Tag Archives: crossover

FGC #508 Chocobo Racing

Chocobo Racing is a time capsule buried by a company just before its own apocalypse.

Chocobo Racing was released by Square Co Ltd in in 1999. That’s Square, to be clear, not Square-Enix. This was before Square made its movie-based disastrous decisions and was gobbled up by its greatest competitor. In 1999, Square was riding high on practically defining a console generation with the likes of Final Fantasy 7 and whatever game came after Final Fantasy 7 (Tactics?). However, despite the tail end of the 20th Century being the glory days of Square, it rarely delved into full-on company cross overs. There might be a cameo here or there, but, by and large, Fei’s Gear wasn’t ever going to battle the blade of Mikado. Even the banner Final Fantasy franchise rarely allowed for a random encounter between Terra and Bartz. But a “silly” kart racing game? Hey, that might be a fine opportunity for the greatest stars in Square’s stable to strut their stuff. And who was chosen for Chocobo Racing? Well, let’s take a look.

The main birdChocobo is the gimme of this group. It’s Chocobo Racing! He’s the star of his own spin-off series! He’s arguably the most frequently recurring piece of Final Fantasy lore that isn’t a sword. He’s also rather well-suited to the whole racing thing, as “chocobo racing” has been an activity in more serious Final Fantasy titles that feature the occasional toyasaurus. The Chocobo that stars in Chocobo Racing is supposed to be a lovable dork that coincidentally winds up making the world a better place, so he’s an excellent bird to take center stage for this adventure/grand prix.

Mog!Similarly, we’ve got Mog the Moogle in the Mog-Mobile. Moogles have been a part of Final Fantasy since Final Fantasy 3, but they really got some focus in Final Fantasy 3… er… 6, when Mog the Moogle joined the party. And, because that Mog was a fast-talking, street-smart, SLAM-dancing moogle, the template for future moogles seemed to be solidified as cynical companions for naïve yellow birds. And that’s great! Everyone needs a sarcastic sidekick, and we’re all allowed to imagine this is the Mog that fought Kefka reborn in a universe where he only has to worry about Cid building an appropriately fine-ass scooter for his magical-ass deely bopper. Mog is fun, moogles are fun in the Final Fantasy franchise, this is all very fun for everybody.

SpookyAnd while we’re looking at icons for the Final Fantasy series, we’ve got Black Mage and White Mage. Chocobo Racing was released a little over a year before Final Fantasy 9, so this was just the cusp of the Black Mage Revolution that saw Vivi catapult his race to stardom. Unfortunately, this left White Mages puttering behind and barely attaining cameo status. It’s sad! White Mages and Black Mages used to be two sides of the same coin, the Tao of Final Fantasy, but then Vivi made one of those races about 1,000% more iconic, and that’s all she wrote. Or, one may suppose, he wrote, as this is another clear case of the boys becoming more iconic than the girls. Whatever the case, White Mages are still occasionally featured by Square Enix, but Black Mages are part of the Final Fantasy logo. It’s nice to remember a time when they were still equal, and the only race that mattered was chocobo racing.

Tanks a lotThe only other “story” human (or human-shaped entity) in Chocobo Racing is Cid. In this case, we’ve got a Cid that is completely unique to the Chocobo Racing Universe (it’s a thing!), and that’s just how Final Fantasy rolled back in the day. We didn’t see a repeat Cid until, what, Kingdom Hearts? And that Cid was playing second fiddle to a pair of chipmunks. A new Cid for every occasion was once a staple of the Final Fantasy Expanded Universe, and that had been a tradition going back to the birth of the chocobo. Cids are Final Fantasy! He is a helpful NPC that is unlockable if you decide to toss the dude a tank. This is the way it should be!

Go draggyBut wait! There is a Final Fantasy tradition older than Cid and chocobos! Bahamut is the big… uh… something of the game. He’s not a bad guy. But he’s… kind of an antagonist? He apparently broke up big bad magic because he didn’t think sentient life could deal with such an intimidating doomsday spell, but now he’s seen the error of his ways, because all anyone can do in his world now is race around on go karts. It’s a feel good story? Maybe? Look, what’s important is that Bahamut appears, he’s technically the Exdeath or Zeromous of the plot, but, since Chocobo lives in a gentle world, Bahamut’s surprise third act appearance primarily involves admitting he was wrong to be a misanthrope (or whatever mis-word is appropriate for a world that involves a fair number of sentient racers with wings). Bahamut is usually the arbiter of truth or at least a space-laser flinging dragon in Final Fantasy, and he appears often in the franchise (sometimes multiple ways per game), so this is a good role for the little (not little) dragon. He’s another Final Fantasy “cameo” that is Final Fantasy.

That dragon brings us to the bestiary reps. Can we admit that Final Fantasy didn’t really have an iconic collection of monsters until… Maybe Final Fantasy 5 or so? Case in point: Goblin. The Goblin of Chocobo Racing is meant to be a good Goblin thief that is basically Robin Hood/Locke Cole, but his general presence is a representation of Final Fantasy’s first random encounter. The Goblin (or Imp, if you’re stuck in OG USA Final Fantasy) is the first monster ever seen in Final Fantasy, and has appeared in many forms (and color swaps) across the franchise. They’re pretty straightforward low-level mooks, and their design (give or take that time they had wheels) is simple and screams “threatening, but you can take ‘em”. But are goblins an iconic part of Final Fantasy? Nope. Despite appearing as an early threat in so many classic Final Fantasy games, they never attained the popularity of Enix’s amazing level one encounter: the slime. Are Goblins too complicated? Not blue enough? Who knows why, but the humble Goblin is an extremely lackluster monster to represent Final Fantasy.

CRUSHAnd, while we’re at it, look at Golem. Here’s another one that has appeared in practically every Final Fantasy title, but is he ever remembered? There was one Golem that was kind of a jerk, kind of an ally in Final Fantasy 5, but when he came back around in Final Fantasy 6, he was an Esper that was little more than an auction house trinket. Other than that, he’s an opponent that is always just kind of there, but does little to make an impact in any way other than a few stone punches. This is, once again, a spot where Enix wins, and you wonder why rival Square would even attempt to evoke the occasionally sleeping giant that guarded a certain town in the original Dragon Quest.

GrowlAt this point, it might be easy to assume Square had zero iconic monsters in 1999. Not true! There was at least Behemoth, the big, bad purple horse-cow-bull thing. Maybe it’s an overgrown cat? Whatever. What’s important is that Behemoth was supposed to be in Final Fantasy 1 (he’s there in some promotional art), finally arrived for Final Fantasy 2 (gee, seems like a lot of Final Fantasy was established with the one game everybody hates), and then stuck around to be a memorable battle in nearly every Final Fantasy thereafter. And that’s the thing! Goblins ‘n Golems are forgettable because they barely ever even have a special move to toss at the party. The behemoth, though? Now there’s a fight you always remember. Whether you’re trying to unseal untold magics or rescue a ninja/painter from an undead monstrosity, behemoths leave an impression. It’s not about iconic design or overly inflated anime eyes, it’s about facing a brick wall of monster meat that is ready to murder your party at a moment’s notice. And later versions of behemoths in Final Fantasy gained friggin’ chainsaw swords, so this beast has staying power beyond any silly old rock piles.

DO NOT TOUCHBut for a fine time capsule of 1999 Square monsters, please look at the fact that one monster is a hidden character, and it’s Cactuar. Final Fantasy really did grow out of the old Dungeons & Dragons mold, and, likely thanks to its source material already being fairly worn in the early 80’s (possibly the early 1680’s), most of its monsters would be equally at home in Day Dreamin’ Davey. Around Final Fantasy 4 or so, though, the bestiary started growing more unique. By Final Fantasy 5, we had the tonberry. In Final Fantasy 6, we saw the cactuar. Soon these monsters would dominate Final Fantasy discourse (and maybe a few summons), and become creatures so iconic, they cameoed in Square’s most treasured Playstation 2 release, The Bouncer. But back in 1999, what was truly unique about Final Fantasy monsters was still in its infancy, so only Cactuar is represented, and only as a hidden “Easter Egg” that is not part of the main story. Such a thing would never happen in Chocobo Racing 2020 (coming never).

WhateverBut this was 1999, so we needed to feature the latest Final Fantasy luminaries. First up? Squall Leonhart, star of the recently released Final Fantasy 8. Final Fantasy 8 is featured more than any other single game in Chocobo Racing, as it gets not only a racer, but also a gunblade powerup and an entire track based on Deiling City (a location in FF8 that, unfortunately, does not at any point reveal itself to be a secret airship). This is clearly a case of Square trying to claim their latest Final Fantasy offering was as popular and iconic as the Final Fantasy that had been released in 1997, but it seems that Square wouldn’t learn that lesson until… what year did Final Fantasy 7 Remake come out? This one? Dang. That lesson took a while (and Dirges don’t count). People just want to see Cloud and his whaddyacallit sword, not this dork with a lion fetish! Stop trying to make Squall a thing, Square! His jacket is too fuzzy!

And double-plus-extra don’t try making Moombas a thing. They’re not moogles! Everybody would rather be playing as Red XIII anyway.

Let's moseySpeaking of, Cloud Strife is here. He’s got his signature motorcycle, but it’s not yet his motorcycle made out of swords. And, while it’s always nice to see the star of Final Fantasy Tactics and Ehrgeiz, Cloud doesn’t really bring anything additionally to the table. There’s no Midgar track, no Buster Sword powerup, or even so much as a FF7-style materia to be found. He’s just Cloud, and he feels more like a cute afterthought than a legitimate addition to the cast. 1999 was apparently a year Square was ready to acknowledge Final Fantasy 7, but was willing to move on. Vincent Valentine weeps.

NO COPSBut if you really want to cry, take a look at Aya Brea, star of Parasite Eve and Square’s only female cameo (and, assuming the creatures to be fairly androgynous, the only other woman on the roster apart from White Mage). This cameo is mostly… Well…You have to use your imagination. Squall and Cloud both have super-deformed, Chocobo World-appropriate versions of their traditionally serious, polygonal selves. Aya, meanwhile, gets a police car… and that’s it. She’s presumably in the police car, but if it was revealed Edie E. was the real driver in there, nobody would be surprised. So it’s nice that Parasite Eve got to cameo like the big boys from Final Fantasy, but it would be cool if someone put more than seven seconds into modeling a proper Aya. The poor gal just gets no respect.

Of course, Parasite Eve: Third Birthday happened eleven years later, so it’s not like this was the worst slight Aya would ever have to experience…

And that’s it for contemporary Square heroes and heroines. No representation from Tobal, Einhänder, or a certain brave fencer. But that’s because Square didn’t need to look to its bountiful present, it was content to fill out the rest of its bonus characters with protagonists from its past. Classic 8-bit Chocobo (complete with ancient chocobo sprite) is pretty much a shoo-in, as this is, ya know, Chocobo Racing. The S.S. Invincible of Final Fantasy 3 is similarly expected, as the ol’ airship is another Final Fantasy mainstay. The only issue is that a certain region wouldn’t recognize anything from Final Fantasy 3 for another decade or so, but an airship is an airship (don’t tell Cid I said that). And our final 8-bit star is Jack.

GO JACK GOOh, sorry. Don’t know Jack? He’s from 3-D WorldRunner aka The 3-D Battles of WorldRunner. In the grand scheme of things, the game was little more than a Space Harrier-esque shoot ‘em up for the NES. It was very technically impressive for its time, and included some landmark 3-D finagling on a system that was not meant for any more dimensions than two. But it isn’t exactly Super Mario Bros. 3, so you’d be forgiven for missing out on ol’ Jack’s adventures. Except there’s one other important factor in Jack’s life: 3-D WorldRunner is designed by Hironobu Sakaguchi (the man that conceived of Final Fantasy) and Nasir Gebelli (the head programmer of Final Fantasy and other titles), and the music was composed by Nobuo Uematsu (music lead of a solid ten or so Final Fantasy titles). So, yes, Jack was birthed by the same men that created Final Fantasy, and saw the franchise go from Square’s final fantasy of success to a series that apparently deserved its own kart racer.

And then that same franchise damned the entire company with a movie, and it was eaten alive by its hungriest competitor.

1999 was a bridge between the start of Square Ltd. and its impending finale. Square would soldier on, in one form or another, and continue to create amazing games; but it would never be the company that birthed Jack, the chocobo, and Aya Brea again. It would be a company that would drop the humble goblin for a slime, and some small part of its history would be forever lost.

But we’ll always have Chocobo Racing.

FGC #508 Chocobo Racing

  • System: Playstation 1, and no rereleases as far as the eye can see. Apparently it was a PSOne Classic in Japan, though, so I guess it works on PSP in some far off land.
  • Number of players: Pretty sure this one didn’t attain Mario Kart 64’s heights, and is constrained to a mere two racers.
  • Go away, birdMaybe actually talk about the game for a second: The fact that there is a complete story mode with characters and motivations and world-threatening (kinda) issues is exactly what you’d expect of a 1999 Square title, but, aside from a fun ‘n silly plot, there isn’t much to distinguish Chocobo Racing from the many other kart racers of the era (or, uh, any gaming era). The actual layout of the courses seems to be the biggest issue, as they’re either “simple dumb circle” or “7,000 right angles”, and there are very few maps between those two extremes. Feast or famine with this bird racer.
  • Hey, what about Chubby Chocobo? Chubby Chocobo brings me no joy, and forces me to remember aggravating inventory management issues in earlier Final Fantasy titles. Oh? He’s also available as a one-in-twenty summons chance in Final Fantasy 7? Screw random number generators! I’m not acknowledging Chubby Chocobo’s existence at all!
  • Magic Time: The items (what do you call a red shell?) of Chocobo Racing are all magic from the Final Fantasy series. And the usual spells map surprisingly well to a kart racer. Haste, Fire, Reflect: these are all standard “moves” in other kart racers. Even Mini slides in there without any need for a Toad dropping poison mushrooms.
  • So pureFavorite Racer: I choose to believe Squall is annoyed at all times by his fellow cutesy racers, and is now assuming he is experiencing one of Laguna’s weirder earlier memories. Squall dreamed he was a kart racer, and it was awful.
  • Did you know? There isn’t a single Golden Chocobo in this game. How did that even happen?
  • Would I play again: Nah. This game is an excellent time capsule for Square’s last independent days, but it’s not exactly the most fun game in the world. Kart racing is one place where the N64 won the console wars, and Final Fantasy isn’t going to change that.

What’s next? Random ROB has chosen… Wheel of Fortune! Would you like to buy a vowel? Well you just might! Please look forward to it!

FGC #497.2 Tokyo Mirage Sessions ♯FE

Please note that this article contains distinct spoilers regarding Tokyo Mirage Sessions ♯FE. You have been warned!

Go Goku!There’s this moment in Dragon Ball Z at the end of the first significant story arc when Goku uses the Spirit Bomb. At this point, Goku has died, ventured through the afterlife, and returned from the grave when needed most to utilize a technique he could only learn from a nigh-god in another dimension. This attack, the Spirit Bomb, drains a tiny portion of power (“power” being vaguely nebulous in this case) from every living being on the planet, and combines all that strength into one focused “bomb” that he can hurl at his opponent, a giant monkey that is threatening everyone on Goku’s adopted planet (which is also Earth. You live there). In the grand scheme of narrative conceits, this is meant to be an important moment for Goku: he is the undisputed lead, the hero of this tale, but he cannot solve this problem with his own power. There is no solution here where Goku alone wins, so he must use this sacred technique, and, with the assistance of everyone on Earth, he can snatch victory from the hairy jaws of defeat. He can save the world thanks to the world. If this overarching metaphor isn’t obvious enough, Goku even whiffs his chance at pegging his opponent with this spirit ball, and requires another assist from another two fighters (one of which is best known for his propensity toward dying). Goku’s (currently) hated enemy is ultimately defeated by this spirit bomb, proving that it was not the super powerful Goku that was required to save the planet, but the strength of every person. Don’t put all of your faith in one “savior”, believe in the power of not one, but everyone.

And then Goku goes on to defeat every other opponent through hours and hours of one-on-one grunting ‘n punching. Goku is our Superman. Goku is our Jesus. All hail Goku, the guy that singlehandedly saved the world over and over again!

This happens often in fiction: the hero is the hero, and while there might be some moment or technique that uses “everyone’s power”, it all seems to come back to the one and only luminary. This is even more prevalent in videogames, as they are single-person experiences. Everyone in the party is working together to defeat the evil god du jour, but it all comes back to you, the exceptional player, making decisions, so the moral is muddied. And when you have RPGs that all but require the player to be the center of the universe, it gets even worse. That town lives or dies according to what sidequests you choose to complete, so it’s pretty obvious the world revolves around only you. Give me a moral about teamwork or whatever, fine, but in the end you intrinsically know that you are the only person that matters.

So you can imagine my surprise when Tokyo Mirage Sessions ♯FE actually pulled off a “spirit bomb” finale without making its main character the center of the universe….

FGC #497.1 Tokyo Mirage Sessions ♯FE

Let's go to TokyoTokyo Mirage Sessions ♯FE contains possibly the best idea in all of crossover games, and it is a complete waste.

Tokyo Mirage Sessions ♯FE is a crossover game involving the Shin Megami Tensei and Fire Emblem franchises. However, while both franchises are unmistakably involved, TMS♯FE has much more in common with Shin Megami Tensei’s own spinoff: Persona. And, to be clear, that would the almost spinoff of a spinoff, the post-Persona 3 editions of Persona. Like those games, this is a story predominantly featuring quirky teenagers banding together to fight unknowable, wicked forces while also occasionally hanging out and buying maid costumes at the mall. In this case, the twist is that there is less of a focus on school and “mundane” daily life, as the heroes of the tale are also performers of varying disciplines. Singing! Acting! Whatever it’s called when you’re secretly a Power Ranger! The whole gang is entertaining fans by day, but clearing out monsters by night. … Or… also during the day… I don’t remember if there actually is a “night” in this game…

Regardless! While it’s always interesting to know whether or not your favorite is getting enough hits on Youtube or whatever, the meat and potatoes of TMS♯FE is based on beating back the malevolent mirages in dangerous dungeons. Mirages are essentially demons from another world that prey on the raw fan-power of citizens of our planet, and if these creatures are not defeated, then the whole of the population might not be able to enjoy the finer points of the latest Hatsune Miku release. And, somehow, it is revealed that the whole enterprise of this soul-sucking was supposed to revive an enormous black dragon that could theoretically obliterate the planet, so there are some stakes that go beyond whether some models are inconvenienced by a possessed pervert (it’s… a weird game).

Let's rockBut how do your mundane teenagers save their humdrum lives from this wholly fantastic threat? Simple! They team up with their own, benevolent mirages. These “good” mirages transform into weapons and armor (or at least costumes) for our heroes, and now our leading lady is hurling supernatural blasts from a flying, mechanical pegasus (is noting a pegasus as flying redundant? I suppose it could be a lazy pegasus…). And for anyone familiar with the Persona series, yes, these mirages essentially function like the titular persona “spirits” of that franchise. Everyone gets their own unique mirage, and it is technically this spirit that levels up and learns new skills. Itsuki Aoi can’t really handle himself in a fight against eldritch horrors, but his mirage, Chrom, has got the situation well in hand.

Yes, I said Chrom. Yes, that’s the star of Fire Emblem: Awakening and incidental opponent in Super Smash Bros. Ultimate. He’s a luminary of the Fire Emblem franchise, and he’s the prime mirage of Tokyo Mirage Sessions ♯FE. He is the main character’s mirage, so he’s the headliner of the Fire Emblem characters.

And that’s a good thing. In fact, it’s a brilliant thing! The number one obstacle to anyone starting a JRPG is that it is inevitably going to be “new”. The Final Fantasy franchise is amazing, but right from its first sequel, it has changed dramatically from edition to edition. There are always new characters, new systems, and new menus to navigate with every version. And it seems like the JRPG genre as a whole has followed suit, as we can nary get through a new Dragon Quest or Breath of Fire without a significant shuffling of the deck. Mario might get a graphical upgrade, but he’s always going to be able to jump on goombas, and it doesn’t matter if there’s a water gun strapped to his back this time. Meanwhile, the latest Final Fantasy might introduce its hottest protagonist as Sticky Wicket the Gibbering Thicket, and he may or may not even have a basic “fight” command. Final Fantasy 16 features the ARQ battle system, and you may only attack when the global price of oil has reached a high point. You’ll get used to it!

We're all real!But the benefit of the crossover integral to Tokyo Mirage Sessions ♯FE allows the user to skip that horrid “getting to know you” phase. Most obviously, the battle system of TMS♯FE combines the basic flow of Persona encounters with the nomenclature of both Shin Megami Tensei and Fire Emblem, so if you’re familiar with either franchise, you’re going to recognize the myriad of arrows you’re supposed to rain down on this mounted opponent. And the mirages serve much the same purpose, but to grease the plot in the same way as the battle system. Itsuki Aoi is a completely new character created exclusively for this adventure, and, out of the box, he could be anything. Is he aloof and distant like Squall? Is a he a debonair playboy like Zidane? What kind of protagonist is he? Well, his mirage, his “persona”, is Chrom. And that tells us a lot! This isn’t just a nebulous mythological creature like what we’re used to seeing in Persona: this is a particular, defined hero that has appeared in another game. Chrom is the star of Fire Emblem of Awakening, and there’s an entire game’s worth of story and plotting that will tell us exactly how Chrom would react to a situation. This isn’t to say that Itsuki Aoi is Chrom, but given these characters are inextricably tied together practically from their respective introductions, we do have a general idea how Itsuki and Chrom are similar. We don’t need to wonder what kind of protagonist Itsuki is supposed to be, because we’re quickly given a definitive answer: he’s like Chrom.

And this is an amazing way to handle a crossover. You can have your cake and eat it, too! You get to introduce all-new characters with unique motivations and designs, but their immediate association with established characters from another established franchise allows the player to instantaneously identify and, more importantly, identify with the new class. It’s the reason there is always a Link in every Legend of Zelda (he is always strong, but kind), and even the reason Chrom exists in the first place. Back in Fire Emblem Awakening, you were supposed to see “this guy looks like Marth” and immediately assume he is the next heroic lord of the franchise. New character, old archetypes. And using this immediate familiarity in conjunction with a crossover grants players an opportunity to see disparate franchises come together and immediately understand their apparent links.

It’s just kind of a shame that this idea was wasted by relying on the Fire Emblem franchise.

Away we goLook, I know I’m biased. As I pointed out back when I first reviewed Fire Emblem: Awakening, I am not someone that has ever been a big fan of the FE franchise. I’m not generally a fan of strategy/tactics based RPGs, and, frankly, the way the franchise introduces a new cast of fifty randos with every sequel is daunting. I don’t have the time or inclination to go down the gargantuan rabbit hole that is the complete 30 year history of Fire Emblem.

But, that said, it would be nice if I even could.

Let’s see here… The first Fire Emblem game released in America was in 2004, far from the Japanese 1990 debut. From there, we saw the games featuring Ike on the Gamecube and Wii, but that was likely just because Nintendo was still smarting from the N64 years, and looking for a “Final Fantasy” killer… or at least one or two RPGs it could promote on its latest systems. Despite the Wii’s popularity exceeding certain kinds of bread (screw you, rye), Fire Emblem: Radiant Dawn wasn’t a shining new dawn for the franchise. However, Fire Emblem Awakening, Fates, and Three Houses have been revelations across the board. If my twitter feed is any indication, Lady Edlegard is now the official Queen of Earth. However, that kind of popularity did not apply to Fire Emblem: Shadow Dragon, a Nintendo DS release from 2009. It was a remake of a game that was not released in America, and this remake was released in America with about the same level of hype as Blue Dragon Plus. Remember Blue Dragon Plus? Me neither. But it’s not like half the cast of Tokyo Mirage Sessions ♯FE is based on characters from Blue Dragon Plus…

It’s my own fault for not playing a random DS title from a decade prior, right? If I wanted to see Marth in action, I should have taken the chance back when I could. And I did play Fire Emblem: Awakening, and that game is featured as much as (if not more than!) Fire Emblem: Shadow Dragon. I should recognize everybody from that game!

Except…

Here she isThe second good mirage from Fire Emblem: Awakening that is introduced is Tharja. Tharja is a sorceress that is one of the most popular characters to come out of Awakening (apparently #3 in a Japanese poll that I have to assume is part of the national Japanese democratic process). She is a mage that is very shy, but very willing to use her magic and curses to damn anyone that gets in the way of her goals. She is also canonically bisexual, as she will fall in love with the main character regardless of gender. And her outfit is about 90% transparent nylon, so there’s probably a not insignificant portion of her fandom that simply wants to see her use her dark magic in more gratifying ways. In short, Tharja is a popular and unique character in FE: Awakening, so it makes sense she would be revisited for a crossover title.

And I’d love to tell you more about her, but when I played FE: Awakening, I kinda killed her on our first encounter. Look! I was trying to rescue a queen, and…. It was a bit of a whoopsie, okay? My bad!

Which brings us to the other issue with this Fire Emblem crossover: Fire Emblem is a very variable franchise. You saw it back in the day with permanent death options meaning some support buddies might not live to see the plot past the first chapter, and you see it today with Three Houses and three entirely separate stories dividing everyone’s experiences. Did you choose the Golden Deer route? Well, sorry about that reference to Edlegard being beloved earlier. You probably think she’s a bitch! And even within Fire Emblem: Awakening, you not only have the option of popular party members being killed, but about a third of the cast might not even exist if you don’t get the other 66% to breed like bunnies. Is Morgan your favorite character? Well I missed that dude or dudette, because my Robin knew how to keep it in her pants. There is a war happening, people!

Bye, friends!So this is Tokyo Mirage Sessions ♯FE’s greatest strength and most glaring weakness: it relies on a complete familiarity with Fire Emblem. Rather than going the “easy” crossover route of only featuring the most obvious titans of its parent franchise, it features random dudes and ladies from across a few specific titles, and thus requires the player to be unerringly knowledgeable about everything in those games. It takes days to complete a Fire Emblem: Awakening playthrough, and you better have found everything if you want to truly understand the nuances involved in another hours-long JRPG experience. What could have been an excellent introduction to the Fire Emblem world is instead hampered by its own requirement that you already be an expert. It’s a crossover by fans, for fans, and it squanders its supreme strength as a result.

Tokyo Mirage Sessions ♯FE is a great crossover title, but it would be even better if I knew what the hell a “Draug” is supposed to be…

FGC #497.1 Tokyo Mirage Sessions ♯FE

  • System: Nintendo WiiU, and now (finally) on the Nintendo Switch. No excuses! Go play it!
  • Number of players: Three man party, one man player.
  • Just play the gig man: The music is great. I mean, this is a game that is based on half the cast being in the music industry, so the music better be good, but… yeah. It’s good. It’s very easy to see how this game is the secret Persona game before Persona 5’s crazy soundtrack.
  • I assure you!Favorite Character: Ironically enough, it’s Kiria Kurono, the songstress associated with Tharja. While I’m always going to be annoyed when a character is built up as some incredible badass, and then the gameplay reveals she’s just kind of a middling mage (see also Persona 3’s Mitsuru), she also appears to be the only member of the team that actually knows what she’s doing at any given moment. And, yes, her whole “senpai” role seems to be literally designed to be appealing to the average Persona/SMT/FE player (again, see Mitsuru), and her “cool, but secretly cute” personality is obviously engineered to be endearing. But I still fell for it hook, line, and sinker, and I’m not going to over think it. Maybe I’m just happy she could hit that black dragon’s weak points.
  • Is there any other reason you like this game: Oh, I have no idea what you’re talking about.

    ITS NUTS

    None at all.

  • Did you know? Draug is apparently a knight from Shadow Dragon, so that explains why I’ve never heard of the dork. According to the FE wiki, he is shown to have a comradery with two other characters, but this “link” only appeared in official art, and not actual gameplay, in his original games. So, yeah, that sounds like par for the course for the Fire Emblem franchise.
  • Would I play again: I’ll answer that shortly, as…

What’s next? We’re sticking to Tokyo Mirage Sessions ♯FE for the moment, as I still want to talk about this game in a non-crossover context. So please tune in next Monday as crossover week is finished, but talking about the same stupid game in a slightly different way is back. Please look forward to it!

Achoo

FGC #496 Puyo Puyo Tetris

BLOCKS!My fiancée will tell you quite loudly and clearly that she does not play videogames. My fiancée is also a liar. She plays videogames. She just doesn’t play “videogames” as she thinks the world defines them. She plays Candy Crush. She plays some other game that looks exactly the same, but involves farm animals. I think there’s another one with soda. She plays these games constantly, whether we’re sitting watching a movie or traveling to the wilds of Canada. And Pokémon Go! When it’s raining, she will get in the car, and drive around the neighborhood for hours looking to find a shiny or conquer a local gym. If this were a MMORPG, she’d be sitting at a computer for hours, but since her chosen raids are partially based in the real world, she’s not really playing a videogame, you understand. I proposed to her with a friggen’ Pokéball, for crying out loud!

Sparkles

But, no, she doesn’t play videogames. Yes, I completely understand that compared to my gaming habits, she doesn’t “play videogames” (she doesn’t even have a videogame blog! Can you imagine?), but to claim that she doesn’t play videogames at all seems… disingenuous. She doesn’t play the same kind of videogames that are traditionally covered on this blog, but she absolutely plays videogames. And, what’s more, these are not simple, even-your-grandma-can-play games. She routinely plays games that involve experience points, rationed continues, and complex resource management. There’s no judgment against supposed “casuals” here, videogames are videogames, and whether or not a Pikachu or some manner of sentient fruit is involved is inconsequential.

Blocks!One videogame my fiancée plays is Tetris. According to her own words, it is her favorite videogame (which, reminder, is something she doesn’t play). She’s been playing it for years, and notes that during some of the less hectic times in her life, she played quite a lot of it. She’s good at it. I can say with firsthand knowledge that she kicks ass at Tetris, and I have the recorded play sessions from Tetris Effect to prove it.

And, given I believe this is the first I’ve ever mentioned my fiancée on this blog, I feel I should note something else: she’s a bit of a… let’s say… completionist. She pathologically cannot deal with leaving tasks unfinished, and her Type A personality compels her to complete goals to the best of her ability, earn an A on that math test, and then win the big football game because she spiked the final 3-pointer (she tells me she also understands sports better than I do). She deals poorly with losing for any reason in any way, and, officer, I assure you this black eye of mine is from walking into a doorknob, and certainly not because the dear love of my life threw a chair at me when I caught a rare Pokémon before her. As a result of this personality quirk that she honestly and wholly admits is an issue, we don’t often play competitive games together. Even if I win, I lose, so let’s play some games where we either cooperate or work in parallel. It’s better for our collective mental health.

So I really should have known better than to suggest we play Puyo Puyo Tetris for crossover week (“week”). I should have used my good eye to foresee the inevitable.

WeeeeeFor those of you unfamiliar with the title, Puyo Puyo Tetris is exactly what it says on the tin: it’s a puzzle game that combines Puyo Puyo and Tetris. For those of you unfamiliar with Puyo Puyo, it’s a color-block matching game that has visited America in various disguises over the years. For those of you unfamiliar with Tetris, welcome to Earth, and I hope you enjoy your stay on our humble planet. In both cases, we’re dealing with games where objects fall infinitely from the sky, and you must carefully manage these bits and pieces so they “clear” and your play area is not filled with so much useless junk. And this version of these respective games is predominantly based on the concept of multiplayer, so you also have to deal with offensive “junk blocks” that are generated by your opponent doing well. It’s not enough to play the game with skill, you also have to be wary of your rival playing the game with that same skill, but faster.

But just because both games are involved, don’t think they don’t completely interact. Back in the Super Nintendo days, we had Tetris & Dr. Mario, but that title was little more than an excuse to tape two Gameboy games together and sell the package for $70. Tetris and Dr. Mario intermingled about as much as Super Mario Bros. 2 and 3 in Super Mario All-Stars. Puyo Puyo Tetris is another story. You can play head-to-head Puyo Puyo or head-to-head Tetris, but you can also play Puyo Puyo while your opponent picks up a game of Tetris. And it’s not simply “parallel play”, a properly completed Tetris can send junk sailing over to your Puyopponent. And it doesn’t stop there! There are other “versus” modes available that involve both games, like a puzzle speed run mode (called Big Bang Mode because “puzzle mode” sounds like a punishment), or another option where the game rapidly alternates between Puyo Puyo and Tetris boards. There’s even a mode that combines Tetris and Puyo Puyo into one focused game that adopts blocks and puyos from both franchises.

I think it was that mode in particular that caused my fiancée to start shouting expletives I cannot repeat on this blog.

I have no ideaLook, Tetris and Puyo Puyo being played in a sort of parallel is one thing, but outright combining the gameplay of both into one complete board is borderline crazy. The benefit of both of these games is that, individually, there isn’t much that has to be learned or understood to get going. Yes, there are complicated techniques involving starting combos or focused spinning or whatever in both games, but they’re both superficially very straightforward. Match the colors, line up the blocks. Empty spaces bad, alternating colors bad. The end. The best puzzle games are instantly understandable, and both Tetris and Puyo Puyo fit that bill. This is literally the reason your grandpa wanted a Gameboy. But Tetris + Puyo Puyo is confusing. Clearing a line requires using Tetris blocks, while popping puyos require puyo bubbles, and you don’t always have access to either kind of block. What’s worse, there are some moves that don’t seem to have obvious consequences, like how squishing some puyo bubbles with tetris blocks looks like you’re clearing out the clutter, but the bubbles will respawn and fall shortly thereafter. It’s something that happens every time, but it’s not immediate or often enough for a player to quickly distinguish whether these “junk blocks” are the result of something done by the player or their opponent. It creates a sort of “stress” that is not the traditional “things are getting heated because the board is filling up” stress, but more of an “I have no idea why things are happening or how I can make it better” stress. And it occurred to me that this stress could be very traumatic for some people right around when I won a match and my dear fiancée hit me with a folding chair. She is normally so respectful of the furniture!

And this might just be the pain meds talking, but there’s a certain… beauty in this crossover chaos.

What?Tetris x Puyo Puyo loses something. It loses its simplicity, and, with that, it loses its immediate and obvious accessibility. It loses an “easiness” that has been comfortable for decades. But it gains something in exchange. It is more complicated, but that complication adds nuance and techniques that would otherwise be completely absent from the experience. It adds a whole new dimension that was never there before, and would be completely impossible to so much as touch in the normal, base games. I have played a lot of Tetris games over the years, but they’ve always been constrained by being… Tetris. Adding Puyo Puyo to Tetris creates a whole new world of possibilities, and, while it does take some time to learn, it is an actual new experience. Tetris Effect, you’re great, but this is a genuinely, wholly fresh experience, and it’s satisfying to shift over to such a change once in a lifetime.

Tetris loses a little bit of itself. Puyo Puyo loses a little bit of itself. But what is gained, the final gestalt of the merging of these two things, that is greater than the two original items. Sometimes it’s hard to learn the ins and outs of this new…. thing, but it’s worth it. Both games are better for having crossed over.

Oh, anyway, did I mention I’m engaged?

She sparkles

I did? Yeah, there might be a metaphor here.

I love you, honey, and I’m looking forward to our crossover continuing.

Now… uh… could you put down that tire iron? I promise I was only kidding about playing Mario Kart…

FGC #496 Puyo Puyo Tetris

  • System: My understanding is that this is available on Nintendo Switch, Playstation 4, and Steam. However, there are also versions available in Japan (from 2014!) for Xbox One, 3DS, Wii U, Playstation Vita, and Playstation 3. This game is more traveled than I thought!
  • Number of players: Four player split screen action! Online modes available, too! It’s all very crazy and/or fun!
  • Favorite Mode: It’s the Puyo Puyo x Tetris mode. Did you get that from the article? I like new things right now. That may change in the near future.
  • But seriously folks: My dear fiancée is not physically violent. If you are in a relationship with someone that abuses you, physically or mentally, and you don’t have any options, please seek help. There are many highly trained counselors and nonprofit organizations out there that can help you, even in our current, nebulous existence. And I am not saying this because someone is holding a frying pan to my head.
  • Let's go!How about that Story Mode: Is this what it’s like for other people playing Kingdom Hearts? There are just all these weird anime characters with silly hair running around and shouting at each other for level after level, and, eventually, it is revealed this is all because “god” is angry and lonely and might need a hug. Or to play Tetris. And then the universe is saved thanks to a robot that sounds like a Pokémon.
  • Did you know? This is the first American release of a straight Puyo Puyo title since Puyo Pop Fever in 2004. Everybody counts the years between Metroid releases as some sign as to whether or not the franchise is dead, but nobody gives a damn about when Puyos haven’t been seen for a decade….
  • Would I play again: Just as soon as the swelling goes down, I think we could try playing this one again. I am going to have to find some manner of anchor to confirm the Switch isn’t tossed across the room, though.

What’s next? Enough with the mushy stuff! Our final crossover title is going to be the best crossover game released in the last decade. Please look forward to it!

WINNER