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FGC #412 Metroid: Other M

Let this be Goggle Bob canon: I refuse to believe Metroid: Other M exists.

Some franchises dance all over the place. Before we even hit Nintendo’s third console, Link had already explored Hyrule through overhead exploration and 2-D jumping. Kirby saved Dreamland, and then had time to play mini golf before becoming a pinball wizard. On other systems, Sonic the Hedgehog explored a Game Gear labyrinth as easily as jetting across Mobius. And Mario? Mario had wildly different gameplay just between Super Mario Bros. and Super Mario Bros. 2, left alone later games featuring age regression. In short, if Nintendo had announced that Super Mario 64 was going to feature Mario riding a giant bunny as he hopped across the universe, we all just would have understood that that would be Mario now, and it’s no use lamenting the inevitable absence of our beloved fire flowers.

But Samus Aran and the Metroid series? For a long time, that was ol’ reliable. Metroid, Metroid II, and Super Metroid were all very Metroid. Even Kid Icarus couldn’t make that claim! In a time when most games were still discovering what would eventually be their defining traits (Star Fox is still working on that), Samus Aran had it all figured out. Run around an abandoned planet, collect powerups, fight a dragon man, and call it a day around the time that the last metroid is in captivity (or completely obliterated). This was tried and true gameplay, and Super Metroid was such an amazing title, we didn’t need a new one for nearly a decade.

WeeeeeBut when Samus finally returned (again), we were greeted with two new branches on the Metroid family tree. On one side, we had what was essentially Super Metroid gameplay, but now married to a more robust (and chatty) hint system. Metroid Fusion was superficially very much like Super Metroid, but it forsook the deep well of loneliness of the earlier titles for a more story-based adventure. But on the Gamecube, we saw Metroid Prime, a game that, by all rights, should have been absolutely terrible. It’s a FPS! Of a Nintendo property! Samus is all about finesse and exploration, not tanking around boring hallways! We were all convinced Metroid Prime would be awful, but it was quite the opposite. Through some dreaded alchemy, Retro Studios managed to transmute the gameplay and feeling of Metroid into a FPS format with nary a zoomer left on the cutting room floor. The game may not have been perfect, but it was certainly impressive, and it corralled the interest of an avowed FPS-hater like myself as well as those that actually enjoyed the genre. Metroid Prime brought Samus Aran into the 21st Century, and, more importantly, was a hit in every conceivable way.

And the trajectory of the Metroid series seemed to support Prime over any alternatives. Metroid Fusion saw one direct sequel/prequel, and then not another peep out of 2-D Metroid for years. Metroid Prime, meanwhile, saw two sequels across two platforms. And its DS spin-off title was the pack-in demo for the Nintendo DS (just incidentally one of Nintendo’s most successful portable systems). And there was a pinball game for some reason. Straight through to the Metroid Prime Trilogy for Nintendo Wii, it was clear that Metroid Prime was Metroid, and other interpretations of Samus Aran were destined for whatever solar system used to host Zebes.

And then there was Metroid: Other M. Metroid: Other M is not a Metroid Prime game. Metroid: Other M is something… other.

SCREETo be clear, despite the fact that I have implied otherwise on the site, I do not think Metroid: Other M is a terrible game. M:OM has a terrible plot, and arguably everything about its characterization of Samus Aran does little more than subtract from her story/character/any concept of fun (seriously, Nintendo, literally all of your iconic women are diminutive blondes, let Samus be an inexplicably purple-haired seven foot body builder). It’s noble to feature a heroine suffering from PTSD (reminder, this game takes place shortly after Samus took two hours to blow up her home planet), but there’s a difference between “this is clearly weighing on her” and “Ridley turns her into a blubbering child”. And, heck, some of this would probably even work if Samus wasn’t a woman, as then her submission in the face of a father figure or need to be literally rescued from her most consistent and present enemy would maybe be the slightest bit less sexist. And, heck, I’m not even complaining from a “feminism is good” perspective, I just want to see the same kickass warrior woman that learned how to scale walls from little green men that could sing her theme song. That Samus Aran is gone! I want her back!

Crap, that paragraph was supposed to espouse the good in M:OM. Take two…

Metroid: Other M is an interesting experiment in moving Metroid’s normal 2-D action into a 3-D world. Against all accepted standards for such a thing, it completely ignores the analogue stick, and employs the cross-pad exclusively. This should work as poorly as any other 3-D game running on a “lesser” controller (see Head, Metal), but the Bottle Ship is deliberately made with this sort of 2.5-D gameplay in mind. And it works! Samus can certainly run in a circle, but a number of corridors generally bump into the 2nd Dimension anyway, so it feels completely natural to launch into a space jump like in the Metroid adventures of yore. Aiming is fairly automatic, so that clears that spatial hurdle, and, give or take a few spots, the bosses are pretty fun from an action perspective for possibly the first time in the franchise (sorry, Kraid). And the Bottle Ship is just plain entertaining to explore to boot. It’s not too big, not too small, and, while it’s no Zebes, it’s certainly a fun spot to spend a few hours hunting down missiles.

Ultimately, if you can ignore the plot, Metroid: Other M is a fun game.

For the N64.

ChillyWe might be living in a world where Metroid Prime 4 is on the way, but back in August of 2010, it seemed like Nintendo wanted to put the genie back in the bottle. Metroid: Other M notably seems to ignore the more significant character beats of the Prime series (this Samus Aran is not The Hunter that petrified an entire space crustacean race) but also ignores a host of innovations from the series. Metroid Prime proved that Samus could work in a fully 3-D world, but Other M walks that back to a pseudo 3-D. Prime 3 made Wii aiming the most fun it has ever been in a FPS (disagree? Fight me), while M:OM’s missile aiming is inconvenient and cumbersome. Even Samus’s model, thin and lithe like a mecha ballerina, can’t hold a candle to the mobile tank seen in the Prime series. Yes, it might make a little more sense that this Samus can roll into a perfect sphere, but, bad news, that has always been completely bonkers. In short, despite Metroid Prime nailing the Metroid aesthetic and gameplay right out of the gate, Metroid: Other M feels like a stumbling attempt at bringing Metroid into the next generation.

In other words, it feels like a Mario 64 to Super Metroid’s Super Mario World. It’s the Ocarina of Time to A Link to the Past. And none of those games were ever bad… they just might not have been as innovative after a solid decade of advances. Mario Galaxy built off the base of Mario 64. Metroid: Other M built its house on the sand.

Metroid: Other M is not a terrible game. But it is a game that deliberately ignored its own past, and suffered for it. And, through that suffering, it seems it is doomed to be forgotten.

… At least on this site. Let us never speak of it again.

FGC #412 Metroid: Other M

  • System: Nintendo Wii. Despite being released for the most popular Nintendo system in the history of money, this title dropped to bargain basement prices almost immediately. I guess it may have resurfaced on the WiiU, too.
  • Number of players: One day we’ll see a multiplayer Metroid title… That plays like Knuckles Chaotix.
  • Just primeGod Damn this Plot is Terrible: Okay, look, this could have worked. Samus has obvious parental issues (what with her biological parents becoming Ridley chow), and I could totally believe a game where Samus is deliberately limiting herself to impress her father (figure). That could actually be an amazing idea for a Metroidvania style game: you have access to everything immediately, but using the wrong items too early earns you a bad grade and a stern talking to. That could be fun! But that’s not what’s happening here. What is happening in this game is that Samus is being completely subservient to some random dude that just popped up, and, considering he has her walk through an active volcano without protection, it’s hard to imagine this jackass has our heroine’s wellbeing in mind. It is… very hard to justify.
  • Ridley is too Big: Oh, and then we get the nonsense with noted space dragon Ridley scaring Samus until her clothes fall off. How the hell does that make any sense? Why would you design a “power suit” that can teleport into nothingness the moment the exact person that requires protection is frightened? And why is Samus afraid at all, considering she has personally killed Ridley 6,416 times? Is it because she found out he was a Pokémon? That was rather unexpected.
  • And what about those parts of the game where you have to stand perfectly still, and look at some random thing, and make sure the game knows you’re looking at that random thing, or else you can’t advance or do anything? Screw those.
  • Favorite Powerup: The screw attack is more fun here than in the Prime franchise. M:OM gets some things right.
  • Did you know? There is a bug in Metroid: Other M that will permanently lock a door in Sector 3, and thus forever prevent the player from completing the game. This isn’t the worst thing in the world that could happen.
  • Would I play again: Play what? What game were we talking about?

What’s next? Random ROB has chosen… Bonk’s Revenge! And that’s kicking off a special theme week! What’s the theme week? Guess you’ll find out! Please look forward to it!

ROAR

FGC #408 Emily the Strange: Strangerous

So strange“Why aren’t there any videogames for girls?”

… Is how a number of completely bullshit think pieces have started since the dawn of gaming. Which is odd, because gaming, there at the beginning, was fairly unisex. Aside from that one version of Pong that could only be controlled with a flaccid penis, the early days of gaming were practically genderless. It wasn’t Mr. Pac-Man, it was simply a yellow ball gobbling up dots. Space Invaders was maybe boyish because it involved shooting something or other, but it certainly wasn’t coded specifically to appeal to the dudes. Asteroids? Adventure? The absolute best of 80s gaming wasn’t squarely aimed at the boy demographic, and some titles (like Centipede) were even coded by women. Videogames weren’t male-based any more than books, television shows, or movies.

Or… maybe we should explore that for a moment.

I am writing this article having recently seen Ready Player One, a Spielberg filmed based on your childhood. And the great thing is that, thanks to some manner of cross (or crass) marketing, “your” childhood doesn’t just have to be the 80’s that were featured in the book, there are also Gundam (didn’t make it over here until the late 90’s), Iron Giant (’99), MMORPG (not really a thing until the mid aughts), and even Minecraft (right now) references. Heck, if you saw The Shining (1980) as a kid (because you have terrible parents), it’s appealing to 70’s kids! Yes, with its Battletoads, Mortal Kombatants, and Tracers, Ready Player One runs the full gamut of cultural references, so no matter how old you are, there’s something in there for you.

Except if you’re a woman looking to relive her childhood. There isn’t much in there, then. Uh… maybe some Hello Kitty characters… uh… somewhere?

At first, it’s easy to rationalize why this happened. I didn’t see any Transformers running around, so it appears Hasbro wasn’t onboard with that film. That precludes the big girl franchises like My Little Pony, Jem and the Holograms, and Pound Puppies. But there’s no Barbie? Come on, that doll is synonymous with childhood, and you can’t tell me the plastic ideal of womanhood wouldn’t inspire more than a few digital avatars. And when the “worlds” are shown at the start of Ready Player One, there’s a gambling planet and a combat planet, but you’re telling me there isn’t a single “women only” safe space area? Of course, there’s an easy answer to that question too: there is a planet of Barbies and Ponies palling around without any male-influences, but we’re not going to look at that planet, because it isn’t relevant to the movie. But doesn’t that raise its own unfortunate question? Why the heck don’t we care about what half the real world population is doing in this pretend world? And why the bloody hell is there only one piece of girl-aimed media mentioned in the movie (Nancy Drew), and it’s revealed to be a vice of the main villain?

MeowMeh, you know the answers: Ready Player One is squarely targeted at a male audience, and every second given over to exploring the extent of girly stuff in The World is a second that could otherwise go to Mecha Godzilla punching a DeLorean. “Girly media” is not celebrated in the same way as boy stuff… or at least, it isn’t monetized in the same way at all. Do we have Funko Pops of every Jem character yet? I know we do for every Power Ranger that has ever existed.

So merchandising is obviously key, and (finally) getting back to videogames, it seems like we might see less “girly” videogames as a direct result. Videogames may have started unisex, but, as the “mascot” character grew to prominence, more and more heroes were men, and more and more objects were women. Mario must rescue the princess. Link must rescue the princess. Sonic didn’t have a single woman anywhere in his first game. Mega Man has a sister that is unplayable and stays home to do laundry. Kirby is a freaking pink ball with legs that occasionally rides rainbows, but only has a female companion in one lousy N64 game. It’s easy to see how these games are aimed squarely at boys, with nary a thought given to that other gender that seems to be floating around. There are no videogames for girls!

But that’s still bullshit, because there are games for girls. They’re just games that are wholly ignored.

I hates mathsAnybody remember Kim Possible? It was a 2002-2007 Disney cartoon featuring the titular Kim Possible, a teenage girl that flew around the planet and saved the world through James Bond-esque spy maneuvers and the occasional bout of cheerleading-based gymnastics. She’d stop the nefarious Dr. Drakken, and then get home in time to crush on the star quarterback. This was a show that was obviously aimed at the “girl” demographic, but also had plenty of action (and an omnipresent pair of male sidekicks) for the boys. Kim Possible was a huge success, and won awards and an audience that was so dedicated, they successfully petitioned Disney to release a fourth “victory lap” season after its initial cancellation. Kim Possible even got two movies and an Epcot ride! The show was an unprecedented success.

Kim Possible also starred in seven distinct videogames across four different systems. Ever heard of any of them? Didn’t think so.

And don’t try to tell me you didn’t hear about these games because they weren’t any good. Who cares if they were good! You’ve heard of Shaq-Fu! You’ve heard of Aero the Acro-Bat! You damn well know we saw videogames for every show that was ever on Fox Kids or the matching WB programming block. There has been a new Spider-Man title every other year since the birth of time, and only about two of them have ever been any good. But you know they exist! You know you considered playing Rocko’s Modern Life at some point! But did you ever even notice Kim Possible and her multiple games? There were monkey ninja involved! You love that kind of absurdity, right? 2-D action platforming sound like fun? Or maybe puzzles are more your thing? If so, you still probably ignored today’s game, too.

I’ll stop ranting for five minutes so we can examine Emily the Strange: Strangerous.

Yay!Emily the Strange: Strangerous is a 2011 Nintendo DS game. It is, essentially, an old school adventure title. Emily’s cats have been kidnapped, and you must guide her around her world to rescue the felines and eventually… well, things get a little strange towards the end. Let’s just say this might not be the only game I’ve ever played that dabbles in multiple dimensions. Regardless, the basic gameplay is predominantly based on solving item-based puzzles to open new pathways (Sierra-esque “use slingshot on weather vane to change the direction of the wind” style thinking), and then solving actual logic puzzles to obtain the items you need. Every once in a while, there’s skateboarding or target practice, but, by and large, this is a game where trees inexplicably have three matchsticks, and you’re expected to do something with that information. And, to be clear, these puzzles may contain everything from visual puzzles that come off as advanced connect-the-dots to reason puzzles that involve the enemy of all mankind: basic math. Basically, on the system that made Professor Layton a household name, here’s another option for all your on-the-go puzzle needs.

But you’re not going to see Emily the Strange vs. Ace Attorney anytime soon.

For anyone that missed this bit of pop culture past, Emily the Strange started as nothing more than a sticker. She was a skateboard brand mascot. In time, she gained popularity, and became the star of a number of comics and books, eventually earning her this videogame. And it would be fair to say that this game is just a licensed cash-in on a mascot character that was popular at the time. Emily the Strange isn’t the next Mario, she’s the next Young Justice: Legacy. Her title shouldn’t even be mentioned in the same breath as Professor Layton, as, come on, Goggle Bob, why the hell are you letting this random chick property hang out with the clear successor to Sherlock Holmes. That’s high literature!

And it’s all bullshit, because it’s all… bullshit.

Wait, I can probably phrase that better…

It looks familiarSuper Mario defined gaming. He is the face of an amazing franchise that has arguably never produced a dud. Some of “his” games might be less enjoyable than others, but none sink below the level of “pretty good”. Well, except those learning games like Mario is Missing. Oh, and that CD-i title. But Mario is pretty great, aside from that! Well, save some surprisingly lame cartoons. And that one manga where he’s naked for some reason. And his breakfast cereal. No, not the one from the 80’s, I’m talking about the one with the amiibo functionality. And, speaking of which, why can I buy a plush goomba at the thrift store? That thing is the lowest quality I’ve ever seen, but it seems to have an official Nintendo Seal of Quality on there. Christ, they’ll slap the Mario brand on anything!

And how is that any different from a skateboarding mascot earning her own game?

Look, it’s pretty simple: girls need heroes. Girls need role models. And, more importantly, girls need role models that do all sorts of things. Emily the Strange is a teenager that enjoys skateboarding, gothic aesthetics, and cats. She’s smart. She’s capable, and when some jerkass kidnaps her cats, she’s self-sufficient enough to solve her own problems (though maybe with your help). Can you name one other female protagonist that fits all of that criteria? I know plenty of women that are goth skateboarders (or at least were before they had to be adults), but such a “unique” trait is largely missing from our national consciousness, because it’s never seen in our media. Girls are either only hot, smart/nerdy, perfect, or, on rare occasions, “the hippy” (and please watch Boy Meets World to watch one character go through each of those permutations). Goth is allowed, and “skater girl” is something you’ll see once in a while, but both at once? And throw in puzzle solving, so she’s smart, too? Are women even allowed to be more than one thing? Shouldn’t there be a law against that?

TUMBLING!So what does this all mean? Well, it means that we should stop asking where the games for girls have gone, and just start producing games with girls. And, more importantly than that, when a “game for girls” is released, we should give it the same fair shake that we grant Bubsy Bobcat’s latest revival. You or I might have a complete inability to produce the next great female protagonist, but we could at least acknowledge that Kim Possible, Emily the Strange, and their ilk, ya know, existed. Recognize that half the population has their own fandoms and interests, and join them. Let girls know that it’s okay to be anything, and not just a thin caricature of a male fetish. Let “girly media” be part of our national discourse, and stop acting like anything that might involve makeup is forbidden.

That doesn’t sound so strange, does it?

FGC #408 Emily the Strange: Strangerous

  • System: Nintendo DS. If this were a remotely more popular property, we’d see a PC port, as it’s practically made for such a thing.
  • Number of players: Only one girl can be this strange.
  • Defining Aesthetics: This entire game is monochrome with occasion flashes of red. This is always stylish, and it’s weird that the only other game I can think of that employs this style is primarily chainsaw-based.
  • Favorite Puzzle: Something about the lock picking puzzles just seem right. Maybe I missed my calling as a burglar? I should really look into committing more crimes.
  • So, did you beat it? I’m honestly not a big fan of puzzle games, so no. This is also why you’ll never see a Professor Layton review on the site. I have better things to do than measure hats!
  • Ulterior Motives: I just want us to acknowledge “girly” media so we can have a Sailor Moon fighting game as good as Dragon Ball FighterZ.
  • Actual Conversation That Happened When Researching this Article:

    Goggle Bob: Do you or did you ever skateboard?
    Queen Goth of Gothania: Yes, but not for 20 years.
    Goggle Bob: That’s okay! I just want to say with confidence that I know multiple women that are/were goth skateboarders. I did not have to ask you about the goth thing.
    Queen Goth of Gothania: Yup. That was me! Doc martens on my Chester Cheetah board.

  • PointyDid you know? There is a rich mythology surrounding Emily the Strange’s four cats. This is the kind of thing that happens when your main character is basically a crazy cat lady in training. Wait a tick… The very concept of a single woman living with beloved cats is misogynistic all on its own, isn’t it? Hmph.
  • Would I play again: Nope. Emily the Strange and her fellow female protagonists might need more exposure, but this simply isn’t my genre. The only puzzle I want to solve involves finding Wood Man’s weakness.

What’s next? Random ROB may as well take a day off, because I’ve talked about Kirby randomly during the last two articles. The only way I’m going to get this creampuff off my brain is to address Kirby Star Allies! Please look forward to it!

FGC #396 Centipede: Infestation

GrossCentipede: Infestation is a 2011 Wayforward/Atari jaunt that sees heroic Max attempting to destroy legions of giant, irradiated bugs. It is, basically, a twin stick shooter on two different systems that don’t really have twin sticks. The 3DS version utilizes the crosspad and the traditional ABXY buttons, while the Wii employs some manner of sorcery and requires the player to point the wiimote in their desired aiming direction. And that’s lame, so just use the classic controller. Beyond the control scheme, Centipede: Infestation is basically just a shoot ‘em up with a familiar, ancient license attached. Thanks for playing, please look forward to Dig Dug: Earthquake.

But Centipede: Infestation does have the faintest glimmer of a plot, and it goes something like “sure, bugs are gigantic, deadly nuisances, but are they really the enemy?” We should love nature! And are insects the enemy for the minor crime of creeping across the kitchen counter? That doesn’t seem right! So let’s look at a few of the little buggers.

We’re going to look at real live bugs now, so you’ve been warned…

FGC #391 Star Fox 64 3D

Let us review how it only took one greedy pig to ruin the universe.

Here is Pigma Dengar.

Oink

First, we shall consider Pigma’s past. Pigma was a member of the original Star Fox team. This gang included not only Pigma, but also Peppy Hare and its leader, James McCloud. And, if you examine the infrastructure of the original Star Fox, you’ll find that being a mercenary space pilot was a pretty cushy gig. Sure, you were flying across the universe straight into danger on all fronts… but it certainly paid well. The Star Fox custom ships were all the latest in technological advancement, and, let’s be real here, that costs a pretty penny. And then there’s the Great Fox, a gigantic, airborne aircraft carrier that could quickly hop around the galaxy. James needed a 70 year loan to purchase that incredible ship… and I don’t care what planet you’re on, a bank isn’t going to hand out that kind of scratch without a flawless credit rating. Essentially, history shows that, prior to the Lylat Wars, Star Fox was making bank.

But Pigma wanted more.

WeeeeeeIt might be speciest, but Pigma was a pig through and through. Pigma was perfectly willing to sell out his companions and entire operation for, what, a few pieces of silver? The whole Star Fox operation was squashed in one day thanks entirely to Pigma’s greed. The cunning pig led James McCloud and Peppy Hare into a lethal trap, and only Peppy was able to escape with his life. James was gone, Peppy was wounded, and Pigma had indisputably switched sides. It was this event that would then inevitably lead to rise of Andross, and the Lylat Wars would occur shortly thereafter.

And consider Andross: he may have once been the most hated ape in the galaxy, but, one way or another, Andross’s tale is one of an underdog. Andross was singularly brilliant even as a child, and was focused on protecting his home planet of Corneria. However, his ambitions outstripped his abilities, and, in a fateful accident, a chunk of the capital was outright obliterated. General Pepper, seeing no other recourse, exiled Andross to Venom, a planet so inhospitable, it was literally named for poison. But Andross thrived in this environment, and, from the nothing that was a demon class planet, Andross had amassed an army. It was then that he was able to tempt Pigma to his side, and put an end to the original Star Fox team. Andross came from nothing, had all of his resources stripped away, and was still able to successfully launch a rebellion with the help of one greedy pig that already had more than his fair share of wealth. Andross was hated and reviled, but no one can say he merely inherited that title.

I hate everything!And, while we are speaking of privilege, we must consider Pigma’s lost quarry: Peppy Hare. Peppy escaped that fateful trap that finished James McCloud, and hopped on home to relay the news to Fox McCloud, son of James. Fox was an excellent pilot in his own right, but was he prepared to take up the Star Fox mantle? Was he at all qualified to lead a team of mercenaries on a blood quest to avenge his father? Or was Fox less fox, and more a lamb to the slaughter? Peppy never seemed like a vengeful hare, but he did immediately conscript his inexperienced “nephew” in a bloody war without a second thought. And, advanced or not, did anyone truly believe that four ships would succeed in stopping Andross where an entire army had failed? And who the hell thought it was a good idea to make the amphibious mechanic a pilot? Was this “team” thrown together with the same care as a middling salad? We now see Star Fox as a group of heroes that have saved the universe on multiple occasions, but, at the time, it was just a bloodthirsty rabbit and a kid that inherited his father’s empire. One might suppose we should be thankful was Fox McCloud was firmly on the side of the angels.

But Pigma certainly was not. Star Fox was assembled to destroy Andross, and Star Wolf was assembled to counter that vanguard. Or was it? Data on the Star Wolf team prior to the Lylat Wars is sketchy at best. What we do know is that Andross was responsible for the Wolfen craft that the team employs, and we’re all well aware that Andrew earned his seat at the table through being Andross’s nephew. But Pigma? It’s unclear how Pigma joined the gang. Was he with Star Wolf from the beginning, or did he join only when Andross offered a bounty? Are the rumors true, and Pigma is also the reason Fox and Wolf have an eternal rivalry? Whatever his origin, Pigma was certainly a member of Star Wolf exclusively for the paycheck, and, ace piloting skills or not, he was only interested in “finishing the job” for the money.

Which he didn’t. Star Wolf failed, Andross failed, and Star Fox brought peace to the galaxy. Pigma was out of a job.

SpicyBut greed doesn’t evaporate after a single setback. Pigma may have been financially and morally bankrupt, but it was still a big galaxy, and not being accepted by polite society never stopped this pig. Despite being targeted by the Cornerian Army, Star Fox, and Star Wolf (his former companions), Pigma was able to make a living as a pirate.

And then his greed nearly destroyed the universe. Again.

Aparoids, mechanical monsters from the furthest reaches of the galaxy, invaded the Lylat System. These insect-like creatures may have been merely a galactic annoyance, but Pigma thought he could make a quick buck by getting his hoggish hands on a Core Memory, and selling it to the highest bidder. His plan may have worked… except the core assimilated Pigma, and transformed him into a galactic engine of destruction. Mecha Pigma then severely damaged the climate control center of Fichina, and effectively killed an entire planet. Before he was finally destroyed by Star Fox, Pigma had left an indelible scar on the face of the galaxy, and all in the name of buying a bigger pig pen.

So is there a moral to Pigma’s story? He had it all, gave it away for more, but, in the end, died a penniless captive of his own avarice. “Don’t be greedy” seems like a pretty obvious lesson here, but maybe there’s something more. Maybe we’re supposed to realize what greed does: that, given the option, there are some people that would absolutely choose to endanger everyone and everything in the name of profit. Maybe the moral is not to avoid being this type of person, but to never enable someone that would even think of doing such a thing. Greed is bad, we know that, but perhaps it is more important to guard against the greedy than worry about the dominion of our own hearts.

Though, one would suppose, a coda is important here.

Right?There are some that say Pigma survived. Despite the destruction of the Aparoid hive, Pigma lived on, now fused with the core he stole long ago, and became some manner of… space box. This new creature is neither living nor dead, though seemingly possessed of Pigma’s repellant personality. Perhaps this is the ultimate fate for one so fueled by greed. Perhaps, trapped in a prison of his own making, screaming at the void and attempting to distract heroes from their real goals, perhaps that is where greed leads in the end.

But that kind of appropriate punishment will not bring back the lives lost.

Beware the pigs of this galaxy, citizens. Beware the pigs.

FGC #391 Star Fox 64 3D

  • System: Nintendo 3DS. If we’re talking about the original, which we’re not, then you’d have to hit the N64.
  • Number of players: Multiplayer is still possible, right? Let’s say four. Wait, they dropped the on-foot mode? Lame.
  • Hey, genius, none of this is canon anymore: Yes, Star Fox Zero apparently has rewritten the Star Fox timeline once again. And maybe Star Fox 2 is now partially canon, too, thanks to the SNES Mini? I don’t care. Star Fox 64 got the coolest strategy guide, so it’s the most canon.
  • Maybe actually talk about the game for a second: I’m not generally a fan of the Star Fox series, as I prefer my shoot ‘em ups to be 2-D, and the 3-D perspective somehow doesn’t work with my brain (I have a tendency to gauge distances wrong… and smash right into things. Sorry, Fox), but Star Fox 64 is my favorite of the franchise. Maybe I just like charging lasers? Or maybe it came out at just the right time to be the only game available on my only current system for a few months (thanks, N64!). Whatever the reason, this is the only Star Fox title that ever really clicked with me, and the 3DS version only makes it better. So time to pay, Andross!
  • Tanks a lot!Other Vehicles: This is also the first Star Fox game to get bored with Arwings, and introduce the tank and submarine. They’re both awful, and I hate them. I don’t understand how some videogames keep making tanks awful, but here we are.
  • For the ladies: Katt Monroe appears to be the only woman in this entire war. This would bother me more if I wasn’t dreadfully aware of what happens to women in the Star Fox fandom.
  • Did you know? If you battle Star Wolf more than once during an adventure, they will return with “battle damage” and cybernetic enhancements that presumably cover their many scars. And Wolf himself gets a pile of band-aids. Considering how furry that dude is, that has got to be painful.
  • Would I play again: Probably yes. Out of many Star Fox games, this one seems to be my one return engagement, and sticking it on a portable system doesn’t hurt. And I can punish a pig, which is always good.

What’s next? Random ROB… can be kind of funny sometimes. As you may be aware, I “roll” Random ROB pretty far in advance, and, by complete coincidence, it created its own theme week thanks to three sequential games that actually all work together well. So, next week we’ll start with Rocko’s Modern Life: Spunky’s Dangerous Day, and kick off TV Week, a week featuring games based on TV shows. Please look forward to it!

Off to the next adventure