Tag Archives: one player

FGC #397 Friday the 13th (NES)

STABWe all live under petty delusions. How many people could you take in a fight? Your answer is a lie, and you know it. Are you a good driver? Ha ha, of course you aren’t, and everyone knows it. And I don’t care if you’re an accountant, I’ve seen your home, you are terrible with managing money. How else could you explain that Smash Mouth Discography Box Set? Of course it was on sale! No one on Earth would actually buy such a thing otherwise!

But one delusion we all seem to share is the fantasy “if I had it to do it all over again”. And I’m not just talking about past loves or lost jobs or whatnot in this situation; no, I know one misbelief we all share: “If I went back to high school with what I know now, I would totally rule.” Look, I’m not saying that some manner of time travel hijinks wouldn’t guarantee a re-teenaged you becoming the ruler of Stupid Regional High School, but there is a bit of a caveat to that thinking. It might be easy to use future knowledge to inform the star quarterback that he’s going to work in a convenience store for the rest of his life before he finally gets fired for stealing gum, or reveal to that cheerleader that she is actually going to marry the smelly kid, but, even beyond that, we all think we’ve gotten cool in our old age, right? We now know that members of our desired sex are just as confused and stupid as we ever were, so it would take zero effort to be a “stud”. We know that getting in trouble is a fake idea, so maybe missing one homework assignment wouldn’t sink the “your whole future is ahead of you” ship. And, possibly the most important truth of all, we all know that high school isn’t the beginning and end of the world, so maybe it’s okay that Suzie Steinberger doesn’t hang out with you anymore. In short, we all believe we could be the sovereign, but only with the power of wisdom that has come with age.

Find your way!And it’s all bullshit, because of course “do-over you” would just find new and exciting ways to screw up in ways you could never imagine. High school sucks, man, and I don’t care if you’re 15 or 50, you’re going to get sucked into the suck-o-sphere.

Today’s game is Friday the 13th for the NES. This game was an inextricable part of my childhood, as it was one of the few NES games I owned back in the day. I also distinctly remember hating the game. I never beat Friday the 13th. I never got past the first “level”. I played with my neighbor/best friend, and we, combined, never got anywhere. I played with my neighbor’s older brother (who was really good at videogames! He beat Simon’s Quest without codes!), and he was able to score a machete, one time, and we couldn’t figure out how he did it. And he couldn’t figure it out, either. So he never got anywhere. And, all the while, we were playing a game that constantly punished us for even trying. Grand Theft Auto might be afraid to have kids in its murder-based universe, but there are children all over Friday the 13th, and Jason is murdering them constantly. I was barely out of primary school, and I was watching my peers die! And I couldn’t do a thing to save them! God, I hate this game!

I suppose I should describe this adventure for anyone that hasn’t had the pleasure. What we have here is a fairly basic action/platforming game twisted into a proto-survival experience. You may choose to play as one of six camp counselors, and it’s your job to venture around Camp Crystal Lake and stop Jason, the unstoppable (hey!) axe-wielding maniac in a hockey mask. While you’re exploring the campgrounds, Jason may attack any of the five defenseless counselors you’re not currently controlling, or a cabin full of a limited number of children. Jason is a literal murder machine when you’re not keeping an eye on him, so this isn’t a “losing health” situation, it’s a “get there right now, and save the children, or they’re all going to die” dilemma. When the HUD starts teasing that Jason is after someone, you better book it over to their location, or you’re going to have a body on your hands in about a minute.

Too wetNow, the trick here is that, while you’re supposed to permanently stop Jason, there’s no clear indicator on how to do that. You’re welcome to explore the campgrounds to your heart’s content, and you’re going to find some useless tips, medicine, and maybe a dagger, but there’s no obvious sign of “this is going to work”. When you encounter Jason, he will lose health if you fight back, but, at a certain point, that just stops. Then what are you supposed to do? Search the area? Defeat the random zombies that are wandering around? Maybe sneak past a wolf and explore one of those cabins in the woods? It’s not crystal clear at Crystal Lake, and, while you’re trying to figure everything out, Jason is slaughtering your comrades. That is not a situation that is very conducive to deductive thinking.

But it turns out there’s an answer. In fact, the game outright tells you what to do right from the start: go to each of the large cabins, and light the fireplaces. Once you’ve done that, you’ll be given a flashlight. Use that flashlight in the cave (basically the only “dark” area in Camp Crystal Lake), notice that there are now secret passages all over the place, and use ‘em to almost immediately find Jason’s Mom(‘s head). Murder the flying head (because how else are you supposed to interact with a giant, floating cranium), be rewarded with a machete, and then machete kill Jason until he don’t move no more. Repeat as necessary, and the kids are going to be all right.

And it’s just that easy! Looking back on the game now, and realizing that, if you know what to do, you can beat the game in under an hour, it seems almost absurd that Wee Goggle Bob couldn’t defeat the undead menace. After all, I was able to beat Contra (with 30 lives), every stage in Super Mario Bros 3 (except that one in Ice World), and end the Chaos menace (with a strategy guide) all before I hit puberty, so what was the big deal with this game? You can describe everything you need to do in a paragraph. I could have totally done that!

And that’s when you realize applying modern reasoning to your own past is not reasonable at all.

AH!Let’s revisit those “simple steps” with the technology (and actual game) of 1989. You’re supposed to light those fireplaces? Well, that’s great, but there is absolutely nothing that logs your lit fireplaces, so if you miss one cabin, you’re going to be searching the entire world over and over again. And not all of the cabins “count”, either, as there are hidden cabins in the woods that don’t impact anything. Want to waste all your time wandering the forest for no reason? That’s always fun! And the cave? Sure, Jason’s Mom is easy to find if you know where to look, but that’s another maze that could potentially be explored for hours without finding the exactly one room that actually provides a reason to be there. And Jason! Sure, the machete (and the later pitchfork) will actually eat chunks of Jason’s health, but it’s kind of hard to focus on that bar when a knife wielding maniac is hurling hot death directly at your face. And all the while, a constant stream of zombies are popping up everywhere, so you’re very likely to lose your councilor’s life not to the imminent threat of a mobile hockey mask, but just the mundane attrition of zombie bites. In other words, this entire game actively wants you to fail, and does absolutely nothing to guide the player.

STABBYSo let’s be honest with ourselves. High school? Childhood? It was always going to be rough. Sure, we’ve got a manual in our heads now, but no such thing existed when it would have actually helped (“What about all that advice you got from your parents?” “Ha ha, who would listen to them?”). In the same way that the campers of Crystal Lake were always going to be doomed, you were always fated to screw up, date crazy, and maybe drive your car through your geometry teacher’s living room. It was inevitable! Some things may look easier in hindsight, but there, in that moment, there was never anything you could do. Imagining playing the game as an adult is a different experience from actually being there.

And, while we’re at it, stop thinking a machete is going to solve everything .

FGC #397 Friday the 13th (NES)

  • System: Just for its reputation as one of the worst games of all time, it’s kind of amazing that Friday the 13th for the NES hasn’t seen any systems other than the NES. Maybe the curse demands it has to be properly contained?
  • Number of players: Just one. Back in the day, when practically everything was 2-player, whether it made sense or not, this was another major check in the minus column.
  • Unsolved Mysteries: I have no idea where this game came from. I mean, in my own collection, not its existence at all. It was a game I’ve owned (and hated) since childhood… but who bought it? My parents were savvy enough to not ever risk a horror movie based game, and my grandparents usually only took recommendations from those previously mentioned parents. I don’t have any weird uncles… Huh… Maybe it just… appeared one day…
  • Say something nice: This might be the first game I ever played that involved choices for characters of varying gender, skin color, and body shape. It only really meant that my friends and I got to continue being childish assholes (“You play as the fat kid, because you’re fat, fatty!”), but, looking back on it now, it might be one of the few NES games where you could actually choose to be a woman or a person of color over “generic white guy”.
  • Other Good Things: None.
  • GROAKFavorite Weapon: I remember there being a fire weapon somewhere in the game… but damned if I can find it now. There are hints scattered around the campground alluding to such a thing, too, but… Dammit, I am not looking at a FAQ for this stupid game again.
  • An end: This game is artificially inflated by requiring three separate Jason kills. This is fairly appropriate, given the source material, but it’s also inordinately anticlimactic when you finally beat Jason, and the narration just says, “Yeah, he’s dead this time.” At least you win! (?)
  • Did you know? This title is considered a canon “sidequel” to Friday the 13th Part 7: The New Blood. I never really enjoyed the Friday the 13th films (that weren’t based in space), so I have no way of verifying this bit of trivia. I was always more into the television series that no one ever remembers.
  • Would I play again: Never! I might know what to do, but I don’t want to do it ever again.

What’s next? Random ROB has chosen… Jr. Pac-Man for the Atari 2600! Running from Ghosts: The Next Generation. Please look forward to it!


FGC #392 Rocko’s Modern Life: Spunky’s Dangerous Day

FGC Day is a very dangerous dayWhen I started this blog, I told myself I would not be another “angry gamer” that rants and raves and mocks bad videogames. I genuinely believe that every videogame has something to say, and, even if there are some flaws, there’s always something “there” there that is worth celebrating. I have slipped on a few entries (look, Dragon Warrior made me mad, okay?), but I have, more or less, done my best to stick to this self-inflicted credo. Maybe not all videogames are good, but you can always find some goodness.

But a funny thing has happened over nearly 400 FGC entries. I’ve played at least three different videogames a week for at least a half hour each (and often, much, much more time), and, after a while, I’ve started to have a different standard for good. By and large, nearly every FGC game is a game I have played before “playing for the article”, but, even when I’ve reencountered games I know I don’t like, I’m able to see the developer intent. It might not be a game I enjoy, but I can see how someone could enjoy this game. In this way, I feel like my own feelings on certain games (Turok sucks) have softened (Turok is misguided), and I’m now even more likely to see the “good” in a game.

All that said? I cannot see how anyone could ever enjoy Rocko’s Modern Life: Spunky’s Dangerous Day.

He's going to be very cleanFirst of all, to be absolutely clear, I love Rocko’s Modern Life (the animated series). I loved it when I was a kid, and now, even as an adult, it is a show that I can revisit and laugh my tail off. It was the first Nick Toon to follow the original bumper crop of Doug, Rugrats, and Ren & Stimpy, and it arguably tried to ape some of the success of that latter’s “gross out” humor. But it wasn’t just about the scary looking eyeballs, Rocko’s Modern Life was true to its title, and was basically the story of a young adult male attempting to navigate “modern life” and all the pitfalls one might find in something as mundane as getting a gym membership. In many ways, Rocko’s Modern Life was like the “no continuity, characters in a million different roles” cartoons of the golden age of animated shorts, but, in many other ways, there were characters and arcs you could hold in your hands. Filbert grew and changed from a random comic book nerd to a loving, married father, while Chuck & Leon were repurposed for any nefarious scam they needed that week. And it all worked! Rocko’s Modern Life was a tour de force of humor for children and adults, and, to this day, we must all remember that the cheese is the best character on the show.

So, given Rocko’s Modern Life is so great, you might assume that Rocko’s Modern Life: Spunky’s Dangerous Day is so bad because it somehow doesn’t follow the source material. After all, according to production sources regarding the creation of the game, RML:SDD was designed before the show was officially released, and all the game’s staff had were a series of character and episode outlines. That’s enough to sink any ship, especially one that started before the source material had even premiered. What do the fans want to see? What do they enjoy? Who the heck knows, the fans don’t exist yet. By the time RML:SDD was released, Rocko’s Modern Life had only been on the air for six months and thirteen episodes… and we all know it takes more than six months to release a videogame.

NaaaaaakedBut even if Viacom New Media had a firm grasp on the fanbase, I don’t think anyone would have claimed they wanted an unending escort mission with the slipperiest controls imaginable.

Rocko’s Modern Life: Spunky’s Dangerous Day is, at first glance, a 2-D action platformer. And that makes sense! This was the 16-bit era, and everyone had 2-D platformers! I’m pretty sure Ren & Stimpy had six across seventeen different consoles! And this was the grand age of the mascot platformer, so even if Rocko the Show was a dud, it was entirely possible that a decent 2-D platformer could drag the character into the gaming hall of fame. But RML:SDD contained a fatal flaw: the entire game is crap. Wait, sorry, that’s not right. The flaw is that the entire game is an escort mission. Spunky, Rocko’s dog, is constantly, uncontrollably waddling forward, and you must guide the mutt to the safety of the end of the level. Along the way, Rocko must utilize different tools, levers, and rafts to make sure Spunky doesn’t walk right into an angry sailor bird or drown in a puddle of toxic goo. If you’re good, Spunky will reach the golden fire hydrant, and you can proceed to the next Spunky-based challenge course. If you fail, you’ve just killed your dog, you monster.

And there’s probably a good game somewhere in that concept. An escort mission doesn’t have to be horrible, and a game entirely based on that concept could at least be… passable. And RML:SDD does avoid the pitfalls of many escort missions, as it allows you to interact with the “escort” target in meaningful ways (like turning the pupper around), or restoring health for when the lil’ dude’s AI has done something particularly heinous. And, considering the escort mission focus, there are a number of items and events that make the escort gameplay bits more interesting. A clogged garden hose that will launch Spunky into the air would be little more than a “jump block” in a traditional platformer, and it’s great that the nature of escorting gets the player to pay more attention to an otherwise easily ignored environment.

WhoopBut, for all the fascinating ideas on display, RML:SDD controls like a Suck-o-Matic. Rocko is naturally slippery, and the camera refuses to zoom out far enough to account for those mighty wallaby jumps that might ram square into a hazard. Rocko picking up Spunky is completely required in a number of situations, but lining Rocko up perfectly to perform that all-important pickup is a challenge all on its own. And, worst of all, a number of the devices for helping Spunky along have very particular hit boxes, so, if you jump on the trampoline du jour at an inopportune moment, it will not assist Spunky, and will instead give the impression that you’re on the wrong trail. That didn’t help at all… maybe I’m supposed to go somewhere else? Nope! You just didn’t use the item exactly correctly, and now you’re going to search the stage for an alternate solution that doesn’t actually exist. Good luck, humble player!

And, to be clear, none of these issues are based on the (then fledgling) property itself. The enemies and areas that do appear are delightfully animated, and feel like “real” Rocko’s Modern Life characters. Important (first season) characters cameo all over the place, and the levels are, one way or another, based on actual episode situations. Even if the stages are very samey in their various tools and opponents, the actual set design seems eclectic enough to keep the player’s attention. Despite the whole game flying fairly blind on the appeal of Rocko’s Modern Life, everything feels like Rocko’s Modern Life, so it’s an excellent tie-in product from that singular perspective.

Turtle!But the actual gameplay? Terrible. Awful. As someone that has played a lot of videogames, I literally cannot believe anyone has ever had a fun time playing this game. Every last bit of every level is tedious and frustrating, and, when you finally “win” a stage, it feels less like an accomplishment, and more like you just managed to eke out a victory thanks to a random enemy sprite not spawning fast enough. Even with just four levels comprised of four stages each, this title feels overly long… And does so before you see your first goalpost.

There might be fun to be had in Rocko’s Modern Life: Spunky’s Dangerous Day, but it would take a really, really big man to see even a glimmer of it.

FGC #392 Rocko’s Modern Life: Spunky’s Dangerous Day

  • System: Super Nintendo exclusive. This is clearly what won the console war.
  • Number of players: It would be interesting to hack in a mode wherein a second player could control Spunky. It might be the only way to pry some fun out of this whole enterprise.
  • Other odd choices: O-Town is level three. Either start or end with the home location, guys! And then the final level is a Laundromat? Did you think that would be exciting for anyone?
  • So, did you beat it? Yes, and the “final boss” is a series of four drying machines. At least you can’t say that about most games…
  • Favorite Rocko’s Modern Life episode: It may be more saccharine than the typical Rocko fair, but I really enjoy the Christmas special. Is it entirely because of a cybernetic, laser-spewing robot Santa? Maybe.
  • Did you know? Joe Murray, creator of Rocko’s Modern Life, was once asked by a Nickelodeon executive to add “a professional woman, someone with a good hook.” So we got Dr. Hutchinson, a female dentist with a hook for a hand. God, I love this show.
  • Would I play again: Never, ever again. Terrible, terrible game.

What’s next? Random ROB has chosen… Punch Time Explosion XL for the Nintendo Wii! From Nickelodeon to Cartoon Network! Let’s see if there was any improvement in licensed properties in the intervening years. Please look forward to it!


FGC #387 The Death and Return of Superman

SUPERMAN!The Death and Return of Superman is a singular event in comics and videogames.

But not for the reasons you think…

First of all, let’s address the inevitable vocal nerd in the room. You might not comment, you might not say it out loud to anyone in particular, but I see you, comics nerd, because I am right there with you and your inevitably contrary opinions. In this case, my imagined strawman is spouting off the modern response to The Death and Return of Superman: “it doesn’t matter anymore, every comic book character dies”. And that’s true! In the current, modern age of comics (so defined as “any comic that came out after Iron Man: The Movie made Marvel a mint”) pretty much everyone has died and been revived in one manner or another. Spider-Man was mind-killed (but got better), every Green Lantern was killed and/or banished at one time or another (they’re all cool now), and even the Human Torch died and was revived in an event absolutely no one cared about. Death means nothing in modern comics, and even some of the “perennial” deaths have been overturned. Jean Grey is back as a teenager and a head-sock wearing adult, Bucky Barnes is an (apparently) immortal cyborg, and, despite the presence of like sixteen Wolverines across the X-franchise, it appears “regular” Wolverine is going to be back in action shortly. Death holds no sway over the comics page, and it’s a shock when Professor X actually stays dead for longer than ten minutes. Remember that time he got shot in the head, and it cured his paralysis? Good times.

So The Death and Return of Superman should have lost some of its luster after a thousand imitators. Heck, it wasn’t original in the first place, as it wasn’t even the first time Superman died. He used to die every other week back in the Silver Age of Comics! I know that sounds ridiculous, but, come on, if you found out your marriage to a gorilla (which only happened because you were cursed with a lion head) was legally binding, wouldn’t you rather conquer death before having to familiarize yourself with gorilla divorce law? Just leave your will etched into the moon, and you’re good to go hang out with mermaids again. WeeeeePoint is that Superman was never going to stay in the grave, and, while there was a bit of buzz over “how does he die?” and “how does he come back?”, The Death and Return of Superman was never going to be all that original an idea right from its inception. It started as a writer’s room joke! The entire thing happened so they could sync a comics wedding with a television wedding! This whole event should have been more doomed than Superman!

But… it wasn’t. Whether it was because of a surprisingly focused media campaign or just a bunch of nerds really interested in watching Superman bite the big one, The Death of and Return of Superman was a cultural event. Actually, it was probably that “Death” that was more read than the inevitable “Return”, but it’s likely at least 12% of that audience stuck around to figure out exactly why Clark Kent suddenly had a mullet. And, by comic book numbers, that’s an unprecedented success! Superman dying reinvigorated the whole of DC Comics, and paved the way for all sorts of amazing new story ideas and characters. Remember Kyle Rayner? Please say you do!

And, as an inevitable side-effect of being popular in the mid 90’s, The Death and Return of Superman got its own Super Nintendo/Sega Genesis game. This, taken on its own in 1994, should not have been a surprise. What is a surprise is that, in the intervening (nearly) 25 years, we haven’t seen a single other videogame based on one single comics arc.

That… is a bit absurd.

OuchFor those of you that don’t follow comic books, comic “arcs” are frequent, numerous, and often define a solid six months or so at a time. Because it’s difficult to write new and interesting plots every month, comic books often pursue arcs that are generally based on one hero battling one villain… but a lot of little problems get in the way for issue after issue. Often times, these arcs are transformed into “events”, and an event comic sucks every other comic it can find into its orbit. It’s not just about Batman fighting Joker, it’s about Joker infecting every other villain he can find, and, this month, The Flash has to battle Captain Cold, but he’s wearing clown makeup, so that’s new and interesting… right? These events are frequently just an excuse to goose the sales on good but publicly ignored titles (“This week, Yellow Lanterns fight The Blue Beetle! Next week: The New Gods!”), and, while we’re at it, maybe get some buzz from the fans thanks to some killer pull quotes like “things will never be the same again” or “Radioactive Man dies on every page”. Again, it’s all been watered down after years (decades) of repetition and hyperbole, but it appears to be the lifeblood of the superhero comics industry. Marvel Comics without sporadic events where everyone turns out to be a Nazi would hardly be Marvel Comics at all.

What happened here?But, for every giant arc and epic event that has gone through DC and Marvel comics, barely any have made the leap to videogame land. What’s more, of the few arcs that made the transition to pixels (and weren’t just based on movies that came out a month prior), all of those stories were rewritten and repackaged as more generic adventures. It’s not “The Fantastic Four battle Galactus”, it’s “Marvel Superheroes”. It’s not “Spider-Man vs. The Green Goblin”, it’s just “Spider-Man”. And when he teams up with the X-Men… it’s not exactly because someone loved that time Arcade built his latest Murder World, it’s entirely because some company wanted to smoosh two super popular franchises together. There is a huge market for people that would absolutely kill for a Blackest Night or Sinestro Wars videogame… but the best we’re ever going to see is a generic Green Lantern game starring only Hal Jordan. And even that is probably only going to happen if there’s a new movie to promote.

So what was different about The Death and Return of Superman? Why, of all the many, many comic book “epic stories” to come out over the last few decades, was this story of man vs. rock monster chosen to be exalted into beat ‘em up Valhalla with Mike Haggar and Michelangelo? Why is The Death and Return of Superman in my Super Nintendo, and not Generic Superman Adventure #327?

And, in playing The Death and Return of Superman, I think I have an answer: This is all about Superman, and that’s it.

The Death and Return of Superman technically features five playable characters: Steel, Cyborg Superman, The Eradicator, Superboy, and Superman: Original Flavor. Officially, that is five different people (mostly people), but, for the purpose of this beat ‘em up, they all play exactly the same. They all have a projectile, they all have a screen-clearing “super move”, and they all have a flurry of generic combos and attacks. And, in a way, that is fairly on-point gameplay, as there is supposed to be confusion as to who is the real Superman. Superboy is a clone, The Eradicator has the power, Cyborg Superman could have the body, and Steel has the heart and drive of the Man of Steel. They’re all supposed to be worthwhile Superman replacements, and, since they all play the same, they could all qualify. So machoIt’s not lazy coding, it’s a feature! And speaking of potential laziness, every boss (aside from Doomsday) is either an anonymous “trap” (like an angry robot), or another one of the Supermans. Cyborg Superman vs. Superboy. Eradicator vs. Steel. Superman vs. Cyborg Superman. This could practically be a fighting game for much of the plot, and it would be one featuring only variations on one character.

And that is the genius of it.

Remember those gigantic, epic “event” comics I mentioned earlier? Well, it’s not an exaggeration to claim that those stories often feature a cast of hundreds. And it’s easy to see how that happens, because when the average super team has an average of ten members, and everyone has to show up all at once, suddenly you’ve got a convention crowd battling the latest invader du jour. And that’s difficult to follow! Sure, you understand Superman or Batman’s deal, but what’s up with Elongated Man this week? Wasn’t he dead? Why does he look like a 20’s gangster? And is that supposed to be Martian Manhunter over there? Why the heck is he cosplaying as Blade? And this is all assuming this event isn’t occurring at some random point in another comic’s current “event”, so Wonder Woman isn’t inexplicably being played by her mom, or Batman isn’t a crazed Frenchman. In short, most comic book events require a primer just to know who’s who, and the industry has solved this problem by… releasing “the road to” comic events that explain the premise for the next event. Also, sometimes there is a denouement “aftermath” series that explains how everyone is reacting to the events of the last event. It generally previews the next event, too. What I’m trying to say is that reading comics requires a healthy amount of dedication, possibly bordering on constructing a bulletin board with a number of multicolored push pins.

WeeeeBut The Death and Return of Superman doesn’t need any of that. Yes, the original series was grand and sweeping, and we certainly had at least one tie-in where we learned exactly how Aquaman felt about losing his land pal, but the core of the story, that which could be converted into a 16-bit title, is just a Superman story. It’s Evil Superman fighting Sidekick Supermans until Real Superman decides to make the scene. You don’t need Lois Lane. You don’t need Lex Luthor. And you certainly don’t need a guest appearance from Robin #4,187. No, all you need is a bunch of Supermans punching each other, and we’re good to go. The Death and Return of Superman is the ideal comic book event, because it can be converted into any format, and the audience doesn’t need to know anything more than the title. What is the Eradicator’s deal? Who cares! It’s time for super punches now!

And that’s why The Death and Return of Superman is the only videogame distinctly based on one comic book event.

Well, except Maximum Carnage. But that one sucked.

FGC #387 The Death and Return of Superman

  • System: Super Nintendo and Sega Genesis. The SNES version came out first, so I’m assuming the Genesis version is more of a port.
  • Number of players: Despite the host of extra Supermans laying around, it’s only one player. A real shame there isn’t a playable Jimmy Olsen available.
  • Friendly Fire: One interesting shift in the beat ‘em up standard here is that the random mooks can accidently fire missiles and punches at each other. Some really deft and careful dodging could probably lead to a successful “pacifist run” of everything but the bosses.
  • Super Destructive: On the other hand, there’s something just plain satisfying about tossing a mutant into a background window, and earning a powerup for your troubles.
  • Get 'em!The Superman Problem: This is a beat ‘em up starring Superman, so, naturally, we have to deal with the whole “he’s not that super” problem. Doomsday is one thing, but OG Supes can lose health and lives to random punks with chainsaws! And so many random robots! Bah! Repeat to yourself it’s just a game, and you should really just relax.
  • Favorite Superman: I’m going to say Steel for this game, as he’s the only Superman smart enough to show up with a weapon (a rad hammer, at that). Look, I know Superman has twelve billion powers, but kryptonite surfaces every other day, so maybe it would be a good idea to have a backup plan, Clark.
  • Did you know? This game was developed by an early Blizzard Entertainment. Yes, that Blizzard. If you ignore Blackthorne (which almost everyone did anyway), this might be the first chronologically developed Blizzard game as Blizzard (as they were previously Silicon & Synapse). That’s just super.
  • Would I play again: This is a beat ‘em up, and, while it’s interesting as a cultural artifact, it’s neither two players nor interesting enough to play again. Pass.

What’s next? Random ROB has chosen… Secret of Mana 2018! Or I just spent all weekend playing that game, and I really want to talk about it! Which I’m going to do! Please look forward to it!

I hate your little jacket

WW #10 Persona 5

Due to the subject matter of this entire week, some items may be NSFW. Barring some terrible graphics, we’re sorta aiming for PG-13 screenshots here, but, given everyone has a different threshold, anything potentially offensive will be behind the “Read More” links du jour. Just so you are aware…

Also, this article will absolutely contain spoilers for Persona 5, assuming that is something you are concerned about.

GrabbySo, as I mentioned on this site a couple of times last year, Persona 5 could have been my “Game of 2017” in a much less interesting year for gaming. This is entirely because of the general “style” of the game, and how, if I had unlimited technology and budget back when I was approximately 12 (or whatever year I first played Final Fantasy 6), I probably would have made something very much resembling Persona 5 (though probably shorter). Cool thieves, cool tunes, emphasis on “role playing” as well as dungeon sneaking: it all kinda clicks together to be the perfect JRPG in my mind.

Or at least my 12 year old mind.

This is because I know when I’m being pandered to, and it probably has something to do with an entire high school full of women that only want to jump “my” bones. So, with that thinking in mind, I’m going to approach Persona 5 from the perspective that it couldn’t be more built for horny boys if it tried. And, as a corollary to that, the game is rather off-putting toward that entire “other” gender.

With that in mind, I enlisted a guest. Rosella, please say hi, or something like that.

Rosella: Hello! I am excited to be here to say inflammatory things about a generally beloved game.

Goggle Bob: Excellent! So what’s your relationship and/or past with Persona 5?

Grabby!Rosella: So I was a big fan of Personas 3 and 4, and played both of them multiple times. I preordered the ultimate “Take Your Heart” Edition of Persona 5 and was very excited to finally get my hands on it, but, uh, it didn’t quite work out that way. I streamed P5 for a little over 113 hours, when you count all the times I had to pause to rant about how the game seemed to have a giant “Women Aren’t Real People” sign on it. It was an experience.

Goggle Bob: And so we’re here to talk about said “experience”. Again, I’m theoretically the target audience for this, and, while the whole thing should supposedly wash over me and be generally subconscious, even I was a little put off when the final(ish) dungeon takes a time out so the female cast can hop back into bikinis.

Rosella: Of course, you can have them in bikinis the whole time with the free swimsuit DLC!

Goggle Bob: DLC I will not publicly admit to using…

Rosella: I will, and I am extremely upset that Yusuke’s beach outfit did not come with lobsters.

Goggle Bob: Just to put you at ease:


Rosella: The one and only time I thought “Man, I’m glad Yusuke was in this scene”

Goggle Bob: Yes, well, speaking of which, given P5 is a gigantic, 100 hour experience, we could recount every last bit of the game until the end of time and still not cover everything. So, with that in mind, let’s take a more focused look at the female cast. Would you like to start with anyone in particular?

Rosella: Makoto Niijima was my (one) romance during my playthrough, so she holds a special place in my heart.

Goggle Bob: Haha, we seem to have that in common. I mentioned it in my original P5 article, but I seem to gravitate toward the student council across Persona games

Rosella: To me, she just seemed like the person with the most healthy relationship with our protagonist. She’s trying to re-examine her life and figure out which of her goals are actually hers and which ones she picks up just because she “should,” and our protagonist helps with that. It’s very charming!

Goggle Bob: And she just incidentally can punch demons through walls.

Rosella: And rides a motorcycle.

Goggle Bob: A motorcycle that is parenthetically attached to a ridiculous dirty joke.

Rosella: Oh no, did I miss something incredibly obvious?

Goggle Bob: Haha not obvious: There’s a keyhole on Johanna’s seat. It’s a reference to the myth of how certain chairs were used to confirm future post-Johanna popes were male.

Rosella: Yikes.

Goggle Bob: Hey, Persona is all about the history…