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FGC #401 Final Fantasy 3 (DS)

Final Fantasy!In Japan, the Final Fantasy games are a series of titles gradually moving forward. While they may not be direct “story” sequels, they are sequels all the same, with characters and key events carried forward like an ever-growing tumbleweed.

In America? Final Fantasy is an ouroboros, a snake eating its own tail, with no beginning and no end.

Okay, that’s not completely true, as Final Fantasy has the same starting point in both regions. Final Fantasy was released in 1987 in Japan and 1990, but they were almost exactly the same game. The differences? Barely worth mentioning, like a giant eyeball getting repurposed by the legal department. And there may have been a few spell names modified for less holy audiences, but that shouldn’t be a problem, right? Fire 3 and Firaga are the same thing! Nothing complicated!

But then it gets all too complicated.

The same year that America saw Final Fantasy 1, Japan already had Final Fantasy 3. And, if videogames were like any other medium in history, that would not have been a big deal. Give it another three years, and we’d see our own Final Fantasy 3 with wizards casting NUKE on legions of skeletons. However, consoles wait for no man, and the Super Nintendo was on Western shores by the following year. While the “good old days” weren’t quite as bad as the modern belief that a system should stop releasing new games six months before the release of its successor (hi, WiiU!), it still seemed unlikely that a new franchise/genre would see slow NES releases well after we all experienced the joy of riding a dinosaur. So their Final Fantasy 4 became our Final Fantasy 2, and, riding the high of the newly released SNES, we experienced our first Final Fantasy sequel.

And, honestly? There was never any reason to believe we missed anything.

Shake a legFinal Fantasy is about restoring four crystals, Final Fantasy “2” is about collecting a total of eight (give or take). Final Fantasy had its four fiends, the sequel had Golbez’s four generals. Class changing your party is just like class changing a dark knight. Garland : Chaos :: Golbez : Zeromus. Final Fantasy “2” was a clear sequel to the original Final Fantasy we all knew and loved, and there wasn’t a single bit of the title seemed to indicate we had missed something. Summoners gonna summon, and dragoons gonna jump, nothing more to it.

We likely would have had a similar reaction to Final Fantasy 5… if it ever made it to our shores. But, instead, we received Final Fantasy Mystic Quest, and that “job system” would have to continue to be a mystery for another few years (assuming you never played Dragon Warrior 3). Then we were graced with Final Fantasy 6 aka Final Fantasy 3. And that was kind of a miracle, as we saw the release a mere four months after its Japanese debut. And it was good! It was even great! And… it barely had anything to do with the previous Final Fantasy games! No crystals! No sky fortresses! “White” is “Pearl” for some reason! If we didn’t have a few chocobos running around, we wouldn’t even know this was the same franchise! At least Mystic Quest had a four elementals-based world! What the hell is an Esper even supposed to be!?

But, as confusing as Final Fantasy “3” was, it kicked off the golden age of actually seeing every Final Fantasy game. Final Fantasy 7 was next, and, for the first time, it was actually Final Fantasy 7 on both shores. And then came Final Fantasy 8! And neither of these games had anything to do with each other from a “world” perspective, but there were some patterns emerging. The summons seemed fairly consistent (give or take poor Rumah), and… did these people have reliable vocations? Knights are JRPG staples, but it seems like we keep winding up with a random character that can use monster attacks. Lore? Blue Magic? Whatever, it sounds cool. And there are a few recurring characters and motifs, so, yeah, there’s more continuity here than we thought… right?

Dem BonesSo a funny thing happened in 1999. After fighting our way through five separate Final Fantasies, Square decided to capitalize on Final Fantasy mania and release Final Fantasy 5. In English! And now Final Fantasy Tactics made so much more sense! This whole “job system” thing finally hit America in a “real”, numbered Final Fantasy title, and it was good! … Okay, it was a bit of a letdown for anyone expecting another Final Fantasy with a deep and adult story like what we saw in that game with the talking dog, but at least we know the name of that guy that killed Odin now. Final Fantasy 5 was certainly more Final Fantasy 4 (2) than Final Fantasy 6 (3), but, more importantly, it was another data point on the “what is Final Fantasy” bulletin board. Those dots are starting to connect!

And then, in November of 2000, Final Fantasy 9 blew up the whole damn chart.

Final Fantasy 9, according to various issues of EGM and Gamepro, was the first Final Fantasy game to really look at its past. It was a “return to the old days”, which meant black mages (not really) and crystals (certainly not) were back in business. And, if you were a Final Fantasyologist, the game was just ripe with items and callbacks that celebrated the long and storied history of Final Fantasy. … Except, it was rather impossible for any Americans to get half of those references, as many of the early games referenced were never released here, and, even if they were, current localizations did not match up with Woolseyisms from a generation prior. Final Fantasy 9’s “continuity”, like every other Final Fantasy continuity for Americans, was confusing as hell.

Then, in November of 2006, months after the release of Final Fantasy 12, we finally filled in the last gap with Final Fantasy 3 for the Nintendo DS.

Get 'em!And it all made so much more sense! Final Fantasy 3 is the clear prequel to our beloved Final Fantasy 4 (2)! In fact, in some places, Final Fantasy 3 makes its world more interesting than what you’d find in its descendant. Final Fantasy 4 has multiple airships, but Final Fantasy 3 has multiple airships that really matter. The overworld/underworld dichotomy of Final Fantasy 4 is neat ‘an all, but it’s nothing compared to a floating island and the time-locked hellscape down below. And, while Final Fantasy 4 inarguably has the better Cid, Princess Sara is a much better damsel/fighter than Rosa. I don’t care if you put a ring on an archer on the moon, Cecil, your fiancée is basic. Oh, and I guess there are a number of recurring monsters between the two games, too. Playing Final Fantasy 3 for three seconds is deeply reminiscent of Final Fantasy 4, and that’s obvious from practically the first moment.

But Final Fantasy 3 doesn’t just impact Final Fantasy 4, it’s also the origin point of a lot of series staples. The Summoner job got its start here, and, with it, the myriad of summons that have been skulking around the franchise for decades. And it’s not just cosmetic! Bahamut is rightfully venerated as the lord of all summons for the first time, and Odin is hiding in a castle basement. Even Leviathan gets his own magical lake. This is also the first place we found a fat chocobo and the slam-dancing teddy bear race of moogles. First Final Fantasy with a playable piano! First Final Fantasy with thieves that can actually steal (or be useful at all)! First “bonus treasure dungeon” in the franchise! It all started here!

Or… did it?

If you want to play Final Fantasy 3 in America (legally), you must play Final Fantasy 3 on the Nintendo DS (or the PSP/Mobile port of the same version of the game). This is important, as Final Fantasy 3 is obviously not its NES ancestor. The graphics have been upgraded, the “anonymous” heroes of FF3NES have all been upgraded to have their own personalities and motives, and the iconic Onion Knight job of the original release has been relegated to an impossible sidequest. Even if you know next to nothing about the original Final Fantasy 3, you can immediately see the difference between the two titles.

I can't tell the difference!

That creates… doubt. The Final Fantasy series loves its references! Final Fantasy 9 wasn’t the start of that nonsense, you could argue that the series was drowning in callbacks as early as, well, Final Fantasy 3. But it’s impossible to “trust” this Final Fantasy 3, because, without Final Fantasy 3 NES handy, how are we supposed to know if a reference was added before or after the remake itself? Ricard of Final Fantasy 2 (J) has the same last name as Kain of Final Fantasy 4 (J) and Cid of Final Fantasy 7! Which came first? It’s not the one you think! So who inspired who? Where did it all start? I know time flows like a river, but usually you can find a starting tributary somewhere.

Final Fantasy!And this is how American Final Fantasy became twisted up like a pretzel. We didn’t see Final Fantasy 2 until after Final Fantasy 7, and Final Fantasy 3 came after Final Fantasy 12. Thanks to inconsistent translations and a pile of internet hearsay, it’s nearly impossible to know where a name or character got their start. Final Fantasy is a snake with no beginning and no end, and we’ll never be able to measure its scales.

But, hey, the games are all pretty fun, so don’t worry about it.

FGC #401 Final Fantasy 3 (DS)

  • System: Nintendo DS, technically, and a port of that version for PSP and mobile devices, too. The original Final Fantasy 3 is theoretically sealed in the NES (or Famicom), but it did see a rerelease on the Japanese Wii Virtual Console, so I don’t trust Square at all.
  • Number of players: One Onion Knight to rule them all.
  • Maybe actually talk about the game for a second: Kind of talked about every Final Fantasy game except this one, eh? Final Fantasy 3 is a good “prototype” game, but I feel like everything that makes this game good is done better in Final Fantasy 5. And, yes, I’m predominantly talking about the job system. Final Fantasy 3 can’t seem to decide whether it wants to be a Metroid (wherein new skills/jobs must be used to unlock new areas) or a Mega Man (all cool abilities are completely optional, and may be used whenever you want). What’s important is that I never want to see a mini cave again, and I can’t believe they produced a remake of Final Fantasy 3 without further improving the equipment/equipping system.
  • Somebody get me a mapJust Play the Gig, Man: Final Fantasy 3 does seem to have the best music on the NES (or of the NES titles, if we want to get technical). Unfortunately, since it wasn’t a part of my childhood, I don’t give a damn. Sorry!
  • Favorite Character: In this case, it’s “characters”. The Old Men are just trying their best, and should be lauded for attempting to save the world despite having absolutely no skills and a comprehensive inability to leave their home town. They’re trying!
  • Monster Rancher: Anyone notice that the monsters of this Final Fantasy are overwhelmingly Grecian, but you barely see such a thing in other Final Fantasy titles? Okay, maybe Medusa winds up in every videogame ever, but she’s actually featured here, along with Cerberus, Scylla, and Echidna. Uh… not Knuckles.
  • Future of Fantasies: It’s also bitingly obvious that this is where the Bravely Default team got their start, as Final Fantasy 3 DS is the clear origin point of about 90% of that gameplay (and maybe some of the graphics). This is rather amusing, as a single franchise entry that was nearly forgotten somehow started its own mini franchise. Way to go, underdog!
  • Did you know? “Luneth” is not the returning Final Fantasy 3 rep for Dissidia, as that honor goes to the original Onion Knight. This is an unusual bit of Square ignoring its more accessible “franchise” for a version that will never be seen again, and seems to confirm that SE doesn’t give a damn about this entry in the greater Final Fantasy pantheon.
  • Would I play again: Nope! Final Fantasy games are long enough without all the little kludges that keep FF3 going. This is an interesting title to help us all learn of the mysteries of the franchise, but it is right up there with Final Fantasy 2 (J) for “never make me play this again”.

What’s next? Random ROB has chosen… Metal Head for the 32X! That… that was a Ninja Turtle, right? Uh, please look forward to it?

Final Fantasy!
What am I even looking at?

FGC #400.0 NieR

Time to learn about NieR!

Feel smarter now? No? That’s fair.

FGC #400 NieR

  • System: Xbox 360 and Playstation 3. Our neighbors to the East got a different version of Nier (the guy) for each system, but we only got old man grizzled Nier. This is for the best.
  • Number of players: I maintain that this title is the secret gameplay sequel to Secret of Mana, and you should be able to let buddies control your extra party members. But that’s not happening, so whatever, it’s single player.
  • Maybe actually talk about the game for a second: I feel like I talked about the emotional impact of NieR enough during the Automata review, and the plot is covered enough up top, so I’ll just go ahead and say it: I prefer the gameplay of NieR over NieR: Automata. God help me, I’m pretty sure NieR is, from a gameplay perspective, a secret Kingdom Hearts title. And, what’s more, the way NieR deftly weaves in gameplay from other genres across the videogame pantheon… Well, there’s no other way to say it: this hole was made for me.
  • ShinyOther glowing reviews: Nobody ever seems to acknowledge that, aside from the game being good for a lot of other great reasons, NieR is really good at playing with lighting and the difference between its dark and light areas. The fact that all the highly populated towns are bright as the sun when things are good (and not so much later) is a great bit of subtle visual storytelling.
  • I hate everything: In constantly googling for information on NieR, the first “marketplace” recommendation is not the actual game or its sequel, but a nude 2-B body pillow. I don’t like this internet thing.
  • Did you know? A version of NieR was planned for the Vita, but it was cancelled due to the prominence of Dragon Quest X. This… seems kind of poorly considered in hindsight.
  • Would I play again: One reason I keep this website going is that it offers me an excuse to replay videogames I enjoy when I should really be doing something else. This is a roundabout way of saying that I’m glad Random ROB made me replay this title, and I will gladly play it again in another seven years.

What’s next? That’s 400, folks! I’m going to take a week off wherein there will be updates of a different nature, but we’ll pick up the FGC officially again on Monday, April 2, with…. Final Fantasy 3 for the Nintendo DS! Please look forward to it!

(And, on this coming Monday, there will be a very important update regarding the site itself…)

You're hearing the fanfare

FGC #395 Final Fantasy Dissidia NT

FINAL FANTASYSo, chess, right? You know how to play chess? Let’s say you do. Do you remember when you learned how to play chess? Were you taught by a family member? A teacher? Some other kid? Some other adult? But here’s the thing: it is very unlikely you learned chess from a rulebook. Yes, you may have later read a great strategy guide to finally beat your grandpa at the game of kings (who don’t feel like standing up), but it’s downright unnatural to learn the rules of the game from a book or manual. And there’s a reason for that! Chess is a two player game, so it’s rather inevitable that player one is going to lecture player two. This is how games are learned! This is how games are passed from generation to generation. And, ultimately, this is what makes a game eternal: the drive for one generation to teach another. Because, after all, if you can’t find somebody to play with, what’s the point of playing a game at all?

Now, humble reader, I am well aware this is a videogame blog. I am blitheringly aware that “there must be a second player” is a stupid position for malcontents that haven’t picked up a controller in the last thirty years. This very blog will attest to the fact that my favorite games are predominantly single player. And, sad but true fact, I would estimate that a mere 10% of my gaming time is anything that could truly be considered “multiplayer”. But, gentle reader, you misunderstand my intentions. I’m not saying a game must include a two player option, I’m saying that videogames are your second player.

My father taught me how to play checkers. My mother taught me how to play Clue. My grandfather taught me how to play Chess. And Shigeru Miyamoto taught me how to play Super Mario Bros. Or did SMB itself teach me? The line is a little blurred there, but, if we consider videogames to be “thinking” objects (which we obviously do, because why else would we swear at them so regularly when they kill our dudes?), then a videogame’s own… videogameness is your eternal second player and teacher. After all, what fun is a game if you don’t understand the rules?

WeeeeeAnd, while we’re asking that rhetorical question: are bad games just games where “the game” misrepresents or otherwise sullies “the rules”? What is bad hit detection but a misperception of the boundaries of certain malicious pixels? When a JRPG requires excessive grinding, is it a feature, or a misunderstanding of what the player has to do between two objectives? And who likes it when the rules change right at the final moments? You’ve been playing an awesome action game, and then it turns into a shoot ‘em up? That’s a clear betrayal of the rules that Friend Videogame laid down from the start! That would be like requiring every game of Hungry Hungry Hippos to end with a test of strength! And that’s terrible! There’s no way I could overpower a kindergartener!

And then there are the games that don’t even bother with explaining the rules. They’re the worst of all.

Final Fantasy Dissidia NT is the long awaited sequel to Final Fantasy Dissidia Duodecim, a game that was released a whopping seven years ago. In videogame years, that is a period equal to approximately eighteen Assassin’s Creeds, or at least sixty Maddens. That is a lot of time for technology to improve, and, what’s more, the old Dissidia was a title for the PSP. Remember the PSP? Sony’s attempt to out-portable Nintendo right when mobile gaming was first making the scene? Yeah, it was an abject failure, but Square-Enix managed to release at least one good PSP game a year, so it wasn’t a total loss. And one of those excellent SE games was Dissidia, an unusual fighting game featuring the heroes and villains of the Final Fantasy franchise all duking it out for… I don’t know… I think crystals were involved? It doesn’t matter. What does matter is that it was fun, and it was one of the rare fighting games that was actually built for a portable system. Dissidia was part Street Fighter, but also part Pokémon, as you had to “train” your Tidus, and make sure the little dork always had the best equipment. WeeeeeExcuse me, it wasn’t about having the best equipment, it was about equipping the items that would fit your playstyle, so you might wind up with a different load out if you preferred to chase EX charges, or liked to just pummel your opponent into submission. You’ve got options!

But this is not to say Dissidia was a straightforward fighting game that just happened to have a little extra backend. Dissidia introduced the “Bravery System”, which, in short, means you’re supposed to hit your opponent until you have accrued enough hits to really hit your opponent. On one hand, it’s an overly complicated way to get to the “deplete HP” step that is essential to every fighting game ever, but, on the other hand, it does create a lot more drama, and a real see-saw mechanic that other fighting games have attempted to achieve for years. But, love it or hate it, you had to learn it before you could use it, so Dissidia certainly had a barrier of entry. But at least there was a tutorial right from the boot up of Dissidia, and, acknowledging that people might need such a thing, there were intensive lessons available through the game. And, what’s more, those lectures were written “by” Final Fantasy heroes from throughout the series, so if you ever thought Rydia would be an excellent summons teacher, congratulations, you’re right! Hey, if a game knows you’re going to need extra instructions, at least make those instructions interesting.

Final Fantasy Dissidia NT, unfortunately, did not learn this lesson.

Learn to climb!FFDNT started as an arcade game. And that’s great! So did Street Fighter 2! And we all learned how to play that game just fine. Except… assuming you were playing a proper SF2 cabinet, all the fireball motions you could ever need were graphics on the cabinet, so learning the finer points of that experience was, amazingly, still teaching-based. Not so much with FFDNT. It is unlikely I’ll ever see a FFDNT cabinet, but I’m going to go ahead and assume it doesn’t have the gameplay basics written anywhere on there, as it would require a cabinet roughly the size of a convenience store. Want to know how Terra works? That’s in aisle six.

See, the problem with Final Fantasy Dissidia NT is not simply that it fails to convey meaningful lessons to the neophyte player, it’s that there is so much going on, it is impossible to accurately learn anything from the gameplay. There are two teams of three, but you only control one fighter on one team. That’s pretty normal… but what are the win conditions again? It seems like fighters revive pretty quickly after depleting their health… so is it a most kills in a minute kind of thing? No, wait, the match just ended… did someone die? Our team? Theirs? And now there are some rankings… looks like whoever exhausted the most HP gets the trophy… but aren’t there other goals during a match? Why am I supposed to attack the EX Core Crystals again? To summon? But I can summon even if I never bothered. And what does the summon do? Change the background, toss a few lasers around, and… wait, my attack stat goes up? How am I supposed to know that? And I should be using my EX skill more often? How does that become available? It poisons the opponent? But only if I choose that at the start of the match? Holy cow, how are there this many questions revolving around one three minute match!?

GO AWAYAnd Dissidia NT continues to pose questions when it should be providing answers. Why does story mode distinctly require exiting story mode to make progress? Why does this character completely change her playstyle with a button, while that character just kind of grunts? Why did I just earn a new special move if I can’t even use it? Why is changing equipment only cosmetic, but changing my EX ability dramatically impacts the battle? And, most of all, why are my party members always dying? Am I supposed to be doing something different? Should I be protecting them? Should I be more offensive? If this were a traditional Final Fantasy game (even one of the later, more AI controlled titles like FF15 or FF12), and 66% of my party was dying every other round, I’d be sure I was doing something wrong. Here? Not really. In fact, during boss matches, your allies appear to exist only to be mobile meat dummies, and their greatest contribution is distraction. But it’s not like the game effectively relays this information in any way, and you’re just left listening to Shantotto apologize for her tenth death in a row. I’m sorry, chipmunk girl, I’ll try to be better next time. I think?

And it’s not that Dissidia NT is a bad game, it’s simply that practically the entire thing… ummm… uh… Oh! A metaphor! Good games play with you like a good friend, but bad games are definitely that one smelly kid that told you exactly what you’re going to play now, and you’re going to listen to his rules, and what do you mean you don’t play it like this at your house, we’re playing it my way now, you better learn how that works, or you’re not going to have any fun. No, I’m not going to teach you, nerd, just start playing. No, not like that! Moooooom! Bobby isn’t playing the game right at all!

Okay, maybe Final Fantasy Dissidia NT is bad. Once you understand it, once you read the FAQs and strategy guides and message boards, once you get through all the auxiliary materials, FFDNT is actually pretty fun to play. But before that? Before that, it’s pure, confusing hell, and a hell that makes no effort to impart how you might find your way to its heaven. Final Fantasy Dissidia NT might have a delicious, chewy center, but it’s surrounded by rancid garbage.

And how much garbage are you willing to swallow?

FGC #395 Final Fantasy Dissidia NT

  • System: Playstation 4 and Arcade. The arcade version came out three years ago? Crazy.
  • Number of players: Online? Six. Locally? One. There should be a law against that.
  • Go get 'emOther Illegalities: There are also loot boxes. And “buy a season pass now, we’ll announce the DLC characters later” sales. Dissidia is actively trying to piss me off.
  • The sequel curse: So this is, ultimately, a mascot fighting game. And you know what a mascot fighting game should never do? Drop characters. I don’t care if you’re Ice Climbers or Gon, when you lose the weirdo auxiliary characters from game to game, you lose my heart. The lack of Gilgamesh, Laguna, Yuna, and Tifa in this title is keenly felt. And if even one of those dorks become extra purchases? I will burn this mother down.
  • Favorite Character: Bartz is pretty awesome. He was my favorite in OG Dissidia, and he’s completely different now, but he’s still a lot of fun. And fast! And fast is really important when you have to chase some angry tree all over the arena.
  • Other annoyances: You can’t just restart a battle in a single player match. This is particularly important in the boss battles, as, come on, you can permanently lose those fights in the first thirty seconds, but wait five minutes to actually die. And then you have to wait five minutes for loading screens…
  • The Final Fantasy: So, considering the sheer lunacy that was the first two Dissidia titles, the story of this one is actually pretty straightforward: there’s a world fueled by battles, everyone battles, everyone realizes there’s no real reason to battle, and then they fake battle until they battle a giant lizard so they can make clones that will fight battles forever. That’s pretty much the plot to Sense and Sensibility.
  • Say something nice: Terra is supposed to be “post Final Fantasy 6” Terra in this one (or something like that), and she’s actually kind of… good? Previous Dissdias made her a sort of damsel (“Oh, poor me, Kefka is always taking over my brain, what is it to be me?”), but here she’s confident, and winds up being the de facto leader of her little party. Way to get yourself together, Terra!
  • Work together!Did you know? That kid from Final Fantasy Tactics is in this one! No, not Thunder God Cid, the main character. You know! What’s his name? Delita? No, that doesn’t sound right…
  • Would I play again: Honestly? Probably not. Even if the upcoming DLC is amazing, there are too many good fighting games out there, and Dissidia seems to revel in wasting time. Just give me my instant gratification, Square!

What’s next? Random ROB has chosen… Centipede: Infestation for the Nintendo 3DS! Centipedes? In my blog? It’s more common than you think. Please look forward to it!

FGC #388 Secret of Mana (2018)

Mana comin'When I was a wee Goggle Bob, I had a very limited number of NES games. This paired very poorly with being a child, and having approximately 32,000 hours a day to burn up before hitting the sack. Thus, I played my limited collection of games nigh constantly, and practically memorized the ins and outs of such luminaries as Back to the Future. There was also Super Mario Bros, which meant that, by the early 90’s, the Mushroom Kingdom had soaked into my DNA. So I played World 3 once or twice.

It's a-me!

World 3, as you can see, is Mario’s first “dark world”. After World 1’s sunny skies and World 2’s moist oceans, World 3 is a stage set against a dark, foreboding backdrop. As a child, my friends and I discussed this ominous level, and determined that this was an area of the Mushroom Kingdom already ruled by Bowser. It was dark and frightening because evil had already subjugated part of the land, and a resistance against this encroaching blackness was exactly why Mario had to fight. Battle through the night of World 3 to the shining future of World 4!

And then Super Mario All-Stars was released. This increase in Mario fidelity lead to…

Mario!

Oh. It’s just a snowy night. Huh. It wasn’t a dark and scary place at all. It’s… kinda nice. A lovely oasis of tranquility for our dedicated plumber. Maybe he could start up some Winter Games while he’s here…

And this blew my young mind.

Super Mario All-Stars is likely as “pure” of a videogame remake as we are ever going to get. The original staff was directly involved in the remake, and there wasn’t a dramatic shift in “what players want” in the years between OG Mario and his All Star incarnation. There wasn’t a need to change Mario’s controls or iconic look, it was just an opportunity to use new hardware to make right what once went wrong. Old, compromised graphics could now be replaced with what was always intended.

Which, apparently, included snow. I guess.

IS SNEKThis is a longwinded way of saying that I’ve been considering “directorial intent” versus “what is actually possible” since roughly 1993. Super Mario Bros. was practically my Bible when I was seven, and, straight from God Miyamoto himself, here was the latest testament, and it didn’t match my outmoded beliefs. What did this mean? Were other games similarly compromised? Was every black background just an excuse for a snow level? Were modern (1993 modern) games similarly compromised? In some glorious, far-flung future, would we find that Celes Chere was supposed to wear pants?

Well, the future is now, and here’s Randi with a grim visage of how we don’t understand anything.

Secret of Mana was always a hard game to tonally parse. On one hand, we have the iconic title screen with its gorgeous watercolor visual and deeply emotive opening theme. On the other hand, it’s hard to take a game seriously when you’re summoning a magical mermaid to cure your woodland sprite of the “moogle” affliction. But, when you take the plot of Secret of Mana as a whole, it is downright tragic. Boy is an orphan who finds his mother just in time to watch her get chopped down. Girl is trying to save her kidnapped lover… and it ends poorly for everybody. And Sprite loses memories, an entire village of family members, and, eventually, existence itself. And I’m pretty sure you have to murder your own airship somewhere in there. It’s for the good of the planet!

Sticky!Combine that heartbreaking plot with music that would be right at home with classical requiems, and you might get the impression that Secret of Mana is serious business. Or, at least, that was always my impression of the game. When I was playing SoM back in the early 90’s, my imagination went wild with thoughts on the “real” Secret of Mana, a game that could nary be contained by a simple 16-bit cartridge. The sunken Mana Palace? That was supposed to be a window into a destroyed city from “our” modern times, right? The faux subway car fall of zombies could have been indistinguishable from Resident Evil if the SNES had a little more horsepower. The gorgeous forests would still have been a tour de seasons, but it was only a lack of bits that held us back from witnessing Flammie’s mother’s ultimate fate in the jaws of a giant serpent. I was a pre-teen that played violent videogames, of course I imagined Secret of Mana as a gore fest. And, while my desire to see a submerged city full of corpses has lessened over the years, I still have always seen Secret of Mana as a serious game for serious people. I might have scored a midge mallet from a dwarf after fighting a whacky robot, but the somber opening and ending of Secret of Mana leaves an indelible impression that this was a story slightly deeper than your average plumber v. turtle morality play.

And now we have Secret of Mana 2018, and… not exactly what ’93 Goggle Bob expected.

First of all, if history has taught us anything, it’s that I absolutely don’t want to see a Secret of Mana “complete remake”. Yes, SoM is right up there with Xenogears for a legendary production cycle that eventually led to much of the game being cut. Secret of Mana was originally intended for the Nintendo Playstation, but, when that system wandered off to greener pastures, it was scaled back to its current incarnation. And, incidentally, the game was only ever held together with duct tape and good intentions to begin with, so things like “fighting”, “using magic”, or “walking” don’t work in the most pleasing manner. And maybe a version of SoM that gave a purpose to the lighthouse or bothered to code an actual Moon Palace would be interesting, ZOMBIES!but I don’t want to risk playing through another Mana remake that is objectively worse than its source material. They just don’t make ‘em like they used to. And I’m not sure I could take another vastly reimagined remake this year. I’m not saying Secret of Mana Remixed couldn’t be a good game, simply that the odds of it being what I consider “Secret of Mana” are low.

So SoM 2018 is “just” a Secret of Mana upgrade. And that’s fine! It’s not like a wildly popular videogame system was just shipped bundled with Secret of Mana, so having a way for a new generation to experience the glories of Thanatos-slaying with a few modern upgrades sounds like a great idea! The whole experience controls slightly better (less like steering a train, now more like steering a minecart), voice acting eliminates the need for all that pesky reading, and the translation has been punched up with at least one Who Wants to be a Millionaire reference. The kids like Regis Philbin, right? And the most obvious change of all: the graphics and music have been not just “upscaled”, but completely replaced with new tunes and models.

And If I had to use one word to describe the 2018 SoM design choices, it would be… “pastel”.

The one sad partThe new, randier cast of 2018 SoM is theoretically exactly the same. But, take a moment to participate in any inn-based party chat event, and you’ll find they’re a tweak sillier. Popoi the sprite has an ongoing fascination with licking mana seeds. Primm is still in love with Dyluck, and that’s still going to end poorly, but now she gushes about him like a teenage girl (which is appropriate, as she is a teenage girl). And our brave hero of Mana has gone from nearly mute swordsman to your typical shonen hero that has doubts about his own ability to save the world ten seconds after receiving his first sword. And these “changes” absolutely work, as the character work was already there. Sprite was always kind of goofy, Girl was always rather single-minded, but now their only defining personality traits are their only personalities. The world was expanded just to show how tiny it really was. The potential opera has become a Saturday morning cartoon.

The darkness is still there, technically, but it is, now and forever, a gorgeous snow scape.

And, in the end, I can’t even be mad. I’m not sure why I would be! When I played this game as a ten year old, I thought it was the most “adult” story in the world, something right up there with Final Fantasy 3 (6) and maybe at least one Stephen King novel. Now it’s all… kiddy. Now it’s deliberately presented like something for, ugh, ten year olds, and the deep, somber Secret of Mana of my younger years is all but gone. This game adds nothing to Secret of Mana but a fresh coat of paint, and it’s a shade I can barely stomach.

Secret of Mana 2018, you have destroyed my memories, and dumbed down one of my favorite experiences. This shall not be forgiven.

Well, maybe I’ll forgive you… After I earn this platinum trophy…

FGC #388 Secret of Mana (2018)

  • System: Playstation 4 and… There was a Vita version, wasn’t there? Anybody want to fire up the ol’ girl and check the Vita store? No? Fine.
  • Number of players: Three, and that’s always awesome. Yes, couch co-op makes a return.
  • Get 'emI Run So Far Away: So the “run” button depletes your 100% Weapon gauge one percent at a time. Was it always supposed to work like that?
  • Just play the gig man: The new soundtrack puts its worst foot forward, and leads with the absolute foulest remixes it can muster. However, by the time the party is blasting off to ice countries and desert lands, it’s clear the composers know what they’re doing. Yes, it would be nice to have another orchestral remix for every last area, but, more than being “epic”, it seems like the music tries to be tonally appropriate. And I guess early areas deserved an accordion.
  • Regarding Voice Acting: I did not expect every last NPC to be voiced. I also did not expect “The power of Undine” to sound so much like Primm shouting “The power of undies!”
  • Favorite Weapon: Was the whip always this good? Or the spear? For a series named for its signature weapon, the sword kind of sucks by comparison.
  • Did you know? Kettle Kin, the second robot unleashed by the Scorpion Army, was inexplicably “censored” into being an exact copy of Kilroy in the original Secret of Mana USA version. However, Kettle Kin is back to normal for the remake, and sports his unique chainsaw and drill bottom. Welcome back, robo guy, please use your chainsaw responsibly.
  • Would I play again: Probably yes. I honestly prefer this version to the original, as the combat seems a lot more manageable (and some kitty-based bosses no longer strike fear into my heart). I’ll probably revisit this Mana World again in no time at all.

What’s next? Random ROB has chosen… Super Mario 3D World! It’s Mario! And kitties! Please look forward to it!

HAIL