Tag Archives: Nintendo Switch

FGC #434 The Legend of Zelda: The Adventure of Link

This is still the coolest part of the gameI have uncovered a startling discovery: all of Link’s problems are not created by Ganon, but the Hyrule monarchy!

Now, let’s be clear here: Ganon is not blameless in his actions. Whether you’re looking at Demise, Ganondorf, or just a bloated pig monster with an over-sized fork, Ganon is irrefutably not a good guy. Yes, he’s a thief from a downtrodden tribe that comes from circumstances, but Ganon is not the root of all evil in Hyrule. That dubious honor belongs to the royal family.

In some titles, this is abundantly obvious. We’ve already discussed Breath of the Wild, and how, had Zelda had just the tiniest bit of foresight, her kingdom would not have fallen to the horrors of technology run amok (though it is nice to see that happen to a nation where Facebook is not involved for once). Similarly, the world of Wind Waker is significantly wetter because the only solution the King of Hyrule had to the Ganon problem was to drown it and literally everything else. Ocarina of Time? More Zelda futzing with prophecies and timelines splitting off because of it. A Link to the Past? Never trust the advisor with blue, clawed hands, kingy. And Twilight Princess? That was a gigantic mess that was caused by not one, but two royal families. And then Zelda made it worse! Basically, we’re looking at the royalty being the number one reason Link can’t just sit around raising cuccos all day long, and has to actually nab a sword from some old man cave.

And while we’re discussing elderly hermits distributing weaponry, yes, this is exactly how The Legend of Zelda started.

A wizard did itEveryone knows the basic plot of the original Legend of Zelda: Ganon kidnaps Zelda, the Triforce of Wisdom is shattered into multiple pieces, and Link is the only one brave enough to save the kingdom. Or he just happened to be around. Actually, it’s probably that latter one, as it is distinctly noted that Zelda sent Impa out to find a hero, and Impa was old and wounded, and… what? Did she literally just go with the first elf she found? Dude didn’t even have a sword yet! Okay, it’s not like Impa imparted any valuable information anyway (“The Triforce pieces are out there! Somewhere! Buy a candle at Famous Cave’s!”), but this was a slapdash effort from the get-go. And why were the Triforce pieces scattered to begin with? Because Zelda had a vision of the coming calamity of Ganon, and her only solution was to “safeguard” the Triforce pieces in a series of marginally hidden dungeons. Did that make a lick of sense? No! You just give the Triforce to someone that can get the hell out of town (I hear there’s a lovely clock city just outside of the kingdom limits), and call it a bloody day. I’ve got news for you Zelda: Link was able to retrieve the Triforce of Wisdom because you hid those pieces poorly. Link was just a dude with a pointy stick, and he still managed to conquer every last dungeon and wind up with more equipment as a result of other dungeon-based goodies. Zelda, do you want Ganon to possess two Triforces and have a raft? Because that’s the end result of your stupid plan if Link had showed up in Hyrule like an hour later. And don’t even get me started on what would happen if multiple people found separate Triforce pieces. Face it, Zelda, you got lucky.

GrrrrBut there was one Princess Zelda that did not get lucky. It is canon that Link had a magical adventure where he teamed up with two different versions of himself and wore a suit made entirely out of bombs, and, sometime thereafter, the royal family of Hyrule required a bit of family counseling. The good King of Hyrule had two children, a boy and a girl. The princess was, obviously, another Zelda, and she was granted knowledge of the Triforce. The boy, whom we’re going to name Prince Don, coveted this shiny, golden treasure, and demanded the Triforce. Zelda would not acquiesce to her greedy, probably orange brother, and Prince Don was forced to take drastic action. He hired a wizard that put Zelda under a sleeping spell for generations. This, obviously, solved exactly zero problems, and Prince Don… uh… does the story elaborate on this at all? I mean… uh… he probably died angry, but he was the only heir, right? He just became king anyway, didn’t he? Totally poisoned a woman in a desperate grab for more power, and he’s rewarded with being the most powerful person in the kingdom anyway. Way to go, prince-y. Good job.

So where was the last piece of the full Triforce, the Triforce of Courage? You know, the secret that Zelda was Sleeping Beauty’ed for? Well, turns out that Prince Don’s dad realized his son was a real crumb-bum, and decided to split the complete Triforce, and hide a solid third of it in a dungeon. Sound familiar? However, this Hyrulian monarch knew exactly what he was doing. Somehow “in secret”, the King of Hyrule…

  1. Hid the Triforce of Courage in The Great Palace of the Valley of Death
  2. Populated the Great Palace with a variety of traps and monsters
  3. Placed an impenetrable barrier around the Valley of Death
  4. Scattered the source of the barrier spell into six crystals
  5. Built six temples to house alters that would activate those six crystals
  6. Populated those temples with six unique boss monsters, and a host of lesser, more annoying regular monsters
  7. And then, just for good measure, cast some weird-ass incantation that would make a hand-tattoo appear on whoever was worthy of finally traipsing through those palaces

Hey, Prince? Bad news: even if you knew where to look, there was no way you were going to make it past Horsehead and the Valley of Death or even your first Iron Knuckle. Your dad screwed you but good, princey.

And, bad news, he screwed Link, too.

GrossThe Legend of Zelda: The Adventure of Link is widely considered to be one of the most difficult The Legend of Zelda adventures. Some attribute this to the 2-D perspective being fairly half-baked, and not at all designed around Link’s butter-knife based offensive abilities. Some blame the magic system, which is inventive, but too many monsters and areas require specific spells, so you’re always running at a magical deficit. And there is certainly some merit to the claim that the experience system is opaque at best, and downright punishing at worst. How are you supposed to get anywhere when some damn flying eyeball is leeching your EXP every five seconds!?

But, no, that all pales before the real reason The Adventure of Link is so difficult: The King of Hyrule hated his son. Dude did not just hide the Triforce, he created a treasure hunt that spread across two continents. He devoted great swaths of Hyrulian resources toward building temples containing boiling lava and holographic walls. And, lest that King think his son had the slimmest chance of throwing those unlocking jewels around, for some damn reason, the King of Hyrule summoned a freakin’ fire breathing dragon just to protect one palace. And that cyclops! Where does one even find food for a cyclops, left alone satisfying other cyclopean biological needs!? The King of Hyrule went to a lot of trouble to arrange this massive undertaking for the exclusive purpose of waylaying his own son. Couldn’t he have just taken the kid to soccer practice? Shown up for a few more school plays? You have the Triforce, King! You could have just wished for your son to be a little less of an asshole! You didn’t have to construct a hover-horse!

I hate youAnd then Link got stuck dealing with the fallout of that failed royal relationship. Lucky guy, that Link. An army of monsters are trying to drain his blood to revive their piggy master, and he’s got to deal with generational family therapy for some royals he’ll never know.

It’s called The Legend of Zelda for a reason. It’s The Legend of Zelda Really Messing Up Some Poor Elf’s Day.

FGC #434 The Legend of Zelda: The Adventure of Link

  • System: Nintendo Entertainment System initially, and then the Gamecube collection, and then I’m pretty sure every Nintendo system since. Currently available on Switch!
  • Number of players: Link is going to have to deal with this mess alone.
  • Favorite Spell: It might just be a way to conserve assets, but granting Link a spell where he transforms into a fairy was certainly a bold choice. And it’s a useful spell, too! Who needs all this jumping when you can just fly?
  • No. 3 Tryforce: I like how the first Zelda sequel introduced a new Triforce. I feel like this tradition should have continued, and, by the time of Breath of the Wild, Link has to collect 25 different Triforces, finally culminating with the Triforce of Muted Apathy.
  • I WINAn End: (Almost) Always restarting in Zelda’s sleep chamber has the excellent side effect of making the ending and final scene of the game in Zelda’s temple rather thrilling. Way to work the emotions with limited bits, Nintendo.
  • What’s in a Name: This was the first Zelda game to stick Link’s name in the title. So much for being an unnamed adventurer/player avatar, Nintendo! He’ll never be the most popular protagonist in all of videogames now, guys!
  • Land of the Rising Fun: There are a number of differences between the Japanese and International versions. Seemingly the biggest change in Japan is that Gooma, the cyclops with a morning star boss of the Palace on the Sea, does not appear at all, and is replaced with a second encounter with Jermafenser, the dude with too many heads. America: land of the myopic.
  • Did you know? Ganon’s laugh is the same sound sample used for Soda Popinski in Mike Tyson’s Punch-Out. This raises all sorts of timeline issues…
  • Would I play again: Anyone that says they enjoy this game is a liar. Or they haven’t played it recently. Or I’m being hyperbolic, and I’m just angry at anyone that can get through Death Valley without abusing save states. So many eyeball ghosts! So much lava! I don’t need that kind of negativity in my life!

What’s next? Random ROB has chosen… Pokemon: Let’s Go Eevee for the Nintendo Switch! Oh boy! We’re going to go somewhere or another, eevee! Please look forward to it!

Get 'em
That is how you do it. You’re welcome.

FGC #433 Castlevania: Bloodlines

BLOOD!If gaming is a language, then franchises must be dialects. And among dialects, of course there must be regional variances. And Castlevania: Bloodlines is, unfortunately, the regional dialect of Atlantis.

Gogglebob.com: come for the videogames, stay for the extremely strained metaphors.

Castlevania: Bloodlines is a game very near and dear to my heart. Back in my younger days, I was very much a Nintendo kid, but a Sega Genesis was available to me by about the midpoint of the 16-bit console wars. And, while I owned a mere three Genesis games, my dad granted me one Sega Genesis rental every two weeks. So, about twice a month, my ADD-addled brain got to experience a brand new videogame for a few days, and that whole new experience that was sure to make me scream, “Sega!”

…. Or I just rented Castlevania: Bloodlines again.

I’ve always been a Castlevania fan, and, frankly, I’ve always been a sucker for a game that I have to “defeat”. It took me a long time to come to grips with the idea that I don’t have to “beat” or “100%” a videogame, and showing my love for a piece of art doesn’t mean I have to experience every last secret room or collectible. But back in my younger years? If there was a game that I thought was even marginally fun, and I didn’t beat it? Then what the hell was I even playing the game for!? Fish gotta swim, dogs gotta bark, Pokémon gotta track my sleep for some reason, and videogames gotta get beat, ya know? And, since Castlevania: Bloodlines was an enjoyable Castlevania game that I absolutely could not beat (on Normal difficulty), it meant that I had to retry that title over and over again until I finally conquered death itself (and Death). My young thumbs were still not developed enough to suffer through its insane final boss gauntlet, but I was going to try, dammit!

Swing is the thingAnd, if I’m looking at this title with some kind of wizened hindsight, I can probably admit that the other reason I kept coming back to Castlevania: Bloodlines was that it was simply a damn good game. It features the signature measured level design of previous Castlevania titles, and, while your protagonist often feels like he is being propelled by the same force that could eventually push a snail to cross a parkway, the majority of the title feels fair and appropriately scaled to Belmont (Morris) speeds. The dual heroes of the tale are different enough to feature their own unique (and fun) moves (spear vaulting is great for vertical areas, and whip swinging is… amusing to look at), but also similar enough that we don’t wind up with an X/Zero situation where one character is that much more of an advantage. And, as always in the Castlevania series (give or take a Gameboy adventure), the music is top notch, and the creepy crawlies that haunt the European countryside are numerous and inventive. And murderous. They’re always murderous.

So it’s kind of a shame that the majority of the Castlevania loving public forgot Castlevania: Bloodlines ever existed.

Possibly more than any other franchise, Castlevania has always been a very… what’s the complete opposite of progressive?… nostalgic franchise. When Bowser got seven Koopa Kids and a brand new butt stomp for Super Mario Bros. 3, Dracula was still using his same ol’ teleport/fireball pattern for Castlevania 3. When Mega Man X completely redefined everything that Mega Man ever was, Super Castlevania IV still had Simon trudging through Drac’s dilapidated hallway o’ zombies. This isn’t to say that Castlevania has never had an original bone in its obviously an angry skeleton-based body, but Castlevania has always reveled in its past since before it escaped the gravity of the NES.

DEATH!And (I’m sure you’ll be shocked to hear me say this) there is nothing wrong with a little videogame nostalgia. Particularly in the 16 and 32-bit days, it seemed like games were rapidly attempting to burn their pasts on the altar of “cool” and “new”. But it was still cool to see old mainstays like Frankenstein(‘s Monster) or Medusa show up when many contemporary titles were trying to reinvent the wheel by detonating every nearby car (literally, in the case of Grand Theft Auto III).

And, while Castlevania: Bloodlines certainly pays tribute to the Castlevanias we all loved before (“Hi, Frankenstein! Hi, Medusa!”), for a long time, it seemed like appropriate acknowledgment was not paid to Bloodlines in kind. Castlevania Symphony of the Night is the uncontested turning point of the franchise, and, as a direct sequel, it owed much of its plot and iconography to Rondo of Blood and its PC Engine/SNES origins. It also was clearly influenced by much of the imagery of Super Castlevania (that’s where Death met his buddies!), and the Reverse Castle featured the pieces of Dracula of Castlevania 2 mixed with the iconic bosses of Castlevania 1. And, while it almost seems like a footnote at this point, let’s not forget that Alucard premiered in Castlevania 3, and wound up fighting his zombified allies. Truly, Castlevania Symphony of the Night was the culmination of all console Castlevanias that came before, and paid homage to all of those titles in fun and inventive ways.

Except Bloodlines. Nobody cared about Castlevania: Bloodlines.

This is not a glitchAnd, unfortunately, this created a sort of ripple effect in the fandom. While Symphony of the Night encouraged visiting old titles to see first appearances of Slogra & Gaibon, Phantom Bat, or Grant DangheNasty, there was no such drive for Bloodlines. And when future titles decided to bring back more past friends and foes, we saw Skull Knight of Castlevania 3, not Mecha Knight of Bloodlines. And when we finally saw some significant references to Bloodlines in Portrait of Ruin, it was to let us know that both of Bloodlines’ protagonists died inglorious deaths, and Eric’s lance would only return as an accessory for a ghost. A whole Castlevania game was lost, and when the entire experience was lost and forgotten from the virtual consoles and collections that accompanied the new digital era, nobody batted an eye. You could download Super Castlevania, Castlevania: Dracula X, and even Castlevania Rondo of Blood, but Bloodlines was wholly absent. And there were no conversations about the title, because, frankly, who cared? We got all the good Castlevanias, right? If Bloodlines was any good, it would be referenced heavily like those other titles. Symphony of the Night was the pinnacle. IGA wouldn’t steer us wrong.

But a miracle happened just recently. Castlevania: Bloodlines was released as part of the excellent Castlevania Anniversary Collection. Now, Bloodlines is able to stand tall next to its early Castlevania console brethren. Now, people are talking about Bloodlines, and many of them are talking about it for the first time. And they like it! They really, really like it! Because it’s a good game, and always has been! After a 25 year banishment from the gaming consciousness, Bloodlines has returned, and people are again speaking the language of magical lances and Gear Steamers. Bloodlines can once again take its proper place in the Castlevania pantheon, and rest easy knowing that now more people have seen its horrible Dracula and his disturbing crotch face.

DONT LOOK AT MEUltimately, I find this success story to be the best way to conclude this Game Preservation Week (“Week”). None of these games that have been discussed have to be gone forever. Like Castlevania: Bloodlines, we’re always just one collection or digital release (or mini console, apparently) from a title returning to the gaming consciousness. And let’s see some solid videogame archiving in the future, so another game isn’t lost to decades again. The future of gaming may be streaming, but let’s remember our past, our dead languages, and see how they can make our future better.

And then let’s whip some skeletons but good.

FGC #433 Castlevania: Bloodlines

  • System: Sega Genesis. And now available for Playstation 4, Nintendo Switch, Xbox One, and Steam via the Castlevania Anniversary Collection. Sweet!
  • Number of Players: Two choices, but only one player. We’d have to wait for another forgotten Castlevania title to see some multiplayer Castlevania.
  • Goggle Bob Fact: I rented Bloodlines from the local rental place so much, I eventually bought the cartridge when they were liquidating some of their “old” stock. That makes Bloodlines my fourth or fifth owned Sega Genesis game (the real money went to my beloved SNES).
  • Out of the Castle: Bloodlines follows John ‘n Eric as they battle around some of the more interesting mystical spots in Europe, like Atlantis or Pisa (?). This leads to some more interesting venues for our hunters to traverse, and maybe an excuse to battle a minotaur or two. And you get to fight World War I German war skeletons. That is so close to whipping undead Nazis!
  • RatzisFavorite Character: I lied earlier. Eric LeCarde makes this trip through Europe so much more manageable. His additional reach is a godsend, and the ability to vault straight into the skies… isn’t all the useful, actually, but it’s fun in exactly one room at Varsailles. Oh! And he has beautiful girl hair! I don’t see how that helps vampire slaying, but it certainly doesn’t hurt.
  • A Little History: The big deal of Bloodlines is that it tries to tie the Castlevania mythos to Bram Stoker’s Dracula by claiming the vampire slayer Qunicey Morris (and thus his son and grandson) was actually a Belmont descendant. Who cares? What’s important is that Bloodlines seems to imply that Elizabeth Bartley started World War I as a cover for resurrecting Dracula. Now that’s something they don’t cover in history books!
  • Did you know? The Princess of Moss, the boss of The Versailles Palace stage, is a monster moth initially disguised as a woman. And that woman is apparently supposed to be Marie Antoinette, famous queen and cake-eater. Now, this is not to say that it is official Castlevania canon that Marie Antoinette was some manner of undead, immortal insect creature… but the opportunity is open for future Castlevania titles.
  • Would I play again: Now that I have it permanently loaded onto my portable Nintendo Switch? You’re damn skippy I’m going to play it again!

What’s next? Random ROB is back in action and has chosen… The Legend of Zelda 2: The Adventure of Link! Are you sure that isn’t an Error, ROB? Oh well. Please look forward to it!

I hate this jerk.  He just... rains.

FGC #422 Captain Commando & Battle Circuit

CAAAAAPTAIN COOOOOOOMANDO!Captain Commando is a Capcom beat ‘em up title unleashed upon the arcades in 1991 (two years after Final Fight, the same year as Streets of Rage). It was one of Capcom’s earliest beat ‘em up titles, and one of the most creative, non-licensed punch mans games you could find at the arcade.

Battle Circuit is another original, future-based beat ‘em up from Capcom. It was released for arcades in 1997, and was the last Capcom beat ‘em up to receive that honor. In a way, through no fault of its own, it is a title that signifies the end of an era.

But who needs to read another epitaph? Let’s find out what Capcom actually learned over six years!

Characters are Key

Okay, let’s start with the basics: a beat ‘em up lives or dies by its characters. This is why Konami made an estimated seventeen hundred trillion infinity dollars (adjusted for inflation) by slapping the Ninja Turtles and Simpsons into beat ‘em ups. Lisa Simpson battling kabuki warriors with a jump rope? That shouldn’t be a phrase that recalls one of the most played arcade machines of the 90’s, but here we are. And, what’s more, the minute you marry good gameplay to memorable characters, you have a game that is never going away. There are still Turtles in Time arcade cabinets out there! I saw one at the non-Wii based bowling alley! Which is apparently still a thing, too!

Captain Commando really shot for the moon right out of the gate (those metaphors work well together, right?). The titular Captain Commando was the (quickly abandoned) mascot of Capcom in the 80’s, and, incidentally, a cyborg thunder-tossing cop from the future. That makes him, like, a double Thor. Then we’ve got “a ninja”, which, okay, it was the 90’s, that had to happen. But! Our other choices are a mummy alien knife master and a genius baby that rides his own private robot. Score! If you can’t find a favorite character from that group, you are reading the wrong blog. Go see what is happening on some recipe site, you squares!

High number of cyclopsesNow, it would be understandable to expect that Battle Circuit could not top the concept of “genius baby” or “alien mummy”, but could I offer you a cup of carnivorous plant monster from space? How about a yellow catwoman flamenco dancer (she probably hates Mondays)? Plastic Man with ice powers? The cyborg hero that is clearly a descendant of Captain Commando is nice and all, but wouldn’t you rather play as a little girl and her pet pink ostrich that may or may not be a pirate (I cannot think of any other reason for an ostrich to have an eye patch, okay?)? Oh, and the little girl is, naturally, named Pola (sic) Abdul. She uses a flaming bow and arrow. She will deliver us all from evil.

Bad Guys are Key (too!)

Captain Commando came hot on the heels of Final Fight, so it seems only natural that its Metro City streets (yes, it is canon that Captain Commando takes place in the far future of Haggar’s fair city) are descendants of the same three or four guys that menaced Cody and Guy. In a way, it’s kind of cute that some families clearly never got over the ideals of the Mad Gear Gang, and passed on fond genetic memories of suffering mayorally mandated piledrivers. Unfortunately, give or take the occasional boss that is inexplicably equipped with a harpoon gun, Captain Commando is generic dudes for days. That’s a pretty boring future! Like the actual future! Heck, Scumocide’s second in command, (First) Blood, is just Rambo in cargo pants. That’s not 20XX! That’s not even the 90’s!

Battle Circuit at least makes “the same three guys” a little more interesting. Bosses are amazing, and the various robotic creations of a certain recurring mad scientist reminds one a little bit of the venerable Dr. Wily. Wait, I’m sorry, is that a giant skull I see on the floor of Dr. Saturn’s lair? Yeah, these guys went to the same robotics academy. And a mad scientist naturally means the mooks of the world are going to be fun, like floppy lizards and… Wait a minute. Is that…

NO!  ROB!

I’m beating up R.O.B.? Wow, okay, Battle Circuit just shot to the top of the charts.

Show me your Moves!

Captain Commando is a traditional beat ‘em up, and, despite their natural variety (a baby is not a mummy), each of the characters is interchangeable from a moveset perspective. Okay, technically their special moves show a touch of diversity, but, give or take a baby missile, all the usual bases are covered here. Jump kick, dashing punch, grab n’ smack: all the old standbys are represented. Why mess with the classics?

Well, maybe because you could be shooting freaking lasers out of your chest.

This is just plain funWithout resorting to fighting game-esque unreasonable controller motions, Battle Circuit grants each of its bounty hunters fun and exciting moves that add quite a bit to the gameplay. Want to shoot a magic missile all over the place? Just charge up with the attack button, and release your mega buster. Or maybe you’d like to be Yellow the Cat Lady, and perform an amazing dive kick. Or how about you fish out Ice Man rock blasts with Captain Silver? And if you’re not whipping enemies around with Unknown Green’s plant arms, then why are you even alive? A piledriver is nice, but it’s nothing compared to the repertoire on display with this fighting force.

Oh, and if you’re confused about any of the inputs for these moves, they’re all clearly on display during the “upgrade your moves” screen at the end of each level.

And, uh, you can upgrade your moves. That’s pretty important. Probably deserves its own section…

Upgrade your Moves!

BABY!Captain Commando might have one leg up over its descendant: you can ride a robot. You can also score a missile launcher. Captain Commando is basically Golden Axe in a few weird respects, as riding creatures and nabbing interesting (and temporary) weapons is the name of the game (wait, did variable weapons happen in Golden Axe? Meh, I need to be awake to write this article, so I’ll skip replaying that one). Beat ‘em ups do get pretty monotonous pretty quick, so making a dash for that heavy artillery is a great way to spice things up (and send a few Scumocide henchmen to the great, flashing beyond).

The weapons and ridealongs are missing from Battle Circuit, but there are more than a few powerups scattered about. A special “battle download” capsule will temporarily boost your hunter’s stats, and, continuing the pattern of these distinct characters actually being distinct, each battle download works differently for each fighter. And, if we’re being honest, it probably is a lot more fun to suddenly leap around at double speed, or soak hits like it’s nothing, than ride a mech for a whole fifteen seconds.

And, for a little more longevity, any money or “points” found around the area can be exchanged for permanent powerups that enhance things like your beam weapons or special moves. Or you can expand your health! That can be a bit of a wallet-saver in a quarter killer, so maybe make a beeline for that upgrade. Regardless of how you’d like to cash-in, this simple upgrade system makes literally every object on the screen important, regardless of whether or not said object is currently punching you in the face. That’s no small feat for a genre that litters nondescript boxes and barrels all over the place like Jimmy’s Shipping and Crab Shack ™ was going out of business. And speaking of pickups…

Soup’s on!

SMACK 'EM GOODIn Captain Commando, when you find random food on the ground, it restores your health, and that’s that.

In Battle Circuit, when someone collects a meal, it restores health, and it makes an incredibly satisfying crunching/eating noise.

Battle Circuit is truly the culmination of all beat ‘em ups.

FGC #422 Captain Commando & Battle Circuit

  • System: Captain Commando was an arcade title first, and then a Super Nintendo title second. Very second. They dropped the mechs! That was the best part! No matter, even if ROB technically chose the Super Nintendo version for this article, the recently released Capcom Beat ‘em Up Bundle for Switch and PS4 contains both Captain Commando and Battle Circuit (in America for the first time!). Also, there was a Playstation (1) version of Captain Commando. I wonder how that turned out.
  • Number of players: Four? Let’s count all of the commandos, and a solid 80% of Team Battle Circuit. There are certainly enough “insert coin” messages flashing on the screen…
  • Captain Commando Memories: Somehow, I never saw the Captain Commando cabinet in an actual arcade. However, it did appear in a number of random hotel lobbies across I-95, so I did play the game for whole minutes at a time during family vacations. This is likely why I was excited about the Super Nintendo release, a feeling that was… misplaced.
  • Favorite Character: Baby Commando and Unknown the Hideous Plant Monster from Space should team up and, I don’t know, probably beat some dudes up.
  • Dance through the danger: Okay!
    Dance for me!

    Don’t mind if I do!
  • An End: Battle Circuit also has multiple endings! If you choose to fight the Master Control Program Shiva, you will face an incredibly brutal boss that is probably responsible for more deaths than the entire rest of the game combined. Meanwhile, if you choose to simply shatter the disc that contains Shiva… the game just ends. No bad ending, no “you did something wrong”, just a cute little ending that doesn’t require five bucks to access. That… is an odd choice.
  • Did you know? Yellow Iris/Beast inspired an alternate costume for Felicia in Marvel vs. Capcom 3. This is an incredibly odd choice, as the fighting game that would probably most appeal to Americans (“There’s that Iron Man guy! From the movies!”) included paid DLC that honored a beat ‘em up that was never released in America in any capacity. Still, it’s nice to see someone remembers Battle Circuit other than Namco X Capcom.
  • Would I play again: Heck, why not? Either game is pretty alright, though Battle Circuit certainly has more replayability. Unfortunately, Captain Commando also tugs at my heartstrings, so it’s likely to see play again, too. Don’t make me choose between the past and the even-more-past!

What’s next? Random ROB has chosen… Super Smash Bros! For no particular reason! Yep! Total coincidence! And there won’t be an extra-special guest artist for the article or anything! Nuh-uh! And this is almost entirely a lie! Which part isn’t? Well, guess you can find out next week. Please look forward to it!

What is even happening?

FGC #420 SNK Heroines: Tag Team Frenzy

Yay Gals!I’m not upset. I’m just disappointed.

Previously in what passes for reality: SNK once supported the Neo Geo Pocket Color, and it featured an adorable game titled SNK Gals’ Fighters. It was a fun, though shallow, fighting game made for a system that could only sustain vaguely Gameboy-esque graphics and a whole two action buttons. Despite the obvious handicaps, SNK Gals’ Fighters was an enjoyable, portable title that was downright ideal for short trips or sudden spurts of gaming while watching Xena: Warrior Princess.

SNK Heroines: Tag Team Frenzy cannot make the same claim.

There were issues right from the start. Right at the initial announcement, we had Mai dressed in a combination bikini/cow costume. This was an ominous portent! Mai has been compared to a cow on many occasions before, because (get ready for a real knee slapper here) cows are known for their utters, and Mai is known for her boobs. Ha! Funny joke! Everybody laughs (at women with large breasts). And, let’s face it, aside from fetishist satisfiers or extremely self-confident cosplay fans, no woman on Earth is ever going to voluntarily wear a “cow bikini”. Why invite the comparison? It’s like wearing a Sonic the Hedgehog shirt to a sane people convention (NormalCon ’19 still has tickets available). But don’t worry! The early trailers quickly established that these women were kidnapped (!) and forced to fight in ridiculous outfits (!) for the benefit of an unseen, male kidnapper (!). Rape dungeon! The entire plot of this game was immediately established as “takes place in a rape dungeon”. Holy cow bikini, SNK, that is not a good look.

FIGHT!And, unfortunately, this title is all about good looks. The plot did not improve after the initial trailers: Kukri (aka “The Sand Guy” introduced in King of Fighters 14) created a pocket dimension (as one does) where he is nigh omnipotent. Then he kidnapped a handful of women fighters, and dressed them in various fetish outfits, because… he’s a fetish freak. He… literally says that out loud. He doesn’t seem to have one particular fetish (this ain’t King of Catgirls), but the general theme for the outfits appears to be some level of embarrassment/shame. “Pure and good” Nakoruru is dressed as some manner of anime vampiress, and space pirate Love Heart is stuck in a (sexy) police uniform. And, yes, half the fun with most of these costumes is “wow, conservative girl is now dressed as a total slut! Whatta twist!” … Except, guys? This is already a fighting game franchise. We’ve already got a freaking samba dancing kick boxer that has never worn a shirt. Sticking these characters that are already just one degree away from being walking fetishes in fetish gear isn’t exactly the furthest bridge to cross. But, hey, now the women are wearing these costumes distinctly because they don’t want to! And that’s a selling point, apparently! Please enjoy the femme fatale dressed as a school girl. She’s two fetishes, now! Maybe three!

Oh, and every character has three different costumes (available for purchase with [thankfully in-game] credits), and various accessories available in “let’s play dress-up mode”. So you can metaphorically assume the role of the kidnapping misogynist at the core of this tale! Yay!

But it doesn’t matter if the gameplay is fun, right? Surely the company that has been producing fighting games since before Street Fighter 2 knows a thing or two about making a decent fighter, unfortunate implications of presentation aside. Heck, King of Fighters 14 was a distinct step-up for that franchise, so of course its faux-sequel is going to kick some butt (that is probably wearing bloomers to satisfy some other fetish). That’s just basic math!

Unfortunately, King of Fighters 14 might be the biggest problem.

Say cheese!Of the default roster of characters in SNK Heroines: Tag Team Frenzy (aka not including the DLC), only one fighter did not appear in King of Fighters 14. In fact, a healthy number of fighters in this title premiered in King of Fighters 14. So, of the many, many women in the SNK universe, 92% of the cast could be found in the previous fighting game. And that would be fine… if everything about this title didn’t feel like a downgrade from its predecessor. King of Fighters 14 was a traditional 2-D fighting game with old-fashioned button motions and general playstyles. SNK Heroines attempts to go the Smash Bros. route, and simplifies everything to two attack buttons, a throw button, and a “special” button that offers different special movies depending on simple directional inputs. A neutral special might be a fireball, while forward plus special is a rushing kick. That could work! But… with the limited controls, nearly every character feels severely limited compared to their KoF14 versions. How limited? Well, you can’t even duck. You can crouch in King of Fighters, but I guess bendable knees weren’t in the budget for these queens.

If, at this point, you are suspecting that this whole game might be a callous cash-grab and an excuse to reuse character models from another, more fully-realized game, then congratulations, and welcome to the SNK Board of Dudes that Produce Shitty Fighting Games. Please pick up your complimentary Lady Terry Bogard hat at your earliest convenience.

Get 'erBut the absolute worst thing about this whole experience? SNK got it so right over a decade ago, and now, right on schedule, it seems everything great about SNK Gals’ Fighters got flipped on its head (which probably now has to wear cat ears). The interesting “dream crushing” finishers of SNKGF were transformed into required “finishing moves” that are boring as hell. The simplified controls of the NGP feel incredibly lacking on a modern controller. All “cute” super-deformed spritework has been replaced with glamorous models that have inescapably been designed to focus on a few key parts of a woman’s anatomy. And the delightful “everyone is fighting to earn a magical wish” plot has been replaced with “battle to escape a man’s private rape dimension”. That… puts a bit of a damper on things.

But… I knew to expect all of this. So why should I be mad?

From the moment this game was conceived, SNK had a choice: create a fighting game with cheesecake, or create a fighting game around cheesecake. Let’s not kid ourselves: there was never, ever going to be an SNK all-women fighting game that wasn’t lousy with fanservice and opportunities to ogle the cast. That’s inevitable! But rather than make a decent game that incidentally included new and interesting jiggle physics, SNK went for a lazy title that was literally all about fetishizing its female fighters. There could have been some genuine creativity on display here, but all resources were diverted toward creating new and exciting reasons for a pachislot heroine to dress as Little Bo Peep.

Do better, SNK. I’m only frustrated because I know you can.

FGC #420 SNK Heroines: Tag Team Frenzy

  • System: I somehow had it in my head that this was a Switch exclusive, but it’s also apparently available for the Playstation 4. Which is a system that also hosts King of Fighters 14. Hm.
  • Number of players: You will never ever play this game with another human being. But, conceptually, two players makes sense.
  • What is even happening?Say Something Nice: The story mode adapting to your chosen duo is always nice. And, when you consider how awful this story happens to be, I think that’s the nicest thing I can say about the plot.
  • Fashion Faux pas: Shermie is the only character with a default costume that is not an overt fetish. She’s also the only “newcomer” that did not appear in King of Fighters 14. While you might be able to claim all Shermie resources went to just getting the poor, dead gal on the roster, I’m going to point out that King of Fighter’s canonically bustiest character probably didn’t need another fetish heaped upon her.
  • Too Old for this @$^&: I would like to see King on the roster, but… she does not deserve this kind of abuse. She’s too classy for this nonsense.
  • Let’s talk about Terry: So Terry is magically a woman now. This is an amusing way to fit a series mainstay into this all women fighter, but they should have chosen literally any other character for this role (Kyo?) as King of Fighters 14’s Alice is already “Terry, but a woman” in all but actual genetics. Besides, what we really need is a gender-swapped Chang Koehan.
  • Favorite Character: Sylvie Paula Paula might have been initially designed for King of Fighters 14 as some kind of lame idol parody, but she gets my vote here because she immediately identifies the “secret” villain of the story, and announces that she is already tired of this garbage before even her first match. You and me both, sister.
  • Did you know? Blue Mary isn’t in this game. Nor is noted pirate Bonne Jenet. This is a travesty.
  • Would I play again: Maybe for thirty seconds as a novelty, but there are so many other, better fighting games out there. Let’s leave this rape dungeon behind.

What’s next? Random ROB has chosen… Saints Row 4! Dammit, ROB! You could have chosen that title for #420, and it would have made perfect sense! Now it’s all wrong! Stupid robot! Whatever. Time to be president of the universe. Please look forward to it!

... What?