Tag Archives: story

FGC #303 NieR: Automata

Note: This review will involve a lot of spoilers for any game with “NieR” in the title. It’s unfortunately inevitable, and if you’d like to go into the franchise “clean”, I would recommend avoiding this article until you’ve completed both games. Or don’t, and realize why you should finish both games. Regardless, you’ve been warned.

Today’s game is NieR: Automata, the sequel to NieR: Gestalt. Both of these games are emblazoned with this lovely little logo:

Mature!

This is appropriate, as Yoko Taro has somehow been responsible for the most emotionally mature videogames in the medium.

Kinda glitchyMind you, that is a pretty low bar to clear. As an obvious example, every Grand Theft Auto game has been rated as “Mature”, so Rockstar has taken the “only adults are supposed to play this” mandate to heart and written grandiose, developed stories meant to appeal to an exclusively aged demographic. Ha ha ha, just kidding, Grand Theft Auto games are more about seeing how many times the number 69 can be inserted into random conversations than it is ever about telling a “real” story about violence in America… or whatever they’re shoveling into their press releases this week. And even if you take the GTA series completely seriously, you have to acknowledge that the franchise is fairly limited in perspectives. Would you like to play as the angry white guy, the angry black guy, or the angry and balding white guy? Yes, you could argue this thin characterization is the result of having to present a protagonist that might surf cars and play with a rocket launcher in his (inevitably “his”) spare time, but I know plenty of psychopaths, and they do have a slightly broader emotional range than “always irritated all the time.” People are people, Rockstar, not robot animals.

NieR: Gestalt (note: that will be the last time I type “Nier” with correct capitalization) is what could easily be the story of one angry white dude. And we’re going to spoil that game first…

FGC #296 Driver: You Are the Wheelman

DRIVE!And now for the other side of those awkward Playstation years: that time when no one knew what a videogame was supposed to be.

In the beginning, there was Pong, and it was good. And Pong begat a number of arcade experiences, like Asteroids, Space Invaders, and everyone’s beloved Pac-Man. And, while we were all happy with one screen of action, action, action, eventually gaming’s collective attention span required more. Mario became super the very moment his stages became long, horizontal affairs that could take whole minutes to complete. Sometimes there was a dinosaur at the end of the world! And a princess! And, while it was the teeniest of plots, there technically was a plot, and no more were we forced to use our imaginations to envisage why this puck-shaped fellow was being chased by four monsters.

But, for better or worse, there was always a divide. There were games where brave heroes ventured forth to conquer bad guys and maybe get a new weapon along the way to stab and/or shoot said bad guys, and there were also games that provided those classical “arcade experiences”. Pong was basically tennis, which I’m told is one of those sports things, and, in a way, many sports games were narratively no more complicated than Pong. Play game, win game. It’s the same in football as it is in Donkey Kong. Maybe there’s a story attached, but the only story that matters is that you “beat the game”. This is, at its core, the essence of the arcade experience, as if you’re not fighting toward an achievable goal, then why the hell are you wasting all those quarters? If I leave this arcade without ASS being at the top of the score table, then what am I fighting for?(!?!?!!)

SWERVE!But sometime around the Playstation era, that kind of thinking fell by the wayside. Maybe it was because the arcades started to follow the path of the dodo, or maybe everybody just desperately wanted to be Final Fantasy 7, but, whatever the reason, by the time we made it to the Playstation 2, every game had to have a complete story and incremental goals and a “40 hour, RPG-like experience”. Maybe it was a ploy to sell memory cards? All I know is that a “quick” experience like Mischief Makers, a game that would have been perfectly content to be an enjoyable 16-bit rental, was now derided for not stretching its content to fit some arbitrary length restriction. And Mischief Makers wasn’t alone: if a game was released, and it could be completed in an afternoon, it was panned from here to the hallowed halls of EGM.

And this led to some… awkward moments.

Driver: You Are the Wheelman won the 1999 E3 award for “best racing game”. Racing games have always been firmly planted in the “arcade experience” section, as, come on, is there anything more pure than “gotta go fast(er than everybody else)”? However, Driver is much more than a racing game: Driver is basically a proto-Grand Theft Auto (3). We’ve got some big (for Playstation 1) cities, cops to outrun at all times, and an emphasis on a bunch of random “challenges” you can perform with a car. Drive to hit checkpoints, drive to ram designated cars, drive to be a courier… I’m pretty sure I have a good idea where the title “Driver” title came from. When you get right down to it, “racing” seems like a poor description of this experience, as I don’t recall any time the stars of Crusin’ USA or Mario Kart had to worry about an arrest warrant. Well, maybe Bowser has a few priors, but the Mushroom Kingdom justice system is naively lax.

But anyone returning to Driver from the sandbox-dominated future of right now is in for a rude awakening. Yes, there are all the GTA-esque activities available to you in Driver, but they’re all selectable from the title screen, not unlike choosing cups in a racing game. And, with the exception of a few unlockable cities, they’re all available from the first moment you start up the game. Think of it! A world where you can just replay your favorite missions at your leisure, and you don’t have to randomly drive all over the city looking for some capricious marker (and then never playing the mission again after it’s completed once). And what happens to those big, wide open cities if they’re not attached to mission markers? Well you can just choose “free mode”, and putter around town without a care in the world. Well… assuming you don’t piss off the local constabulary by merely existing.

VroomSpeaking of the po-po, there is a plot here. There’s a “story mode”, and it similarly showcases the times. Rather than going full criminal like every GTA descendant, you’re a police officer that just happens to be undercover as a nefarious wheelman. Eventually the FBI or CIA or FDA or somebody screws up, and you’re stuck on the wrong side of the law, and…. You know what? It doesn’t matter. No one is going to play through the story mode, because it’s attached to an opening “qualifying” stage that is completely impossible. But there is a trick to it! You have to exit the game, completely lose your progress (which, admittedly, was just watching one cinema scene… but still!), hop over to the “Training” menu, then learn all the super cool moves (like, uh, holding down the gas pedal really long), remember all the super cool moves, and then completely restart your game. It’s that easy!

And, for the record, if you’re playing this in 2017, you will curse every messageboard post about the scourge of “on screen tutorials” for the rest of your days.

But that’s Driver: You Are the Wheelman in a nutshell: it’s a videogame that has no idea how to be a videogame. It wants to straddle the line between arcade experience and story-based adventure, but it has no clue how to marry the two experiences, and we’re left with something very… confused. Driver isn’t a bad game, but it’s one of many Playstation games that simultaneously embraced the long-form narrative and overtly shied away from offending anyone that might not want to play for longer than five minutes.

So every time you complain about another Skyrim-alike or GTA-alike or even your bog standard generic platformer, be glad you live in a world where most videogames know how to be videogames and not… whatever happened here.

FGC #296 Driver: You Are the Wheelman

  • I'm a poor night driverSystem: Playstation 1, but then it eventually pulled into the Windows and Mac parking lots. It also had a Gameboy Color and iphone port, and those must be peachy.
  • Number of players: And it’s also a single player game. Another sign of the inevitable story mode domination.
  • Favorite City: New York, New York, it’s a hell of a town… that I don’t really like in reality, but it makes for a good series of levels.
  • Did you really not make it past the tutorial? Not for a good long while. I mean, it’s not like you can’t play most of the rest of the game without beating that damn stage. Also, there’s the matter of…
  • Goggle Bob Fact: I got this game for free. For some bizarre reason, I found this game (complete with case and manual) in the back of the ol’ band storage area in high school. I asked around, put it in the lost and found, and no one claimed the game, so, after a month, I took home my prize. I have always pathologically over-valued videogames, so I literally could not understand someone “losing” an entire Playstation game. … Then again, now that I’ve played Driver, I can maybe understand that impulse a little better.
  • Did you know? The final unlockable city is Newcastle upon Tyne, the hometown of Reflections Interactive. On one hand, that’s kind of neat, on the other hand, it’s vaguely masturbatory. Do you know what’s special about Newcastle upon Tyne? Yeah, me neither.
  • Would I play again: Grand Theft Auto 3 is, like, right there.

What’s next? Random ROB has chosen… Uniracers! See, now there’s a game that knows its genre! Please look forward to it!

Ugh

FGC #285 Mortal Kombat (2011)

FIGHTEverybody wants a do-over.

It’s a pretty standard part of the human experience to wind up with a crushing number of regrets by the age of… oh, let’s say… five? I’m pretty sure my life would be a lot better if my mother had never thrown out my old bunny doll. Yes… that would have made all the difference. Regardless of past traumas, regret is an integral part of being alive, so it’s no surprise that a lot of media has been dedicated to the concept of “What if you had a chance to do it all over again.” In some cases, this leads to a simple “imaginary story” where the hero finds that if the “mistake” they’ve been regretting for the last decade or so was actually avoided, then Galactus would have eaten the planet… or something. And we all learn a valuable lesson about being greater than the sum of our faults/being eaten by space giants. But the more common use of this trope (or at least the one that seems to get a larger audience) involves a despairing adult traveling back to a happier time, and, using knowledge from the future, finally realizing what’s really important, and I guess that’s falling in love with your high school sweetheart, and not taking that high-powered job you worked your entire life to achieve. Oh, and then Galactus devours the planet.

I’ve always been a fan of this kind of storytelling (no, I’m not going to go to TVTropes to find the actual name of this trope), because, like everybody else on Earth, I fantasize about going back and changing the past and righting what once went wrong. However, unlike everybody else, I’m also fascinated by this concept because it terrifies me.

And I’m glad to see Mortal Kombat 9 agrees with me.

FIGHT MOREMortal Kombat Armageddon was a fun game that was, conceptually, a sequel to Mortal Kombat Trilogy. After seven or so Mortal Kombat games, about 90 roster changes, and a million shattered pieces of Boon plot, MK had accumulated a memorable collection of characters (and Stryker). As a sort of love letter to the fans, MKA boasted a roster that contained every Mortal Kombat Kharacter that ever was, and let ‘em duke it out for supremacy. Didn’t matter if a fighter had been dead for years or had appeared in every game (or had been dead for years and appeared in every game, hi Scorps!), everyone got to participate, and, considering this franchise doesn’t feature Kuddles Kombat, there was a vampire’s buffet of blood spilled. Basically, even by the standards of a franchise where every other round ends with a triple decapitation, it was a bloodbath, and when the dust cleared, pretty much everybody was dead.

And they made that canon.

Err… kanon.

So, unless Mortal Kombat wanted to do something stupid like focus on the real heroes’ kids or a cast of dead guys (cough), it was time for a reboot. And, taking a page from Star Trek rather than beloved DC Comics, Mortal Kombat got rebooted with a sort of parallel, “do-over” reality. Raiden, lightning god of Earth Realm, sent some crazy psychic message back to his younger self of before the first (videogame) Mortal Kombat Tournament (or thereabouts). Now, gifted with vague future knowledge, Raiden can redo his life (or the last couple years of it, I mean, he has been around for a while) and avoid the tribulations of a timeline that saw Johnny Cage die like sixteen times. So, simple goal: Raiden knows Shao Kahn is a menace that is not to be trusted (didn’t he already know this?), so stop this nonsense before it begins. Easy-peasy.

GLOWY!Unfortunately, as ever, the issue appears to be that Raiden is an idiot. Despite being a god who has like one job (come to think of it, is some lesser god handling lightning duties during the franchise? Fujin?), Raiden messes up in new and exciting ways throughout the rebooted franchise. I can forgive him missing out on saving a certain frosty individual from a yellow wrath, as we all knew how that was gonna go, but when Raiden saves Smoke from cyberization only to give rise to Cryo-Freeze Sub-Zero… that one is on you, pal. Can you not keep track of two ninja? It’s not that hard! They’re wearing bright colors! And then Raiden trusts Kung Lao to step up to the plate… so naturally Kung Lao gets turned into a fine paste. But he’s not alone, as practically all the Earth heroes wind up dead halfway through Act 3. Whoops! And right around the time that Raiden turns Liu Kang, Hero of Mortal Kombat, into barbecued beef… well, I’m pretty sure someone got the message that Raiden is maybe not cut out for a leadership role. When your champion can best be described as “smoldering”, you’ve done something wrong.

But I can relate, because I’m pretty sure that if I got a do-over on my life, I’d do the exact same thing.

Okay, maybe I wouldn’t sauté any beloved allies, but I’m pretty sure I’d ruin any chance of enjoying my re-life. Ultimately, I feel like it comes down to the simple fact that I appreciate my current existence. Yes, there are things about my past that I would absolutely change (about two years ago I started a website that is part catharsis and part addiction, I could definitely cut that out), but I also acknowledge that a lot of good in my life, whether it be regarding career or friendships, stems from happy accidents. And, granted, none of those accidents are the direct result of generational ninja wars (at least to my knowledge), but I feel like if I were to… re-accident some meetings, I would completely destroy the timeline as I know it. … Probably somewhere around when I’m arrested for madly screaming at a woman that we’re destined to be together, so can we get this over with, because I enjoyed dating your best friend a lot more. Look, I can be impatient sometimes.

RARGHAnd I guess that’s the crux of my belief on how life works. We’re the culmination not only of carefully laid plans, but also a big pile of coincidence and chance, some for good, some for ill. Maybe I’d be happier if I had stayed my college girlfriend, or if I hadn’t died fighting against my undead banshee of a mother, but if I changed those important/unhappy events in my life, I wouldn’t be where I am now. And I like where I am now. So, thank you, Mortal Kombat 9, for understanding that a do-over isn’t the secret to happiness. Different choices lead to different mistakes, and not every imagined “what if” has a happy ending.

Oh, and then Galactus ate the Mortal Kombat universe.

FGC #285 Mortal Kombat (2011)

  • System: Playstation 3 and Xbox 360. Oh, also, there was a Vita version. For reasons that I have never really understood, I once bought a new copy of the Vita version at the local Gamestop for zero dollars. There was some kind of sale, or the universe had twisted in on itself, or something.
  • Number of players: Isn’t there a tag mode that can involve four players? Yeah, there totally is, it’s right there on the menu. I’m not sure I’ve ever had four people together in one place that all wanted to play Mortal Kombat.
  • OuchWhat’s in a name? Technically, as a reboot of the franchise both conceptually and gameplay-wise, this game is simply titled “Mortal Kombat”, and is not Mortal Kombat 9. However, its direct sequel is Mortal Kombat X, and Mortal Kombat (1) is a very important game in gaming, so let’s stick to the nine.
  • Favorite Character: This roster brings back all the old favorites (in fact, it’s practically the same collection as Mortal Kombat Trilogy) so I’m going to have to pick Kabal. He’s in full-on Flash mode here, which… I really have no objection to that. Maybe he can dash through time and make this story a little happier.
  • Favorite Fatality: It made it into that silly video I made apropos of nothing, so I’m pretty sure you can guess.
  • Regarding the gameplay: Call me crazy, but I’m one of the few people that actually liked the general feel of the Mortal Kombat Deadly Alliance/Deception/Armageddon games. I find the new Netherrealm style kind of clunky by comparison… but it’s still pretty fun. I mean, in the fighting game genre, very few games feel like you’re actually in a fight, and these MK experiences do seem to nail that heavy-hitting feeling. So I guess it evens out?
  • Did you know? Skarlet, original character, do not steal DLC female ninja, has a fatality wherein she drenches herself in the blood of her opponent. Except… all the cyber-robot opponents have oil or coolant for “blood”, so… well… I don’t think this is going to be good for that quasi-vampire’s digestion.
  • Would I play again: I like this game! But it is, by and large, completely unseated by Mortal Kombat X, a game that lets you play as Goro. And that counts for a lot! Eh, maybe I’ll replay 9 again when the inevitable MKHD Kollection arrives.

What’s next? Random ROB has chosen… Sonic Adventure 2 Battle! Ah-ha! Speak of original characters, and he shall appear. Please look forward to it!

Nice sweater, nerd

FGC #282 Breath of Fire 3

Pictured: WinnersThe first thing you see when you boot up Breath of Fire 3 is a mural of the heroes of Breath of Fire 1. This mural depicts everyone in the original BoF party fighting Myria, a nefarious goddess that threatened to destroy the world through war and destruction. This opening seems to say, “Here, player, here are the heroes you remember, who triumphed over impossible odds and won the day with guts and swords.” Breath of Fire 3 starts by showcasing the gallant and daring heroes of a previous BoF adventure, a group that literally saved the world and everyone in it.

So it’s kind of a shame that the heroes of Breath of Fire 3 are such failures.

Breath of Fire 3 is the story of a world in decline. Deserts are overtaking forests, wild animals are becoming scarce, and nobody vacations on that island with the flute girls anymore. This seems to be epitomized with Nina’s people. The Wing Clan is a race that, during the time of BoF1, could transform into gigantic birds. By BoF2, the Wyndians had lost this ability, but could still flutter about with their large wings. Now, in Breath of Fire 3, the “Wing Clan” possesses wings that are merely decorative, and are about as useful for flight as flapping your arms. This degradation seems to have spread to other clans as well, with many of the old “standby” kingdoms and people of previous Breath of Fire adventures completely missing, and the last remains falling into unrecognizable states. Rei the kitty cat man is in danger of outright devolving into a beast, and your resident plant-dude is practically a Pokémon. And the Dragon Clan? Well that’s where things get really sad.

In Breath of Fire 1, the Dragon Clan threatened to destroy the world. And they weren’t even trying! The Light and Dark Dragons Tribes were just fighting over some magic keys, and the rest of the world had the pleasure of hosting the battleground for people that can transform into mammoth, fire-breathing monsters. It… didn’t end well. Then, during Breath of Fire 2, while the Dragon Clan had mostly retreated underground, remaining dragon people still had enough strength to seal away Anime Death Jesus (it was a weird game), while the rest of the races of the world couldn’t even plink that dude’s front door. And the dragons, “the Brood” are still powerful in Breath of Fire 3! They’re just powerful as… fossils. Basically, all of the dragons are dead by the time of Breath of Fire 3, and their remains are being used as an energy source that only creates horrible mutants about a third of the time. And, side note, dragons aren’t dead by accident; that nefarious Goddess Myria ordered their complete extermination a couple years back. But there are a handful of dragons remaining, and Ryu, the undisputed protagonist of BoF3, is one of ‘em. Go, Ryu, save the world in the name of your departed brethren!

Or fail at absolutely everything you do. That’s good, too.

Damn you guysFailure is an integral part of most videogames. Even before Dark Souls and alike made “death” a fundamental mechanic, there was always a learning curve. Everybody died to those opening goombas at least once, and everyone learns from that experience and changes Mario trajectory accordingly. You fail, death happens, you get back up on that Yoshi and try again. Meanwhile, JRPGs often make failure an essential and inevitable part of the narrative. You need to collect the six mipmaps or the nefarious ULTRA EVIL DEMON will awaken and destroy the world? Well, I’ve got some bad news: you’re probably going to collect those six mcguffins, but they’ll be stolen by the bad guys at the last minute, and you’re going to have to fight ULTRA EVIL DEMON anyway, because, come on, we didn’t design that three-screen high sprite for it not to get used. Besides, failure is basically a requirement for any game with a modicum of story. 90% of these tales are based on the basic “hero’s journey” plot outline, and what’s the point in winning if it’s not a comeback from some insurmountable defeat. You have to lose to rally and win, win, win!

Nobody wins in Breath of Fire 3.

Here’s a brief plot summary of Breath of Fire 3: Ryu is an orphan who teams up with two other orphans, Rei and Teepo. The trio decides to help out the local town through a Robin Hood-esque caper involving stealing from an evil Scrooge McDuck and distributing that wealth to all the downtrodden peasants. This plan technically works, but it turns out the richest man in town can hire some damn good security, so a couple of reverse-centaurs show up and tear Ryu’s life and “family” to shreds. Ryu survives, but Rei and Teepo are missing, so he sets off on a quest to find his missing friends. Ryu makes new friends along the way, including a failed princess, a failed scientist, a failed science experiment, and, most importantly, a man who has lived for centuries and is a literal dragon slayer. Their “friendship” goes about as well as you’d expect, and Ryu is knocked out for a solid decade. Ryu eventually wakes up again, decides he’s going to look into this whole “the world is dying” thing, finds his way halfway across the world (literally), and eventually traces it all back to the goddess that screwed with his ancestors. In the end, Ryu defeats Evil Goddess, and is rewarded with the knowledge that, as sucky as the world is, “Evil” Goddess was the only thing keeping it just that sucky, so good luck living in an endless desert, stupid!

Dammit!Oh, and somewhere in there, Ryu had to kill Teepo, because of course he did.

But don’t worry, Ryu isn’t the only ultimate failure in this party! Nina is the princess of Wyndia, and she has no idea how to be a person and a royal sovereign… Actually, that’s probably a pretty typical failing of royalty in JRPGs. What else we got? Well, there’s Rei, who apparently spent most of his teenage/adult life trying to avenge a pair of kids that were actually alive… oh, and then he fell over dead at the finish line. Doesn’t that just beat all? We’ve got Momo, who has spent her life following her father’s research, and she winds up exploited for her knowledge (and eventually finds out the answers to life’s mysteries are “a wizard did it” anyway). And Garr… good ol’ Garr the Guardian… was born and bred to kill dragons, and decided to ask “what if… not kill dragons?” of the goddess that created him. That… did not end well for him. Basically, every “hero” in Breath of Fire 3 is stuck in an unwinnable situation practically from the get-go. Nina wants to be a better person? Bad news, lady, you’re not going to get there by pounding slimes with your magic wand.

But, maybe, sometimes being a failure is okay.

For being a JRPG, Breath of Fire 3 does a pretty good job of presenting that “gray area” of morality. In BoF1, Goddess Myria might put on a nice face, but she is unequivocally the Goddess of Destruction. In BoF2, Anime Death Jesus, Goddess Myria’s only begotten son, has started a religion that has a tendency to kill you and your loved ones over and over again. That’s bad. But BoF3 Goddess Myria really is a benevolent goddess. She’s done bad things, but she’s done them in the name of protecting the people of the world. The Dragon Clan were alright blokes, but they could also kill everybody with a misplaced sneeze, so they had to go. Yggdrasil was a wise ol’ spirit of the forest, but its anti-Myria sentiment could lead to wars, and that’s not so great, so time to stop feeding the tree. And modern technology just means modern bombs and bioweapons, so maybe we could tape that back down to something more medieval. Myria committed a few sins, but that’s the price of being a leader. Myria sees herself as the mother of all humanity, and sometimes being a mother means exterminating all ice cream from the universe. It’s for your teeth. You’ll thank me later.

This is cuteBut Myria is the antagonist of Breath of Fire 3. This is a JRPG, and, in the end, you need a final boss you can hit with a sword. There isn’t going to be a solution where you talk this one out, and Myria has got to go out in a way that makes the player justified in overleveling and collecting all the best equipment on the planet. These are the rules. But thou must.

And, in most games, that complete lack of choice is often contrary to the premise of the adventure. Aside from narratives where you are a puppet is the moral, most modern games (and “modern” in this case meaning “any game made after 1992”) seem to revel in the choices available to the player. It’s a different experience every time! You never know how the story is going to go! You are playing a game wherein you play a role! You are the hero! … Except, it’s bullshit, because, whether you make important choices or not, one way or another, it all ends in the same place. You always fight the final boss. You always make it to that finish line. Even if it’s not in the way you may have expected, you always succeed, one way or another, in accomplishing something.

In Breath of Fire 3, Ryu and his gang do defeat the goddess. … But… Do they win? And, more importantly, would you expect this gang of failures to win? The ending of Breath of Fire 3 was an anomaly in an age of JRPGs that traditionally featured twenty minute FMV finales. All we have at the end of BoF3 is the surviving party members walking through the desert, and Peco the Plantémon sprouts a leaf. The end. Thanks for playing. This is clearly intended as a statement of hope for a world now without a goddess, and, coupled with the party’s earlier “we’re like little kids” speech, is supposed to indicate that humanity (or whatever passes for that in a world with kitty cat people) has now entered its own adulthood, free from the shackles of an overbearing mother-goddess. The kids are going to be all right!

Move along… Except, this entire tale was one of unintended consequences and… failing. Had Ryu and his band of thieves succeeded in their first task, they’d be legendary, and happy, local heroes. Had Ryu found his friends in a timely, less fatal manner, they would have returned home and lived happily. If Nina was a worthwhile princess, she could have been, ya know, a princess, and lived happily. If Garr could be content with the function he was literally made for, he could have retired happily centuries ago. Ultimately, if the heroes of Breath of Fire 3 could just stop failing for ten seconds at any point in their lives, they could have had a happy ending that didn’t involve deicide at pretty much any time. But, no, they’re failures, so they collectively wound up on a path that would change the world.

Every inevitable failure in their lives contributed to a final, humongous task that may have itself, been a failure.

But it did change their world forever.

Mural or not, I guess maybe failures can be heroes, too.

FGC #282 Breath of Fire 3

  • System: Playstation 1 here in The States, but you could also play it on PSP in every other region on Earth. … You can probably still import the PSX version to Vita, though.
  • Number of players: JRPGs are solitary affairs.
  • Favorite Dragon Gene: Every time Ryu gets transformed into a Pygmy Dragon, I have to laugh. He’s just so rolly-polly!
  • Regarding the Wings: This might be my favorite Nina in the series. “Rambunctious Princess” is basically the collective Nina archetype, one way or another, but here it really feels like she’s a spoiled brat playing at being a hero for her childhood, and then a slightly more mature version of that for her adult form. Slightly. All the same, Young Nina comes off like a magical girl, and that’s a lot more amusing than the more dour Ninas elsewhere in the series.
  • Slum it with us!Feeling Bleu: Deis, the snake-tailed goddess, doesn’t join the party for the first time in the franchise, and gets stuck in a room by her lonesome for most of the adventure. She deserves better! And, no, getting stuck in a sentient suit of armor is not an upgrade.
  • Did you know? There’s a dummied out item called THE MOCHI that cures petrification. The reason it was dummied out is because “stoned” has never been a status effect in the Breath of Fire series. Oops?
  • Would I play again: Probably not! I didn’t get around to mentioning it, but I have an extreme fondness for this doofy game (and the entire series). Something about the Breath of Fire franchise has always clicked with me, and I’d love to see a modern revival, whether it be more “old school” or “Dragon Quarter”-y. … Just not a cell phone game. That said, replaying BoF3 is sobering and exhausting. There are random encounters every seven feet. It’s… tiresome. And I’d rather play Breath of Fire 4, anyway. You don’t have to train some bloke to beat Bluto in that one. So, sorry, BoF3, it ain’t happening.

What’s next? Random ROB has chosen… Paperboy for the N64. Let’s deliver some papers! I guess! Please look forward to it!

I want you back