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FGC #284 Drakengard 3

Today’s article contains game-long spoilers for Drakengard 3. Nothing too specific, but it does kind of spoil the ultimate finale of the game, so, ya know, you’ve been warned.

Here comes a special boyA long time ago in a Snick long forgotten, my mother watched an episode of Ren & Stimpy with a wee Goggle Bob. This was unusual, as, while my mother usually did her best to watch what I was watching (we both enjoyed Clarissa Explains it All quite a bit), she didn’t (and still doesn’t) really like “cartoons” at all. So, one way or another, this was likely the first my mother sat and down and actually watched a complete Ren & Stimpy episode. The episode (The Big Baby Scam… I can remember almost all early Nicktoon episodes because they were rerun constantly) was a typical Ren & Stimpy jaunt, and ended with a pair of menacing babies punching the daylights out of Ren Höek. I was laughing uproariously, and my mother… was not impressed. I asked her why, and her response still sticks in my mind.

“I just don’t think violence is funny.”

This rocked my young mind. I am not, nor was I, a psychopath, so, of course, I shared the same belief. Violence is violence, it is bad. But, as far as I reasoned, this was not “violence”, it was Ren & Stimpy. It was a silly cartoon about a dog and a cat and their harebrained schemes to, what was it again? Oh yes, to live. Okay, yeah, if you think about Ren & Stimpy for a moment, it is kind of horrifying, because many episodes are just about two stray animals desperately trying to find a place to live and belong. But then, the next episode, they’re space cadets out in the universe, and isn’t Stimpy a silly kitty? Never mind that practically every episode ends with either Ren slapping Stimpy or Ren being punished by the universe for being Ren, they’re just a couple of inane cartoon animals, no “violence” here.

And, obviously, that’s bullshit.

This has long been the rallying cry of pearl-clutchers everywhere, but cartoons do normalize violence. There’s hitting, there’s falling down, and there are any number of “whacky” firearms being blasted all over the place. I’m pretty sure the average American can simply close their eyes and relive the “Daffy has his beak blown around” image from Looney Tunes. And, on one hand, who cares, it’s funny. On the other hand, it’s a sentient creature being shot in the face. That is not normal. That is upsetting. But it’s a cartoon, so it practically becomes a part of our cultural identity. And, as someone who watches a lot of cartoons, I want to say there’s nothing wrong with that. Kids are smarter than they’re often given credit for, and it’s not hard to discern the difference between Elmer Fudd and an actual threat with a gun. I haven’t ever seen a real life anvil dropped on a random person, so I’m pretty sure our society has survived the last few decades of “animated violence”. The kids are alright.

And then we get into videogames.

And gore!I don’t need to rehash the whole “violent videogames” angle, do I? We’ve all heard the debates, and we’ve all dealt with at least one family member or friend that thinks you’re going to “go Columbine” because you play murder simulators. It’s crazy, right? We all agree there? We don’t play violent videogames because they’re violent, or to learn violence; we play violent videogames because that’s how videogames interpret the world. Call of Duty or Splatoon, who cares? What’s the difference between a virtual gun and a virtual water gun? They’re both just as ineffective on that damn cat with the flags, so let’s get over this whole “videogame violence” thing. Videogames are good for you! Now sit down and finish your Mary-Kate and Ashley: Magical Mystery Mall!

But do you ever really sit down and think about what you’re doing in a videogame? Let’s look at Final Fantasy 1, a game I want to say no parents’ organization has ever challenged (though I’d be amused to hear otherwise). On the surface you’ve got four kinda goofy looking dudes with swords and nunchucks traipsing across a medieval countryside occasionally making imps fall down. No big deal there. But then consider what actually happens in that game. The Light Warriors venture from Corneria to the next town over… an event that involves random encounters every seven steps, and each battle including one to nine different beasts. Our protagonists kill these creatures as easily as breathing, and chug magic drugs whenever they need to feel a little better. Along the way, they meet a blind old woman that lives alone in a cave… and then the heroes keep walking. Shortly thereafter, the gang arrives in Pravoka, determines they need a boat, and kill nine guys until the survivors give them a boat. Then they set sail for another land, and, aside from maybe returning to loot the place, the good people of Pravoka never see the Light Warriors ever again. They don’t even come back to patronize what I’m sure is a fine inn and ocean-side tourist stops.

Slay 'emWhat I’m saying is that the Light Warriors are the real monsters.

But this kind of inhumanity is the standard for most videogames. Children are suffering? Well, I’ll help them if they offer me a cool reward for their stupid little quest. Local economies live or die according to my weapon purchases? Well, I bought everything in this stupid little town, there’s no reason to come here ever again. And the monster thing? Have you ever considered how many species have been driven to extinction thanks to well-meaning heroes? Even a “kiddy” game like Pokémon involves walking through any given forest and knocking every last critter in your path into unconsciousness. That is not the sign of a well mind; that is an early warning sign for a serial killer.

Yoko Taro, a videogame director and writer, seemed to notice this. This thesis permeated his first big game, Drakengard. Unfortunately, Drakengard had a few problems, chief among them that it is about as fun to play as boiling your own eyelids. But then we got Taro’s Nier, a game that is totally bonkers, but actually fun to play. Unfortunately, the moral of Nier ultimately boiled down to “even the most virtuous hero is someone else’s villain”, which is an excellent lesson, but one that requires an actually chivalrous protagonist. The titular Nier is a dedicated father (or brother) who is unerringly kind to the various freaks that seem to populate his world. Assuming you’re not a damnable shadow creature, Nier is good to you, and, while this makes much of his life that much more of a tragedy, it also makes him (possibly over) sympathetic. Nier does what may be judged as bad things, but he does them for reasons that make sense to the player.

This cannot stand.

Zero is the heroine of Drakengard 3. Zero is also an asshole.

flitter flitterDrakengard 3 is the story of six sisters. All six sisters have overwhelming magical powers, and five of them decided to share these powers with everyone and rule justly and fairly in an effort to promote the betterment of mankind. And the sixth sister? Well, that’s Zero, and she decided to use her powers to kill her five sisters and every single man, woman, and centaur in between. She technically has a good reason for doing this, but she’s not big into sharing, so there isn’t much hope for a peaceful resolution. And, spoilers, like most videogame protagonists, she has little trouble achieving her goals. Basically, the simple act of popping the Drakengard 3 disc into your PS3 sets off a chain reaction that leads to the death of thousands across multiple universes. Though I guess Zero does manage to accomplish her murderous goals, so, uh, thanks for playing?

Taken on its own, Zero is not doing anything different from any other videogame, particularly those in the Dynasty Warriors vein. Zero enters the battlefield, cuts down a number of anonymous soldiers, maybe beats a mythological creature or two (minotaur, cerberus, whatever), and moves on to a boss that likely has a “human form” and then a colossal “monster form”, though feel free to reverse that order here and there. When it’s all over and everybody (and I mean everybody) is dead, then we discover that this whole “evil Zero” thing was some kind of smear campaign gone wrong, and Zero actually saved the world. Hooray for our side, trophies for everybody!

ClassyBut the devil is in the details here, and Zero is not afraid to reinforce her own negative self-image. Hell, there’s a reason she named herself “nothing”. This is a woman that kills, enjoys it, and then kills some more. At one point, she relays her whole sad backstory, but her narration is over a flashback of her slaughtering a small town’s worth of soldiers. The massacre has nothing to do with her tale, it’s just, ya know, how that woman thinks. She’s got a mind for murder, and murder on her mind.

And then there are her companions. Not unlike a JRPG, Zero has a party of acolytes that join her quest as the game progresses. Team Zero thus ultimately consists of:

  • A sadist that believes all ugly things must be killed. Side note: he believes everything is ugly.
  • A masochist that derives sexual pleasure from the tiniest implications of abuse. He was previously in a relationship with a very vocal virgin, so, to say the least, he’s a little repressed.
  • A perverted old man that, should he think and talk about sex any more than he already does, will accidentally invent Star Trek.
  • A pretty boy that is all beauty and no brains. Presumably because people have a tendency to always listen to the most attractive person in the room, he is constantly inventing “fun facts” that are, in fact, not all that factual.

Do any of these fellows sound like role models? Hell, do any of these guys sound like someone you’d like to share a continent with? I’ve got nothing against sadists, masochists, satyriasists, and dumbasses, but there’s a difference between extracting pleasure from pain and that being your only personality trait. But, here we are, four dudes that are almost entirely defined by their base desires, and they’re “your” party. Choose your favorite two for the battlefield. You’ll be relying on them for your life!

Directed by Yoko TaroAnd it’s in this manner that Taro accomplishes his goal. Zero and her amazing friends are all joined by one basic, mutual hypothesis: they all like killing. They all like it a lot. And you like it, too, don’t you? What’s that, you don’t like violence? No, that can’t be right, you just murdered about three hundred people in ten minutes, and this is the eighth time you’ve done it. You claim you won’t kill again? Bullshit, you’ll start the next mission and kill the next boatload of people, because you want to see how the story ends, don’t you? You want the achievements? You want the upgraded weapons? Ha, you’re just like this dork over here that’s masturbating over a corpse. Who cares if you’re doing it for EXP or to ride the baloney pony, you’re still killing like a psychopath, and you’re going to keep doing it because you enjoy it. You enjoy violence.

And maybe that’s not a good thing.

Of course, I’ve neglected to mention the first and youngest member of Zero’s posse. Mikhail is a dragon, and, because his previous form, Michael, was recently killed, he’s technically little more than an infant. As a wee (giant) dragon baby, Mikhail has the mind of a child, and a… less than complete understanding of his mistress. Mikhail believes that Zero should try to solve this problem by peacefully reconciling with her sisters, and she absolutely should not kill every person she encounters. Zero doesn’t listen, but, even though he aids Zero time and time again, Mikhail persists with his cries for pacifism. Yes, he does fight, but it’s defensively, and he actively notes that he’s not enjoying it, and he would rather not be doing this if there were any other way.

And he’s the only character that survives Drakengard 3. He’s the only character that survives after participating in the biggest, most annoying challenge on the PS3 that is, incidentally, entirely based on being defensive. All the violence up to this point has been easy, not solving your problems with swords and fire breath is hard.

That makes a bit of an impact.

UGHSo maybe Mom and Yoko Taro are right. Maybe there is something to this whole violence in media thing. Maybe it doesn’t make an impact on our minds, maybe it does. Who knows? All I do know is that most media is content to be “don’t worry about it, it’s just a fantasy”, while Drakengard 3 proudly states, “you like violence? Then there might be something wrong with you.” It’s not the worst judgment, after all, this band of freaks did save their world (after a fashion), but it is something to consider.

Anyway, next week is going to be… Mortal Kombat (9ish) for the PS3? Seriously, ROB? Okay, now you’re just screwing with me.

FGC #284 Drakengard 3

  • System: Playstation 3. Exclusive? Yeah, that’s gonna move a lot of systems.
  • Number of players: It might be neat to get some two player disciple action, but, nope, Zero one player.
  • What’s in a name: The Drakengard franchise is known as “Drag-on Dragoon” in Japan. I cannot tell you how much I prefer that title (it’s a lot).
  • Favorite Disciple: This isn’t usually my preference, but I’m going to go with pretty boy Cent as my favorite. He seems to be the most active of the disciples before his official turn to Zero’s side, and he might be the… least crazy member of the party. Then again, he also summons a magical spider creature almost by accident, and that can’t be completely sane.
  • Backstory: Oh yeah, never read the backstory for Zero. I cannot stress this enough. It’s basically written by Frank Miller. Modern Frank Miller. Avoid at all costs.
  • So much loveLadies’ Night: I could probably write an entire other article on the sexual politics of this game… but I’m not sure if I’d ever reach a conclusion. On one hand, the women rule this world, and there is not a single male that isn’t, in some way, a servant to a woman. That’s cool and oddly feminist for a Japanese game. On the other hand, those powerful women seem to be designed exclusively to check off boxes for various fetishes (like a certain other franchise), so only Zero and One (binary!) come off as “real” characters. Otherwise, you’ve just got nymphy, virgin, lolita, and crazy. Mind you, I haven’t played the DLC, so I don’t know if there is more “shading” there, but, as is, it’s a disappointing turn.
  • Did you know? Oh, and speaking of which, Taro apparently told the character designers to look to Puella Magi Madoka Magica for tips on character design. Now I can’t unsee half the sisters being obvious MM “homages”. Though I suppose a MM/D3 crossover is more likely now…
  • Would I play again? Maybe… I guess. This is a lot more fun than Drakengard 1, but, on the other hand, it’s not as fun as Nier, so….

What’s next? Random ROB already chose Mortal Kombat for some reason, presumably because he’s an evil robot and is not to be trusted. So, anyway, violence for violence’s sake. Please look forward to it!

THE END

FGC #280 Super Troll Islands

Huh?The eyes always have it.

It’s fascinating how much humanity is obsessed with eyes. When you get right down to it, eyeballs are just another in a long series of random bits of anatomy, but it’s not like any gems are named “cat’s elbows”. Eyes are said to be a window to the soul, while absolutely nobody is looking up your nostrils to determine the contents of your heart. Maybe the gateways through which we see the world were always destined to be a focal point of our collective attention, or maybe a beautiful set of baby blues just are that gorgeous. One way or another, eyes have been the subjects of more sonnets and songs than fingernails could ever hope to imagine, and I don’t think that’s ever going to change. Eyes are here to stay (in our collective unconscious/skulls).

Symbol or no, though, there is power in the humble eyeball. Obviously, people behave differently when they’re being watched. Do you read this site at work? Look out! Your boss is right behind you, and the jerk knows you’re reading a site with a series of articles titled “Wankery Week”. You’re fired, you damn pervert. … Or no one is watching you right now, so you can do whatever you damn well please. Want to open up a bag of doritos at your desk and dip ‘em in hot fudge? Go for it! Don’t get any fudge on the keyboard, and you’ll be fine. But what does that really mean? Essentially, there are two different realities, one where you are being supervised and restrained, and one where you can do anything in the world. And if this sounds bonkers, consider that the basis of some entire religions is simply “capital-G God is always watching you”. God has got his eyes on you, and he knows what you’re doing with those doritos.

But here’s a fun fact: people react to simple representations of eyeballs, and not just actual, living eyeballs. Studies have proven (google it!) that when an eye is in the area, like a simple poster with eyeballs staring straight at ya, people perform… better. People litter less when they get even the impression they’re being watched, and face punching incidents drop by almost 85% [citation needed]. Basically, humans are social creatures, but we’re also stupid creatures, so if we’re in the presence of even a fake audience, we behave more responsibly. This is why I’ve painted pseudo-eyes on the side of my house, and now those neighborhood kids have stopped peeing on my lawn. Life is good with eyes!

Just chillSo it’s interesting to look at how eyes evolved in videogames. Nowadays, even Link is looking fairly realistic, but back in the early times of 8-bit adventures, eyes were a luxury some heroes couldn’t afford. Simon Belmont? No eyes. Bill & Lance? No eyes. Orin the Falconer of 8 Eyes? Barely got eyes. OG Pac-Man is eyeless (his opponents are sometimes only eyes), and Samus Aran can only win eyes through defeating Mother Brain. In fact, you could probably point to some of the most known mascots of the NES/Gameboy era for their eyes. Mega Man and his signature blinks come to mind, and Kirby is all about the eyes, angry or not. And then we’ve got Mario and his world that is filled with eyes. Turtles, chestnuts, mushrooms, bushes, clouds, and I’m pretty sure I saw a few eyeballs on flaming plants somewhere in there. And guess which franchise captured children’s hearts for a generation or so? Yep, it’s the one with the googly eyes all over the place.

But by the age of the Super Nintendo, sprites were getting a bit more spacious. Now we had room for big, cartoony creatures with appropriately scaled eyes. Now we could actually get some of those Mickey Mouse/anime eyeballs in there, and…. Sometimes it went terribly wrong…

Super Troll Islands is a very limited game. You control one of four trolls, and an evil fog has made the whole of the world (Troll Islands?) monochrome for some bizarre reason. But I guess trolls leak color wherever they go, so you’ve got to guide your troll to, basically, just walk all over the place, and thus this fog thing will just work itself out. Your troll doesn’t even have to walk everywhere, you just have to aim for places where, thanks to a number of ladders, you can navigate in a general square/rectangle around an area. Repeat forever, throw in a few bonus stages, and call it a day. Actually, to be honest, I have no idea how many levels are in this game, as I got bored about seven levels in, but there are definitely those seven levels. Are there bosses, too? Who the hell knows.

But that’s not what’s important about Super Troll Islands. What’s important is that, for reasons that can only be imagined by mortal man, at no point in this adventure do these damn trolls stop looking at you.

WHAT IN GOD'S NAME!?

They’ve got cold, dead, black eyeballs, and they’re always staring right at you, player. Running left? Running right? Climbing a ladder? Swimming? There is nothing you can do to get these damn trolls to look in any other direction. Actually, forgive me, there is one thing: the tornado “super move” will temporarily transform your chosen troll into a whirlwind of deadly hair (?), and, for one brief respite, you are free of the troll menace. Then, after the powerup wears off, it’s right back to staring history’s lamest fad right in the face. Trolls are watching you. Trolls will always be watching you.

ArghAnd you really have to wonder what the designers were thinking. This troll staring thing is immediately and obviously… disturbing. Some people might like troll dolls, but nobody wants to have a staring contest with the little buggers. This isn’t “that should be fun for kids”, this is the game you see in the opening to a particularly poorly planned horror movie from the 90’s starring Macaulay Culkin as the unfortunate child that thought he was just purchasing a simple Super Nintendo game, but wound up taking home… a monster! Super Troll Islands isn’t fun, it’s horrifying, and that’s not exactly a good match for a game where you collect ice cream after spreading rainbows. There’s… a bit of a disconnect there.

So remember the lesson of Super Troll Islands: eyes are important, but do not use eyes for evil. Just don’t do it. You are being watched.

FGC #280 Super Troll Islands

  • System: Super Nintendo exclusive! Obviously, it was too much for the meager Sega Genesis.
  • Only Troll Game on the SNES? Nope!
  • Number of players: There isn’t even a perfunctory two player alternating mode here. One troll at a time, losers!
  • Optional: The options menu allows you to adjust the control scheme, or…. Change the direction of your troll’s hair. That’s… important?
  • BONUSFavorite Troll: I don’t know, the green one, I guess. I’ll also note here that I enjoy fluorescent colors… though you probably already guessed that from the site design. Hm. I should switch things up again at some point.
  • Did you know? Troll Dolls have been around since 1959, but they really did the whole fad thing sometime around the early 90’s. This would be right around when the trolls released singles covering Beach Boy songs. It was a weird time to be alive.
  • Would I play again: The eyes… they… they haunt me.

What’s next? Random ROB has chosen… Doom! DOOM! DOOOOOOOOOOOM! For the 32X. Please look forward to it!

FGC #274 Arcana Heart

SKULLS?Gaming has grown up over the years, and the generational shift seems… oddly precise.

First we have the Atari (and whatever qualified as a videogame before that), which is the vaguely remembered toddler years. You’ve got a bunch of games that are kind of feeling out what can be done, and a lot more games that just have no idea what to do. For every Mario Bros. you’ve got about a dozen more like M*A*S*H . And, even more than that, you’ve got a million games that are “just exactly the same as that other game, but with a new set six pixels”. There are one or two luminaries in the Atari library, but, by and large, they’re all interchangeable, and only revered for being there right from the beginning.

Now the Nintendo is where we get into gaming’s real “childhood”. There is exploration here, but, by and large, this is where gaming learned to walk, and then ran with it. Super Mario Bros. led to a million imitators, but, looking at the game coupled with thirty years of gaming experience, you can see how even something today like Breath of the Wild or Overwatch can partially trace back to the adorable plumber. Much of what we consider “gaming” truly began here, and it’s as much about the gameplay as it is the franchises. However, speaking of those franchises, practically everything from this era is fairly… kiddy. Thanks to Nintendo’s iron grip and general fear of jocks, all of those classic games are cartoony, and contain about as much adult content (whether that be violence, sex, or even religion) as your average episode of Dora the Explorer. But that’s fine! This is gaming’s childhood, and it was meant for children, so it all worked out. Bubble Bobble Madcap Violence Edition would just have to wait for a few years.

Dang skullsThe 16-bit years are so tween they practically hurt to look at. Mega Man has gone from chubby blue bot to hardcore, shiny “Reploid” (“It’s like a regular robot but… you wouldn’t understand, mom.”) who worries about death and war and stuff. Link watches his uncle die (he got better), and Castlevania eventually released a game that featured blood dripping from every available hole. Mortal Kombat and Sonic the Hedgehog defined this era of gaming, as it was all about attitude and violence and…. not much else. The 16-bit era was an attempt at gaming being more “its own thing” and “edgy”, but almost all of it amounted to exactly nothing. Mortal Kombat was violent for the sake of being violent, it didn’t have anything relevant to say on the subject of ghost skeletons being decapitated by ice ninja. It was just like a tween adopting their older sibling’s clothing and claiming to be “with it”. … Do kids still say “with it”? Uh, did they ever?

The Playstation One era is clearly gaming puberty. And, let’s be clear here, it’s not the fun kind of puberty that appears in 80’s movies wherein some hapless nerd trips into the girls’ locker room and participates in his first sexual harassment; no, I’m talking about the real kind of puberty, where suddenly you’re interested in the opposite (or same, it’s tough all around) sex, and last week you were totally okay with playing with Transformers, and now the most important thing in your life is that there is a pool party at the end of the week, and OH GOD IT’S GOING TO BE HORRIBLE. This would be about when gaming as a whole decided that everything that came before was crap (and far too 2-D), and everything had to be reinvented for a new, much more mature audience that is totally into skateboards. Like the 16-bit era, this was yet another example of “maturity = Lara Croft has boobies”, but it was still a gigantic change in the gaming landscape. Contra couldn’t just be a fun game about aliens anymore, now there had to be hardcore plots and 3-D glasses and… ugh. At the time, it seemed like the be all, end all of everything, but, in retrospect, it was just more gaming growing pains. Sorry, Adventure Island you’re too immature for us now.

They're so fun!Following this line of thinking, you might surmise that I would identify the Playstation 2 era as the next logical step, the “adult phase” of gaming. And that’s… kind of true. But I wouldn’t say gaming matured until basically the Playstation 3 era, when we got two important things. One, gaming got comfortable again with revisiting “childish” franchises, likely thanks to the joy of downloadable titles, so we could benefit from “arcade experiences” and other games that only last an afternoon (as opposed to a 40 hour “experience”). And, two, we got the Vita, which is all panties, all the time. And, now that the Vita is dying, it looks like we’ll be getting that same (fan) service on the Playstation 4 and Nintendo Switch. So, hooray, horny games for everybody!

Now, to be clear, I don’t think underage anime tiddy games are adult. Far from it, in fact, and I’ve got a Wankery Week to prove it. However, I am downright proud of the fact that, after decades of acting like “sexy” is an accident that dribbles into otherwise wholesome games, the gaming industry is finally acknowledging that, for whatever reason, there are people that want to play videogames that are vaguely pornographic. We’re still not completely “there” (I could write an entire article about the sexual politics of Persona 5), but, in the same way that the XXX section of your local video store (no longer actually a thing) is separate from the “real” movies, we’ve got some actual XXX (more like XX) videogames, and no one is confusing them for E3’s game of the year.

It… wasn’t always that way.

FIGHT!Today’s game is Arcana Heart, a 2-D fighting game for the Playstation 2. Arcana Heart is a… passable fighting game. There isn’t anything too exciting going on here, just about what you’d expect from a 2-D fighter. The most interesting trait of this series is, basically, swappable special moves (which is unusual in a sprite-based fighter lacking any and all Mokujins), but it’s otherwise pretty forgettable. It’s not a bad game, mind you, simply one that doesn’t warrant much of a reason to exist. What separates this fighting game from every other Street Fighter 2 wannabe that came down the pike? Well, simple answer, it’s the women. Or “girls” might be more appropriate noun here.

Much like a certain other franchise, each of the characters in Arcana Heart seems to be tailor made to suit some manner of fetish. There’s the peppy school girl, the sad school girl, the “younger” character that is always in a child’s swimsuit (but is mentally mature, so it’s okay), the robot maid, shrine priestess, Rei Ayanami, furry, the “American” vampire, and, my personal (least) favorite, the unwilling participant that is dragged along by a decidedly male-identifying (and phallic) object. It’s a rape analogy! Hooray! Also, puke! In short, the “all female cast” of this game isn’t there to pass the Bechdel test, it’s there to titillate a male audience that is going to buy this game hoping to see some upskirt shots. Unfortunately for them, it’s going to be a long wait.

Arcana Heart is rated T for Teen, and even though the writing of its story mode relies heavily on all the tropes you’d expect to see in your average harem anime, there is no actual visual titillation to be found here. Now, I’m not the type to ask that every game out there include the exact right number of exposed panties, but, fun fact, in a game that seems built to deliver the fan service, a complete lack of it seems almost… insulting? This isn’t even “softcore”, the visuals for this game are completely chaste. I’m pretty sure I’ve seen more erotic imagery in Wii Sports (my Mii has some amazing legs).

Really bitesBut this is basically where we were in the Playstation 2 era. We could have something like God of War that just incidentally included an off-screen sex scene, or Grand Theft Auto: San Andreas which dummied out a sex minigame at the last moment, but if a game was about sex/fanservice/a thirsty audience trying to get off, then it had to be cleaned up to the point of irrelevance. It was if you had to clear some kind of artificial “maturity bar” to include anything sexual in your game. Soulcalibur has tear-away clothing and a create-a-character mode that allows for all underwear fighters, all the time? Well, that’s just for the sake of the in-depth story of swords and souls, and I guess the tiniest bit of T&A snuck in as an afterthought. There can’t be games for perverts! That would mean gaming is for perverts!

I’m glad we got over it.

But, in retrospect, I suppose this does paint the Playstation 2 and its Arcana Heart-alike releases as the… awkward young adult phase. Yes, sex is okay, everybody does it, blah blah blah, but… can we not ever address it? I… don’t really want to make eye contact with the idea that people do want to see half-naked people… even though we’ve got half-naked people running around everywhere. Look, uh… yeah, I look at a Playboy once in a while, but I only read it for the articles. I’m not really… doing… that thing… Hey, lay off, man.

Arcana Heart is a time capsule of gaming’s awkward early adulthood generation.

FGC #274 Arcana Heart

  • System: Playstation 2 and arcade. Though not any arcades in family-friendly communities (like, ya know, America).
  • Number of players: Two anime girls enter, only one leaves. Until the next round.
  • OuchFavorite Character: Kira Daidohji, the previously mentioned “mature but obviously still like twelve” character wins almost in spite of herself. Her whole deal is that she controls this sentient blob of water, so naturally that means she has to be wearing a swimsuit at all times, which… really, guys? But! This means she fights with that previously mentioned blob morphing into all kinds of giant limbs and shapes, and she basically becomes MvC’s Juggernaut. And I’m always down for that.
  • Did you know? This game comes compliments of Arc System Works, the folks behind the likes of Guilty Gear and Blazblue. That usually means you’ll get an interesting fighting game… but this time… not so much.
  • Would I play again: Even if I wanted to play this wannabe anime tiddy game again, there’s now a sequel available, and we all know that fighting games only get better with improvements. Might have to see if that game upgraded the… graphics… with the console generation…

What’s next? Random ROB has chosen… Mega Man X3 for the Super Nintendo! Alright! Let’s forget about random anime girls and move on to random robot targets! Please look forward to it!

Boo!
Are puppets a fetish?