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FGC #451 Eternal Champions: Challenge from the Dark Side

ETERNAL!They tried. They damn well tried.

Mortal Kombat (1) was released for the Sega Genesis on Mortal Monday, September 13, 1993. It was, by all accounts, a wildly successful launch for a game that had been haunting arcades for nearly an entire year. What’s more, thanks to the likes of the “blood code” and the lack of censorship on the console, the Sega Genesis version was considered by many to be the “real” way to play Mortal Kombat at home. This was in stark contrast to the release of Street Fighter 2, which had seen amazing success on the SNES a year earlier, but hit the Sega Genesis like a flopping pile of assorted expired organs. And, two months later, we saw Eternal Champions, the unusual offspring of Street Fighter and Mortal Kombat.

Now, we would hate to disparage Mortal Kombat during Mortal Kombat Week (“week”), but let’s be real here: Mortal Kombat’s initial character variety sucks. By Mortal Kombat 2, we were fighting knife mutants and Oddjobs, but our virgin foray into the world of Elder Gods and dragon men pretty much included one interesting four-armed monster fighting a bunch of dudes in marginally themed gym clothes. The motion capture graphics were revolutionary at the time, but “a pair of sunglasses” does not interesting character design make. On the other hand, you have Street Fighter, which had bright, colorful goblin people fighting stretchy yogis, sumo wrestlers, and at least one Spaniard Ninja. Even when similar fighters are involved, no one is going to mistake Ryu for Sagat. Johnny Cage and Liu Kang, meanwhile, might seem a tad similar. Sub-Zero and Scorpion being clones are a bit of an extreme case, but they also comprise 28% of the playable roster.

Let's fight!Eternal Champions seemed to take a page from Street Fighter’s book rather than Mortal Kombat. Eternal Champions employed Ernie Chan, a Filipino-American comics artist, who worked with the Buscema brothers back in the ‘70’s. Before working with Sega, Chan was known for being an artist at DC Comics (Ghosts, House of Mystery, Detective Comics) and Marvel (Conan the Barbarian, Doctor Strange). Considering Chan was responsible for a healthy number of comic book covers for a full two years at DC Comics, he knew a thing or two about dynamic characters punching each other as hard as possible (the 1970s was before comic book characters decided to just stand around and philosophize at each other for six consecutive trades). It seems only natural that he would be responsible for designing some interesting punch mans, and, let me tell you, we got some remarkable fighters here.

The base concept of Eternal Champions is that the titular (kinda) Eternal Champion has plucked a series of heroes from their respective timelines, and granted them the potential prize of avoiding their otherwise inevitable deaths. Arguably, this could lead to a number of “stock” characters, as different timelines lead naturally to different archetypes, and we can certainly forgive a knight from ancient times or a “future man” from 21XX. But, against all odds, we have a pretty diverse cast in Eternal Champions. We do have a stock caveman, and Xavier Pendragon seems like a typical wizard hailing from Salem, but we also have Shadow Yamato (hm?), a modern corporate assassin that wouldn’t be out of place in Shadowrun. Trident is Atlantean, but basically a merman. RAX is a cyborg built for Teleroboxer, and Midknight is a bio engineer who kinda sorta turned himself into a vampire. And Jetta Maxx is a 19th century circus performer that attacks with all the agility you would expect from an acrobat. Why aren’t there more tumblers in fighting games? That seems like a natural fit!

HUG!None of the fighters in Eternal Champions are exactly setting the world on fire, but there is no way you’d mistake Larcen the 1920’s PI/cat burgler for Blade, the futuristic bounty hunter. And, whether it’s an accident of the “complicated” concept of time travel being involved, or because someone genuinely wanted to create a new Eternal Champions universe, but these fighters all have in-depth, fascinating backstories to accompany their stimulating visual designs. As a prerequisite for the plot, we immediately must learn how each fighter died (which allows for some always fun dramatic irony), why they were targeted for death (the premise of entire half hours of Law & Order), and why, had they lived, they would have made the world a better place. Additionally, this setup encourages the creation of cultures old and new (of course someone has to explain how the “future” works, but even Ancient Atlantis has some ‘splainin’ to do about its fish people), and, since this is a fighting game, it’s important to explain the whys of some of these special moves. Yes, ninja use ninja stars, but why exactly does Larcen have a grappling hook? There’s a reason for that!

Which reminds me: these exciting, distinct fighters work well for not only for biography screen attract modes, but also for actually being fighters. This is another situation where, unlike Mortal Kombat, if a character has a trident for a hand, they’re not going to throw the exact same punch as the robot dude. In fact, every fighter has a defined fighting style, and, while it does seem a little odd that the vampire scientist is trained in Jeet Kune Do, it does mean that every character feels distinct in more ways than simply a special move. And, of course, the special moves are their own kind of distinct, and not just a fireball and a jumping uppercut spread out among the cast. In short, the eternal champions collectively offer a unique experience for a time when the fighting genre was flooded with monotonous knock-offs.

TIME KILL(ERS)But there is one place where Eternal Champions differed from Street Fighter: it had fatalities. Or, to be more precise, the game had “stage fatalities” in the form of “Overkills”: make sure your opponent lands on a particular spot when their health is low, and the background will do your work for you. If you’re in prehistoric times, you’re about to see someone devoured by a dinosaur. Meanwhile, if you’re hanging in the early 20th Century, get ready for a drive-by. The 60’s naturally contain napalm, and the far-flung future of 2345 AD is wall-to-wall robots. It’s entirely possible you could complete Eternal Champions without once seeing an Overkill, though, so it seems like the whole feature was an afterthought. Mortal Kombat was likely an influence, but a fighter being zapped into oblivion by a neon sign (can that actually happen?) wasn’t exactly the point of Eternal Champions. It’s all about the character variety, we don’t need gorefests to sell our Sega cartridges.

Or maybe we do, because the Sega CD exclusive sequel/upgrade, Eternal Champions: Challenge from the Dark Side dialed the gore up to eleven.

To be clear, Eternal Champions: Challenge from the Dark Side is not the kind of fighting game sequel that completely eschewed former graphics and gameplay for something completely different (Battle Arena Toshinden was fond of that move). This is much more the Super Turbo to Eternal Champions’ Champion Edition. More characters were added to the cast (and a great many of them were “joke characters”, like Hooter, a mundane owl with a taste for rats and vengeance), the special move system was rejiggered, and the same overarching plot returned with a marginal twist. The Eternal Champion has gathered his warriors once again to fight for a chance to live (and I guess nobody won the last one), but now there are a few new entrants, and the nefarious Dark Champion is hatching an evil plan to be the hardest-to-unlock character in the history of fighting games (just use the cheat code). Superficially, this Eternal Champions is just the obvious and expected fighting game upgrade that would barely necessitate a season pass in today’s market.

Not fair... for DeathBut that Dark Champion does make an impact on the fatalities of EC:CotD. The Dark Champion can be summoned for a match ending “cinekill”, which will banish your opponent to a pre-recorded FMV hell where they will endure a death based on their greatest fear. Some of these videos are goofy (at least one character is crushed with a “I’m not touching you” finger motion), but the majority are either significantly gory (the cyborg has his limbs torn off in a rather unpleasant fashion) or pure nightmare fuel (I’m not the only one that has a fear of melting into some manner of fleshy liquid, am I?). And if you think the increased gore is relegated to cutscenes, don’t worry, there are also now “Vendettas” that allow you to use a special move toward the end of the match that will be a little more special than usual. They, again, run a realism gamut (which is more likely to make an impact: a character turning into a giant bug or one just whipping out a shotgun for a headshot?), but the end result of most Vendettas is a literal bloody pulp tossed around the arena. And the stage fatalities really earned their “Overkill” moniker, as some are excessive to the point of parody. “The Pit” of EC:CotD is not one, not two, but three pits in one! And, don’t worry, you get to watch as a 16-bit human body churns through three different buzzsaws. Street Fighter has different models for every character’s skeleton thanks to Blanka’s shocking attacks, but EC:CotD goes the extra mile by modeling individual organs that are primed to leak out of those skeletons. Yummy!

And why all the gore? Well, obviously because someone wanted Eternal Champions to be popular.

That's why he's the champMortal Kombat hit the Genesis in 1993, Eternal Champions saw its sequel released in 1995. In those intervening years, Mortal Kombat continued to be a juggernaut, particularly on the Sega Genesis. Street Fighter may have proven to be a lasting victor, but the sales numbers all touted Mortal Kombat as the champion of the system. Eternal Champions wanted a piece of that pie so badly. Sega did everything it could to promote EC, from country-wide, EGM-sponsored tournaments to a 7-11 slurpee promotion, but it couldn’t touch the genuine appeal of the game with the angry skeleton and the kung-fu dude. Eternal Champions never had a hold of the arcade appeal, tried to pump up the blood to compensate, and still got nowhere. An excellently crafted fighting game, and it’s still relegated to the discount bin of history.

Oh, and what finally killed Eternal Champions? Why was there never a third title? Well, there was supposed to be a Saturn version to wrap everything up, but Sega of Japan decided that Sega had too many fighting games (two), Eternal Champions was stealing too much attention from Virtua Fighter, and the eternal champions had to be retired. Sorry, guys, but there’s only room for one fighting game in this company.

Sorry, Eternal Champions. We know you tried everything, but it just wasn’t enough.

FGC #451 Eternal Champions: Challenge from the Dark Side

  • System: Sega CD for Challenge, but just regular Sega Genesis for just regular Eternal Champions. The new Sega Genesis Mini Classic Console is also available, but go ahead and grab the 6-button controller for that one.
  • Number of players: Up to and including two.
  • Favorite Character: Dr. Mitchell Midleton Knight has become the bio-engineered vampire monster Midknight! … Okay, he’s just Spider-Man’s Morbius, but… wait a tick. RAX is Cyborg, Shadow is Elektra, Trident is Aquaman, Blade is named friggen’ Blade… maybe these characters aren’t all that original…
  • Send in the Clowns: This happened.
    AHHHHHHH

    I’m never playing this again.
  • So 90’s it’s Grody: Want to know how to determine this game came out in 1995? Well, there’s a hidden fighter simply known as “The Senator” who exists as a parody of the controversy surrounding violent videogames. And he fights in front of an ersatz McDonalds surrounded by security, an obvious sendup of Bill Clinton’s love of jogging to burger joints. And Senator’s fatality is transforming into an uzi-wielding berserk postal clerk. And they claim memes were invented by the internet!
  • Failure State: Okay, maybe the reason Eternal Champions never became popular was because it was impossible to beat. The final boss is the Eternal Champion, and he’s got eight different “forms”, and they all have to be fought and defeated over the course of two rounds. And if you lose two rounds, there are no continues, you’re just booted back to your original timeline as a Bad End. So win eight continuous fights, or die. And Eternal Champions: Challenge from the Dark Side introduced another, meaner Eternal Champion after the first one, so good luck winning sixteen continuous fights.
  • Favorite Ending: Shadow Yamoto is a corporate ninja saboteur… and her ending sees her entering witness protection and making the world a better place by testifying against her former employer. It’s not exactly the most action packed finale for a ninja, but it does feel pretty right.
  • An End: Also, Crispy the Chicken’s ending involves losing his fortune in the 90’s financial crisis and then selling his eggs for booz money. This is a very dark game.
  • VIDEOGAME VIOLENCEDid you know? In further support of the Eternal Champions Expanded Universe, there were two spin-off titles released. Chicago Syndicate was a Game Gear title that was fairly Shinobi-esque and featured Larcen cleaning up Chicago in a bright green trench coat (the ‘20’s were a different time). And then there was X-Perts for the Sega Genesis, a light beat ‘em up presenting Shadow and her previously unseen team of X-Men wannabes. Both games are… not worth exploring.
  • Would I play again: If I’m in the mood for a distinctly 16-bit fighting game, I’ll choose Eternal Champions. Of course, that mood rarely happens…

What’s next? We’re going to kill some time with a game with the exact same plot all over again. Please look forward to it!

FGC #432 Golden Axe: The Revenge of Death Adder

AND YOU HAVE MY AXEAnd now we’re going to talk about the slimy underbelly of the concept of games preservation: The Legends.

…. And why they suck.

Golden Axe is an interesting series. It started in 1989 as a medieval arcade beat ‘em up. Golden Axe was a pretty fun experience, but it also had the misfortune of being released the same year as the vastly more popular Final Fight. Golden Axe wasn’t exactly a bad game by comparison, but chicken riding and the occasional magic spell somehow didn’t catch the public’s interest in the face of a malevolent version of Animal from The Muppets. When Golden Axe hit the Genesis, it was just a year until we saw Streets of Rage, a vastly and obviously more popular title of the same genre. And then its sequel, Golden Axe 2, had the significant handicap of being released on the same system during the same year as Streets of Rage 2. Decades later, people are still talking about the tight design of Streets of Rage 2. No one is talking about Golden Axe 2.

But Golden Axe 2 wasn’t terrible. In fact, Golden Axe 2 holds a special place in my heart, as, back in the day, my beat ‘em up-addicted neighbor and myself (am I trying to imply that I don’t have a beat ‘em up addiction after writing about four of ‘em over the course of the last month or so?) played Golden Axe 2 solid for nearly an entire year (which is like twelve billion centuries in kid time). GA2 was a two player beat ‘em up that featured a dwarf and murder skeletons, so it obviously had something going on. And, while we barely ever made it to the finale (damn limited credits), we played that title over and over again, because it was just the right kind of mindless fun that is perfect when you’re a kid. You can ride a beast! You can run really fast and headbutt a soldier with a pointy hat! Murder skeletons! That’s some good stuff!

But my holy grail? That was a creature I only ever saw once, hiding in some smoky arcade while crossing the country on vacation. Once, lurking there in the darkness, I saw Golden Axe: The Revenge of Death Adder.

SKELETONS!Golden Axe: The Revenge of Death Adder was released right around the same time as Golden Axe 2. Presumably, it was a divergent title that utilized the full capability of an arcade machine while leaving Golden Axe 2 to wallow in the muck of the Sega Genesis. GA:TRoDA featured branching paths for levels, vertically scrolling areas, and big, impressive sprites. It was a game that had infinitely branching possibilities, and four distinct playable characters that could halt the revenge of Death Adder simultaneously. It was the platonic ideal of Golden Axe. I might have only gotten to play the game for a credit before being pulled back to I-95, but I knew that Golden Axe: The Revenge of Death Adder was the future of the amazing Golden Axe franchise.

But GA:TRoDA never made its way to home consoles. It was never released for the Sega Genesis, Sega CD, or even the Dreamcast. It was not emulated to any Sega collections. It was not released on any Virtual Consoles. It was simply lost to history, a shining relic of the Golden Axe franchise that would one day ask us all to become beast riders. GA:TRoDA fell between the cracks of time, and, in my mind, became a legend of a game that we would always pine for with an unrequited longing.

So I decided to give Golden Axe: The Revenge of Death Adder a spin for this theme week of forgotten games. And you know what? It kind of sucks!

ROCK OUTThere was exactly one thing I remembered perfectly about Golden Axe: The Revenge of Death Adder: there’s a centaur. She’s a horse-lady, she’s got an American Gladiator bopper, and she can switch to regular human legs when she needs to ride a fire-breathing mantis (… what?). However, my memory failed to remember that Dora the Centaur is also joined by Stern the Barbarian (who apparently did not star in any other Golden Axe games despite looking exactly like the other barbarians), Trix the Elf (who is clearly some weird amalgamation of breakfast cereal mascots), and Goah the Giant, who is at best Goah the Maybe Would be Good at Basketball, but is rode around by Gilius Thunderhead, dwarven hero of the previous Golden Axe titles. And that’s a pretty eclectic group! Too bad they all… just play like Golden Axe characters. There are apparently some two-player shenanigans that are available with pairing up, but that’s not going to do any good in single player or in an arcade where it is impossible to shout over the rolling noise of much more popular machines. And, whether your fighters have any interesting moves or not is rather secondary to the glut of absolutely boring opponents that are available. I played this game a whole hour before writing this article, and… I’m having trouble remember exactly what I fought. There were some malevolent trees, and an army of the mask guy from World Heroes… and… uh… I think there was an ogre or two in there? Certainly a number of useless soldiers, but they are available in practically any medieval brawler. Murder skeletons are a given, but they’re on the home consoles, too. And the final boss, the titular Death Adder wielding the Golden Axe atop a castle that appears to be a giant statue of himself, is pretty memorable. Everything else? Not so much.

You'll never get me lucky charmsYet, I spent decades thinking this title, never released on home consoles, was some kind of solid gold Golden Axe gold standard (of gold). It was the beat ‘em up to end all beat ‘em ups, and we were cruelly denied such a glittering jewel, forever stuck with the likes of Golden Axe III (originally only released in the West on the Sega Channel because it sucked so bad) or The Last Action Hero. These were games that were sorely lacking in centaurs! And, while I wondered about the joys an arcade cabinet of The Revenge of Death Adder could bring me, the beat ‘em up genre withered and died on the vine. I would never see such delight ever again.

And then, years later I played the damn game, and it was boring and rote.

And then I played Dungeons & Dragons: Shadow over Mystara, and, apparently, that was the game I was thinking of all along.

I thought there were shops in Golden Axe! Sorry!

Anyway, someone please make every videogame ever readily accessible, or this is going to keep happening. Please and thank you.

I really don’t want to take a chance on playing arcade Willow now…

FGC #432 Golden Axe: The Revenge of Death Adder

  • System: Arcade only, dammit.
  • Number of players: Four! I want to say that other Golden Axes had a maximum of three… but probably just two. Four is important! That’s how many turtles there are!
  • Get 'em!It’s a kind of magic: This is the only Golden Axe title where a magic spell can summon a helpful item, and not just universally attack the screen. Trix the Elf can summon a tree that grants life giving, magically delicious fruit for the party. This adds an interesting “magic equals life” wrinkle to the gameplay… but most of the time you just reflexively hit the magic button when you’re surrounded, and wind up with a lousy bush instead of a mighty dragon. Good effort, Trix.
  • Favorite Character: Did I mention there was a centaur? Dora has all the power of a woman and a horse. And she seems to have really useful magic, too. There is literally no competition among the men here.
  • An End: Gilius Thunderhead leaps from his giant mount and dies delivering the final blow to Death Adder. This is apparently canon for future sequels, and the fighting game, Golden Axe: The Duel, makes reference to this fact. So, see, all those Saturn owners needed a home port to understand the complicated plot of Golden Axe!
  • Did you know? The hero of Golden Axe: Beast Rider is Tyris Flare, the same Valkyrie that appeared in Golden Axe I and Golden Axe II. Even though she doesn’t appear in this game, I’m noting this now because I am absolutely never reviewing Golden Axe: Beast Riders.
  • Would I play again: There are different routes and characters, so every playthrough is different. But not different enough! I can only fight so many murder skeletons, so I’ll pass on another play of this forgotten title.

What’s next? One last non-random choice: Let’s talk about a “forgotten” game that recently came back to us in a marvelous little collection. Please look forward to it!

BANG

FGC #407 Knuckles’ Chaotix

KNUX!Behold the future of Sonic the Hedgehog that never was.

Right from the starting line, Sonic the Hedgehog was known for one thing: goin’ fast. Blast processing was the buzzword (phrase) du jour, and roughly 90% of Sega’s advertising relied on the slick, hypersonic speeds that defined that crazy hedgehog. And, should you have played a Sonic game for longer than ten seconds, you’d immediately notice (and, more importantly, feel) that raw, unbridled Sonic Hustle, so it certainly makes sense that Sega, and the world, focused on the supersonic nature of Super Sonic.

But that means that, starting with Sonic the Hedgehog 2, everybody missed Sonic’s other great innovation.

It's Tails!

It’s that dude there. You know? With the tails? Wait! No! I’m not saying that Sonic the Hedgehog should be celebrated for its eclectic cast of animal buddies; no, my point is that Sonic the Hedgehog innovated in a dramatic way with the introduction of a cooperative, optional, second “player”.

In the context of 8 and 16-bit platformers, Tails is fairly unique. He’s a secondary ally character, but he doesn’t require control. He is often helpful, though also (rarely) a detriment (please do not bring your fox to collect chaos emeralds). He can contribute to the cause, and is effectively invincible (or at least infinitely respawnable), so he does not require protection (in other words, he doesn’t turn the entire adventure into an inadvertent escort mission). And, best of all, Tails does not require a player to “wait their turn” like in Super Mario Bros. or other platformers of the time. Tails is a second player that can actually be controlled at (almost) any time. And Tails is still mostly invincible, so he’s ideal for a pair of real-life humans that are not on the exact same gaming echelon. Or a parent and child. Or babysitter and child. Or Wee Goggle Bob and his neighbor Jimmy, who is terrible at videogames, but really wants to participate. Jimmy kind of sucks, but Tails was an amazing innovation in the gaming world.

So it’s kind of funny that, by and large, the lesson of Tails has been largely forgotten in the gaming universes of yesterday and today. When Mario dips into multiplayer, it’s only with human companions, and they’re generally not as invulnerable as Tails. And if we look back to Sonic’s contemporary Mario game, Yoshi’s Island, we find a title that nearly dropped two players altogether. In fact, it seems the only 2-D action title that cribbed from Tails’ presence was Kirby and his always helpful helper characters. It worked great in Kirby Super Star, and similar gameplay pops up in every other Kirby title, too. And as for Sonic? Well, Tails had a good run until Sonic the Hedgehog 3 & Knuckles, and then he put in a little effort as a sidekick in Sonic Adventure, but past that? 2-Player Sonic is largely forgotten, give or take one of the best games of all time. Which is a shame, because, had Sonic focused on its Tails functionality as its main gimmick, we might have seen an entirely different trajectory for the franchise.

We might have seen a lot more games like Kunckles’ Chaotix.

WeeeeKnuckles’ Chaotix began life as a “for real” Sonic the Hedgehog game titled Sonic Crackers. The original pitch was for a Sega Genesis game that featured Sonic and Tails tethered together by a magical ring. In time, this concept grew into a 32X game featuring the recently introduced Knuckles and his own band of animal sidekicks. The title then mushroomed into something featuring seven playable characters (five if you only count characters that are actually useful), five brand new zones, and another appearance by everyone’s favorite Metal Sonic. But, through it all, it maintained the “tethered ring” gameplay, and, thus, created a whole new way to play a Sonic game.

And, surprisingly enough, the tethered ring features work well. Sonic the Hedgehog always had buttons to spare, so giving the B button over to partner commands is quick and effective. With just a tap, you can command your buddy to stand in place, which is ideal for activating switches or building momentum off your stationary partner. This effectively eliminates the need for the spin dash, and, frankly, it feels damn good to snap that rubber band and speed off at top speed. But wait, there’s more! You can also carry your friend, which is great for when you want to toss your companion straight into a hidden giant ring. Or maybe you want to offer that piggyback ride just because you don’t feel like dealing with the AI right now. That would be unusual, though, as, by and large, your computer controlled friend is generally as smart as ever, and will rarely be a bother. And, while your dude might not be quite as invincible as Tails, he’s still never a burden, and could only, at worst, waste a shield by running into an enemy. In short, this ring partner system seems very well considered, and, when you’re bouncing around like a pair of ping pong balls, it really shows how this version of Sonic could have been amazing.

Unfortunately, it’s a shame that Knuckles’ Chaotix sucks otherwise.

GET READY TO GOIn what would prove to be a prescient move, KC completely eliminates the lives counter, and offers infinite tries for its fifteen levels. Which sounds great… except the game manages to be completely toothless, so every level is overly long and far too uninteresting. It seems like some zones have three, maybe four badniks total. And none of the stages have interesting gimmicks at all, so they all blend together into a single mass of tedious almost immediately. But the bosses are kind of appealing! So it’s another shame there are only six spread across fifteen otherwise boring stages. And, while there aren’t any lives, there aren’t any checkpoints, either, so a loss against a boss means repeating an entire (already tedious) level all over again.

And then there are the special stages. The special stages might be the greatest source of tension in the game, as they are literally the only reason to collect rings (as, again, there are no lives, so 100 rings means absolutely nothing). Every ring grants an extra second in the bonus stages, and, like the rest of the Sonic titles up to that point, completing a special stage means earning one of the six precious Chaos… Rings. Okay, weird twist, but whatever. But what’s important is that each special stage can only be accessed at the end of a stage, so you only have eleven chances for those six rings (boss stages do not host bonus stages). Win those Chaos Rings from the six different, extremely unforgiving special zones, and you’ll win… nothing. No Super Sonic Knuckles. No special character. No Chaos Ring-based bonus. No, all you win is a better ending. And by “better”, I mean “an ending where Robotnik doesn’t conquer your island and burn everything else to the ground”. Miss even one Chaos Ring, though, and Robotnik laughs as a Knuckles Mech hovers menacingly over a burning cityscape. Thanks for playing!

But if you get those rings… maybe everybody didn’t die? At least you didn’t have to watch the carnage…

And if you’ve been saving all along, you can’t even reenter completed stages to correct your mistake. You just get to load your file and rewatch your failure over and over again.

This is neatSo, for some reason, Knuckles’ Chaotix was an enormous failure. It was the only Sonic-esque software on the 32X, and some might even argue that Knuckles’ Letdown was a significant reason the 32X couldn’t maintain support for even a year. And, with the fall of Knuckles, so too did the idea of a Sonic the Hedgehog exploring the depths of its two player mode also fold. There were some great concepts that could have been further explored by a successor to Knuckles’ Chaotix, but they all sunk on this echidna’s ship, and have been lost forever beneath a sea of indifference.

Knuckles, you could have brought a whole new future to the Sonic the Hedgehog franchise, but it was not to be. Now no one will respect Knuckles’ Chaotix.

FGC #407 Knuckles’ Chaotix

  • System: Sega 32X. There have been a number of calls for this title to see rerelease somewhere, but they have fallen on deaf ears. On a related note, like 90% of those calls were coming directly from me.
  • Number of players: Two player simultaneous, for one of the last times in the franchise.
  • Favorite Team: Mighty the Armadillo will give you leprosy, and he’s a Sonic expy, so he’s my number one pal. For his buddy, I’m going to choose Vector the Crocodile, because he had the presence of mind to bring headphones to this snoozefest.
  • This is horribleOther weirdness: The other reason to collect rings is to power a screen clearing special attack that costs ten rings. This is never useful, as there are never enough evil robots around to warrant a screen clearing attack, left alone one that costs precious rings. But you might hit the activation button anyway, and, if you do so with zero rings, you can actually accumulate a ring debt. Name another Sonic the Hedgehog title where you can have -10 rings.
  • Punishing Achievement: You can still access the special stages after earning all of the Chaos Rings, but, as an added challenge, the stages will now be entirely wireframes, with none of the platforms “shaded in”. This makes everything completely impossible, and is maybe the worst thing in an already pretty bad game.
  • An end: If you get the good ending, Sonic and Tails appear as part of the final cast picture.

    Winner!

    Did you guys just show up to hog all the credit after the entire adventure was over? Or…

  • Did you know? There are Super Sonic sprites hidden in the rom. Not Sonic sprites, or Super Any Other Character In the Cast sprites, just Super Sonic sprites. It’s entirely possible those Chaos Rings were intended to summon Super Sonic for a slam-bang ending, but that was cut at the last minute, as adding something interesting to this title would have been just too much effort.
  • Would I play again: You only really need to play a level or two of this game to get the full experience. I will likely fire it up again to do just that, but I doubt I’ll ever take the time to finish this title ever again. I would have to be really bored.

What’s next? Random ROB has chosen… Emily the Strange: Strangerous for the Nintendo DS! That sounds… unusual. Please look forward to it!

Sprite scaling is a scourge

FGC #402 Metal Head

So metalIt’s rare that a videogame so perfectly encapsulates everything about its era of origin.

Many people reading this blog “grew up” with videogames (hi, target audience!). But, for anyone that missed that nonsense, let me give you a rundown: it was terrible. No, wait, it was pretty great playing videogames as a kid, and watching as the graphics and gameplay grew up with our own highly sophisticated tastes (Final Fantasy Tactics is the height of literature, obviously). But one unfortunate side effect of being impressionable children that just happened to want to see Mario conquer a turtle was that we were inevitably exposed to every speck of videogame advertising under the sun. If you wanted to know the latest tips, straight from the pros, you had to also learn that Nintendo is releasing a new line of multicolored Gameboys, the Sega Genesis does what Nintendon’t, and the Sega Game Gear isn’t nearly as bad as your neighbor claims. The sheer volume of videogame advertising seemed dramatically more intensive than it is even today… but that was mainly because, if you were a certain kind of gamer, they might be literally the only advertisements for anything you would ever see.

And, as impressionable children, we were suckers for every damn ad.

Blast Processing might not have actually been a thing, but we all knew that was the only thing that could get that hedgehog going. An experience like Yoshi’s Island could never appear on the ailing Genesis, because it couldn’t produce enough colors. And the gorgeous symphony of Final Fantasy 3? That midi was all Super Nintendo, baby. Nintendo Power probably gave a solid 2-4 page spread a month over to proving all the ways that the Sega Genesis was the inferior product, and Sega Visions was little more than a propaganda rag that maybe remembered to mention Toejam & Earl once a year. As every child was conscripted into the console wars, we all were granted our proper indoctrination.

WHOOP WHOOP WHOOPBut the magazines tended to err on the side of “technical”, which was only natural, as that complete rundown on why Blast Processing was a scam was likely written by a fiercely pedantic nerd. That may have technically been advertising, but it wasn’t advertising. That wasn’t a page of a magazine telling you that the latest game was good because it smelled better than chili dog farts. That wasn’t an ad inviting you to some bizarre sex dungeon because you decided to purchase the latest fighting game. And that wasn’t Play it Loud.

Let’s talk about Play it Loud.

Play it Loud was a reactionary advertising campaign enacted by Nintendo of America. Basically, Sega was eating Nintendo’s console lunch, and it was determined that this was the direct result of Sonic the Hedgehog and the Sega Genesis oeuvre appearing to be more mature than anything offered on Nintendo systems. And “mature” in this case was a very loose definition of the word, as it was more or less a desperate grab for Nintendo to hold on to that kiddy demographic that was now growing into a pre-teen demographic. Thus, like Sonic the Hedgehog, everything had to have attitude. A chubby Italian guy wasn’t going to cut it, and every last Nintendo mascot needed to bear their shiny white fangs. Thus, the Play it Loud campaign did its level best to portray the Super Nintendo and Gameboy releases of the day as loud, attitude-enriched experiences featuring mature, cynical, and downright violent protagonists.

And here are some games advertised under the Play it Loud banner:

Yes, it doesn’t get any more “loud” than fantasy miniature golf with a pink ball baby!

But advertising campaigns are ephemeral, and now, a couple of decades later, barely anyone remembers that Tetris 2 was apparently supposed to be hardcore. While NOA may have been trying to appeal to teens with at least one ad that seemed to be based on nose picking being cool (look it up!), the actual games advertised didn’t contain a sniff of their attached advertising. So, if a neophyte player were to sit down with Kirby’s Avalanche today, they’d have no idea it was once supposed to be Played Loud.

But Metal Head? Metal Head is 90s Sega all the way.

Released upon the 32X in February of ’95, Metal Head starts with a random voice shouting, “Sega!” Then it proceeds to tell the story of a future where all nations have become one, but, I dunno, I guess there are some jerks that are against that, and they’ve got tanks. But we can do ‘em one better, because we’ve got GIANT FIGHTING ROBOTS. So, player, it is your turn to strap yourself into a mech, skulk around the city, and blast anything that moves (or, sometimes, doesn’t move. You will be rewarded for destroying parked cars). And, since this is a 32X game, it’s sharp polygons all the way down, and maybe this game is the entire reason we never saw playable walkers in Star Fox until 2016.

And everything about the game is 1995 Sega as heck.

RUH ROHA real world setting that is just as “real world” as a Saturday morning cartoon? Check. Impressive graphics that aren’t all that great at actually allowing you to see your objectives? Check. Incredibly stilted voice acting? Check. Anime as hell concept, but with Western soldiers and themes? Double check. And the whole thing being touted as some kind of revolutionary title, despite the fact that it’s just a reskinned, lousy version of Doom? That’s a super check. Throw in a blood code, and this title would be the wet dream of the 1995 Sega of America advertising department.

It’s also, ya know, not very good. And, what’s more, it was identified as terrible even at the time of its release. Electronic Gaming Monthly gave it a 4.75 out of 10. That probably means something!

But, despite being a complete turd of a game from start to finish (and, trust me, you’re finished after the first stage, as you’ve seen everything this game has to offer), Metal Head should always be remembered as one of the few games that perfectly captured the shouting, futuristic Sega of the mid 90’s. This was the Sega that would force another company to hoist angry eyes onto a pink creampuff, and that should never be forgotten.

The console wars had many casualties, so let this Metal Head stand as a memorial.

FGC #402 Metal Head

  • System: Sega 32X. I always have a hard time acknowledging the 32X as its own system, because, come on, Nintendo Power told me it’s no different than a Super FX chip.
  • Number of players: So this game advertises two players on the box, but Sega offered an official apology that claimed there just happened to be a misprint that implied the game would be better. One player, whoopsidaisy.
  • Just play the gig, man: Okay, one feature in this game that should be repeated in every game ever is that it has a sound test, but the sound test actually displays an onscreen keyboard to show you how to play along.

    PLAY ALONG

    None of the music is good enough to really warrant such a feature, but, man, I would have killed for such a thing in Final Fantasy 6 back in the day.

  • Favorite Weapon: None of the weapons seem all that different from each other, so I’ll just go with the chain gun. It is theoretically weak, but I was able to take down a tank with it in no time at all, so it seems to do a good job.
  • Did you know? With a secret code, you can make this anime as hell game anime as hell.

    KAWAII

    Metal Head Crisis!

  • Would I play again: Nope! You don’t justify the 32X at all, Metal Head. Maybe I’ll just play Turtles in Time instead.

What’s next? Random ROB has chosen… Contra 3: The Alien Wars! Now there’s a game that can play it loud! Please look forward to it!

DOOM!