Tag Archives: time travel

FGC #259 Strider 2

Time flows like a river, and history repeats. And, in a lot of videogame sequels, it gets kind of ridiculous.

Today’s game is Strider 2, the 1999 sequel to Strider that absolutely should not be confused with the 1990 NES sequel, 2014 latest sequel, or Tiger Handheld game I still have for some reason. Strider 2 is the direct sequel to the original arcade hit that sees Strider Hiryu once again fighting against the nefarious forces of the Grandmaster, an evil dude in a cloak with the magical ability to summon dinosaurs out of nothing. Fun fact: I don’t know why this guy has to “conquer” the world with a malicious army and enormous, flying battleship; I’d vote for anybody that ran on an all dinosaur-reviving platform (I’m a single-issue voter). Regardless, Strider fights through five stages in an adventure that seems like a “PSX remix” version of his previous arcade game. There are new challenges, new areas, and at least one headless horseman (sans horse), but there’s also the gravity lab, the Balrog, and other familiar spots from Strider 1. Like a lot of good videogames, Strider 2 deftly walks the line between nostalgia and innovation, and it winds up being a fine way to spend an afternoon.

But when you beat Strider 2, you’ll find this little gem of dialogue.

... What?

And, if you check the auxiliary materials for further information, you’ll find that the overarching plot of Strider 2 isn’t just “Grandmaster’s revenge”, it’s “Grandmaster’s revenge… 2,119 years later”. But don’t worry, Strider has been resurrected, reincarnated, or… something… so it’s all going to work out. And, conveniently, the exact same characters and venues have been revived along with Grandmaster, so you can fight the Tong Pooh triplets or Solo all over again. Just… try not to think about the fact that these characters are literally two millennia old, and all they want to do with their apparent immortality is fight some dork with a sword. I mean, I guess you have to do something to keep busy.

And it’s all happened before.

Like most of the nation, I’ve been playing a lot of Zelda: Breath of the Wild recently. Light spoilers and whatnot, but the main plot of that game concerns a Link and Zelda that were supposed to be the heroes that defeat Ganon like every Link and Zelda before them, but, ya know, mistakes were made, and now the kingdom is in more distress than usual. Now, anyone that has seen a preview image knows the exact reason Link failed to stop Ganon the first time, and that’s that he forsook his green tunic for some blue getup. Saving Hyrule is a very precarious balancing act, Link, you change one little detail, and the whole thing collapses! Or maybe it was just that this Zelda wasn’t that into it?

Just walkin' aroundIn a way, Breath of the Wild simultaneously resists the cyclonic nature of the “prophecy” and “reincarnating hero” myths with a Link that kinda fails, but also more deeply outlines exactly why this kind of trope is, frankly, ridiculous. There’s a giant pig monster menacing the castle? Well, who is the princess? Does she like dressing up like a magical ninja? Do we have some teenager hanging around in a doofy hat? The royal family of Breath of the Wild realized there was a singular answer to the Ganon problem throughout history (kid with sword), and failed because they tried to add a few bells and whistles (robots never go bad!) to “guarantee” a victory. And guess what finally winds up winning the day? Spoilers, it’s a kid with a sword!

So you’re damned if you try to game the reincarnation cycle, but, don’t worry, the reincarnation cycle will win the day in the end.

… Huh?

Castlevania follows a similar Grandmaster/Ganon revives, hero shows up to trash the place cycle, but at least Dracula gets genre savvy pretty early in that environment. If we look at one of the earliest Castlevania games, Castlevania Adventure 2, we’ll find a Dracula that has already identified “the Belmont problem”, and started kidnapping wee Belmont tots to further his own agenda. And then we’ve got Shaft controlling Richtor, who explained something about creating an endless cycle of vampire hunter death or whatever before some dhampir dork smacked a sword into his face a couple hundred times. And by the time Julius Belmont is ready to seal Dracula in an eclipse, the Belmont name has been hidden from the public for ages, because Drac figured out this whole “phone book” technology thing, and “Morris” is totally not in the B section.

Because... oh nevermindSo why does this keep happening across videogames? On one hand, it’s an easy story convention that clearly predates videogames. I’m pretty sure Hercules had only existed for two weeks before some random dude decided to make a “Hercules reborn in modern times” story… even if “modern times” was “The Roman Empire”. And it’s the easiest thing in the world to co-opt some ancient bad guy and reincarnate/revive the dude for instant gravitas. Hero barely beat Villain the first time! Now he’s back from the dead, and he’s got…. let’s see here, what would be threatening… a laser rifle! How ever will ancient hero with his ancient ways win this one!? Heck, you don’t even have to get heroic to pull off this trope, just look at how many “modern reincarnations” of Romeo and Juliet or Beauty and the Beast have made it into the theatres. Tale as old as time, song as old as rhyme, Tingle and the Link.

But there is something different about videogames. Videogames are about recurring stories, yes, but there is always more to a videogame than just the story. The gameplay has to be familiar, too, and to reuse Zelda again in an article ostensibly about Strider (I have been playing a lot of Breath of the Wild, dammit!), it’s one thing to have a Zelda game that doesn’t feature Zelda, but God help you if you want to make a Zelda game without a boomerang of some kind. Link will fight Ganon, and he’ll do it with arrows, the Master Sword, and a blue shield with a triangle on it. Remember how Symphony of the Night was the greatest thing to happen to Castlevania in a decade? Remember how people at the time spent hours of their lives whining about the “unforgivable blunder” that Alucard couldn’t use a whip? I remember. Oh, God, I remember.

But it’s that strict adherence to familiar gameplay moments that make these games so seemingly impossible. It is one thing to have a dude rescue a princess from a pig man every century or so, but it’s another that there just happens to be an Impa, hookshot, and Beedle available from the beginning of time until the end. But the fans would be upset if those beats weren’t recycled, so here’s your Temple of Time all over again, even though it seriously calls into question the capricious work habits of the masons of Hyrule.

WeeeeeWhich brings us to the most insane abuse of this trope: Gunstar Super Heroes, which, save a few minor changes, features the exact same plot as Gunstar Heroes, complete with characters with the same names and roles. Green betrays the team, Orange is muscle man, and Black has built another damn board game castle. It all happens exactly as it did in the previous game, which supposedly takes place centuries before. Did… nobody write anything down? Bah, it doesn’t matter, what’s important is that you’ve got a minecart battle with Green in a shape-shifting mech, because, if that somehow didn’t happen, then what’s even in the point in making a Gunstar game?

And maybe that’s what we need to learn from Strider 2. If we want to have a game that reuses beats from the previous, beloved game, then maybe it’s okay that the plot is exactly the same. We’ve gotta have that gravity room, we’ve gotta have that fight on the back of a dragon-Russian parliament thingy, and we’ve gotta fight the Grandmaster again. It wouldn’t be Strider without it! So the people of the Strider Universe have to be stuck in an endless time loop to get there? Well, more’s the pity, but we have to squeeze the Balrog in there somewhere. Plot is secondary to gameplay in any given videogame, right? You’re not supposed to be thinking about how Strider Land “works”, silly player.

But time flows like a river, and, inevitably, a little voice in my head is going to repeat, “Yeah, but why is this whole thing happening again?” And you can’t just slaughter another grandmaster to get the answer to that one.

FGC #259 Strider 2

  • System: Playstation, Arcade, and wherever it pops up as a downloadable title. Playstation 3? That sounds right.
  • Number of players: There is only one Strider Hiryu. Though I guess you can play as the other ninja after you beat the game once.
  • Favorite level: The third stage features a cybernetic wooly mammoth flanked by malevolent hockey players. Then there’s a scientist that drinks a werewolf potion. I want to ground up that level and snort it.
  • Thar be Dragons: Hiryu is Japanese for dragon. Ryu, either the star of Street Fighter or Breath of Fire, is also named for dragons. So, how many dragon heroes are in the Capcom pantheon? And do they all get together and hang out on occasion? BoF Ryu is unimpressed by SF Ryu’s so-called “dragon punch”, and Strider just hangs out in the corner, drinking punch? Is this what Capcom Fighting All-Stars was going to be about?
  • Don’t judge a book: Just so we’re all clear…

    Get it right

    The disc on the left that is labeled “Strider” is the disc for Strider 2, and the disc on the right that says “Strider 2” contains the original Strider arcade game. This is not confusing at all.

  • Credit where credit is due: I will admit that this article partially found its origin in a comment by one Metal Man Master on a previous (already linked) FGC entry. Thank you, MMM. Playing Strider 2 after Breath of the Wild may have made a teeny impact, too.
  • Did you know? The illustrations for this game come compliments of Tatsuya Yoshikawa, right? The same guy behind the art of the PSX Breath of Fire games? It really looks that way, but, one way or another, art good, ya’all.
  • Would I play again: This whole game feels like it takes about ten minutes to complete. That’s a good thing for the last of the “arcade” style action games. So, yeah, I’ll probably make another high score run again.

What’s next? Random ROB has chosen… Giga Wing for the Sega Dreamcast! This is not to be confused with the lesser Mega Wing or Kilo Wing games. This is Giga Wing, all the way. Please look forward to it!


FGC #210 Time Gal

Let's go surfing nowIt’s not unusual for two games to have the same general plot. Mario and Link both rescue princesses. Kratos and C.J. both have problems with authority. Mega Man and Sonic both have doctor issues. But even when there are similarities between game plots, we’re still talking about videogames, which means you can have drastically different gameplay. Mario and Link are never going to be mistaken for each other, even if they both look a little chubby in their debut appearances. At this point, there are more gameplay styles under the sun than there ever have been, but even back in the day, Mega Man and Sonic starred in very different adventures, despite both being “2-D run and jump” heroes.

However, back in the distant past of the 80’s, there were LaserDisc games. Laserdisc games were “playable cartoons” that were always the same. And, yes, I mean they were “the same” as in they all played the same and the games were always the same every time you played ‘em. The appeal was that you were controlling a “playable cartoon”, but in practice, it was like watching a TV show, but every ten seconds, you had to press the right button, or the show ended (I think they actually tried that with the Dragon’s Lair cartoon series).

But there certainly was appeal to the LaserDiscs. If you could tolerate what passed for gameplay in these games, you were treated to some of the best animation and storytelling available to gaming at the time. This was the age of Final Fantasy starring four anonymous randos that lived in fear of being knocked down, the mere concept of “a playable movie” was charm enough to gobble up enough quarters to keep even Gamblor happy. These games might have all played the same, but, technically, every cartoon on Nickelodeon “plays” the same, and nobody is confusing Spongebob for Invader Zim.

Though it does seem a bit odd that, of the limited number of LaserDisc-style games that were released, three of them featured the exact same plot.

WeeeeeDragon’s Lair 2: Time Warp seems like the most popular example here. As you can guess from the name, the first and only sequel to Dragon’s Lair (the Bluth animated game that practically invented the LaserDisc genre) features Dirk the Daring traveling through time to rescue his beloved Daphne. Time travel is the main hook here, as the original Dragon’s Lair was just an adventure through a musty old castle, and we do hit a few epochs that aren’t usually popular, like the Renaissance and… Wonderland? We hit “Prehistoric” and “The Garden of Eden”? That seems… incongruous. No matter, what we have here is a hero diving through time to rescue his best gal from some random jerkass, and the time travel is an easy excuse for eclectic scenes and locales. You’re not going to fight a dinosaur any other way!

Released the same year is Hologram Time Traveler. I’ve discussed this game at length before, but to reiterate for anyone that can’t remember every precious word I’ve ever committed to pixels, Hologram Time Traveler is the story of… a hero traveling through time to save a woman. Oh… kay. The game uses the time portals as an excuse to visit famous epochs like prehistoric and medieval times, and there are a few levels that are less “time travel” and more “magical fantasy land”. This sound familiar? Hologram Time Traveler is technically a longer game than Dragon’s Lair 2, but the levels seem much shorter. Also, it’s all digitized live action (as opposed to gorgeous animation), so I hope you like watching some doof run around in a cowboy hat. Oddly, both games feature female leads that seem to exist exclusively for their sex appeal. Alright, that’s not odd at all, but it was at least uncommon in gaming back in 1991.

Or maybe I’m completely wrong about that.

Time Gal is our featured game today, and it first came stateside in 1993. This does not mean the game was actually created two years after the previous two LaserDisc time traveling adventures. No, Time Gal was released in Japanese arcades back in 1985, making Time Gal’s adventure roughly concurrent with Dragon’s Lair (1). We just never saw it stateside, because dubs are expensive, and PokéAkira hadn’t made anime cool yet. Heck, it’s probably a small wonder we got the Sega CD version at all, but I suppose that system needed all the Full Motion Video CD games it could get, because Kriss Kross could only be responsible for so many titles.

But don’t think that just because Time Gal was the first time traveling LaserDisc game that it’s completely original. Time Gal herself, featured here:

Looks a biiiit like Lum Invader, the star of Rumiko Takahashi’s Urusei Yatsura, a series that started in the 70’s.

But I’m sure it’s a coincidence that Time Gal bears a smidge of similarity to Japan’s Jessica Rabbit. Sure.

Time Gal is a pretty fun time (ha!) if you can ignore the obvious plagiarism, though. The whole game is elegantly animated by Toei, and it features that astonishing 80’s anime style (aka before the industry discovered the joy of animating panties… well, animating panties all the time, at least). Reika, the titular Time Gal, is clearly meant to be “sexy” in her bikini bottoms and vest, but 90% of her death animations (and it’s a LaserDisc game, you’re gonna see a lot of death animations) feature the heroine shrinking down to endearing chibi size. I realize that a modern day Time Gal would revel in figuratively and literally stripping the heroine, but the “cutesy” deaths of Time Gal… well… you might have just lost a quarter, but at least it was adorable.

WAGGLEAnd, ultimately, that’s the appeal of all these time travel-based LaserDisc games. They’re creative and fun, and, while they’re fleecing your coin collection right out of your pockets, at least they’re doing it in an entertaining way. In Final Fight or Teenage Mutant Ninja Turtles, you lost because you sucked, and the game mocked and goaded you with a countdown timer and the promise of a dead hero that is all your fault. Time Gal and its brethren (sistren?) lived or died by their entertaining death animations that made you still enjoy every mistake. I’m glad all these LaserDisc games eventually got ported to the home consoles, because watching a “blooper reel” of Reika’s every death is practically more fun than playing the game itself (and that would be very expensive a quarter at a time).

But that doesn’t make Time Gal any less of a clone.

Yes, I suppose Time Gal started the “time traveling LaserDisc game” trend a decade before everybody else, but it came stateside two years late to the party, when we had already battled prehistory with Dirk and… whatever the dude from Hologram Time Traveler is named. Probably Steve. Time Gal just looked like that Dragon’s Lair 2 clone with the girl from that one anime in it. And, let’s be realistic here, “anime games” might have flourished on the Sega CD (see also: Lunar, Popful Mail), but “Sega CD owners that also liked anime and wanted more LaserDisc animated games” had to be a subset of a subset of people that probably numbered into the lower teens. DUCKReika is only known as “that girl in the bikini from a lot of Gamepro ads” to anyone that could ever recall the game.

But Time Gal did deserve better. Time Gal deserved a sequel… or at least a US Playstation version. Time Gal was published by Taito, so I guess it’s owned by Square Enix now, but I don’t think Reika is going to be guesting in Dissidia anytime soon. Yes, the whole game is a relic of a forgotten epoch, but someone decided to try to revive Brave Fencer Musashi at some point, so shouldn’t Time Gal get a chance?

She was good enough to copy for a couple of other really similar LaserDisc games. I’m sure there’s some place she could fit in today.

FGC #210 Time Gal

  • System: Sega CD and Arcade. Given the state of Sega CD games nowadays, good luck enjoying either option.
  • Number of players: Reika must save the whole of human existence alone, without pants.
  • OUCHFavorite Epoch: Time Gal has a number of “future” levels, but my favorite is the one that’s a year before the finale, and is basically a quick pastiche of Alien. Anime Alien is something I’m sure has been done elsewhere, but Reika sucks the creatures out the airlock with aplomb.
  • Modern Times: The “current” time period from the game (1991 AD!) looks like some variation on a Middle Eastern Warzone. The next time period, the far future of 2001, appears to be, basically, Mad Max. Were the designers of Time Gal just that pessimistic?
  • Did you know? Okay, so there is a little “fan service”. The original Japanese cut of Time Gal featured a few “deaths” where Reika’s top got shredded. She was always facing away from the camera, and it was always played for laughs, but there was that promise that the mostly naked heroine was getting slightly more naked. This was, naturally, cut from the American release, as we are a shining bastion of purity in all media.
  • Would I play again: I might watch a youtube run of the game again. In the meanwhile, though, I hope to not touch another LaserDisc game for a while.

What’s next? Random ROB has chosen… Super Smash Bros Fo(u)r the Nintendo 3DS! Biggest roster, smallest screen. Please look forward to it!


Xenosaga Episode III Part 09: Shion Through the Ages

Previously on Xenosaga: Is it the 50’s? Or 1999? Nope, it’s fifteen years ago, and The Brews have inadvertently time traveled back to Old Miltia shortly before its destruction. Now Allen’s favorite onesie store won’t be open for another decade!

Picking this back up in the women’s dorm. Shion just awoke from a remarkably well-timed dream about her own past of fifteen years/minutes ago.

KOS-MOS is effectively dead, MOMO is chilling, and Shion just woke up. So the boys decided to have a big ol’ wang party?

Finally! Some new weapons are available in the shop. We won’t be using a single one this update, but it’s always good to get new stuff.

Scoot down to that gunroom and… Oh no! Something happened!

Xenosaga Episode III Part 08: What Time is It?

Previously on Xenosaga: KOS-MOS and T-elos got into a bit of a scuffle, and that somehow blew Shion into a forest? Huh?

Shion, dear, I handle the recaps around here.

KOS-MOS!!! Also… everyone else… I guess…”

So we pick back up here at… Forest. Well, that’s not very helpful.

Head west and find a locked tunnel or something, but more importantly, a shop and a save point.

We’ve got a few new items for sale. Huh. Why is this “full revive” item so cheap?

Equipment selection hasn’t updated, though. I like getting new weapons, but I also don’t like spending money, so I guess it works out.

Regardless, there doesn’t seem to be a key laying around for that tunnel, so let’s head back west this time…