuses to get out of her chair.
  • Would I play again: This (these?) title holds up as a great rhythm game, so I’m probably going to revisit some tracks in the near future. Unfortunately, I’m never going to touch the “plot” ever again. I have better things to do. And these Phantom Thieves should, too…

What’s next? Random ROB has chosen… Startropics 2: Zoda’s Revenge! Oh no! Zoda is gonna get his revenge! Please look forward to it!

Yuck
This is just… awkward.

FGC #418 Bloodstained: Curse of the Moon

Blood!Bloodstained: Curse of the Moon is the rare game that is so good, it makes old games better.

Full disclosure: I have a complicated relationship with the early Castlevania titles. To elaborate, I am referring specifically to any Castlevania game that was released prior to Castlevania: Symphony of the Night (which I now realize that, thanks to the unstoppable march of time, is approximately twelve billion years old). But back before Alucard ever earned his first crissaegrim, there was the Belmont clan, and its unyielding pursuit of the death of the undead. And… I kinda didn’t like those Castlevania games? Maybe?

It’s complicated. Castlevania 2: Simon’s Quest was one of my first NES games (and, thus, one of my first videogames, period), and, as anyone that has ever banged their head against Deborah Cliff will tell you, it is a deeply confusing and difficult game. Luckily, I had an older neighbor (he was, like, twelve!) who shared tips and tricks on how to traverse the Wallachian countryside, and Castlevania 2 was less “impossible” and more “inordinately difficult”. I could send Dracula back to his grave! It… just took a password that unlocked all the items (and maybe I still died a thousand times). Oh, and I would totally glitch out that one jump in the graveyard area. What does it matter if Simon drowns? He’ll be better in no time.

Whip it good!But Castlevania 3? Now there was a game. It was another of my precious few “original” Nintendo games, and an air-mailed Christmas gift from my grandparents (who had fled to warmer climes for the holiday season). As a game I could immediately identify as both “advanced” (look at those amazing graphics!) and “clever” (four playable characters! That’s as many as a full gang of Ninja Turtles!), I was fairly convinced I enjoyed Castlevania 3. After all, I played Castlevania 3 so many times, I had all but mastered such advanced techniques as Grant’s wall hugging and Alucard’s surprisingly weak fireblasts. I was a Castlevania master!

And I think I only ever made it to level… four.

Yes, I could plug in “Help Me” and use that password everyone ripped out of Nintendo Power to skip straight to the good Count, but did I ever legitimately beat back Death with my NES Advantage? Never. Did I ever even approach the Doppelganger? Nope. And, as I can very vividly recall, that room with the falling blocks was the absolute end of many a playthrough. If Alucard ran out of hearts to bat his way up that chamber, I was just done. Don’t have time for this nonsense!

Which… was kind of the point. I continued to purchase and/or rent classic Castlevania titles (Bloodlines comes immediately to mind as my most rented Genesis title), and I unequivocally enjoyed that franchise… but it wasn’t Mega Man. It wasn’t Mario. In fact, Mario might have been the biggest reason I could never truly enjoy a Castlevania game. Even if I couldn’t put it into words at the time, I still had some thought in my head regarding that whole “joy of movement” theory. Mario was unmistakably fun to control. Simon Belmont? Not so much. His movements were restricted. He had a terrible jump, limited offensive options, and didn’t gain magical invincibility that killed every zombie in his path even once. And the average lifespan of a Belmont? Not very long when you consider how easily a single decapitated medusa could shove that entire clan into one of a thousand bottomless pits.

In short? It sucked to be a Belmont. And who wants to play a game where you have to suck?

Magic!Unfortunately, in the time since the Castlevania “classic” series reigned supreme, I have become a cranky old man. As such, I rarely have time nowadays for games that I do not immediately enjoy. Many JRPGs have fallen by the wayside simply because I cannot deal with another tutorial dungeon explaining how fire beats ice. Perfectly competent platformers have gone ignored because I bounced off the main character’s art style. And I’m not afraid to admit that I dropped at least one “game of the year” just because the hero’s initial movement speed was “too exhausting”. Suffice to say, I was not exactly expecting to dive into an “old school” Castlevania with the same gusto that a more grilled cheese-based Wee Goggle Bob was once capable of mustering.

But Bloodstained: Curse of the Moon was more than a little surprising.

First of all (he said, 700 or so words in), Bloodstained: CotM is just plain fun. It is aping Castlevania 3 like a monkey mimicking an orangutan, and it hews so closely to the “original”, it’s almost a surprise that Miriam can’t stick to walls. You start with the base, limited protagonist with slow, but functional, movements, move on to someone a little weaker, but with greater agility and range, pick up a squishy wizard with extremely convenient spells, and finally gain some brooding dork that craps fireballs and occasionally morphs into a bat. Unlike Castlevania 3, though, you do have the option of switching between all four combatants at once, which wildly increases the odds you’ll ever bother with that weakling mage. And that also means stages are designed around every possible party combination, and… that’s where things get complicated.

Stairs!It is very likely that, upon playing B:CoTM for the first time, the player will choose to recruit every last ally, and utilize their skills in every possible combination across all levels. Once that task is completed, a new mode will unlock wherein all the extra allies are available from the start, but Zangetsu (the ersatz Belmont and initial playable character) is missing in action. And he’s not missed! It’s pretty clear that Zangetsu is the Zeppo of these Marx brothers, and you’re much better off using literally anyone else. Miriam has mad ups, Alfred can blast any boss, and Gebel can scratch those hard to reach places. Who even invited that Zangetsu nerd in the first place?

This, naturally, will lead a curious player toward trying that initial mode again, but this time, using only Zangetsu. He’s the worst, but that just makes him a “secret” kind of hard mode, right? Not quite…

Zangetsu has two options for a solo outing. On one route, he may choose the bloody path of literally murdering each of his potential allies. And the prize for his sins will be access to new offensive and gymnastic skills. A homicidal Zangetsu can acquire a sweeping slash, high-speed dash, double jump, and a “charge attack” that would put a certain Mega Buster to shame. And then he’s the best character in the game! Without a question! Who even needs friends when you can slash an enormous turtle monster in half! I am become Death!

But then there’s “true” solo mode. Friendly Zangetsu acknowledges that all these wizards crawling around are creeping him out, but doesn’t kill a single one of them. Zangetsu must soldier on with his meager skills, and thus the player must learn to deal with a lame jump and Link’s Adventure-level weapon range. Zangetsu is pathetic, and every challenge becomes actually challenging, even for someone that has already saved this world three times or so.

But you know what? It’s doable.

Not a vampire!Bloodstained: CoTM is built for a full party of moon murderers (I miss just saying “vampire slayers”), including at least one dude that can magically become invincible, and another than can fly literally anywhere. Its stages are also designed for just the guy who can barely jump. In fact, the game is designed equally for both eventualities, and offers a wildly different experience for either choice. And, crucially, this means that the choices the player makes over the course of the adventure are significant. You don’t need a “Miriam will remember that” prompt to tell you something significant has happened when you’re too busy fighting your way over a bottomless pit to notice, and the “penalty” for literally killing a possible helper is immediately revealed in a sudden change of moveset. But, by the same token, these important choices may create a game that is more or less difficult, but never a game that becomes a complete cakewalk or impossibility. Everything here was carefully designed around players playing the game their way, and that allows for an inordinate amount of fun.

And, yeah, that’s something Bloodstained: CoTM learned from Castlevania 3, too. Heck, you could even claim it learned it from the original Castlevania. After all, tell me you’re not playing two different games depending on whether you decide to bring a bottle of holy water to a Frankenstein fight. The “old school” Castlevania titles might not have been as much fun to play as Mega Man, but in their limitations, they created an environment where the player had more choices than any title that involved a tanooki leaf.

Bloodstained: Curse of the Moon taught me that the original Castlevania titles were always more than they seemed, and didn’t need to pull in a single vampire to do it. Mimic a franchise, and somehow make the base franchise better? Pretty good trick, Bloodstained.

FGC #418 Bloodstained: Curse of the Moon

  • System: PC, Nintendo Switch, 3DS, Sony Playstation 4, and Vita. Sorry, this will be the only Bloodstained merchandise appearing on the Vita.
  • Number of players: One is good enough.
  • Pimpin!Favorite Boss: Hey, it turns out all these jerks have names on the official website! Valefor, the giant monster wearing a pimp hat, is my clear winner. He’s made of gold! And tries to kill you with gold! And can occasionally summon monsters made of gold! That’s solid gold, baby!
  • Out of Order: Did anyone else find Bathin, the light speed lizard that haunts the mechanical library, to be easier than literally every previous boss in the game? Its super fast attacks would be impossible without those target reticules, but with giant flashing “don’t stand here” signs all over the place? Not so much.
  • Favorite Character: Good call on making Miriam, the star of the upcoming Bloodstained: Ritual of the Night, arguably the most useful character. Sure, she is lacking in health or very strong attacks, but agility goes a long way in the 2-D world.
  • Favorite Reason 16-Bit Graphics were invented: Nothing interesting about the main characters really comes across with these faux 8-bit sprites, but Gebel really loses something when lo-fi. He’s supposed to be adorned with blood-purple stained glass across his flesh, but here? Here he’s just Alucard.
  • Would I play again? Odds are really good! Maybe I’ll even give that boss-rush a chance! Or maybe I’ll actually keep playing the parts of the game I enjoy! Who knows what the future holds?

What’s next? Random ROB has chosen… Super Alfred Chicken for the Super Nintendo! There we go! There’s that randomness we all love and crave! Please look forward to it!

Choo Choo!