Tag Archives: mario

FGC #370 Mighty Bomb Jack

Mighty!Jack? Mighty Bomb Jack? You want to know about good ol’ Jack? Ha! Okay, pull up a stool, I’ll tell you about Jack.

First thing you gotta understand about this whole thing is that it was the 80’s. You’re probably too young to remember this, but back then, we had kind of this… fad going. Not some stupid fidget spinner nonsense or pants around your ankles or whatever, no, back then we knew how to make a fad. Back then we had style. Back then, this circular fella, he had an eating disorder, and he decided to make that some kind of noble thing. He got his yellow ass chased by some ghosts, and suddenly, everybody was callin’ him a hero. A hero! For popping pills! But it didn’t matter. All that mattered was that everybody was worshipping this round boy, and then a couple of other guys get it in their heads that they want to be heroes, too. Before anybody realized what was happening, everybody was claiming to be a hero, and, for a whole quarter, you could hear their stories. And it might sound crazy, but some men got rich off those quarters.

Now, back when it all first happened, it was just random yokels running and jumping. I knew this guy, simple guy, had a simple name like Harvey or Harry or whatever, this guy decides he’s gonna run through some jungles, and get rich doing it. And he did! But you look for Henry on the street, even when he was at his most famous, and you’d never recognize him. Green shirt, green pants, he’s just some average schmoe. And a lot of the other “heroes” noticed that. Some people, they’re cool with not being recognized, but people who were trying to earn barrels full of quarters through their own “brand” alone? Those were not the kind of people that wanted anonymity. Those were the kind of people that want to be known, nay, lauded for their deeds and style. So the big costume craze hit next, and by ’84, Jack was getting ready to hit the scene.

WeeeeeNow, I mentioned that whole costume thing for a reason. A few years before Jack, there was this Italian fellow. Word was this kid was a carpenter or a plumber or something, but what was important was that he made the whole “blue collar” thing work. Personally, I never cared for it, because, come on, you got your first initial monogramed on your hat? What? You couldn’t afford to stick your whole name up there? Need to collect a few more coins, champ? But who cares, you’re not talking to me for my fashion advice, and neither was Jack. Jack comes to me, I remember this was April of ’83, and Jack says to me, “This new guy! They’re calling him Jump Man! I’m Jumpin’ Jack! What am I supposed to do?” And you know what? Jack had a point.

See, Jack had one amazing skill: he could jump good. You see your basketball players nowadays, and everybody says “they’ve got the ups”, but Jack? Jack could jump the entire height of a warehouse. Guy could jump up to the moon if he had to, and, believe me, he thought he might have to. Jack had always been good at jumping, and now, out of nowhere, there’s this other guy, and everybody is calling him Jump Man. And the kicker? He couldn’t even jump that well! He could vault a barrel, which, don’t get me wrong, is pretty hard in a stressful situation, but could he jump up to the top and jump on that giant monkey pal of his? No! Everybody is calling this schmuck “Jump Man”, but he can barely jump, and our expert jumper Jack here is going to come out, call himself a master jumper, and everybody is just going to say he’s ripping off the other guy. I tell ya, Jack was distraught.

So I says to him, I says, “Jack, look at this loser. He’s wearing overalls. Give it a couple years, nobody is going to remember this dingus. He’s a nobody, and you’re a somebody. You, you’re gonna bring class back to this whole operation. You’re not a ‘Jump Man’, you’re a Mighty Man! You’re gonna jump, you’re gonna jump the best out of all of ‘em, and they’re gonna call you Mighty Jumpin’ Jack! Totally different guy from that mustachioed loser. And you’re gonna let ‘em know it, too! You’re gonna wear a circus strongman getup, strap on a cape, and wear an awesome helmet with horns on the sides. Nobody is going to mess with you.”

Hey hot stuffJack was a good guy, and, while I know I might have gotten a little crazy with that hat idea at the end, he immediately went for it. He was excited, and you could see it in his eyes. He started talking about how he was going to go to Egypt, and beat back an army of mummies, and save everybody from the pyramids, and, God, I think back on it, and it was like watching a man get born all over again. Now he was a man with a mission, and Mighty Jumping Jack was going to be the world’s next biggest hero.

Of course, things got a little complicated for Jack along the way. Every hero needs a villain, and this scoundrel by the name of Belzebut stepped up to challenge our boy. Seems it wouldn’t be enough for Jack to collect treasures in the pyramids of yore, nope, he also had to collect the million or so bombs that Belzebut had strewn about the place. That Belzebut had this whole “if I can’t have it all, I’ll blow it all up” thing going on, and, yes, we all needed a hero to save our priceless Egyptian monuments. Jack collects the bombs with his jumping skills, saves the day, and we’re all set forever. You really think about it, the whole situation should have made our jumping pal an international star. But you see Mighty Jumping Jack on any t-shirts lately? No, no you do not.

I blame those stupid bombs.

I want to say this again, and I know I just said it, but you’ve gotta pay attention to this: Jack collected bombs. He dodged mummies, nabbed treasure, and gathered bombs so he could defuse them. Jack never, not even once, used those bombs. Bombs were Jack’s enemy. No like bombs. Very straightforward. Bombs bad.

What is even happening hereBut Jack saves a international monument, comes back to the states, and starts telling his tale to these blokes at Tecmo. Jack goes through the whole rigmarole, mentions the bomb thing like, once, and what do they call him? Mighty Jumping Jack dies, and Mighty Bomb Jack stands in his place. Mighty Bomb Jack! I tell you, nobody reads Bat Joker Man comics, and nobody is going to see the latest movie with Luke Deathstar Skywalker. You don’t put the enemy in the title! Everybody thinks the exact wrong thing! They expect a guy that is gonna use bombs, and they get a guy that is good at jumping! No bombing involved! What is the audience supposed to think, huh? I’ll tell you what they think: they think that they got ripped off! You want mighty bombs, you go deal with that bomber git, not our pal Jack. Jack is for the jumper in us all, and nobody remembers that thanks to those fat cats at Tecmo.

Well, you know the rest of the story. Mighty Bomb Jack saved a pyramid or two, rescued a royal family, and hung up his horned helmet shortly thereafter. People enjoyed Jack’s antics, but it was a crowded market back then, and Jack started off on far too wrong a foot to ever survive. In time, other trends started to take over, and, by about the time “rodents with attitude” started being a thing, ol’ Jack had been completely forgotten. Sunrise, sunset, I suppose.

But don’t worry about Jack. You know that royal family he rescued? Well, he married a princess, and I hear that they’ve got a grandkid coming any day now. Can that plumber fella say that? I don’t think so. And, while Jack might not be the best known American hero, Egypt hasn’t forgotten Jack’s contributions, and they got him a modest statue in one of their big cities. Cairo? I’m sorry, I’m not much for geography. Point is that Mighty Bomb Jack, terrible name and all, is remembered some places. Oh! And he donated most of that treasure stash to orphans! So there’s a lot of good in this world now thanks to a guy that just really, really knew how to jump.

What’s that the kids say nowadays? He’s the bomb? Yeah, maybe you were just ahead of your time, Jack. Jack, you were a mighty man, and the bomb.

… Ugh, that sounds terrible.

Now pour me another pint, and I’ll tell you what really happened to Alex Kidd.

FGC #370 Mighty Bomb Jack

  • Good biosphereSystem: Mighty Bomb Jack was originally a NES game, but then appeared on nonsense like the Atari ST, Commodore 64, and Gameboy. Only one of those things qualifies as a real system. Oh, and Wii Virtual Console, too.
  • Number of players: There was a Vs. version that had two players, but it’s single player on the NES, so we’re going with that.
  • Who put the Mighty in Mighty Bomb Jack: The original Bomb Jack was a single screen, hop around affair for the arcade. Mighty Bomb Jack added fully scrolling stages, and relegated the “single room” areas primarily to bonus rooms. … Or at least they felt like bonus rooms. Point being that this is basically the same difference between Mario Bros. and Super Mario Bros., except Nintendo expanded that property into a gigantic, sprawling franchise, and Tecmo did not grant Bomb Jack the same boon.
  • Favorite Confusing Moment: Mummies are Jack’s primarily antagonists. Mummies are capable of transforming into parrots, skulls, and bugs. Life is like fighting a mummy, you never know what you’re going to get.
  • Did you know? If you collect too many powerups in Mighty Bomb Jack, you are sentenced to the Torture Room, where you must survive for a set amount of time before being granted an exit.

    What?

    Could you imagine if this feature was implemented in other videogames? Could you imagine if it was implemented in a Wario title? It would change the face of gaming. … For the worse.

  • Would I play again: Oh yeah, this game is really boring. And annoying. Sorry, Jack, you’re going back into retirement.

What’s next? Random ROB has chosen… Taz-Mania for… Let’s make things interesting! All next week, we’ll be pitting SNES and Genesis titles against each other in a no-holds-barred battle for supremacy. So we’ll be kicking it off with Taz-Mania for the Sega Genesis vs. Taz-Mania for the Super Nintendo. And we’ll wash it all down with a refreshing glass of OJ. Please look forward to it!

Year in Review: 2017

2017! Huh! What was it good for? Absolutely nothing! Say it again!

Disappointment of the Year: Super Bomberman R

KapowI say it every year, but the disappointment of the year is not the worst game of the year, it is simply a game that came close to being good, and… didn’t. Super Bomberman R is a Bomberman renaissance, and arguably exactly what I wanted ever since Super Bomberman 2. In fact, it basically is a remake of Super Bomberman 2, just with more modern graphics, portability, online play, and a goofy plot played out in cute, animated cutscenes. It’s the Bomberman we’ve all been waiting for!

Which is why the actual game having significant problems is such a shame. It is clear people that actually care about Bomberman (and Konami) made this game, but they really missed the mark on actual Bomberman gameplay. The graphics are great… but make it extremely difficult to see your lil’ Bomber amongst the chaos. The tiered stages are fun, but determining your exact plateau at a glance is nearly impossible. And some of the traps (ice? Really?) and stage objectives (an escort mission!?) are practically antithetical to the very concept of the bombers.

In short, Super Bomberman R should be an amazing return to form for the entire franchise; but, as it is, I can hardly recommend it. This could have been the preeminent multiplayer experience of the Switch launch…

But everybody just wants to play Mario Kart anyway, so no big deal.

Reason to not let me out of the house for the Year: Amiibo, again

Amiibo!

I want to be very clear about something: If Nintendo decides to release Super Smash Bros. 4 Switch, and uses that as an excuse to do an entire run of 2-Player Alternate amiibos, or, God help us all, “Final Smash” themed giant amiibos, then I’m going to have to jump off a building. Or at least stab my eyes out. Something to stop the inevitable accumulation of even more Nintendo merchandise that I convince myself doubles as some sort of physical DLC. Just, please Nintendo, don’t make me have to cut off my own hands. Please.

Compilation of the Year: Mega Man Legacy Collection 2

I now can finally say I own copies of Mega Man 9 & 10 in physical form, and it’s my annual excuse to post this again.

Everything is coming up Mega Man!

Remake of the Year: Wonder Boy: The Dragon’s Trap

So scenicI’ve never been a giant fan of the Wonder Boy series, because the gameplay has always been a little too close to The Adventures of Link for my taste, and, while I love that game, it can get very frustrating, very fast. Could I have a little range to my attacks? No? Fine, whatever, I really felt like trudging through that forest full of slimes all over again. Thanks. Oh, and don’t get me started on the whole “how health works” system. You want me to spend how much on an extra life that could potentially drop from a random octopus anyway?

But I’ll stop complaining and talk about the good stuff: this title got me to actually enjoy a Wonder Boy game! Hooray! It’s still a very, very annoying Genesis game, and there is just nothing that is going to make “there are a thousand random shops and you need a guide to compare their inventories” any fun, but, man, is this thing pretty to look at. Between the “version switch” button and the gorgeous modern graphics, there were enough quality of life improvements made to Wonder Boy: The Dragon’s Trap that it kept my interest throughout. And that’s the best a remake of a “forgotten” title can achieve.

Title of the Year: Kingdom Hearts HD 2.8 Final Chapter Prologue

So similar...Kingdom Hearts might be an easy punching bag around here, but when you see such a ridiculous title, you’ve gotta take notice. In this case, it’s not that the title is word garbage like other winners of the coveted “Title of the Year” award, it’s about the fact that Kingdom Hearts somehow requires a 2.8. We already blew 2.5 for the remakes, the almighty 3 is reserved for a game that will never be released in our lifetimes, so 2.8 is the only option. In fact, it will be downright amazing if Kingdom Hearts 3 isn’t released in 2018, because that would mean a game that pretty much exists to promote KH3 would have been released at least two years before its “real” big brother. Or maybe we’ll see a 2.999999 by then…

System of the Year: Nintendo Switch

Ah, nappingThis was the easiest decision on the list. The Nintendo Switch is basically a WiiU+, and that is all I ever wanted. My gaming habits are such that I have… a really short attention span, and being able to migrate from the television to “I’m watching Riverdale now” mode allows for more control than I’m used to having over my library. For years, portable games have been portable games, console games have been console games, and never the twain shall meet. Now I can play my big widescreen games on the TV, get to a more “grindy” area, and casually enjoy the same experience while I’m paying slightly less attention. Now I can play Switch every last hour of the day properly budget my time!

And Nintendo seems to be completely aware of this, too. Breath of the Wild is an amazing, engrossing title… but it also has 120 shrines that seem to be designed to be tackled on a boring bus ride. Super Mario Odyssey has seventy craptillion Power Moons, and you can’t tell me that you’re supposed to explore New Donk City entirely in one sitting. Even some of the less AAA titles, like Mario + Rabbids or Fire Emblem Warriors, seem to be designed with the Switch’s chief appeal in mind, and that’s just peachy.

The Switch isn’t perfect (for some ridiculous reason, it can’t play Super Metroid yet), but if every year is as good for the Switch as its launch, this might wind up being the best system in videogame history, for both software and hardware.

Game of the Year: Sonic Mania

Tails!2017 might have been a horrible year for reality, but it was an amazing year for gaming. NieR: Automata was a long-shot to ever exist, changed the very concept of what a videogame could be, and also somehow sparked a robo-butt renaissance. Persona 5 was the long awaited sequel to Persona 4, already one of my favorite games, and featured the most stylish gameplay and music I’ve seen in a decade. Super Mario Odyssey is just a joy to play from start to finish, and you can control a flappy dinosaur. Breath of the Wild redefined what a Zelda game could be. Even Cuphead could potentially be my game of the year, if only because it reminded us all that you don’t have to be the next Skyrim to change the face of gaming. Man, if we get even one more game like Cuphead in the next decade, I’ll be happy (this includes Cuphead 2, incidentally).

But Sonic Mania? Sonic Mania taught me to love again.

I’ve been playing Sonic the Hedgehog games forever. In fact, I’ve been playing Sonic games as they’ve released as long as the franchise has existed. I gnawed through Sonic Heroes when it first dropped, and learned to live with the werehog one stretchy limb at a time. I played every last 2-D Sonic GBA and DS game, and grimaced as I was told that this was how Sonic always felt. Was… was that true? Were my memories of OG Sonic some illusion of age? Some nostalgia for a game that never truly existed? Was I tapping into a lost dimension every time I booted up my Sega Genesis?

The answer is, obviously, a resounding no, because Sonic Mania is the real Sonic the Hedgehog 4 (& Knuckles).

I’m not going to write another thousand words on why this game is great, but it’s amazing, and it validated my own memories, and, unlike every other amazing game this year, I’m probably going to replay it again from start to finish within the decade, so it’s my game of the year. Sorry, Senran Kagura: Peach Beach Splash, you were this close.

Games I’m sure are great, but I haven’t played: Xenoblade Chronicles 2, Horizon Zero Dawn, Agents of Mayhem

It was a really good year for games! I’ll get to them before next year! Maybe!

Games I’m sure are great, but I still haven’t played: Overwatch, Doom, Undertale

Look, I’ve got the physical version of Undertale coming from Fangamer with some Christmas dough, so I’m pretty sure I’m going to play that this year! Okay!?

Gogglebob.com Introspection 2017

Damn wormFor reasons of my own making, this year has been surprisingly busy since about July. Don’t be concerned, gentle reader, things were complicated for fairly good reasons (or at least expected reasons), but it did make my “hobby blog” a little more difficult to keep on schedule for the last half year or so. But fear not! There’s a reason the FGC didn’t miss an update (give or take that one bout of Trump-induced constipation), and that’s because I genuinely like writing about videogames on this blog. It’s weird! I still maintain that I’m surprised the site has lasted this long, but here we are! Weird! Here’s to another how ever many articles I have in me!

(Though if you’re looking at the Wild Arms 2 Let’s Play updates in real time over at that one forum, you may have noticed a little slow down. Man, I should have waited until Fall to start that thing up.)

Anyway, I’d love to offer some additional insight into the process or something here, but it’s just a matter of playing games, writing about games, and occasionally making weird videos about games. Gotta pick your battles there. And, in that spirit, here are a few articles that haven’t already been linked that I liked this year:

FGC #225 Castlevania Dawn of Sorrow
FGC #243 Dragon’s Lair (NES)
FGC #261 Spice World
FGC #277 New Super Mario Bros. 2
FGC #294 Skullmonkeys
FGC #316 Injustice 2

And I would be remiss if I didn’t note this was the year I started streaming with some random knuckleheads, which is always a good time. Hey, guys, when do you want to do that again?

And on that note, I’m calling this a year reviewed. See you next year! Or this year! Writing things in advance is confusing!

What’s next? Random ROB has chosen… Ninja Master’s! Ninja Master’s… what? Guess we’ll find out! Please look forward to it!

FGC #350 Super Mario Odyssey

It's a-me!  Cappy!The reason it’s so difficult to convince the general public that climate change is real is that weather is continually simultaneously reliable and anomalous. It is cold in the winter. It is warm in the summer. There is never a year where this is not the case. But, if you stand downwind of anyone that has been in the same area for longer than about five years, get ready to hear the stories about when it was scorching on Christmas, or that time it snowed in May. These stories aren’t lies, because, yes, sometimes you get an “Indian Summer” or a “Kinda Racist Winter”, and, inevitably, this just leads to the thinking that everything is absolutely fine. So you have to wear your shorts in November? Phhht. It’s happened before! The record set in 1999 is for 76°! This doesn’t mean anything!

Mario has the same problem.

Now, before we go any further, I want to plainly state that I love Mario games. I love this Mario game. It is amazing! There are dinosaurs and mariachi bands and Mario made frogs cool again for the second time in my lifetime. Not only is Mario Odyssey good, it’s damn near flawless. As of this writing, I have collected a good couple six hundred or so power moons, and I have rescued Princess Peach from nefarious nuptials, so I’m pretty confident that, while jumping rope might be a bear, the actual minute-to-minute of this Mario adventure is top notch. In a year packed with absolutely stellar titles, this little plumber is staring in one of the best.

So why is my general feeling something like…. Underwhelming? Yes, that’s it. I am underwhelmed by Mario Odyssey.

WeeeeLet’s look at those other “games of the year”. Persona 5 was probably the most traditional game on the list, but it was still the first time we saw the series on a modern console (or two), and you can’t say it wasn’t stylish as hell. Do you understand how much of the Persona 5 soundtrack has been playing in my head since April? NieR: Automata also wound up on that mental playlist, and those phat beats were somehow attached to a game that was not only fun to play, but also managed to question the very nature of humanity. Even “lesser” games, like Sonic Mania or Cuphead, managed to distill exactly what makes their respective genres excellent into a mouthwatering fruit, smoosh that conceptual fruit into a jam, and spread out those picture-perfect ideas into some of the best experiences available for modern consoles. And then there’s The Legend of Zelda: The Breath of the Wild.

It feels almost gauche to discuss this game again, but here we are. Some eight months ago, Nintendo released what might have been the most important game in a franchise that has been important for three decades. In short, in one sweeping motion, Nintendo threw out everything that made Zelda Zelda, yet, against all odds, created an experience that is Zelda in every conceivable way. I already put on my lab coat in an attempt to explain this phenomenon, but Breath of the Wild is unmistakably the end result of every Zelda that has ever been. It is also not Zelda at all, and a completely new experience from the absolute moment you realize Link has a dedicated and permanent jump button. Breath of the Wild doesn’t just stop at revolutionizing Zelda, though, as it rapidly becomes the best open world title this world has ever seen. See that hill over there? You can climb it. You can glide to it. You can buy a big fluffy sweater so you’re not cold when you get there. You can kill every errant fox between here and there with your enormous death horse (named Ganonhoof). Breath of the Wild is an amazing experience, and an experience that is completely unprecedented in all of gaming.

Mario Odyssey? Mario Odyssey is merely amazing.

ShiversAnd, let’s be clear, I’m not saying that carelessly. I started this article just after finishing the game, and, somehow, since then, I’ve collected about 400 more power moons, completed the darkest side of the moon, and happily followed a weird little skeleman in his taxi trips across the globe. I did this all with an enormous smile on my face, and never once complained about every time I had to possess a toad instead of a tyrannosaur. Mario Odyssey is fun from the depths of the ocean to all the way up to the top of the moon, and, give or take a few finicky flicking controls, it is an unequivocally perfect experience.

But, it’s a Mario game, so that’s expected.

This might be a controversial statement, but I’m willing to state that there has never been a bad Mario game. Ever. Mind you, that’s with the caveat that I’m exclusively talking about Mario-platformer games, as I’m pretty sure that one Mario baseball game was absolute garbage, and anything involving hotels is obviously not to be trusted. But when you look at the clear line from Super Mario Bros. to Super Mario Odyssey, you see a lot of phenomenal platformers along the way. And I know it’s dope and hip to claim that Mario Sunshine or Mario That One 3DS Game were not really good Mario games, but, come on. I’m not saying every Mario game has been perfect, but if you claim you could never have fun blasting a water gun around Delfino Plaza, well, congratulations on learning to read, you soulless demon from the depths of Hell. Has there ever been a flawed Mario game? Certainly. But have they all been fun, well-crafted adventures involving some of the most joyous movement options available? Double yes. When Mario is Mario, he is always good.

Right in the kisserAnd I literally can’t think of another franchise that has ever done that so well and for so long. Zelda? Phantom Hourglass had some neat ideas, but its centerpiece dungeon was hateful. Metroid? Let’s be real, there has been one really amazing game starring Samus, and everything else has just been… Echoes. Every fighting game ever has at least one entry that could be best described as disappointing, and every new entry in a modern JRPG or shoot ‘em up franchise runs the risk of being really interesting and immersive or a lolicon underwear simulator. And that’s really what it comes down to: with so many franchises, you have no idea what you’re going to get. Sonic the Hedgehog is somehow simultaneously responsible for one of the best games I’ve played all year, and a title where the only plus is presenting offline access to Deviantart. Mario doesn’t ever run that risk. A new Mario platformer is always good, whether it be our first Gameboy outing or something with a few more dimensions.

And all those amazing Mario games? They’re all here in Mario Odyssey. Would we have the frequent 2-D sections without Mario Maker? Probably not. Would we have the “themed world” and personable companion without Sunshine? Seems like the clear source there. Would we have a Mario in a sombrero without Qix? Well, maybe… but still! From Galaxy’s amazing controls to 3-D Land’s musical notes to even something as established as Yoshi’s Island’s butt stomp, all of Mario has been wrapped up and stuck beneath an adorable top hat.

And that’s the problem.

(No, not the top hat.)

Take a look at this challenge stage:

Weeeee

And tell me it couldn’t be any other Mario game released in the last fifteen years. It could be a “FLUDD-less” area from Mario Sunshine. It could be a random planet from Mario Galaxy. It could easily be any given stage from 3D Land or 3D World. It’s great! It’s fun! But it’s also very, very familiar. This is not a case of redefining the very landscape of gaming like Super Mario Bros., Super Mario Bros 3, or Super Mario 64. Heck, even “lesser” entries did everything they could to explain why waggle could actually be fun (Galaxy) or 3-D is a perfectly good reason to make a new portable system (3D Land). Mario Odyssey is just kind of…. Really amazing.

And that’s why, while I absolutely adore this game, I still feel underwhelmed. This is Mario at its best… but the best is exactly what I expected. This is snow in the winter: it’s anticipated, and, what, you wanted a beach trip on Valentine’s Day? Those have happened before, right? I remember that one really warm February back in the Winter of ’17… Can’t we have that again? Can’t it not only be flawless, but also revolutionary? Is that asking too much?

Mario Odyssey: One of the best games I’ve played this year… but I expected more.

FGC #350 Super Mario Odyssey

  • System: Nintendo Switch. I believe this is the first game that I’ve reviewed for the site that is exclusively for the Switch. Yes, Breath of the Wild was for WiiU, too! Never forget!
  • Number of players: Technically two, but only because that’s the only way to beat volleyball.
  • Favorite Kingdom: Sand Kingdom, bar none. I’m not certain if it’s been mentioned before (I really need to reread some of these articles sometime), but I am a sucker for Dia de los Muertos aesthetics. While I generally hate deserts, I love mariachi skeletons. And when one skeleman decides to take a cab ride around the world? I think he’s my new hero.
  • AHHHHFavorite Capture: Actually, I think the capture mechanic summarizes this game perfectly: it’s always fun, but it’s exactly what you expect. T-Rex wrecks up the place, glider dino glides, and a piranha plant just hurls the contents of its non-existent stomach. That said, the humble goomba is my favorite capture, as it offers a clear powerup (better traction), but the additional fun of goomba stacking to satisfy a horny girl-goomba. I just want Mario to go that extra mile (to please goombas).
  • Switch it up: Okay, it’s subtle, but Mario Odyssey does its best to sell the features of the Switch… exclusively to me. I’ve spoken before about how my ideal game is one that is “widescreen” for the big dramatic moments, but then I can futz around in the postgame while watching TV or something. Mario Odyssey’s huge postgame is built for this, and, it seems like introductions to the kingdoms are meant to be docked, while postgame “100 random moons” are intended for less laborious portable play. The Switch was made for that kind of dichotomy! Just… doesn’t exactly come off as revolutionary.
  • Gooey: Oh, can we please get an option to disable the on-screen tutorial for every power and climbing pole? Look, I’ve been playing the absolute final level for the last hour, I don’t need a reminder to press B to jump every time I possess a lava ball and stand still for two seconds.
  • I’m just disappointed: The Rabbit Wedding Planners are a wonderful concept, but I’m dissatisfied with their work. I don’t mind that they stole every valuable item from every kingdom they could find, but they arranged for Bowser’s chapel to be like two blocks down from their home. For professionals, that’s just egotistical and lazy.
  • Just play the gig man: I do not understand why this game has ambient effects for some areas, and bombastic, amazing big band music for others. It makes perfect sense for some of the “set piece” areas (like New Donk City in the rain), but why the pastoral post-game kingdom is completely silent is anybody’s guess. Hey, at least you can cue up Jump Up Superstar at any time from the pause menu.
  • ClassicDid you know? Assuming you disregard the opening “prologue” kingdom, our first world is grass land, the second is desert, the potential third is under the sea, number five is a brief visit to the sky, and you’ve got the ice and lava stages shortly thereafter. Mario is a man of tradition.
  • Would I play again: I technically haven’t stopped playing this one yet. It might not be revolutionary, but it is a damn lot of fun, and it’s unlikely to leave my Switch for a good, long while.

What’s next? I’m taking a break. I’ve got a couple of random projects I’ve been ignoring because “oh I have to get the next FGC article done”, and I need a week to not have that excuse. Doesn’t mean there won’t be some content next week (there certainly will), but at least I don’t have to beat a Mario game to get it up. … Probably could have phrased that better. So FGC officially resumes on 11/20, and, in the meanwhile… well, I’ll try to find something to post during the week. Oh, and when we get back, we’ve got Kirby and the Crystal Shards on deck. Please look forward to it!

I like stickers

FGC #331 Super Mario Galaxy 2

It's a-him!So here’s why Mario games are good.

Today’s game is Super Mario Galaxy 2, the final part of the Super Mario Galaxy duology. While some endlessly debate whether Super Mario Galaxy or Super Mario Galaxy 2 is the better game (and I will remind you that SMG2 contains Yoshi), it is perhaps better to look at Super Mario Galaxy as one solid piece, accidentally fragmented into two sections. Let’s face it, SMG was released on the cusp of Nintendo learning how to add expansions to games (see the eventual joys of Smash Bros, Hyrule Warriors, and Mario Kart), and, should SMG have initially been released on the WiiU, we likely would have seen new planets until the release of the Switch. But, for now, the two games are separate but equal, with slight differences between the two, and an aggravating need to switch discs when you have to choose between riding a dolphin or a vulture.

But the reason the difference between the two games is insignificant is because both titles are amazing. Super Mario Galaxy is easily the apex of the Mario franchise (note for future readers: this article was published before the release of Mario Odyssey, or any other inevitable future endeavors, like Mario… Omniverse?), and the sheer volume of creativity and care on display in these games is astronomical. Yes, there are a few misses bouncing around the title (mostly experiments involving motion controls), and it would be nice to be able to play this Mario game with a “real” controller, but, by and large Mario Galaxy & Mario Galaxy 2 are perfect Mario games.

But why are they perfect? What is it about blasting around Mario’s Galaxy that makes these games so much fun? Is it the gravity? The enemies? The Bowser fights? (No, it’s never that.)

I’ve got a theory for Mario games (and nearly all action/platforming games), and it’s called “The Joy of Movement”. What makes a great Mario game? It’s whether or not you actually enjoy moving around.

WeeeeeAt first blush, this seems abundantly obvious. After all, sloppy controls are often the death knell for poorly received games. Amagon probably would be a passable adventure if it were at all possible for the hero to actually deal with the encroaching threats of Everything-Kills-You Island. And while even games with terrible controls may occasionally succeed (looking at you, Grand Theft Auto), they usually nail at least one thing completely perfectly (like using rocket launchers on pedestrians). But for successful franchises, it’s obvious that enjoying actually moving your digital avatar is the most important thing. Sonic the Hedgehog is the poster child for this phenomenon (and the recent Sonic Mania being essentially Sonic & Knuckles 4 and being wildly successful cannot be a coincidence), but Mega Man also slots in perfectly here, too. Mega Man might not have 360° aiming or the ability to bend his robo-knees, but he’s perfectly suited to his world, and there’s joy to be had in flawlessly stomping over the corpse of a robot monkey on your way to barbecuing a wooden man. The joy of movement is real, and you’ve subconsciously experienced it practically every time you’ve played a worthwhile videogame.

And Super Mario Galaxy 1 & 2? Here is the apex of joy of movement.

It’s initially very simple: Mario just plain controls well. You’ve got analogue walking/running, you’ve got the triple jump, and you can even hold a button to crawl along. Start combining some of these commands, and you’ve got the inimitable long jump and backflip. Go a little further, and you’ve got Mario exploring weird little planets with their weird little gravities, but still “moving” exactly the same. And intuitively, too! Leaping from one planetoid to another always “feels right”, and switching gravities is as natural as stomping on goombas. And speaking of feelings, the aggressive spin attack or the frantic spin jump both feel wonderful when you use the technique to survive an incoming chomp or avoid a crushing black hole.

Well, I like itBut the powerups… now that’s where things get crazy. Bee Mario buzzes along and crawls exactly how anyone who has ever been outside would expect (though, granted, not every Mario fan has been outside recently). Boo Mario’s spectral floating feels fittingly weightless. Rock ‘n roll Mario moves with all the heft of a boulder, and no one bats an eye when inertia causes that Mario to go meteor. Running around at full tilt with an invincibility star is always cool, and fire flowers exploit a player’s desire to shake that wiimote and vaporize everything on six planets. Cloud Mario is likely the best thing to ever happen to the franchise, as generating your own platform with a panicked spin is something Mario has needed since he first dropped into that hole in World 1-1. Spring Mario can be a blast… you just have to think like a kangaroo. Or maybe an injured bird? Frog? I think frogs hop a lot.

Even Yoshi gets into the act. Tongue twisting across platforms is an innate delight, and swallowing every troopa in a ten mile radius is literally the reason these Yoshis were born. And Yoshi gets his own powerups! Balloon fetishists delight at a round and floating Yoshi. And the dash pepper leads to new and exciting challenges of the Turbo Tunnel variety, but with the important caveat of not being terrible. And, whether you’re riding a dinosaur or literally skating around a frozen planet, it’s all completely instinctive and… fun.

WeeeeeAnd that’s the joy of movement, the joy of a good Mario adventure. Every trot, every jump, every powerup just feels good, and that’s what keeps the player running towards 242 stars. Every obstacle course is masterfully crafted with Mario’s skills in mind, and every powerup is utilized in unique and electrifying ways to surmount new challenges.

When it feels good to just move, that’s when you’re playing a wonderful videogame.

FGC #331 Super Mario Galaxy 2

  • System: Nintendo Wii. Also available on the WiiU download service… but that system plays Wii discs, anyway. So does that even count?
  • Number of players: I laud any game that involves a two player mode that is meant for casual accompaniment. Not enough people celebrate the humble person that wants to participate in a friend’s favorite past time, but has absolutely no skills suited to the task. I blindly tried to help my buddy, One Handed Joe, with his carpentry hobby a couple of years back, and it ended… poorly.
  • And where is the joy of movement in Fluzzard? The joy of Fluzzard is selecting another level that does not include Fluzzard.
  • Question for the Ages: What nimrod decided they should replace Princess Rosalina with Party Pants Starfy?

    GO ON A DIET

    Hey, Rosalina, get out of the shot! You’re ruining my bullet point.

  • Favorite Powerup: Cloud Mario has saved that plumber’s peperoni more times than I care to admit.
  • So, did you beat it? Of course. I got all the stars, and conquered the final daredevil challenge. I even tried that final stage again for this article… and I barely got past the first area. Look, I need to get back in practice, okay?
  • But you still beat the repeat of Luigi’s purple coins, right? Some things never leave you.
  • What’s in a name? The internal title for Super Mario Galaxy 2 is Super Mario Galaxy More. I agree.
  • Did you know? The Flying Star that barely appeared in Super Mario Galaxy is buried in the code of Super Mario Galaxy 2. But it’s not completely forgotten! It has an updated theme, and can be patched into being a wholly working powerup. This seems to suggest that the star was intended to be used in Super Mario Galaxy 2, but was left on the cutting room floor because it was too joyous for this fallen world.
  • Would I play again: I love this game. I love it so much. I’d like to be able to play it with a “real” controller, as the wiimote/chuck has never felt 100% natural to me, but, other than that, this is one game that I can practically guarantee I’ll play again.

What’s next? Random ROB… better shut his trap, because I feel like playing Marvel vs. Capcom Infinite. That’s just the way it is, robot. Please look forward to it!

Yay Mario!