Tag Archives: psp

FGC #429 Mega Man: The Wily Wars

There's a man...Today we are going to talk about version erasure.

In a way, today’s game is simply Mega Man 1-3. If you’ve been paying attention to Mega Man releases, you may be aware that Mega Man 1 is available on the following systems: Nintendo Entertainment System, Playstation, Playstation 2, Playstation 3, Playstation 4, Vita, Nintendo Gamecube, Nintendo Wii, Nintendo 3DS, Nintendo WiiU, Nintendo Switch, Xbox 360, Xbox One, Android, iPhone, Windows, and, depending on the software installed, some thermostats. Suffice to say, Mega Man has made his way around the gaming world, and, unlike the other games of this theme “week”, you should have absolutely no trouble playing Mega Man 1-3 in any way, shape, or form.

Except… Well, the devil is in those details.

Yes, you can play Mega Man on many systems and platforms. But the problem lies in the fact that you can only play Mega Man. Did you know that there was an entire version of Mega Man created entirely to accommodate a different screen size/resolution? It’s true! It was Mega Man Powered Up, and it was a reimagining of Mega Man 1, but with new cartoon-y characters and stage layouts designed to properly fit the widescreen future of gaming (that was, apparently, the PSP? No, that doesn’t check out…). It was fun and different and a whole new look at a game that, let’s face it, maybe hasn’t aged all that well. And, while the directors may have made some ill-advised choices (no one wants to hear Fire Man talk. Ever.), the whole experience (complete with Mega Man stage builder) still wound up becoming one of the best titles for the PSP.

But Mega Man Powered Up never made the jump to the Vita, or any other later system. It’s not completely lost, though, you can still dig out a PSP Universal Media Disc and play the title in America. Today’s game, Mega Man: The Wily Wars, didn’t receive the same courtesy.

chugga chuggaLong before the Switch, Vita, PSP, or even the Playstation 1 rerelease of Mega Man 1, Mega Man: The Wily Wars was released for the Sega Genesis in Japan as Rockman World. Much like Powered Up, the goal of Mega Man: The Wily Wars was to release Mega Man, Mega Man 2, and Mega Man 3 with a more modern update. Mind you, “update” for the time was simply revolutionizing the franchise to fit in 16-bits and maybe include an extra background layer or two… but it was still an upgrade to contemporary sensibilities. Nobody was going to sit down with their swank, fresh 4-button Sega Genesis controller and play something that looked like it belonged on the Nintendon’t. The very thought of such a thing! Mega Man: The Wily Wars is a Mega Man for the new, “Sega!” shouting generation of gamers that are not content with the 8-bits of pure garbage that is OG Quick Man.

And Mega Man: The Wily Wars is… pretty okay. On one hand, you’ve got a 16-bit reimagining of Mega Man 1-3, and that is indisputably great. I love me some classic pixels, but it feels like a lot of the original graphics miss the mark when compared to the raw expressiveness of the hand-drawn art of the series. On the Sega Genesis, Robot Masters like Hard Man actually look large and imposing, and the stages actually look like places, and not just random themed-levels. And Top Man’s domain has some tops in the background! That level is starting to make sense!

Getting a little airOn the other hand, from the all-important gameplay perspective, Mega Man: The Wily Wars feels like a photocopy of the original. In fact, it feels like a true “fan game”: a situation where the creators did not have access to the original code, and had to wing it according to fuzzy memories of the original. On a surface level, this is Mega Man 1-3, the end. But for someone that has played through those three titles approximately three billion times (for various reasons), the seams show almost immediately. Some Robot Master Weapons do not work like their previous incarnations (you will whiff on throwing a Guts Block at Cut Man), and some are completely useless (Magnet Missile now clumsily chases enemy bullets). And some of the more cunning platforming sections are significantly less refined: the moving platforms of both Guts Man and Top Man stages are timed just wrong enough to cause a lot of unnecessary death (or sitting around waiting for platform timing spawning to be actually surmountable). Overall, despite the advanced graphics, there is enough perceptible “looseness” to this collection that it feels downright inferior to its 8-bit origins.

Except… someone added a few more levels to this collection. And that change managed to accidentally innovate on the Mega Man formula.

The new stages in Mega Man: The Wily Wars are not that exciting. They are pretty much exactly what you would expect in a game that already features Mega Man 1-3: a collection of stages that seem to randomly join bots, traps, and gizmos from the original trilogy. Needle Man’s needle pointers appear under Bubble Man-esque seas. Snake Man’s cloud platforms appear along Bomb Man’s arcing bullet monsters. Air Man’s cloud riders appear indoors for some reason. It’s all very predictable, and the level design doesn’t offer a single stage that seems to justify the endeavor, either from an “innovative” or “difficulty” perspective. Additionally, the bosses are visually interesting, but… kind of terrible. There’s a bit of the Mega Man spark in there, but you’re a lot more likely to see a Ninja Gaiden-esque situation where the boss gets stuck in some easily avoided pattern while you lay on the mega buster. These additional stages and bosses aren’t terrible, they’re just a stark contrast against the platforming excellence you must complete just to see these stages.

But the unique Wily Wars stages of the title offer one major innovation: Mega Man gets straight up inventory management.

Look at all dem weapons

Mega Man has completed Mega Man 1-3, so the Blue Bomber has every early Robot Master weapon from Guts Arm to Gemini Laser. But ol’ Rocky can only equip eight weapons and three support items at a time! So you, player, have to choose Mega Man’s loadout. Do you take the Ice Slasher to freeze enemies, or the Air Shooter to damage enemies with an aerial advantage? Are you going to stick with the rapid fire abilities of Metal Blade, Quick Boomerang, and Shadow Blade, and figure that having all three is ideal for energy consumption? And what of the utility items? Crash Bomb isn’t very useful, but it will demolish certain walls, so does that earn a slot for helpfulness alone? Want to stop time with a flash, or block some bullets with a leaf? With 22 different weapons available, that apparently allows for *DO MATH LATER, PUT NUMBER HERE* different combinations! That’s more than *PREVIOUS NUMBER ROUNDED DOWN*, and certainly enough to allow for multiple, interesting playthroughs. Mega Man is actually an adaptable robot! Fight for everlasting peace, Mega Man, and find new and fascinating combinations of doing it, too!

This was kind of cool, tooBut, likely because of its lackluster “emulation” of the original titles, Mega Man: The Wily Wars has been lost to history. It’s not even available in the United States in any physical form! MM:TWW only appeared on The Sega Channel on this side of the pond, and when Sega turned off the lights on that early attempt at a gaming streaming service, it took Mega Man with it. So this title only saw a physical release in Japan and PAL regions, and then… never again. Mega Man 1-3 has been rereleased on practically every system since its conception, but only the NES versions. The Sega Genesis version, complete with its revamped graphics and new stages, hasn’t been seen in any way, shape, or form since 1995. It’s just… gone. Potential innovation in a franchise practically as old as gaming itself, and it doesn’t even warrant so much as an easter egg appearance in a single Capcom collection.

Mega Man: The Wily Wars is a fun reimagining of a trilogy of games that have seen rerelease after rerelease. So could we please see this rerelease one more time? Please?

FGC #429 Mega Man: The Wily Wars

  • System: Sega Genesis… kinda. Mega Drive? Did it have a special name in Japan? I should really try researching these things before I start typing…
  • Number of players: Never going to see that 4-Player Mega Man platformer. Just one.
  • Just play the gig, man: Oh yeah! The music sucks! It’s not just Mega Man songs being run through the Genesis sound chip ringer, it’s also the fact that some of the songs are just… wrong? It’s as if the whole thing was composed by someone trying to remember the “lyrics”, but they might repeat a chorus too many times. It’s Mega Man Karaoke. …. Actually, that sounds pretty cool.
  • OinkFavorite (New) Robot Master: Hyper Storm H is a giant blue monster that feels like a refugee from the Mega Man X series. I like him. And he’s technically based on that big pig from Journey to the West, which tangentially means he’s related to Oolong from Dragon Ball Z. That’s another point in his favor.
  • Version Differences: The Japanese version seems to run much smoother (and faster!) than the PAL/English version. Is this an emulation issue? Some part of the core game? Who knows! Sure would be nice to have a definitive version, though!
  • Doing what Nintendon’t: The Sega Channel was an online service that was essentially gaming Netflix. Or it would have been, if it wasn’t usually just really short demos and some kind of variation on Nintendo Power’s Classified Information section (but for Sega games, naturally). Okay, maybe I’m being a Nintendo Kid again; yes, there were apparently as many as 70 playable games on the service at a time… but all anyone ever played was Sonic 3, right? Maybe some Eternal Champions? What’s important is that the service lasted for four years, which is about four years longer than the Dreamcast ever had.
  • Other Forgotten Versions: While we’re at it, how about we see the Saturn version of Mega Man 8 resurface. That version has two extra bosses over the Playstation 1 version, but guess which edition winds up in every collection? We have the technology to bring Wood Man back again!
  • Did you know? Keiji Inafune apparently claims that this was the most difficult game to debug in his career. Maybe it was because he came in late? Maybe it was because the production team had no idea what they were doing? Or maybe, just maybe, it’s because Guts Tank still haunts Inafuking’s dreams, and its reappearance is always a reason to fret.
  • Would I play again: If it were easier to play, I’d likely give it another go. It’s a nice change from the usual, 100% memorized Mega Man experience. It’s not the best version, but it’s certainly a version that deserves to still exist.

What’s next? Hey, at least Mega Man: The Wily Wars got a physical release in some regions before its online service was shut down. How about we take a look at when a game exists only on an online service, and then winds fighting the world of “delisted”? Please look forward to it!

That’s just mean

FGC #401 Final Fantasy 3 (DS)

Final Fantasy!In Japan, the Final Fantasy games are a series of titles gradually moving forward. While they may not be direct “story” sequels, they are sequels all the same, with characters and key events carried forward like an ever-growing tumbleweed.

In America? Final Fantasy is an ouroboros, a snake eating its own tail, with no beginning and no end.

Okay, that’s not completely true, as Final Fantasy has the same starting point in both regions. Final Fantasy was released in 1987 in Japan and 1990, but they were almost exactly the same game. The differences? Barely worth mentioning, like a giant eyeball getting repurposed by the legal department. And there may have been a few spell names modified for less holy audiences, but that shouldn’t be a problem, right? Fire 3 and Firaga are the same thing! Nothing complicated!

But then it gets all too complicated.

The same year that America saw Final Fantasy 1, Japan already had Final Fantasy 3. And, if videogames were like any other medium in history, that would not have been a big deal. Give it another three years, and we’d see our own Final Fantasy 3 with wizards casting NUKE on legions of skeletons. However, consoles wait for no man, and the Super Nintendo was on Western shores by the following year. While the “good old days” weren’t quite as bad as the modern belief that a system should stop releasing new games six months before the release of its successor (hi, WiiU!), it still seemed unlikely that a new franchise/genre would see slow NES releases well after we all experienced the joy of riding a dinosaur. So their Final Fantasy 4 became our Final Fantasy 2, and, riding the high of the newly released SNES, we experienced our first Final Fantasy sequel.

And, honestly? There was never any reason to believe we missed anything.

Shake a legFinal Fantasy is about restoring four crystals, Final Fantasy “2” is about collecting a total of eight (give or take). Final Fantasy had its four fiends, the sequel had Golbez’s four generals. Class changing your party is just like class changing a dark knight. Garland : Chaos :: Golbez : Zeromus. Final Fantasy “2” was a clear sequel to the original Final Fantasy we all knew and loved, and there wasn’t a single bit of the title seemed to indicate we had missed something. Summoners gonna summon, and dragoons gonna jump, nothing more to it.

We likely would have had a similar reaction to Final Fantasy 5… if it ever made it to our shores. But, instead, we received Final Fantasy Mystic Quest, and that “job system” would have to continue to be a mystery for another few years (assuming you never played Dragon Warrior 3). Then we were graced with Final Fantasy 6 aka Final Fantasy 3. And that was kind of a miracle, as we saw the release a mere four months after its Japanese debut. And it was good! It was even great! And… it barely had anything to do with the previous Final Fantasy games! No crystals! No sky fortresses! “White” is “Pearl” for some reason! If we didn’t have a few chocobos running around, we wouldn’t even know this was the same franchise! At least Mystic Quest had a four elementals-based world! What the hell is an Esper even supposed to be!?

But, as confusing as Final Fantasy “3” was, it kicked off the golden age of actually seeing every Final Fantasy game. Final Fantasy 7 was next, and, for the first time, it was actually Final Fantasy 7 on both shores. And then came Final Fantasy 8! And neither of these games had anything to do with each other from a “world” perspective, but there were some patterns emerging. The summons seemed fairly consistent (give or take poor Rumah), and… did these people have reliable vocations? Knights are JRPG staples, but it seems like we keep winding up with a random character that can use monster attacks. Lore? Blue Magic? Whatever, it sounds cool. And there are a few recurring characters and motifs, so, yeah, there’s more continuity here than we thought… right?

Dem BonesSo a funny thing happened in 1999. After fighting our way through five separate Final Fantasies, Square decided to capitalize on Final Fantasy mania and release Final Fantasy 5. In English! And now Final Fantasy Tactics made so much more sense! This whole “job system” thing finally hit America in a “real”, numbered Final Fantasy title, and it was good! … Okay, it was a bit of a letdown for anyone expecting another Final Fantasy with a deep and adult story like what we saw in that game with the talking dog, but at least we know the name of that guy that killed Odin now. Final Fantasy 5 was certainly more Final Fantasy 4 (2) than Final Fantasy 6 (3), but, more importantly, it was another data point on the “what is Final Fantasy” bulletin board. Those dots are starting to connect!

And then, in November of 2000, Final Fantasy 9 blew up the whole damn chart.

Final Fantasy 9, according to various issues of EGM and Gamepro, was the first Final Fantasy game to really look at its past. It was a “return to the old days”, which meant black mages (not really) and crystals (certainly not) were back in business. And, if you were a Final Fantasyologist, the game was just ripe with items and callbacks that celebrated the long and storied history of Final Fantasy. … Except, it was rather impossible for any Americans to get half of those references, as many of the early games referenced were never released here, and, even if they were, current localizations did not match up with Woolseyisms from a generation prior. Final Fantasy 9’s “continuity”, like every other Final Fantasy continuity for Americans, was confusing as hell.

Then, in November of 2006, months after the release of Final Fantasy 12, we finally filled in the last gap with Final Fantasy 3 for the Nintendo DS.

Get 'em!And it all made so much more sense! Final Fantasy 3 is the clear prequel to our beloved Final Fantasy 4 (2)! In fact, in some places, Final Fantasy 3 makes its world more interesting than what you’d find in its descendant. Final Fantasy 4 has multiple airships, but Final Fantasy 3 has multiple airships that really matter. The overworld/underworld dichotomy of Final Fantasy 4 is neat ‘an all, but it’s nothing compared to a floating island and the time-locked hellscape down below. And, while Final Fantasy 4 inarguably has the better Cid, Princess Sara is a much better damsel/fighter than Rosa. I don’t care if you put a ring on an archer on the moon, Cecil, your fiancée is basic. Oh, and I guess there are a number of recurring monsters between the two games, too. Playing Final Fantasy 3 for three seconds is deeply reminiscent of Final Fantasy 4, and that’s obvious from practically the first moment.

But Final Fantasy 3 doesn’t just impact Final Fantasy 4, it’s also the origin point of a lot of series staples. The Summoner job got its start here, and, with it, the myriad of summons that have been skulking around the franchise for decades. And it’s not just cosmetic! Bahamut is rightfully venerated as the lord of all summons for the first time, and Odin is hiding in a castle basement. Even Leviathan gets his own magical lake. This is also the first place we found a fat chocobo and the slam-dancing teddy bear race of moogles. First Final Fantasy with a playable piano! First Final Fantasy with thieves that can actually steal (or be useful at all)! First “bonus treasure dungeon” in the franchise! It all started here!

Or… did it?

If you want to play Final Fantasy 3 in America (legally), you must play Final Fantasy 3 on the Nintendo DS (or the PSP/Mobile port of the same version of the game). This is important, as Final Fantasy 3 is obviously not its NES ancestor. The graphics have been upgraded, the “anonymous” heroes of FF3NES have all been upgraded to have their own personalities and motives, and the iconic Onion Knight job of the original release has been relegated to an impossible sidequest. Even if you know next to nothing about the original Final Fantasy 3, you can immediately see the difference between the two titles.

I can't tell the difference!

That creates… doubt. The Final Fantasy series loves its references! Final Fantasy 9 wasn’t the start of that nonsense, you could argue that the series was drowning in callbacks as early as, well, Final Fantasy 3. But it’s impossible to “trust” this Final Fantasy 3, because, without Final Fantasy 3 NES handy, how are we supposed to know if a reference was added before or after the remake itself? Ricard of Final Fantasy 2 (J) has the same last name as Kain of Final Fantasy 4 (J) and Cid of Final Fantasy 7! Which came first? It’s not the one you think! So who inspired who? Where did it all start? I know time flows like a river, but usually you can find a starting tributary somewhere.

Final Fantasy!And this is how American Final Fantasy became twisted up like a pretzel. We didn’t see Final Fantasy 2 until after Final Fantasy 7, and Final Fantasy 3 came after Final Fantasy 12. Thanks to inconsistent translations and a pile of internet hearsay, it’s nearly impossible to know where a name or character got their start. Final Fantasy is a snake with no beginning and no end, and we’ll never be able to measure its scales.

But, hey, the games are all pretty fun, so don’t worry about it.

FGC #401 Final Fantasy 3 (DS)

  • System: Nintendo DS, technically, and a port of that version for PSP and mobile devices, too. The original Final Fantasy 3 is theoretically sealed in the NES (or Famicom), but it did see a rerelease on the Japanese Wii Virtual Console, so I don’t trust Square at all.
  • Number of players: One Onion Knight to rule them all.
  • Maybe actually talk about the game for a second: Kind of talked about every Final Fantasy game except this one, eh? Final Fantasy 3 is a good “prototype” game, but I feel like everything that makes this game good is done better in Final Fantasy 5. And, yes, I’m predominantly talking about the job system. Final Fantasy 3 can’t seem to decide whether it wants to be a Metroid (wherein new skills/jobs must be used to unlock new areas) or a Mega Man (all cool abilities are completely optional, and may be used whenever you want). What’s important is that I never want to see a mini cave again, and I can’t believe they produced a remake of Final Fantasy 3 without further improving the equipment/equipping system.
  • Somebody get me a mapJust Play the Gig, Man: Final Fantasy 3 does seem to have the best music on the NES (or of the NES titles, if we want to get technical). Unfortunately, since it wasn’t a part of my childhood, I don’t give a damn. Sorry!
  • Favorite Character: In this case, it’s “characters”. The Old Men are just trying their best, and should be lauded for attempting to save the world despite having absolutely no skills and a comprehensive inability to leave their home town. They’re trying!
  • Monster Rancher: Anyone notice that the monsters of this Final Fantasy are overwhelmingly Grecian, but you barely see such a thing in other Final Fantasy titles? Okay, maybe Medusa winds up in every videogame ever, but she’s actually featured here, along with Cerberus, Scylla, and Echidna. Uh… not Knuckles.
  • Future of Fantasies: It’s also bitingly obvious that this is where the Bravely Default team got their start, as Final Fantasy 3 DS is the clear origin point of about 90% of that gameplay (and maybe some of the graphics). This is rather amusing, as a single franchise entry that was nearly forgotten somehow started its own mini franchise. Way to go, underdog!
  • Did you know? “Luneth” is not the returning Final Fantasy 3 rep for Dissidia, as that honor goes to the original Onion Knight. This is an unusual bit of Square ignoring its more accessible “franchise” for a version that will never be seen again, and seems to confirm that SE doesn’t give a damn about this entry in the greater Final Fantasy pantheon.
  • Would I play again: Nope! Final Fantasy games are long enough without all the little kludges that keep FF3 going. This is an interesting title to help us all learn of the mysteries of the franchise, but it is right up there with Final Fantasy 2 (J) for “never make me play this again”.

What’s next? Random ROB has chosen… Metal Head for the 32X! That… that was a Ninja Turtle, right? Uh, please look forward to it?

Final Fantasy!
What am I even looking at?

FGC #293 WTF: Work Time Fun

Work Time Fun!Hyperbole has been the domain of videogame opinions practically since the invention of the medium (“Pong is the best thing ever!”), so it’s only natural that, somewhere along the line, a number of people started comparing videogames to work. It’s fun to play Super Mario Bros, but beating every single stage without warp zones? That’s work. Learning the exact death wall sequence in the Turbo Tunnel? That’s work. Wasting ten hours on putting Yiazmat in the grave? Totally work. Couple this with the innovation of trophies and achievements, and you could forgive someone for seeing that all-important “100% completion” achievement as work. And I can’t blame ‘em! 100% Completion in Final Fantasy 13 requires acquiring every item and forging every weapon, which I think can only be accomplished with an Excel spreadsheet and hours of battling trash mobs. Could that be described as anything but work?

But let’s revisit that Final Fantasy 13 example. In order to accomplish that 100% completion, you, player, are commanding a trio of magical warriors to fight voracious coyote monsters in life or death battles. At the end of each battle, you are rewarded with mystical crystal points and piles of crazy crap that may or may not aid you in your goal of collecting every damn thing on one of two unreal planets. Does that sound like work? In a way, maybe, but everything sounds a little more… fantasy than the usual drudgery of the office. And that’s what videogames are: they’re escapes, they’re fun, and those trophies aren’t there to turn a magical land into a dreary workplace; no, trophies are there to give you one more reason to return, one more excuse to hang out with Lightning and Hope and all your friends from this game world. They didn’t make sixty Mega Man games to keep you mindlessly glued to the couch, they made ‘em because they knew you wanted to spend more time with the Blue Bomber and all his big-eyed buddies. Videogames aren’t work! Videogames are fun!

And I know this because I have played WTF: Work Place Fun. This game is fuggin’ work.

You're outVideogames are fun, and that’s because they’re designed to be fun. Something like Venetica might be a useless slog of a game, but somewhere, somehow, someone thought there was a way that was going to be entertaining. Let’s face it: videogames exist to make their makers some fat stacks of videogame cash, and the best way to get a piece of that pie is to get people talking about your game for some reason other than mocking it on Youtube. Castlevania is so fun! Let’s go play it together! … Or something like that. Thus, despite a number of games that people claim are simply there for “trolling the player”, all videogames are meant to be fun, even if the fun may come from some unexpected sources. Mario’s fun is obvious, and Freddy Fazbear presents fun in a very different, very bloodcurdling way. Videogames are like a theme park: whether you’re on the merry go round or the rollercoaster, one way or another, you’re finding a way to enjoy yourself.

But WTF isn’t the merry go round or the rollercoaster. WTF is… waiting in line. WTF might actually be getting puked on by the kid getting off the rollercoaster. And that kid’s name is Randy, and he had so many skittles today, you wouldn’t believe it.

Conceptually, WTF is basically like Warioware: you are presented with a series of minigames, and part of the challenge is not only the obvious “complete this minigame” but also figuring out exactly how to master this game in the most efficient way possible. Yes, you can just hammer the X button, but is that really the way you want to go? Oh, wait, sorry, it’s time for another minigame now, forget everything you just learned and try this new game. And, yes, without question, that kind of gaming can be fun. Ultimate Nintendo Remix might be my favorite game of the last generation for exactly that reason, and, inclusion of Little Mac or not, WTF has every opportunity to be just as fun.

Count for me!But, despite the title, WTF is not fun. WTF takes its minigames to absurd extremes, and challenges the player not to survive or get the high score, but to obtain an insane score in the face of overwhelming boredom. The best example of this design theory is Pendemonium, a game wherein you are tasked with putting caps on pens. That’s it! Sometimes the pens are upside-down, and you have to press a button to flip said pen. That is the one and only challenge of Pendemonium. With a good rhythm, you can probably efficiently cap 1,000 pens in about twenty minutes. Twenty minutes. Just pen capping. And if you want to go for the high score, good luck, because the counter appears to enter into the billions. Assuming I’m doing my math right here, that means you could 100% complete this game sometime around the end of the Trump administration. Oh, and I’m talking about Ivanka. She’s due to be elected in 2032.

And Pendemonium is not an outlier. There’s a baseball minigame that involves catching fly balls… but there will be a number of pop flies that don’t remotely require movement. There’s a game that is based on sorting an endless, monotonous supply of chicks (to be clear, that would the small, chirpy kind of chicks). And, yes, there is certainly a game that includes all the fun of watching clay harden in a kiln. And the more active games aren’t much better, as they’re mostly do-or-die affairs where you’ll fail within the opening moments. Or maybe you would enjoy playing Simon Says with a group of burping muppets, or counting random people on a street crowded with anthropomorphic ducks and aliens. It’s pretty bad when the most fun you can have in this game is with a vague recreation of Frogger.

But, then again, that’s the point.

THIS IS BORINGWTF is a sin eater for its videogame brethren. WTF is not meant to be fun, it is meant to illuminate exactly what can go wrong in other videogames. Impossible goals and boring gameplay are the antithesis of what any videogame should feature, and WTF revels in that depravity. Mary-Kate and Ashley: Magical Mystery Mall is not trolling the player, that was somehow meant to be fun. WTF is a videogame that is trolling the player. WTF is work, and it celebrates the pain of putting too much effort into a teeny, tiny paycheck.

Work Time Fun is a deliberately bad game so that we know that other games are fun.

FGC #293 WTF: Work Time Fun

  • System: PSP. I assume this is also available for the Vita in some way or another.
  • Number of players: Like so many forgotten PSP games, WTF has online and local multiplayer options for trading items and competing against each other. Also, like so many PSP games, no one has ever found another person with a PSP to actually try these features.
  • Favorite Minigame: Mushroom Crossing is pretty much just Frogger, and, thus, pretty much okay. Look, in a game that is actively trying to kill you at all times, you take what you can get.
  • What’s in a name? In Japan, WTF is known as Beit Hell 2000, or, basically, Part Time Job Hell 2000. I want to additionally note that this game was released in 2005.
  • Hot chicksDid you know? I don’t think anyone would play the Persona series if Protag’s after-school jobs were anywhere near this annoying.
  • Would I play again: I actually might if this winds up as a downloadable title on a system I actually use portably (so that rules out the Vita). Though I really doubt we’ll be seeing WTF3D, so probably not.

What’s next? Random ROB has chosen… Skullmonkeys for the Playstation! Monkeys, clay, and monkeys made of clay for days! Please look forward to it!