Goggle Bob Lightning Round! Here’s some nonsense I’ve created over the years that is randomly kicking around:
Like here’s an obvious improvement on a classic.
Goggle Bob Lightning Round! Here’s some nonsense I’ve created over the years that is randomly kicking around:
Like here’s an obvious improvement on a classic.
The greatest trick the hedgehog ever pulled was convincing the world Mario was slow.
People naturally think in dualities. For every light, there is darkness. For every day, there is night. For every god, there is a devil. It happens over and over again throughout history, and, frankly, it kind of makes sense. We, as human flesh bags, pretty much only experience life in binary extremes. Everything is perfect and shiny and happy until the very minute allergy season hits and oh my God this is the worst I have ever felt. Or there’s the ever popular climate control thing: consider all the different temperature variances on Earth, and then consider that human beings are only comfortable in a range of, what, about five (Fahrenheit) degrees? Everything else is either scorching hot or freezing cold. The middle is an illusion… or at least our silly ape brains believe that.
So when Sonic the Hedgehog debuted in 1991 under the advertising campaign of “blast processing” and “gotta go fast”, it was naturally assumed that the other end of the aisle was slow. And, if you were reading Nintendo Power at the time… it was kind of hilarious. Much like during a recent election that seems to stick in my memory for some reason, Nintendo unnecessarily devoted a lot of time to defending the speed of its system and mascots. Did you know that there’s no such thing as blast processing? Did you know that there’s a game for SNES featuring Road Runner, and another starring Speedy Gonzales? They’re the fastest creatures on Earth, and they’re on the Super Nintendo! Come back, lucrative and finicky soon-to-be-labeled tween demographic! We’re Nintendo! We’re still hip!
But the future refused to change. Even after Mario buried the Hedgehog deep under the planet Saturn, the idea that Mario equals slow persisted. To this day, the average person sees Mario as something of a slow, roly poly mascot, and not the amazingly athletic plumber that actually appears in any given Mario game. Good job, Sega, you permanently marred a gaming icon.
Which is a shame, as Mario has always been about speed. Okay, maybe that isn’t quite accurate, Donkey Kong doesn’t include so much as a run option, and Mario Bros. has something of a “speed kills” moral, but Super Mario Bros, the game that practically invented a genre, is all about that B button. Yes, you don’t have to run during any of SMB’s stages, but once you start learning the game and where you can run, well, there’s a reason the princess can be rescued in twelve minutes. And SMB begat SMB2, a game where Toad can take off at Mach 2, thus making him the fastest fungus in gaming. And then Super Mario Bros. 3 and Super Mario World? These are games where Mario can move so quickly, he literally flies. Usain Bolt can’t brag about pulling that one off, and neither can a certain hedgehog.
But, as time went by, Nintendo didn’t exactly emphasize Mario’s speed. Super Mario 64 is an amazing game, but nobody is impressed when our hero outraces a turtle for a star or two. And this would be about the era when Mario RPGs started making their way into the release schedule, and, as much as those games might be fun, they do nothing for Mario’s speed records. By about the time that Mario was shooting around the galaxy, it seemed like the world at large might never even remember that Mario could once soar with only the power of his own two legs (and maybe a magical leaf).
And then we received New Super Mario Bros. 2, and Mario was back in the fast lane.
Granted, some credit should go to New Super Mario Bros. (1). The first complete 2-D Mario game in what seemed like forever introduced the turtle shell power up. This quickly forgotten item allowed Mario to “become” a koopa troopa shell once he hit top speed, and, with this marvelous invention, the player could see exactly how long they could keep Mario spinning before inevitably dropping into some nearby lava. It was a noble effort of a “new” ability for a new Mario in New Super Mario Bros, but it did pale in comparison to the raw destructive power of the mega mushroom. Probably thanks to its mammoth fun guy brother, the turtle shell never saw a Mario game again… but it seems like its legacy lives on in Mario’s (kinda) next “new” adventure.
New Super Mario Bros. 2 is supposedly about coin collecting. Well, technically it’s about princess rescuing and turtle smashing, but the gimmick du jour is established pretty early as “Mario wants to buy a boat”. And, frankly, with all these gold coins lying around, I’m pretty sure Mario is going to be able to put a down payment on a planet by the time he finishes Special World. But the actual act of collecting free floating coins is secondary to NSMB2’s greatest innovation: the coin block hat (there’s… probably a better name for that). Once Mario is wearing that coin block… things change.
It’s a simple concept: when Mario is a blockhead, he earns coins for every second he is moving at top-Mario speed. While this may seem like something that wouldn’t make much of an impact (oh boy, a whole fifty coins, wow), something changes in a Mario player’s brain when that “coin get” sound activates. Good things are happening! Good things need to keep happening! I need to gather more coins! I need to move as fast as possible! I need to hear that precious 1-up sound right now or I am going to die! And so, from the first moment that block appears, Mario suddenly has a constant, driving reason to move as quickly as possible. And, luckily, somebody at Nintendo knew damn well that would be the first thing that would happen, so many (sorry ghost houses and underwater stages) NSMB2 levels are designed around speed. And, thus, Mario has imperceptibly regained his overlooked speed.
Unfortunately, it probably won’t stick. New Super Mario Bros. 2 was well received by the general gaming public (fifth bestselling 3DS game!), but it was released around when we received an embarrassment of riches of Mario games, and NSMB2 was considered the least essential of the bunch. Couple this with handheld releases being continually (and unjustly) forsaken for their console counterparts, and we’re probably looking at a generation of gamers mistakenly remembering this title as something from the Wario franchise in a few years. Mario running around with a coin block on his head? Did that really happen?
So, sorry Mario, the hedgehog wins this one. It was a noble effort, but, even though Sonic’s next game will probably contain 80% standing around talking furries by volume, you’re the slow one. White is white, black is black, Sonic is fast, and Mario is slow.
FGC #277 New Super Mario Bros. 2
What’s next? Random ROB has chosen… Bronkie the Bronchiasaurus for the SNES! Oh man, that game is so amazing, I can’t even breathe. Please look forward to it!
The WiiU is dead. Time for a post mortem.
Nintendo Land had some big shoes to fill. Wii Sports, the game that launched the phenomenal Wii, was maybe the most successful launch game of all time (eat it, Duck Hunt). It was an amazing introduction to the system… and… uh… it was also a complete failure. Wii Sports is good! Unfortunately, it was so good, that many people bought the Wii exclusively for Wii Sports, and never purchased another game. This would simply be kind of annoying for Microsoft or Sony, but Nintendo actually makes software for their hardware, and if someone is buying the hardware but none of the following five years of software… that ain’t no good. And Wii Sports was an excellent showcase for everyone’s favorite Miis, but it didn’t include so much as a Mario cameo, left alone the obvious Punch-Out tie-in over in Wii Boxing. In short, Wii Sports was a marvelous system seller, but a terrible Nintendo seller.
So the course was clear for the WiiU: Nintendo needed a new killer app to sell its system with all those exciting new WiiU features, and it needed a game that featured all the new (old) friends you’d make on the WiiU, like Mario and Olimar. Nintendo has been making videogames for twelve billion years, so this should be a walk in the (Nintendo Land) park, right? Heck, let’s throw in a new mascot character that is a talking TV screen for some damn reason! Nothing is more exciting than a literally two dimensional rectangle with an annoying voice!
Of course, I am writing this article from a dystopian future where the WiiU is done. The Switch is now king, and Miiverse is a sad shell of its former glory (though still talking about Splatoon, for some reason). Nintendo apparently has no plans to release first party games on the WiiU ever again, and the only thing on the WiiU release schedule is… Cars 3: Driven to Win. I don’t think that’s going to push any systems. Whether the WiiU was a success or not, what’s important is that it is now dead. Sweet dreams, WiiU, may paratroopas lead you in.
But we’ve still got Nintendo Land sitting here, so let’s see if any of the various minigames involved were at all relevant to the WiiU and its general trajectory.
Yoshi’s Fruit Cart
The Game: It’s everyone’s favorite thing! A game that deliberately hobbles your view so as to create a challenge out of nothing! Hooray!
WiiU Relevance: In a way, this is the prototype for Kirby and the Rainbow Curse… a few years after Kirby Canvas Curse. And instead of enjoying the innovative momentum system that makes either of those games a blast, now you can only see half the game at any given time on either screen. The fruit is on the top screen, and your drawn line is on the pad, so the challenge lies in spatial relations. Unfortunately, there’s a hole in my bathroom that tells you everything you need to know about my depth perception (to elaborate, that hole was supposed to be a cable jack a room over…. I am bad at measuring).
Nintendo-ness: It’s Yoshi! In cart form! Yoshi eating fruit is Yoshi to a T… though the whole “is a mechanical cart” thing is a little weird. Also, if you’re going to go with a Nintendo protagonist that rolls along and eats everything in his path, how about, ya know, Kirby? Was HAL sick that day?
Overall Rating: I’m sure there are some people out there that enjoy this kind of thing, but I’m not one of them. I can’t freehand to save my life, and I can’t guide a Yoshi to save his. You know what killed the dinosaurs? Me.
Donkey Kong’s Crash Course
The Game: Navigate a little cart thing through an obstacle course themed after the original Donkey Kong construction “maze”.
WiiU Relevance: This one uses the WiiU pad’s gyroscope “leaning” powers. This seems to be the feature that got reused the most in later WiiU games, and even worked its way into the final WiiU game, Breath of the Wild. Come to think of it, this means that this game is partially responsible for those damn “labyrinth” shrine puzzles. Zero out of five stars.
Nintendo-ness: Donkey Kong is about as Nintendo as it gets, but this game recalls the original Donkey Kong, and not the more iconic Donkey Kong that would return for Tropical Freeze. Also, every time Nintendo references original DK, it reminds us all that we still have yet to see a perfect arcade port of DK, and that’s horrible.
Overall Rating: Oh, did I mention this game is impossible? Because it is. I’m just glad this nonsense only ever reappeared as a minigame distraction, and not, like, Super Mario Tilt ‘n Tumble.
Captain Falcon’s Twister Race
The Game: It’s racing! With F-Zero cars! It’s kinda F-Zero!
WiiU Relevance: As the Switch release of Mario Kart has reminded all of us, when it came time for racing to hit the WiiU, Nintendo had already abandoned the whole “use your controller like a steering wheel” thing. Oh well. The control scheme here is as smooth as silk, so good on Nintendo at least making this seem like a viable option, even if it wasn’t really used outside of the WiiOG.
Nintendo-ness: Nintendo loves Captain “Show me your moves” Falcon. This is F-Zero through and through, with futuristic venues and the good ol’ Blue Falcon (no Dynomutt, unfortunately). On the other hand, this game serves to remind us that we haven’t seen a decent F-Zero game since the friggen Gamecube, and we wouldn’t see another on the WiiU. Way to be a tease, Nintendo!
Overall Rating: It’s no Falcon Punch, but it’s pretty close to being a Falcon Slap. I do appreciate how the game offers two different (and viable!) views of the same action on two different screens. That could have reappeared on the WiiU at least once.
Balloon Trip Breeze
The Game: It’s basically Balloon Trip Advance with a stylus-based control scheme. This gives me very little to complain about.
WiiU Relevance: This game controls by blowing a breeze to move around your Balloon Tripper via stylus motions. This is… actually kind of fun. It’s frantic in a good way, and it’s always enjoyable to have a complete freak out attempting to keep your lil’ balloon buddy out of the maw of a giant fish. Unfortunately, I can literally hear these swiping motions doing permanent damage to my WiiU screen, so I can see why this didn’t become a popular control scheme.
Nintendo-ness: Billy “Balloon Man” Balloonguy is popular with the old-school crew, but he still has yet to get his own game in the modern era. That said, the Balloon Trip theme has somehow infiltrated my brain to an intense degree (likely thanks to Smash Bros), so it is synonymous with Nintendo in its own way.
Overall Rating: Honestly, of the one player games on this collection, this one saw the most play. It’s probably the only game I’d buy a la carte… but that’s mostly because Balloon Trip is my Tetris. It’s hard to get this wrong…
Takamaru’s Ninja Castle
The Game: It’s basically a shooting game ala Time Crisis or Link’s Crossbow Training. Turn the WiiU gamepad sideways, and hurl shuriken at an endless army of ninja. The ninja vaguely look like characters from South Park, so let’s consider it a crossover.
WiiU Relevance: Wow, I had totally forgotten the WiiU pad had “aiming” functionality like the Wiimote. You mean there could have been shooting games like House of the Dead for the WiiU, but nobody ever bothered? That kind of makes me sad.
Nintendo-ness: This game is based on a Japan-only game, Nazo no Murasame Jō, that is vaguely Zelda-esque. The star of Nazo no Murasame Jō, Takamaru, has cameoed here and there in various Nintendo games since… but you probably thought he was a random Kid Icarus character, didn’t you? Sorry, Tak, you’re not exactly Mario.
Overall rating: Middling. Fun game, but ninja seem out of place next to Donkey Kong and Yoshi.
The Game: Somebody at Nintendo played Just Dance, and now you have to, too.
WiiU Relevance: Despite the myriad of ways this could be more interesting, this is just Simon Says with the occasional “flip” between the screens so you will confuse your left and right and feel like a damn kindergartener again. I guess this reminds you that there are two analog sticks on the WiiU Pad? Has anyone ever “missed a button” on a videogame controller? I usually try every damn thing I can find about two seconds into any given game…
Nintendo-ness: Mr. Game and Watch has become the hipster of the Nintendo pantheon. Oh, you never played Octopus, a game likely older than 80% of the people reading this article and only available on severely outdated hardware? Oh, that’s cool, I mean, I have, but you wouldn’t understand. As such, given Mr. Game and Watch never actually existed and was basically a homunculus created for Smash Bros, anytime you see ol’ G&W, it’s because Nintendo is trying to be cool with the retro crowd. … Though I can’t say that’s a bad thing.
Overall Rating: The moral is never purchase a Just Dance game for WiiU.
The Legend of Zelda: Battle Quest
The Game: Link, he comes to a town, he comes to kill like a billion bokoblins.
WiiU Relevance: This is a fine demo for 1-to-1 sword slashing ala The Legend of Zelda Skyward Sword. Unfortunately, Skyward Sword apparently put Nintendo off ever doing the whole “motion control sword” thing ever again, so this is basically the last hurrah for the concept.
Nintendo-ness: Link is literally a system seller, so it’s only natural that he’d appear here. Come to think of it, is Zelda in this one? Or Ganon? Is he a piggy or a pile of smoke?
Overall Rating: I mean, it’s fun to show off what the Wii could do, but that’s old news, Nintendo. Move on, you’ve got a new system to promote. Maybe you should be thinking about what Link could do with a magical ipad, like, I don’t know, control mammoth mechanical elephants or something.
The Game: It’s co-op, “simple” Pikmin.
WiiU Relevance: Was there actually a Pikmin game released for the WiiU? There was? Awesome. Mission accomplished.
Nintendo-ness: Iiiiiiiiiiiiiiiiiiit’s Pikmin!
Overall Rating: When Nintendo Land had been released, we’d gone an entire console generation without a Pikmin game. This was a delightful little way to be reminded the franchise existed before moving on to any other game in the compilation. What was that thing with Yoshi again?
The Game: You are heroic bounty hunter Samus Aran, and you’ve got a hell of a lot of bounties to collect. Is that thing supposed to be Ridley? Eh, better kill it to be sure.
WiiU Relevance: Aside from the WiiU Pad owner getting a gunship while the rest of the nerds have to run around in their spacesuits, this is probably the most straightforward, least gimmicky game on the collection. Likely as a result, it’s also probably one of the most fun single-player experiences in Nintendo Land. Go fig. Hey, which games on the WiiU wound up becoming the most popular, anyway?
Nintendo-ness: As ever, Nintendo has no idea what to do with Samus Aran. She’s basically reprising her role from Metroid Prime Hunters here as Nintendo’s resident character most likely to wind up in a death match, and… I guess that’s where Federation Force originated, too as well. Hey, Nintendo? You know that the word “metroidvania” doesn’t refer to just shooting stuff, right?
Overall Rating: This is fun! It also has nothing to do with anything! Maybe that’s good! This might be more fun if Samus was a squid, though.
Mario Chase, Luigi’s Ghost Mansion, and Animal Crossing: Sweet Day
The Game: These are three different multiplayer experiences where, one way or another, the dude with the WiiU Pad gets to mess with the poor schmoes that are stuck with the Wiimotes.
WiiU Relevance: This was always the promise of the WiiU, right? That we could have wonderful, creative asymmetric multiplayer games that aren’t possible on other platforms? Oh what games we’ll play with… oh, the system is already dead? Dammit.
Nintendo-ness: I’m probably not the only person that thought asymmetric multiplayer would take off, as Mario and Luigi, the biggest horses in the Nintendo stable, headline two out of three of these attractions. Animal Crosser has been trying to achieve some moderate level of fame since the Gamecube, and it’s important that we keep ignoring that dude. Should Animal Crossing ever become as popular as Mario, Nintendo will find a way to monetize the AC model for mobile devices, and then we will not have enough money to afford food.
Overall Rating: This is super fun and… it was released opposite a four player Mario game? Oh, screw this noise, give me my real Mario.
Well, that was more telling than I expected. The best game in the compilation was the one that employed the least random WiiU BS, and, the further we got from “it’s a videogame” to more “it’s a gimmick given form”, the less fun was had. This is pretty much how the WiiU worked, as Breath of Wild is the most amazing thing that has ever happened, and it didn’t even need to be on the WiiU. Meanwhile, Kirby and the Rainbow Curse is a game I have to continually look up to make sure I’m not confusing the title with its DS incarnation. The WiiU was a noble experiment, but its greatest strengths didn’t exactly lend themselves to what the public seemed to actually want, so, at best, we got games like Mario Maker and Splatoon that kinda sorta remembered we had a stylus at hand.
The Nintendo WiiU. Cause of death: Trying.
FGC #272 Nintendo Land
What’s next? Random ROB is insulted he was not in this game and has chosen… Robin Hood: Prince of Thieves for the NES! Huh, not the game featuring well-meaning thieves I would have expected from this blog, but whatever. Time to rob from the rich and give to the Nintendo kids. Please look forward to it!
Sometimes even an ancient Atari game can surprise you.
Everybody knows Mario Bros. If you’re a certain age (old), you may have seen this primitive Mario experience in arcades. If you’re slightly younger (generally still old), you likely have fond memories of pseudo-Mario Bros. in the two player mode of Super Mario Bros. 3. And, if you’re one of six “lucky” people on this planet, you might even remember Mario Bros. for its spiritual sequel, Mario Clash, the Virtual Boy game that may have damaged your retinas. Mario Bros. might not be Donkey Kong or Super Mario Bros, but it’s still a beloved piece of Nintendo history, and most Nintendo fans have played the game at least once.
But… almost everyone that played Mario Bros. played it on actual Nintendo hardware, whether it be a Nintendo, Super Nintendo, or (INSERT NAME OF GAME SYSTEM THAT STARTS WITH “NINTENDO” HERE). Today’s game is Mario Bros, yes, but it’s Mario Bros. for the Atari 2600. It is, effectively, Mario Bros. before Mario. This ain’t Steamboat Willie, this is Oswald the Lucky Rabbit in Poor Papa. And, sorry to say, nobody has fond memories of that damn rabbit.
And, let’s face facts, there are a lot of reasons to assume Atari Mario Bros. would be terrible. Have you ever played Atari Pac-Man? It might be the worst port of a single videogame ever made. There is one ghost, the screen proportions are all wrong, and somehow even the “dots” aren’t properly distributed. Yes, someone somehow got a game that can be summarized as “a ball moves around a maze” completely wrong. And Pac-Man isn’t alone; at best, an Atari port would be something that reduced the cutting-edge arcade graphics of Joust or Kangaroo down to small-screen appropriate pixels, and, at worst, you’d wind up with something a few degrees better than E.T. (reminder: the game that destroyed the entire industry). And, while we’re at it, let’s note that Mario Bros. is a port of Mario Bros. not actually directed by Nintendo. I’m trying to remember how it turned out when some other Nintendo franchises were handled by studios other than Nintendo, but I’m distracted because I’m so hungry right now, I could eat an octorok.
So, suffice it to say, I went into Mario Bros. Atari expecting pretty much nothing. The 2600 could barely render a protagonist that resembles a pizza pie, I couldn’t even imagine how overalls would be interpreted. And the iconic proto-koopa troopas and crabs of the arcade were known for their expressive, cartoony movements during an epoch where the best you could get out of most games was “beware the angry red square”, so their Atari interpretations were inevitably going to be a letdown. The graphics are primitive, blocks are all around, and you are likely to be eaten by a white hue. And, yes, as someone that has played NES Mario Bros and been unimpressed by the port quality there, I didn’t have much faith that Atari could succeed where Nintendidn’t.
But, surprises of surprises, Mario Bros. for Atari ain’t bad.
First of all, it’s definitely Mario Bros. All the familiar gameplay quirks are here, from flipping over turtles to the central POW Block. Even the between levels bonus stages are here for your failing pleasure (seriously, has anyone ever collected all those coins in the proper time limit?). I only have so much patience for playing early pre-Super Mario experiences, but I tromped through the first ten levels of this port, and it seemed like Mario Bros. all around. It was even as difficult as ever to flip over that final, hastened-by-the-demise-of-his-buddies crab. That’s some genuine Mario Bros. action right there.
But even more surprising than the fact that this game is actually playable is that there are a few items in this game that did not resurface in the “real” NES port. Mario Bros. NES does not feature our friend the turtle exiting his shell and kicking it while flipped over (an adorable bit of animation only seen in the arcade), but it is in the Atari version. Or, okay, the whole animation isn’t in there, but a turtle will stand up and face the player before obtaining a faster shell. It makes it… seem like something is happening. And icicles may fall from the ceiling in the arcade and Atari versions, but no such thing happens on the NES. Like Donkey Kong losing an entire stage, this was likely a concession to accommodate primitive NES programming, but it’s droll to see Atari attempt to stretch the limits of the hardware before Mario’s parent company.
Mind you, Mario Bros. Atari isn’t perfect. Apparently, no one on the Atari team could make the fireballs work “right”, so they’re just constantly respawning around the sides of the arena, and are more of an omnipresent threat than the leisurely fireballs that seem designed to merely keep a Mario from standing still too long in the arcade/NES. And, since the Atari had less onboard memory than an abacus, anytime a monster enters a pipe, it effectively respawns, so you have to double-flip those crabs during one stage tour. Oh, and the graphics, while passable, are still pretty “Atari crappy”. I have no idea why a moving “coin” is represented as a square, but here we are. Guess it was just too much trouble to shave off those four pixels and make something that kinda looks like a circle.
But, minor gripes aside, Mario Bros. Atari is actually Mario Bros, which is no small accomplishment. An arcade-to-Atari port not directed by Nintendo has every right to be absolutely horrible, but, nope, this is actually pretty fun. Maybe some games are good no matter the medium, maybe one team just happened to understand Mario Bros. and “get it right”, but whatever the case, Mario Bros. Atari is a pretty fun time.
Don’t judge a game by its system, I suppose.
FGC #268 Mario Bros. (Atari)
What’s next? Random ROB has chosen… Ultimate Ghosts ‘n Goblins for the PSP! Arthur is reborn and then quickly forgotten! Please look forward to it!