Tag Archives: keep beach city weird

FGC #358 Feel the Magic XY/XX

FEEL ITYou don’t have to be Senran Kagura to be misogynistic.

We’ve all heard the facts. From practically its inception as a medium, videogames have had a problem with women as objects. You could replace Princess Peach with a particularly valuable fruit bowl, and absolutely nothing about nearly every Super Mario game would change (“You-a better gimme back that fruit bowl, Bowsie!” “Roar!”). Zelda named her series, but it wasn’t until Wind Waker that she was able to even remotely display some personality traits (and even then, her agency dropped the minute she donned a dress). And this isn’t just some artifact of a bygone age: even today “winning the girl” is a problem in a great deal of videogames, even if it’s often disguised as a secondary part of your victory (“Wow, I found the ancient treasure of Los Jaggoff, and, incidentally, the woman that previously thought I was a rival loves me now, too! Score!”). And don’t get me started on games where you can “equip” women like items (looking at you, Xenoblade).

At first glance, Feel the Magic: XY/XX might seem… okay. Yes, it’s immediately and obviously problematic that the entire point of the game is to get the (male) main character laid. Yes, there’s an entire mini game that is all about undressing your girlfriend on the beach by a bonfire, and it’s followed by a game of “heart tapping” that could only be more of an overt metaphor for sex if Prince was involved. Yes, that’s all true, but the game is very tongue-in-cheek about the entire affair. The unnamed hero is not attempting to woo this woman on his own, he’s assisted by a group of silly men in bunny ears. The WarioWare-esque minigames are not all stripping and hand holding, as the majority of them are whimsical takes on reality. Why wait at a bus stop when you can impress a Take it by the hornspretty girl by strapping yourself into a giant hamster ball and bowling over pedestrians? At its core, this is little more than a touch-based minigame collection with the flimsiest of excuse plots, and it seems disingenuous to compare it to the “sexy touch simulators” or “sexy cooking games” of the modern era. Feel the Magic ain’t Custer’s Last Stand, and comparing the two seems like frantic moralizing.

But… the point of the game is still to “win” the girl. The anonymous girl that is incidentally svelte and busty. And, oh yeah, while she doesn’t have a face, you can dress up “the girl” in any outfit/fetish you’d like. That’s right, you can define your prize.

There have been an absurd number of sexual harassment stories recently, but let’s focus on Harvey Weinstein. Weinstein is the producer for a number of amazing films, such as Teaching Mrs. Tingle and David the Gnome: The Movie, but he’s also a serial sexual predator. These two items are not unrelated. I’m no Hollywood insider, but I have seen a few movies. One such movie is the aptly named The Producers, a comedy that tells the story of a mere accountant graduating to becoming a (Broadway) producer. In the modern musical reproduction, protagonist Leo Bloom’s chorus girls distinctly sing, “He wants to be a producer with a great big casting couch”. In the original film, it is merely implied with Leo immediately casting and falling for his leading lady. And that original film? It was released in 1967. “Become a producer, sleep with any woman you want” has been a hoary(/whorey) cliché for fifty years. And that’s just the most immediate example I can recall, it’s all but certain that this kind of rational has been prevalent as long as media has existed.

Cheers!But let’s specifically look back at Harvey Weinstein. I mean, actually look at him. I don’t mean to denigrate a man based on his appearance, but let’s be clear here: he’s a tubby, hairy guy. And there’s nothing wrong with that! Some of my best friends are furry fat guys. That’s okay! But a beer belly doesn’t exactly get the ladies. It absolutely can be attractive to some people, but it’s not the default standard for beauty in the Western world. Weinstein should have no problem finding a girlfriend/wife/whatever, but he might be ice skating uphill if he’s trying to score a supermodel. Or a famous actress. There’s very little obvious appeal to ol’ Harvey, so he had to seek other means to be able to sleep with every woman he could ever want. And everybody knows a producer can do that! Hooray!

Does… does any of this sound completely insane?

Society has dictated that men and women should be monogamous. Sure, that’s fine, but it doesn’t always work out that way. And that’s fine, too, when you get right down to it. People change as they grow, and I can certainly say the woman that was the love of my life in college is in no way the same person I would want to be with today (editor’s note: Goggle Bob is incapable of getting over anyone or anything, and it is amusing when he attempts to claim otherwise). Point is that people can be expected to have multiple sexual partners throughout their lives, and your desires are just as valid if you’ve ever wanted to be with one person or one hundred.

But “every woman you’ve ever seen” is crazy. We can agree on that, right? It’s okay to have a crush, it’s okay to be attracted to people, but it is not okay to force yourself on any person you want. It is not okay to “whip it out” just because your monkey brain determined that those curves in front of you are rather comely. And it is absolutely not sane to think this kind of thing could be okay. The very concept that any woman alive could be yours if you just follow the right steps or “play the right minigames” is absurd because it discounts one very important thing: it disregards the feelings of the woman. She’s just not into you, guys, move on. The idea of everyone on the planet being attracted to one person because they have a proper checklist of traits is bonkers. Money? Fame? Power? It doesn’t matter, because we live in a world where we can’t unanimously agree that ice cream is good. Some people don’t like it! What hope do you have!?

SmexyBut movies don’t work like that. Videogames don’t work like that. Whether it’s played completely straight (“Oh, save me, hero!”) or is more subtle (“Thanks for saving my life, hero. But this doesn’t mean I like you [blush].” ), the message is always clear: save the world, get the girl. It’s always a girl to be won, because of course the hero is male, and it’s always a world to be saved that impresses her. No, it doesn’t have to be a real world that needs saving, you’re welcome to enjoy a great many stories where “the world” is merely a report that needs to be handed in on time or a check the needs to get to the orphanage by this morning, but there’s always some heroic act to be completed. There’s always some perfect way to make sure the ice queen melts, and then it’s just a hop, skip, and a jump into bed. Or implied bed. Let’s face it, the inferred ending to like 90% of “wholesome” Disney movies is wild and crazy nonstop magic sex. Ariel has had legs for like three days, and she’s gonna be pregnant inside of six.

And media, particularly children’s media, is where we learn. Beast was a heel, but he’s going to get his Beauty. Mario has awesome jumping ability, and that’s all it takes to win the Princess. Bruce Willis is going to save his marriage by kicking some terrorists off a building. It all comes back to the same stupid moral: if you do something important, or are something important, you will have that woman, even if she initially despised you. Oh, wait, sorry, I went back to not assigning genders there. She will be yours if you’re important and male. Is it any wonder that men in power have been abusing their power for sexual gain? It’s been the number one lesson that has been reinforced over and over again since they were children. And it’s still happening! Wonder Woman was an amazing bit of feminist movie making, but it also included Steve Trevor implicitly “conquering” that crazy warrior woman that was always taught men are horrible because he was just that great. She’s still thinking about him a century later! You can be that great, too, men! Go for the gold! Go for the wonder!

Seriously?So, yes, Feel the Magic XX/XY might not be the latest breasts-based Marvelous release, but it may be just as insidious. Under the guise of humor and playfulness, it is yet another story of boy does stuff, and said stuff wins the girl. “The girl” is a thing to be won, and she may as well be nothing more than a silhouette wearing a dress. She’s the prize, the goal, and nothing more. And Feel the Magic is just another in a long series of games, movies, and books that instantly reinforces this seemingly accepted truth.

Maybe men should be taught to feel the magic of actually treating women like people instead.

FGC #358 Feel the Magic XY/XX

  • System: Nintendo DS. Given the prevalence of touch gaming, I’m kind of surprised this one didn’t resurface in time for the smart phone revolution.
  • Number of players: You’re going to have to touch by yourself.
  • Favorite Minigame: The nightmare bull rush is pretty fun and frantic. Overall, I’d say a number of these minigames are over before they begin, and the whole presentation lacks the WarioWare “rapid fire” nature that makes those miniest of games so much fun. Not that Feel the Magic is bad, just not nearly as fun as the king of minigames.
  • Please Touch: It’s kind of amazing that this early Nintendo DS title had to do so much to “encourage” the audience to pick up and use that stylus. We now live in a magical world where every damn thing is touchable, but a mere thirteen years ago? Completely new technology.
  • Yay!  Kitty!Say something nice: Vaguely misogynistic or no, I do have to say I love the art style for this game. Everyone being little more than a walking silhouette allows for some interesting visuals, and properly sidesteps the usual “launch game” problem of no one having any idea how to make characters more attractive than jagged rocks.
  • Did you know? This game was developed by Sonic Team! Other non-Sonic Sonic Team games include Burning Rangers, Phantasy Star Online, ChuChu Rocket, and Billy Hatcher and the Giant Egg. I want to say that there is not a single game in that list that comes close to this level of lunacy.
  • Would I play again: Not at all likely. Feel the Magic is fun, but it still pales next to WarioWare. And I know which game I’d rather touch.

What’s next? Random ROB has chosen… Spider-Man vs. The Kingpin for Sega Genesis! I know what this blog needs to be popular! More pictures of Spider-Man! Please look forward to it!

BARF
This is probably a metaphor for something

FGC #357 Um Jammer Lammy

LaaaaaammyI believe in empathy. I believe empathy might be the most important thing in this world. Through empathy, we can understand each other, communicate, and build a better future. Without empathy, we are lost, and progress becomes impossible. I genuinely believe, more than anything, that if our government officials could muster enough empathy to understand people that haven’t had the safety of free healthcare or 401k retirement plans for their entire lives, we would be in a much better place. Empathy, whether it be for people with other religions, beliefs, or even just hair color, is imperative.

And, in a way, this is why I often recoil from fandoms. When I was a kid, it would feel like I was the only person in the universe that liked what I liked. Sailor Moon came on at 6 am on weekdays, and I want to say I was one of three kids in my town watching the show. And I really wanted to discuss this cool new Sailor Mars character with somebody! And even by high school, it wasn’t unusual to find another “nerd”, but it was difficult to find someone that had actually finished Final Fantasy 7. Actually, strike that, Final Fantasy 7 was popular enough, but I was probably the only kid in the county that had played Breath of Fire 3. When the internet finally got around to being the internet, it was a revelation that my younger self would never have imagined. Look at all these usegroups! Look at all these people that understand me! And look at the thousands of fights over Ranma ½! Everyone knows Shampoo is the best choice for Ranma, what is wrong with these people!?

I suppose it’s the death of Hiromi Tsuru that reawaked these feelings, but, for anyone that was blissfully unaware, Tsuru was well known for being the Japanese voice actress of not only Dragon Ball Z’s Bulma, but also Ukyo Kuonji of Ranma ½. Ucchan was one of the many suitors of Ranma in his/her titular series, and, of course, that meant a number of fan debates over which woman should win Ranma’s heart. And, full disclosure? Nearly twenty years after being wrapped up in that fandom, my kneejerk reaction to the death of Ukyo Kuonji’s VA’s death was, “good.” A real live person died tragically, and my immediate retort was joy, because it meant that my one true ship in a series from decades ago was closer to being a reality. This is absolutely insane. I wholeheartedly acknowledge this is crazy, and I regretted the thought almost as instantly as it crossed my mind, but it was still right there, first in line in the ol’ response queue. It’s further proof that I’m a horrible person, but I feel like there’s something to learn there.

Leave it to LammyTo circle back to my original statement, this is the exact reason fandoms tend to bother me. It’s great to have similar interests. It’s wonderful to share these interests with other people (Hi! Welcome to my videogame blog!). But it seems like the minute you get a sufficient number of nerds in the same (chat)room, things quickly devolve into debating minutia until the phrase “murder-suicide cult” starts becoming viable. Here’s a fun fact: George Lucas doesn’t care about your favorite Star Wars. He never made those films thinking, “Let’s make this movie 10% better than the last movie.” Sure, he was always trying to improve and change like any artist, but it was never a matter of invalidating any strides made in a previous work. But please ignore that, because someone brought up the trilogies again, and it’s time to rank every single film according to whatever crazy criteria you’ve got rattling around right now. And someone has the audacity to disagree with your carefully curated list that clearly defines why the prequel trilogy is good, actually? You cannot let such an injustice stand! Please compose a thousand word essay right now that elucidates why everyone you know is wrong. Be sure to use words like “elucidate”! That’ll show ‘em!

In short, I believe that empathy is important in fandoms, because we’re already a bunch of antisocial misfits, why not stop all the fussin’ an’ the fightin’, and just get along? Understand that people have different opinions, and don’t deliberately belittle people that happen to disagree with you. Let’s all come together, and share our mutual love, not start wars over inconsequential shipping or rankings.

Okay, that all out the way? Everybody got the warm fuzzies? Good. Now let’s move on to the main event.

Um Jammer Lammy is better than PaRappa the Rapper, and if you disagree, I will fucking fight you.

VrrrrrFor anyone that missed the late 90’s, PaRappa the Rapper made a splash on the Playstation 1 with an all-new, all exciting genre: the rhythm story game. In short, after years of gaming where the best we could hope for was one lousy voice sample or an entire FMV Hell, technology had finally reached the point where we could enjoy full voice acting and, essentially, “press X to rap”. This led to Masaya Matsuura and NanaOn-Sha producing PaRappa the Rapper in 1996 (appearing stateside in ’97). PaRappa was surprising popular for an early Playstation game, as, in a time when gaming was trying to distance itself from the “childish” likes of Mario and Kirby, PaRappa was a decidedly cartoonish hip-hop rappin’ gangsta dog that never failed to get biz-ay. Perhaps it was the rap that immediately bought PaRappa some street cred, but, one way or another, PaRappa had a lot more in common with Sonic the Hedgehog than Lara Croft. Regardless, PaRappa was very popular, and his fun and funky beats were a breath of fresh air in the early 32-bit days. In fact, even now, PaRappa is still firmly associated with the Playstation brand… or at least within that one game.

Um Jammer Lammy was a sequel in all but name, and better in every conceivable way. It featured similar gameplay, a familiar art style, and PaRappa himself even guested in a side story nearly as long as the main game. However, Um Jammer Lammy was objectively superior, as, instead of featuring a rappin’ dog trying to woo a talking flower, it starred a left-handed guitarist trying to gain enough confidence to repel burger-heisting bullies. And, frankly, the “press button to make sound” gameplay worked a lot better with a guitar than a rapper. PaRappa had a tendency to sound… odd… like an (in)human scratched record… when a button was pressed at an off moment or when attempting to “freestyle”. Lammy meanwhile sounded like someone playing a guitar no matter when you tapped triangleRock out!, so experimenting sounded a lot more natural to everyday human ears. And, while we’re at it, Lammy had a much more interesting cast, including a monochromatic evil twin, bargain basement midwife caterpillar, and a bipolar jet pilot. That beats wannabe Martha Stewart chicken any day of the week. Um Jammer Lammy advanced the rhythm genre in every way, and was clearly the Mega Man 2 to PaRappa’s Mega Man 1.

It also sold like eight copies.

I blame PaRappa.

PaRappa was popular, yes, but he was more popular for the spectacle, and not the actual game. Sad truth? PaRappa the Rapper (and its entire franchise) is harder than Battletoads. Your timing must be perfect, the GUI is rapid and imprecise, and the temptation to “freestyle” for additional points is as opaque as a fat guy wearing seventeen trench coats (I’m sorry, he might not be fat, it’s just hard to tell with all the coats). I have played every PaRappa/Lammy game multiple times, and, unlike other rhythm games, I still have no idea what I’m supposed to be doing to earn that high score. Go ahead and check Youtube for answers on that, and, trust me, you’ll only be even more confused. PaRappa might have been fun to look at, but it was a bear to play, and I’m pretty sure no one ever forgot that. Um Jammer Lammy and the eventual PaRappa The Rapper 2 both undersold by a petty wide margin, and, spoilers, that’s all she wrote. For all the glowing reviews and good vibes PaRappa earned, it was all for naught, and now his creator can’t even kickstart one lousy game about a feudal rapping frog (or… something). Um Jammer Lammy was doomed by the success and incomprehensibility of her predecessor, and we’re all worse for it.

It's all in your mindAnd, unfortunately, that means I hold a grudge. I loved Um Jammer Lammy, and history has forgotten the dear lamb, so I’ll be forever bitter towards PaRappa. And anytime someone mentions how much they liked that whacky dog and his onion pal, I’ll speak out against any and all such thinking. Yes, we should all just feel affection for each other, get along, and enjoy our mutual love of story-based rhythm games, but that’s impossible, because Lammy is my fandom, end of story. I have no empathy for PaRappa lovers, for they have hurt my Lammy too much.

So today’s moral is you should love each other, and treat everyone with respect. Except people that like PaRappa. Those people are not to be trusted.

FGC #357 Um Jammer Lammy

  • System: Playstation 1. There was also an arcade version that included a guitar controller well before Guitar Hero made the scene. But nobody ever mentions that.
  • Number of players: Two player rhythm action! Nobody ever mentions this advantage over PaRappa’s single player experience, either.
  • Favorite Stage: Stage 4, Fright Flight, is vaguely head-banging heavy metal. That’s not usually my genre, but it’s so damn catchy filtered through Um Jammer culture.
  • Rock itLegends of Localization: There was a period of about ten years when companies actually completely localized quirky Japanese games, voice acting and rhythm assignment and all… and then it ended. Now we’re stuck with Hatsune Miku making weird-ass noises, and we’re lucky if we get subtitles that marginally explain the lyrics. Oh well. At least we’ll always have PaRappa, Lammy, and Gitaroo-Man.
  • Required Statement: Stage 6 is a mysterious island in the American version, but is actually Hell in the Japanese and European versions. It is a strictly American belief that nobody likes to hear about their favorite heroine being sent to Hell after an incident with a banana peel, so it was changed for Western audiences. For whatever reason, this factoid must be stated every time Um Jammer Lammy is mentioned, so I’m just following the rules.
  • Did you know? Lose to Teriyaki Yoko, mistress of Hell/an island, and she’ll claim Lammy should be “banned from every game”. This is what we call foreshadowing.
  • Would I play again: This game is nearly impossible with Playstation 3 controller lag (there’s just enough to drive you nuts), and I don’t fire up my Playstation 2 nearly enough (cords, ugh). However, if I do get to playing the PS2, Um Jammer Lammy is definitely going to see some play.

What’s next? Random ROB has chosen… Feel the Magic XX/XY! Wow, a launch Nintendo DS game about seducing women with various touch minigames. I’m sure that aged well! Please look forward to it!

Drummers are unreliable

FGC #351 Kirby 64: The Crystal Shards

Hashi no kahbi!Nintendo’s worst videogame system proves one simple truth: you can be yourself, or you can be something else, but you can’t be both.

The Nintendo 64 was Nintendo’s third console system. The Nintendo Entertainment System was synonymous with videogames, brought the entire industry back from the brink, and managed to turn Nintendo into an uncontested juggernaut of the industry. The Super Nintendo had to deal with the upstart Sega Genesis, but it was still home to some of the best games of the era, and a number of releases that, even to this day, unequivocally are the greatest hits of the medium. The Nintendo 64, though… the N64 got problems. It started with a rocky, anemic launch. It bled third-party support almost instantly. It never hosted a worthwhile JRPG when that genre defined the epoch. Its final first-party game was a scaled-up Gameboy title (I’ll save you some googling, it was Dr. Mario). There were some great games for the N64, but Ocarina of Time had to share shelf space with Turok: Rage Wars. The N64 made it hard to be a Nintendo fan.

But let’s take a step back and consider what being a “Nintendo fan” really meant at the time. We take it for granted nowadays, but the very concept of a “console war” didn’t seem to exist before the 16-bit era. The Atari didn’t seem to have any significant competitors, and the NES was videogames for the 80s. It wasn’t until the Sega Genesis decided it needed a chunk of that market share that the flames of “us vs. them” had to be fanned. Did you ever read Nintendo Power from that time? Or Sega Visions? What were already basically propaganda magazines decided to go all in on the most important battle of our time (hedgehogs vs. plumbers), and every other month you’d get new information on how blast processing isn’t even a real thing, riding a dinosaur is for babies, or the essential truth that so much as demoing a second videogame console is infidelity of the highest order. You cannot serve two masters, little gamer, and you should inflict this vital fact upon everyone on the playground.

ROCKYSo, by the time we hit the Playstation vs. N64 years, don’t worry, Nintendo Power, we got this. We know those vipers at Sony are trying to eat our lunch again with their Final Fantasies and Mega Mans and other franchises we used to enjoy on Nintendo systems, and we’ll defend you! We’re forever in debt to the Mushroom Kingdom, Hyrule, and Castlevania. Wait… they got a new Castlevania? And the N64 just has some dork with a chainsaw? Dude. Dude. Look, guys, I’ll keep playing Pokémon, but, uh, I gotta get going. Tekken is waiting, and it’s got a panda fighting a dinosaur.

And Nintendo noticed. Before the N64 was even released, it became clear that CD based systems were finally going to be the wave of the future (after a rocky bump in the road compliments of INXS), and the cartridge was to quickly go the way of Caveman Games. But Nintendo didn’t like the looks of load times, so we were forced to read the phrase “expensive cartridges” for the next five years. And then the Nintendo 64 launched with dopey Mario and frivolous Pilotwings. Wrong! We needed more big boy games for big boys, so we quickly received Cruisin’ USA, Mortal Kombat Trilogy, and Killer Instinct. Ah, yes, that’s the stuff. Mature games for a mature gaming community. And 2-D games are out of style, so we need all 3-D, all the time. It worked for Mario, so how about we get Donkey Kong into the 3rd dimension. And keep churning out those violent fighting games and grown-up shooters. It’s what the people want!

RAINBOW RIDEIt’s clear what happened here: Nintendo had a solid vision for the future of their console… and then “course corrected” to please the masses ten minutes before the system even launched. The controller with camera buttons and an analog stick wound up chasing the system that could be operated with one hand (say what you will about JRPGs, but they only require all of two buttons), and all those polygons decided to stumble over full motion video instead. What developers remained on the N64 were scrambling to match the cinematic experiences available on the Playstation, and the whole library became a mess of neither fish nor fowl nonsense. Look, I love Jet Force Gemini as much as the next guy, but you have to admit that, even that late in the N64’s lifespan, it comes off as pretty patchwork.

Which is a shame, because first party Nintendo games that followed the “Nintendo way” from the start are pretty amazing. Mario 64 feels like a natural progression of the franchise, and Ocarina of Time is right there with it. Mario Kart 64 refined (SNES) Mario Kart into solid gold, and Star Fox 64 truly used the new technology to turn a bunch of random shapes into a thrilling story of fox versus wolf. And Donkey Kong 64 isn’t responsible for any homicides (as far as we know)! And then we’ve got Kirby 64: The Crystal Shards

Kirby 64 is a 2-D platforming game not unlike many other Kirby adventures. It’s (incredibly disappointingly) much slower and less frantic than Kirby Super Star, but it is right about at normal Dreamland speed. Basically, if you liked any Kirby game featuring helpful hamsters, this adventure is about what you’d expect. There are doodads to acquire (a staple of both the N64 and slower Kirby titles), but, by and large, this is a very straightforward platformer. Move from left to right, occasionally climb a ladder, and have a ball utilizing Kirby’s eclectic moveset. Maybe you’ll eat a hedgehog? That’ll show those Sega dorks.

And, side note? This game is beautiful.

WeeeeeOkay, granted, it’s Playstation/N64 style beautiful, but it is still beautiful nonetheless. The pastels of Pop Star really pop, and everything moves just right. In spite of Kirby’s N64 Smash model, Kirby is actually spherical, and not a pile of edged polygons. Special effects from special powers may seem basic, but in the same manner that a Kirby Krackle can sell a comic book (uhhh… different Kirby), Kirby makes self-immolation look perfect across every system. Everything combines wonderfully, and, without a doubt, this is a game that is undeniably a gorgeous experience.

And this stands in stark contrast to every other N64 game.

N64 games are terrible looking. They contain some of the worst draw distances and fog warnings outside of H.P. Lovecraft. Their protagonists almost always look like they were carved out of some particularly unpleasant rocks by a partially blind sculptor (who maybe is missing a few fingers). Nobody ever moves right. Let’s face it, Majora’s Mask was a success because it identified that every last character populating N64 Hyrule was horrifying. And this happened to third and first party games alike: in an effort to ape the most popular games of the day, polygons and Vaseline were smeared everywhere, and suddenly our greatest heroes started resembling Tobor: The Refrigerator That Walks Like a Man.

Let's chillBut here’s Kirby, just doing the thing he’s always done. There is no attempt to force 3-D gameplay. There is no byzantine story mode. There is no desire to go full angry eyes. It’s just Kirby, a character that premiered on a system without so much as the possibility of color, scaled up to modern technology. It’s fun. It’s pretty. And it’s one of the best games on the N64.

And game reviewers of the time derided the game for being “too kiddy” and “a throwback”. One of the best games on the system, but “too easy”. It generally got great scores, but the expression “no Goldeneye” was thrown around a bit.

So… uh… I guess maybe don’t be yourself? Let’s stick to the blocky bitmaps. Gotta be popular.

FGC #351 Kirby 64: The Crystal Shards

  • System: N64. It also resurfaced on the Wii and WiiU, but I want to say it wasn’t on the super awesome Kirby collection released at the end of the Wii’s lifespan. … It was? Dammit! I turned on my N64 for nothing!
  • Number of players: One for the main gameplay, four for the inevitable minigame sections. Which reminds me…
  • What may have been: Early screenshots of this title seemed to indicate that it would have been four players, with Dedede, Waddle Dee, and Adeleine (the painter dude) filling the other playable slots. This would have been very consistent with N64’s emphasis on four player titles, and an excellent “upgrade” from the two player modes of Kirby Super Star. Alas, it was not to be, and was likely lost with the 64DD. And then we wouldn’t see a similar four player Kirby experience for eleven years.
  • Away we goFavorite Power: All this talk of Pretty Soldier Kirby and I didn’t even mention the main hook for the title: combining powers. Mix cutter and fire to build a flaming sword! Ice and needle to make a deadly snowflake! And rock and spark to make a… lightbulb? Whatever. What’s important is that bomb plus needle will transform Kirby into an invincible Gordo monster, and that’s been a dream since Kirby’s first adventure. Show those jerks who’s the spikiest, Kirby!
  • So, did you beat it? This is one of the rare N64 games that I didn’t finish while the system was fresh (because, admittedly, I was playing those more “mature” JRPGs at the time), but 100%’ed well past its initial release. It’s that good! Or Kirby is that good! Or I have OCD! It’s one of those!
  • Turn the lights off: You ever notice that Kirby seems to see a release toward the end of the system’s lifespan? Kirby 3, Kirby 64, and even Kirby’s Dream Collection were all practically the last boats out of their respective systems. Weird. Anyway, look forward to Kirby Battle Royale for the 3DS!
  • Did you know? The familiar “Kirby dance” does not appear at any point in this game, as worlds end with Kirby waving to the screen instead of dancing. Maybe he just noticed the player, and got self conscious?
  • Would I play again: It’s on the short list of N64 games I enjoy playing, so that’s a yes. I… I think all the rest are all Nintendo games, too. What a weird little system.

What’s next? Random ROB has chosen… Bloody Roar 3 for the Playstation 2! Roar! And… Blood! Please look forward to it!

We've got a runner

FGC #346 Taito Legends

GrrrThere are plenty of reasons to deride the current “AAA gaming” philosophy. Micro transactions, incomplete games requiring patches, incomplete games requiring DLC, face melting, too many games where you can play with random puppers… it all gets a bit overwhelming after a while. And gone are the days when you could just “buy a videogame”, as this AAA environment has created a scary world wherein a “launch copy” might not even work without downloading a 40 GB patch, or the latest version of a beloved franchise now includes enough clothes ripping to legally consider it a porno. In short, the AAA environment has created a whole host of new and exciting problems.

But my main problem with the domination of AAA game development? It’s weeded out the weird!

Videogames used to be weird! They used to be weird as hell! Nowadays, even once you make it past the brown shooters, you’ve only ever got market tested, board of directors approved nonsense. I don’t blame companies for wanting to make money, but, come on, this is an industry founded on a chubby dude eating enough mushrooms to beat a lava turtle! Nowadays, the best we can hope for is a Yoko Taro release, and, even then, it’s pretty clear the marketing department got initial approval. I mean, come on, it must not have been that hard to sell Square-Enix on “sexy lady commits wanton violence” and “sexy lady commits wanton violence, but now with a cuter butt”. “Weird” is relegated to sidequests, and, even when you’ve got a talking cat, you still spend more time planning your daily schedule than fighting freaky monsters from the depths of the human soul.

But, according to Taito Legends, there was once a time not so long ago when weird ruled the roost.

Let’s take a look at the arcades according to Taito. Want to do this in chronologically released order? We can do that.

Jungle Hunt

Pitfall?On its own, Jungle Hunt isn’t all that weird. It’s the story of some random explorer dude saving his woman (Wife? Girlfriend? …. Mom?) from cannibals, as one does. However, what’s worth noting here is that Jungle Hunt itself was originally intended to be a Tarzan game, but someone noticed that that dude in a loincloth swinging along vines miiiiiiight just infringe on a couple of copyrights. So the noble Tarzan became Sir Dudley, and maybe a vine was transformed into a rope. And that’s it! Tooootally different, tooootally lawful.

But it didn’t end there! Because it was assumed that the children of 1982 were complete morons, Jungle Hunt became Pirate Pete in short order. It was the exact same game, just now with a pirate theme. Swinging from rope to rope became…. Swinging from rope to rope. Huh. Basically, with as little effort as possible, this title somehow became three “different” games. It’s an auspicious start.

Zoo Keeper

Bah?Again, we start with a pretty basic premise: Zeke is a zookeeper, and it’s your job to help Zeke keep all the animals penned up. However, someone decided to get some proto-Super Mario Galaxy action going, and Zeke…. orbits his zoo. And, somehow, as long as Zeke has his feet planted on the ground, the mere act of running will generate bricks (fences?) to trap rampaging lions. One would suppose this is some manner of “compensation” for the good old days of 80’s graphics, and the whole thing would be in 3-D if it were released today, but… It’s peculiar. Zeke’s zookeeper gravity is just plain weird, and gives the impression that Zeke’s Zoo is the literal center of his world. I… kind of feel bad for the poor guy. He’s not very good at his job, and it’s all he has.

Oh, and his girlfriend gets kidnapped by a monkey every three levels. But, hey, that kind of thing happened back then.

Elevator Action

Nothing is more exciting than elevators!

Bubble Bobble

We’ve spoken of this title at length before, but, since bubble dinosaurs have become normalized in society, I just want to note that, again, we’re talking about a pair of boys that were cursed to become dinosaurs that blow bubbles and hunt monsters in a 100-floor dungeon. Also, their girlfriends have been kidnapped by a giant wizard monster, and he must be defeated with lightning bubbles. There is not a single bit of this plot that has ever appeared elsewhere in human fiction.

Rainbow Islands

It’s the sequel to Bubble Bobble, but this time, instead of a dinosaur that shoots bubbles, you’re a human that farts rainbows. And your ultimate opponent is Dinosaur Death, the death that comes for all dinosaurs. It’s disappointing that the third Bubble Bobble title did not feature mutant giraffes that belch tiny suns at cosmic horrors.

Rastan

GrrrYou would think that someone learned from the whole Jungle Hunt thing, but experience is for quitters. Here’s Conan the Barbarian except… nope. It’s just Conan the Barbarian. Did Conan ever fight endless hordes of lizard people? Well, Rastan totally does. Maybe that’s new? I don’t know. I’m not a barbarianologist because, apparently, that’s not a real thing. Thanks a lot, Obama.

Battle Shark

No game could ever live up to that title. I’m not even going to… aw… It’s a submarine shooter? That is totally lame.

New Zealand Story

SqueakAnother tale as old as time: Tiki and Phee Phee are young kiwis in love, but tragedy strikes when Phee Phee and her phriends are kidnapped by a blue leopard seal (which is totally not a walrus). And, rather than go ahead and eat said kiwis like some manner of toothy mammalian horror, Phee Phee and the gang are stuffed into cages across various mazes filled with an oddly high number of ballooning monsters (that is to say the monsters are using balloons to travel, I don’t mean to imply the monsters are getting fat). Tiki is ready for battle, though, as he’s equipped with deadly arrows, and has the ability to steal weapons from the corpses of his defeated foes. Oh, and he can steal a flying swan balloon, too. Because it’s adorable, that’s why.

While this might all sound like basement level insanity (this isn’t even the only old school game to be based entirely on the deliciousness of kiwi birds), what really pushes this one over the top is the “New Zealand Story” angle. Yes, kiwis are indigenous to New Zealand. And, yes, after every stage, you get a real life map of New Zealand. And, as you progress, you will learn the geography of New Zealand, and which areas potentially include enormous, kiwi-eating whale bosses. Was this title made with a grant by the New Zealand tourism board? Or, more likely, did some random dudes in Japan just spin a globe, point randomly at the Pacific Ocean, and base a game on the first country that happened to appear? Which option is more sane?

Ninja Kids

Totally swoleBy 1990, you couldn’t cut it with bubble-based dinosaurs anymore, so it was time to give in to the times and release a beat ‘em up. Except… nobody at Taito had any idea how to make a beat ‘em up, so they made something that’s a little more Mega Man than Streets of Rage. You take damage for simply touching an opponent, ranged attacks are king, and most enemies go down in one or two hits. Despite the fact that the beat ‘em up genre was well established at this point, it almost feels like the long lost missing link between 2-D action games and Mike Haggar’s Big Day. It’s an amusing proto-beat ‘em up from way back when! Nothing weird about that!

Oh, except the fact that you’re fighting against a literally satanic cult.

And your main characters are puppets.

And every attack slices your opponents in half.

And it’s the source of this image

Every Sprite Comic Ever

And it’s kind of racist.

And… man, it’s just weird.

Games used to be really weird, guys!

FGC #346 Taito Legends

  • System: Taito Legends was released for the Playstation 2 and Xbox, but most of the featured games here are primarily arcade releases. Except Bubble Bobble, of course, which only appeared on the NES Classic.
  • Number of players: Two players allow for better quarter consumption than one. Four is even better!
  • GrrrFavorite Game (Compilation): Okay, technically it’s Bubble Bobble, because Bubble Bobble is love. But New Zealand Story is a close second, and there’s a part of me that feels like it should have been another Contra or alike that holds the run ‘n gun mantle for the early days. Or I just like fighting not-walruses. Could be one of those.
  • Shoot ‘em Up: There are a number of light gun games on this compilation, too (including the sublime Operation Wolf), but there is zero light gun support. And did this thing ever appear on the Wii? Noooooo.
  • Did you know? No, really, The Ninja Kids is racist as hell. The most general “thugs” are big-lipped African Americans that are about as powerful as kittens and are recklessly bisected by your favorite ninja. It is disturbing. And this is a game that involves a satanic cult!
  • Would I play again: Well…

What’s next? We’re not quite done with Taito Legends yet, as there’s one game on this compilation I want to give a closer look. Which game am I talking about? Well, please look forward to finding out!

Oh, the devil