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FGC #459 The Legend of Zelda: Link’s Awakening (Switch)

Note: This article contains spoilers for a game that is either twenty years or one month old. To be clear, the spoilers are not for anything you wouldn’t find in the Gameboy version. You have been warned.

Adventure Time!Forever just isn’t as long as it used to be.

The Legend of Zelda: Link’s Awakening is an amazing game. Within the confines of the meager Gameboy, Link experienced one of his most enjoyable and surprisingly expressive adventures. Link saves the day by venturing through Koholint, a mysterious island home to friendly villagers, the occasional demon round boi, and no less than twelve billion moblins. Items of note include a giant catfish that hides an equally giant worm, a walrus that is always happy to hear a song, and a golden leaf (or maybe five). Oh, and there’s that gigantic egg at the top of Koholint’s highest peak. Assuming Link is capable of collecting all eight of the magical instruments (that’s seven more than usual!) strewn around the island, he’s told he will awaken the Wind Fish, and the dream that is Koholint Island will fade to nothingness. Every one and every thing Link encounters across his adventure is ephemeral, and will disappear should his quest succeed.

And that makes me sad!

Which, ultimately, is the point. LA’s Koholint Island is, when you stop to think about it, one of the absolute nicest places Link has ever visited. Yes, there are monsters, and, yes, the rules of life and death appear to be controlled by a lesser Mario villain’s song, but, aside from a few existential horrors, Koholint is a pretty nice place. You can hang out in a pastoral village, enjoy a walk on the beach, or even have a conversation with a welcoming (and surprisingly verbal) rabbit. SING ITAnd even if Link decides to just stay in the Dream Shrine for the rest of the day, there’s a very real feeling that life on Koholint can go on without him. Granny has her sweeping to do, an alligator is busy working on his art, and lovers are catfishing each other with snail mail. And then there’s Marin. Sweet, doomed Marin…

Marin is the first person Link meets on Koholint, and, incidentally, the first woman in the franchise to rescue Link for a change. It is Marin that drags the sea tossed Link back to her cottage, and nurses him back to health after his near-death experience. And when Link is up and adventuring, it is once again Marin that is not only the most useful villager across the quest (learning music is fun!), she’s also the woman that spends the most time with Link. They play crane games together. They smash pots together. They even bond over a shared love of fried chicken. Right down to Marin’s very vocal desire to be free and see the world, it’s clear that you, the player, are supposed to feel a bond with Marin, and maybe even the slightest bit of empathy for this monochrome NPC. Your quest will wipe her from existence, and, only if you’re really good will you be rewarded with the possibility that Marin escaped her fate by becoming the trashiest of trash birds.

But, whether you keep Link immaculate or not, the Marin you know is gone at the end of Link’s Awakening. And nothing is going to change that. Marin was never real in the first place, and you’ll never see her again.

HERE WE GOAnd the Zelda franchise/Nintendo held true to this rule for decades. Marin only reappeared as a trophy (literally, to be clear) in Super Smash Bros Melee, and did not return in any other form, playable, cameo, or otherwise. Marin clearly influenced Malon of Ocarina of Time, but the young lady obsessed with cows shared very little in common with the songstress of the seas. And, if you squint, you can see how Link’s sister Aryll (of Wind Waker) shares a few superficial similarities with the girl of Link’s dreams. But aside from those allusions, Marin, like all of the friendly faces around Koholint Island, was gone forever, another unfortunate casualty of having never existed at all. Papahl, Kidoh, Lattie, Mamasha, Madam MeowMeow, and even Old Man Ulrira are all gone from the franchise, too; but Marin’s absence is felt most keenly. She was more interesting than the titular Zelda, people! Bring her back!

And now Marin returns in the Switch version of The Legend of Zelda: Link’s Awakening. She’s back. She’s adorable. And she’s singing her lil’ heart out.

So why am I sad to see one of my favorite characters all over again?

CHOMPWhen you get right down to it, Link’s Awakening needed a remake. Yes, the obvious issue with LA was that it was initially designed for hardware that could barely support an entire Mario Land, but the controls of Link’s Awakening needed an upgrade much more than the graphics or sound. The A/B system of LA was a genius callback to the original adventure, but there’s a reason The Legend of Zelda never let you switch out your sword. Yes, the option of bomb arrows is always nice, but there are way too many places in OG LA where you have to switch out your feather for some boots and then over to a power bracelet and whoops there’s an enemy maybe you need a sword or some bombs. I hate pausing! A modern remake of LA would allow for mapping the constantly used items to constantly used buttons (what is even the point of giving Link a jump if it’s a pain in the ass to use?), and then maybe an island filled with pegasus blocks would be less than annoying. Link’s Awakening was always a shining rupee in the Zelda crown, but some QOL improvements could make it pretty amazing.

And they did! Link’s Awakening: Switch Because Apparently Subtitles for Subtitles Are For Nerds is a pretty amazing experience. The graphics are adorable and appropriately “just wrong enough” for a dream world, the music (mostly) captures the original haunting isolation of LA’s best tunes, and, yes Virginia, there is an excellent control redux. None of it is absolutely perfect (Roc’s Feather should simply be a permanent RT, and why I can’t use the damn cross-pad is some Phantom Hourglass-level nonsense), but this is indisputably the best version of one of the best Zeldas available. It’s a joy to play, and revisiting sunny Koholint is a welcome change of pace from Link’s usually dour dungeons (or that one Hyrule that is not doing great).

So what’s the problem? If I had to put a point on it, I’d say it’s the ending:

GOOD END

The finale of the original Link’s Awakening was something I saw a billion times. LA was one of my few Gameboy games, and I played the living hell out of it through a Super Gameboy. When I was finally allowed my first actual Gameboy, I reamed every last bit of gameplay out of that gray goober. I must have beaten that game literally hundreds of times, and I must have seen “Seagull Marin” about 80% of those times (hey, I didn’t know dying was a bad thing when I was a kid). And, no matter how many times I beat Link’s Awakening, it always made me sad. Marin was gone forever, and, as the years went on, I was only ever reminded that Marin would never return. She was dreamstuff in the first place, and to the shores of The Dreaming she would always return. Sorry, Bob, time to move on to other adventures.

But Link’s Awakening Switch stirs a different feeling in me. That feeling? “Oh, there she is again.”

For a solid two decades, Marin was nowhere to be found. Then, in 2015 (or so), she rolled on in…

BAD END

Yes, she appeared in Link’s sexual awakening, but she was back! There was much rejoicing!

Now, four years later, she’s back in the remake of Link’s Awakening. And now when I see her ending, I don’t feel the same melancholy as before. I experience the unmistakable sensation of “wonder what she’s going to do next for Nintendo?” We saw Hyrule Warriors DLC, so will she be in the inevitable sequel? How about an amiibo? Maybe Nintendo will take the Link Between Worlds route and make an outright Link’s Awakening 2: Koholint Boogaloo. Regardless of future plans, this is less a downhearted finale, and now more Marin isn’t going to be gone forever ever again, dear player, and here’s a little reminder.

FLAP FLAPAnd, yes, it is entirely possible I’m just being cynical about this whole situation. Link’s Awakening: Switches Get Stiches was an amazing game, and I really shouldn’t be complaining about it because Nintendo has an overzealous marketing department. But, on the other hand, I do have to turn the game off. And when I do, I see Cloud Strife advertising his latest adventure (which is the same adventure, but maybe different[?]), Disney advertising their latest live action remake of a beloved cartoon from my childhood (probably The Rescuers Down Under this week), and freaking Boo Berry returning to store shelves because nostalgia even sells breakfast-themed sugar snacks. It’s a little bit hard to believe that Nintendo is going to let any part of Link’s Awakening “rest” when I’ve got seventeen different Link amiibos staring back at me. Come to think of it, the LA Link on the official Nintendo Amiibo website is listed as part of the “Series: The Legend of Zelda: Link’s Awakening”. So I’ve got a general idea where that phrasing is going…

Yes, I’m actually complaining about more content being provided from a franchise/game that I deeply enjoy. Yes, this sounds like the most first of first world problems. But stories should be allowed to end. Endings should be allowed to be sad without tacking on an ellipse and a question mark. Or, at the very least, I should be allowed to enjoy a piece of media without being reminded it’s just one cog in an unstoppable machine meant to grind me down until I am simply blood and an open wallet. The nostalgia advertised for so many of these projects is less dopamine and more poison when the threat of further, costly adventures is on the horizon.

I’m just an old man complaining, but I’m old enough to remember when a Zelda game ended, it meant it ended. Forever.

FGC #459 The Legend of Zelda: Link’s Awakening (Switch)

  • System: Nintendo Switch. I reserve the right to review the original at some point in the next 100 FGC articles.
  • Number of players: Does dungeon sharing count? Let’s just say one.
  • SpicyGravediggin’: Oh yeah, the big, new content for Link’s Awakening is Dampé providing a “build a dungeon” area. It’s… kind of weird to have a “real” Hyrule inhabitant on Koholint. Regarding the actual dungeon building, I want to say this might have been better received if it was touted as a “Link’s Awakening Randomizer”, and not a real unique dungeon creation system. The concept here is amazing… but in practice, it just winds up being random bits from LA dungeons sewn together. That can be its own kind of fun… but it ain’t no Zelda Maker.
  • Say Something Mean: Whoever is responsible for the load times involved when entering houses that are approximately six pixels wide should be forced to fight a flock of angry chickens.
  • Favorite Nightmare: Now I finally know that Hot Head, the boss of the final complete dungeon, is supposed to be a lava monster that is inexplicably only weak to the fire rod. There was a slight chance that high definition graphics would give some explanation as to why fire is vulnerable to fire, but, nope, he’s just a reject Fry Guy.
  • Favorite Mini Boss: Smasher demands that Link play dodge ball. He’s my kinda whale-fish-dude.
  • So, did you beat it? I certainly did, but I didn’t exactly get every heart piece and secret seashell. I might really enjoy this world, but I don’t feel like figuring out every damn fishing game that crosses my path.
  • Did you know? According to the official Legend of Zelda timeline, the same Link stars in The Legend of Zelda: A Link to the Past, The Legend of Zelda: The Oracle of Ages, The Legend of Zelda: The Oracle of Seasons, and then The Legend of Zelda: Link’s Awakening. First of all, that Link has got to be exhausted by the end of his four separate journeys. But, more importantly, there isn’t an adventure for that particular Link after Link’s Awakening. This raises some… very solemn questions.
  • Would I play again: Yes. I might feel vaguely bad about it, but I’m not made of stone.

What’s next? Random ROB has chosen… Final Fantasy Legend 3 for the Gameboy! Now we’re hitting some monochrome adventuring! Please look forward to it!

I can hear this GIF
I can hear this GIF

FGC #434 The Legend of Zelda: The Adventure of Link

This is still the coolest part of the gameI have uncovered a startling discovery: all of Link’s problems are not created by Ganon, but the Hyrule monarchy!

Now, let’s be clear here: Ganon is not blameless in his actions. Whether you’re looking at Demise, Ganondorf, or just a bloated pig monster with an over-sized fork, Ganon is irrefutably not a good guy. Yes, he’s a thief from a downtrodden tribe that comes from circumstances, but Ganon is not the root of all evil in Hyrule. That dubious honor belongs to the royal family.

In some titles, this is abundantly obvious. We’ve already discussed Breath of the Wild, and how, had Zelda had just the tiniest bit of foresight, her kingdom would not have fallen to the horrors of technology run amok (though it is nice to see that happen to a nation where Facebook is not involved for once). Similarly, the world of Wind Waker is significantly wetter because the only solution the King of Hyrule had to the Ganon problem was to drown it and literally everything else. Ocarina of Time? More Zelda futzing with prophecies and timelines splitting off because of it. A Link to the Past? Never trust the advisor with blue, clawed hands, kingy. And Twilight Princess? That was a gigantic mess that was caused by not one, but two royal families. And then Zelda made it worse! Basically, we’re looking at the royalty being the number one reason Link can’t just sit around raising cuccos all day long, and has to actually nab a sword from some old man cave.

And while we’re discussing elderly hermits distributing weaponry, yes, this is exactly how The Legend of Zelda started.

A wizard did itEveryone knows the basic plot of the original Legend of Zelda: Ganon kidnaps Zelda, the Triforce of Wisdom is shattered into multiple pieces, and Link is the only one brave enough to save the kingdom. Or he just happened to be around. Actually, it’s probably that latter one, as it is distinctly noted that Zelda sent Impa out to find a hero, and Impa was old and wounded, and… what? Did she literally just go with the first elf she found? Dude didn’t even have a sword yet! Okay, it’s not like Impa imparted any valuable information anyway (“The Triforce pieces are out there! Somewhere! Buy a candle at Famous Cave’s!”), but this was a slapdash effort from the get-go. And why were the Triforce pieces scattered to begin with? Because Zelda had a vision of the coming calamity of Ganon, and her only solution was to “safeguard” the Triforce pieces in a series of marginally hidden dungeons. Did that make a lick of sense? No! You just give the Triforce to someone that can get the hell out of town (I hear there’s a lovely clock city just outside of the kingdom limits), and call it a bloody day. I’ve got news for you Zelda: Link was able to retrieve the Triforce of Wisdom because you hid those pieces poorly. Link was just a dude with a pointy stick, and he still managed to conquer every last dungeon and wind up with more equipment as a result of other dungeon-based goodies. Zelda, do you want Ganon to possess two Triforces and have a raft? Because that’s the end result of your stupid plan if Link had showed up in Hyrule like an hour later. And don’t even get me started on what would happen if multiple people found separate Triforce pieces. Face it, Zelda, you got lucky.

GrrrrBut there was one Princess Zelda that did not get lucky. It is canon that Link had a magical adventure where he teamed up with two different versions of himself and wore a suit made entirely out of bombs, and, sometime thereafter, the royal family of Hyrule required a bit of family counseling. The good King of Hyrule had two children, a boy and a girl. The princess was, obviously, another Zelda, and she was granted knowledge of the Triforce. The boy, whom we’re going to name Prince Don, coveted this shiny, golden treasure, and demanded the Triforce. Zelda would not acquiesce to her greedy, probably orange brother, and Prince Don was forced to take drastic action. He hired a wizard that put Zelda under a sleeping spell for generations. This, obviously, solved exactly zero problems, and Prince Don… uh… does the story elaborate on this at all? I mean… uh… he probably died angry, but he was the only heir, right? He just became king anyway, didn’t he? Totally poisoned a woman in a desperate grab for more power, and he’s rewarded with being the most powerful person in the kingdom anyway. Way to go, prince-y. Good job.

So where was the last piece of the full Triforce, the Triforce of Courage? You know, the secret that Zelda was Sleeping Beauty’ed for? Well, turns out that Prince Don’s dad realized his son was a real crumb-bum, and decided to split the complete Triforce, and hide a solid third of it in a dungeon. Sound familiar? However, this Hyrulian monarch knew exactly what he was doing. Somehow “in secret”, the King of Hyrule…

  1. Hid the Triforce of Courage in The Great Palace of the Valley of Death
  2. Populated the Great Palace with a variety of traps and monsters
  3. Placed an impenetrable barrier around the Valley of Death
  4. Scattered the source of the barrier spell into six crystals
  5. Built six temples to house alters that would activate those six crystals
  6. Populated those temples with six unique boss monsters, and a host of lesser, more annoying regular monsters
  7. And then, just for good measure, cast some weird-ass incantation that would make a hand-tattoo appear on whoever was worthy of finally traipsing through those palaces

Hey, Prince? Bad news: even if you knew where to look, there was no way you were going to make it past Horsehead and the Valley of Death or even your first Iron Knuckle. Your dad screwed you but good, princey.

And, bad news, he screwed Link, too.

GrossThe Legend of Zelda: The Adventure of Link is widely considered to be one of the most difficult The Legend of Zelda adventures. Some attribute this to the 2-D perspective being fairly half-baked, and not at all designed around Link’s butter-knife based offensive abilities. Some blame the magic system, which is inventive, but too many monsters and areas require specific spells, so you’re always running at a magical deficit. And there is certainly some merit to the claim that the experience system is opaque at best, and downright punishing at worst. How are you supposed to get anywhere when some damn flying eyeball is leeching your EXP every five seconds!?

But, no, that all pales before the real reason The Adventure of Link is so difficult: The King of Hyrule hated his son. Dude did not just hide the Triforce, he created a treasure hunt that spread across two continents. He devoted great swaths of Hyrulian resources toward building temples containing boiling lava and holographic walls. And, lest that King think his son had the slimmest chance of throwing those unlocking jewels around, for some damn reason, the King of Hyrule summoned a freakin’ fire breathing dragon just to protect one palace. And that cyclops! Where does one even find food for a cyclops, left alone satisfying other cyclopean biological needs!? The King of Hyrule went to a lot of trouble to arrange this massive undertaking for the exclusive purpose of waylaying his own son. Couldn’t he have just taken the kid to soccer practice? Shown up for a few more school plays? You have the Triforce, King! You could have just wished for your son to be a little less of an asshole! You didn’t have to construct a hover-horse!

I hate youAnd then Link got stuck dealing with the fallout of that failed royal relationship. Lucky guy, that Link. An army of monsters are trying to drain his blood to revive their piggy master, and he’s got to deal with generational family therapy for some royals he’ll never know.

It’s called The Legend of Zelda for a reason. It’s The Legend of Zelda Really Messing Up Some Poor Elf’s Day.

FGC #434 The Legend of Zelda: The Adventure of Link

  • System: Nintendo Entertainment System initially, and then the Gamecube collection, and then I’m pretty sure every Nintendo system since. Currently available on Switch!
  • Number of players: Link is going to have to deal with this mess alone.
  • Favorite Spell: It might just be a way to conserve assets, but granting Link a spell where he transforms into a fairy was certainly a bold choice. And it’s a useful spell, too! Who needs all this jumping when you can just fly?
  • No. 3 Tryforce: I like how the first Zelda sequel introduced a new Triforce. I feel like this tradition should have continued, and, by the time of Breath of the Wild, Link has to collect 25 different Triforces, finally culminating with the Triforce of Muted Apathy.
  • I WINAn End: (Almost) Always restarting in Zelda’s sleep chamber has the excellent side effect of making the ending and final scene of the game in Zelda’s temple rather thrilling. Way to work the emotions with limited bits, Nintendo.
  • What’s in a Name: This was the first Zelda game to stick Link’s name in the title. So much for being an unnamed adventurer/player avatar, Nintendo! He’ll never be the most popular protagonist in all of videogames now, guys!
  • Land of the Rising Fun: There are a number of differences between the Japanese and International versions. Seemingly the biggest change in Japan is that Gooma, the cyclops with a morning star boss of the Palace on the Sea, does not appear at all, and is replaced with a second encounter with Jermafenser, the dude with too many heads. America: land of the myopic.
  • Did you know? Ganon’s laugh is the same sound sample used for Soda Popinski in Mike Tyson’s Punch-Out. This raises all sorts of timeline issues…
  • Would I play again: Anyone that says they enjoy this game is a liar. Or they haven’t played it recently. Or I’m being hyperbolic, and I’m just angry at anyone that can get through Death Valley without abusing save states. So many eyeball ghosts! So much lava! I don’t need that kind of negativity in my life!

What’s next? Random ROB has chosen… Pokemon: Let’s Go Eevee for the Nintendo Switch! Oh boy! We’re going to go somewhere or another, eevee! Please look forward to it!

Get 'em
That is how you do it. You’re welcome.

FGC #423 Super Smash Bros.

Please join special guest artist Pooch and myself in examining the deadly sins of the Smash Bros.

Lust, Sin of Donkey Kong

This is where it all started for the Nintendo empire: an ape that really, really wants to sling a random woman over his shoulder and carry her Arceus-knows-where. But there is little question what Donkey Kong is going to do when he gets there! He’s a big, naked ape, and she’s a beauty worthy of a Jump Man’s gaze… we already know what happens if you fail to climb that construction site. Donkey Kong Juniors don’t just pop out of eggs! Sure, one could claim this is all borrowed imagery from King Kong, but King Kong didn’t just stand next to Fay Wray beating his chest and smiling all day.

Of course, this interpretation is primarily based on DK’s maiden voyage, and not his later games. You know, the titles where he tries to save his bananas from being devoured by toothy crocodiles. Come to think of it, Freud might have a thing or two to say about that. And that’s even before you get to the part about him banging his bongos

Gluttony, Sin of Yoshi

Yoshi must consume.

He? She? It. It is an eating machine from the absolute moment it is hatched. Give or take a flutter jump, it seems the only way a Yoshi burns excess calories is by producing hollow, projectile eggs. Everything else is ingested, and the difference between delicious fruit and a screaming koopa troopa means nothing to this unrelenting lizard. All is sustenance to Yoshi, all must be consumed, and that never stops from cradle to an inevitably oversized grave. There’s a reason a certain plumber recently seems to leave his “noble” steed at a stage’s goal post; if a Yoshi were to traverse the entire Mushroom Kingdom, the nation would become nothing more than a reptile’s pizza topping.

Envy, Sin of Kirby

Yoshi is an animal. Kirby is unappeasable desire.

Kirby started as yet another 2-D platforming hero at a time when such a mascot character was produced roughly every seventeen seconds. However, Kirby was very different from his brethren, as he had amazing skills right from the moment he awakened. Projectiles? Just a matter of sucking in literally anything that is readily available, including plain air. Extra health? Pep bottles and Maxim Tomatoes grow on trees. Even flight, the most coveted of all platformer powerups? Well, ya don’t need any raccoon tails for this cream puff.

But it wasn’t enough for Kirby. Kirby needed more.

As of Kirby’s Adventure, Kirby gained the ability to copy the skills and powers of his opponents. Later adventures granted Kirby the talent to use multiple skills at once, combine them, or even convert his stolen skills into living assistants. Whom… he could devour again later. Why would he do that? Because Kirby can only have so many abilities at one time, and what is this ability compared to that ability right over there. Who cares if that power is attached to an ally?

And “must have it all” is such an integral part of Kirby that it followed him to Smash Bros. It has shadowed him straight through the series, and, as of Super Smash Bros. Ultimate, Kirby is capable of gaining nearly 75 different abilities from every last fighter.

But, of all those abilities, Kirby can only use one at a time…

And Luigi is standing right over there…

Is he even using that fireball? I bet Kirby could use it better…

Greed, Sin of Link

Link is often portrayed as a simple boy who claims the sword of a hero, heroically challenges a malevolent despot, and eventually saves an entire kingdom from an awful, certainly pork-scented fate. Link has gone by many names, but often earns a title such as “Hero of Time” or “Hero of the Wilds”.

He also earns literally more rupees than he can carry.

And enough food to feed the kingdom.

And treasure from literally every tomb, crypt, well, dungeon, and castle for miles.

And, in the end, the entire royal family owes him a debt.

And then he reclaims a magical wishing triangle that will gratefully grant him anything he wants.

And to think, he was already looking greedy when he decided he needed two hookshots

Sloth, Sin of Pikachu

Now we shall consult the Pokedex, Book of Oak, Chapter 25:

25:1 When several of these Pokémon gather, their electricity could build and cause lightning storms. … 25:8 This intelligent Pokémon roasts hard Berries with electricity to make them tender enough to eat. .. 25:11 It stores electricity in the electric sacs on its cheeks. When it releases pent-up energy in a burst, the electric power is equal to a lightning bolt.

So, to summarize, Pikachu is smart, generates electricity, can summon lightning storms, and can readily expel the power of a lightning bolt. Assuming a lightning bolt’s one billion joules of energy can be properly converted and utilized, that’s enough juice to power a lightbulb for six months. Assuming Pikachu only has a charge that powerful once day (and can’t be infinitely restored in seconds at a local Pokémon Center), a single one of those shock rats could power a city with approximately one minute’s worth of effort a day.

But what does Pikachu do?

Well, let’s just say that the coming energy shortage and associated apocalypse isn’t bothering the yellow mouse one iota. Pikachu has a party hat, and he’s going to use it, dammit.

Pride, Sin of Fox McCloud

James McCloud lost his life to the betrayal of Pigma Dengar, and failed to stop Andross, a mad scientist that sought to conquer the entire Lylat System. Fox McCloud thus inherited a gigantic starship, and the massive debt incurred by the production of such a craft. Fox, strapped for cash and perhaps anxious for a little vengeance, decided to fight back against Andross’s forces, and gathered the Star Fox team to save the galaxy.

And he did!

By himself!

Yes, Fox McCloud may have flown with Peppy, Falco, and Slippy, but who was the one that saved their Arwing’s asses every time they got into a scrape? Fox even piloted an experimental submarine just to show some random marine biology who’s boss. And did the whole team battle the giant floating brain of Andross? Nope. Just Fox. So is it any wonder that when Dinosaur Planet was threatened eight years later, Fox was alone in a rotting ship with a rusted out robot? Of course not. Why would Fox ever ask for help? He saved the damn universe! All by himself!

Team Star Fox has reassembled on occasion, but history has proven it will always be undone by the pride of Fox McCloud. Yes, he’s an ace pilot, but what is the cost of being “the best”? Fox could never maintain a permanent relationship with his closest friends. Fox could never maintain a real relationship with the princess that once left her planet for him. If ROB wasn’t bolted to the Great Fox, Fox would be completely alone in the very universe he saved.

No friends, no items, just Fox, alone, at his final destination.

Wrath, Sin of Samus Aran

Samus Aran is murder incarnate. She has committed genocide at least once, and, in the event said genocide doesn’t take, she gets the call to commit some good ol’ fashioned clone genocide. She has also eliminated fellow bounty hunters that were infected by phazon, and took no time waiting to see if a vaccine for such a condition was even possible. Oh, and there’s the little matter of how she was duplicated by her prey twice, and both times the “evil twin” was exactly as destructive as OG Samus. The “Dark” Samuses were just pointed in an inconvenient direction…

And then there’s the matter of Ridley. Ridley is a space pirate that has committed his share of sins, up to and including killing (and maybe devouring) Samus’s parents. Obviously, he should be punished for such an act. In retribution, should he be killed? That’s a question for the philosophers. But should he be killed over and over, at least four times, by the same person? That seems a bit excessive. And then cloned, reborn as an infant, and forced to desperately survive on the same space station as the hunter that killed him in the first place? That’s not a punishment, that’s a horror movie. And Samus is the pure, unstoppable vision of wrath they put on the poster.

Mario… who… uh…

Um… Mario is pretty alright. Hrm. Guess not everybody is a bad smash brother…

FGC #423 Super Smash Bros.

  • Here come the brosSystem: We’re technically just profiling the original N64 release here… so that one. It was the N64! This might be the most important Nintendo franchise to come out of that system. Or the only franchise to start on that system…
  • Number of players: Super Smash Bros. completely justifies all four N64 controller ports. Mario Kart and Goldeneye are pretenders to the throne.
  • Special Thanks/Credit: Once again, the venerable Pooch is responsible for the art of this article. All of it! Except the screenshots! Duh! Hit Pooch up for some commissioned art when you have a chance. Mention this article and get a resounding, “What? Really?”
  • Speaking of Art: Check out that box art.

    Poor lighting

    Link looks so confused!

  • Maybe actually talk about the game for a second: It is rather amazing how much of “Smash Bros.” was right here at the beginning. They might not be distinct modes, but the start of things like Smash Run or Endless Smash is obvious in the single player campaign, and every bit of the presentation seems like a prototype for the eventual celebration of gaming that Smash Bros. would become. Even the intro seems overtly cinematic… for an N64 game, at least.
  • Favorite Character: It’s Samus Aran. It’s always Samus Aran.
  • Follow your Dreams: According to an interview from 2008 (Brawl time) Sakurai initially just wanted to make a new, four-player fighting game with original characters (apparently it would be called… Dragon King? Isn’t that already a JRPG?). Unfortunately, he knew that new fighting games had a rough time attracting an audience, so he “borrowed” a few Nintendo heavies to put together a demo. Nintendo didn’t approve the project (or the characters being tossed into smash world) until a demo featuring Mario, Samus, Donkey Kong, and Star Fox was presented. And the rest is videogame history.
  • FINISHCome to think of it…: That means “out of his Arwing Star Fox” was created for the demo, and Sakurai didn’t go for an already more established 2-D character (like Yoshi). Of course, it’s not like he was going to throw Ness in there, and Kirby wasn’t exactly meant for polygons…
  • Ridley is too big: Ridley appears in the background of the Zebes stage. With his appearance in the opening of Melee, and his status as a boss in Brawl and 4, it’s pretty clear that his turn as a starring character in Ultimate was an inevitability.
  • Did you know? According to the credits and my ears, the Pokémon of this title all use the original 4Kids English voices. That is why Jigglypuff sounds so… right.
  • Would I play again: That’s a good question! It’s weird how Super Smash Bros. feels simultaneously like every other Smash title, and also its own thing. Each character seems to have at least one overpowered move (thank you, Pikachu lightning), and the balance is completely insane as a result. Why play with this old, broken man when there’s a better boy right there on the Switch? On the other hand, the nostalgia here is strong, and it’s always fun to PK Lightning smash a piranha plant. So hard to decide!

What’s next? Random ROB has chosen… Brain Dead 13 for the Playstation! From famous franchises to… not so much. Please look forward to it!

Poor petey

FGC #362 The Legend of Zelda: Breath of the Wild: Champion’s Ballad

Note: This article contains spoilers for the Legend of Zelda: Breath of the Wild Champion’s Ballad DLC. And regular Breath of the Wild, too. Please be aware.

Zelda!“DLC” has become something of a dirty word of late. Actually, that’s a lie. DLC has always been a dirty word. The mere concept that a videogame producer would choose to “double dip” and charge the poor player for further experiences when sixty buckaroos have already been spent is repulsive to a certain vocal subset of the population. And, honestly, that kind of thinking could be understandable. After all, gaming went through a solid couple of decades before a game ever requested a little more scratch to keep the lights on, and it’s not like Super Metroid ever needed a season pass to be more of a masterpiece. DLC, almost at its core, sounds like a scam, and people are right to be resistant to any profit model that asks for more and more from the consumer.

That said? The Legend of Zelda: Breath of the Wild’s Champion’s Ballad DLC is exactly why DLC is great.

For anyone curious about Champion’s Ballad, but either unable or uninterested in downloading the DLC, here’s a complete run down of what happens…