Tag Archives: capcom

FGC #481 Mega Man ZX Advent

Have a mega timeI’m working on a theory here, and it’s that, despite the fact that Mega Man 9 is one of my favorite games and possibly one of the best Mega Man games ever, it also completely destroyed the Mega Man franchise.

And it all roots back to the history and evolution of Mega Man.

In 1987, there was Mega Man. The premiere of the Blue Bomber saw a robot that walks, jumps, and shoots. When he defeats a Robot Master, he gains that robot’s weapon, and can use it a limited number of times as an offensive option. This playstyle continued through the “Nintendo Years”, and saw six NES games and five Gameboy games. There were many pretenders to the Mega throne, but, by and large, Mega Man changed very little on the NES. A slide here, a mega buster there, but it all still went back to the same gameplay that was established in ’87.

In 1993, we were introduced to Mega Man X. X was, figuratively and literally, the newest model of Mega Man, and came with more than a few upgrades. He could dash. He could cling to walls. He felt more mobile than his stiff ancestor. And, on a very important but oft-ignored note, X could charge his robot master (now “Maverick”) weapons, and possessed an even greater ability mimic his opponents. Simple Mega Man would have never gained the invisibility of Sting Chameleon (Invisible Man?) from a fight, but X had the option to go incognito and fire off triple shots. Finally, “Mega Man” had an avenue to enjoy the more complicated Robot Masters that had been appearing since Wood Man first rained wicked leaves down on the battlefield.

Generations!1997’s Mega Man Legends was, unfortunately, an evolutionary dead-end for the franchise, but Mega Man X4 (released the same year) allowed a complete Zero to costar with X (he was technically playable in X3, but he was more prototype than man). The Mega Man franchise always put a particular emphasis on distance and how easily ol’ Mega could be defeated by simply bumping into an enemy, so it seemed only natural when the franchise went all in on a character that had more of an emphasis on close-range combat. And it was a change for Zero as much as anyone else! Zero used to be able to slash opponents from a distance with an armbuster and flying cut, but now he was limited to a sword’s length for combat. And it worked! Many preferred playing as the up close and personal Zero in X4 and future X titles, so it was little surprise when it was time for…

Mega Man Zero hit the scene in 2002. Once again, we had two evolutionary paths, with Mega Man Battle Network’s action/JRPG hybrid gameplay first emerging to great acclaim in 2001, and then Mega Man Zero curating the 2-D action a year later. MMZ could potentially be seen as a step back for the franchise, as singular Zero was technically more limited than X in his modular attacks, but, as the MMZ franchise evolved, Zero gained an arsenal that would put any other Mega Man to shame. And right from the beginning, it was clear that the point was never to give Zero another seventeen variations on Metal Blades, but create a smaller, tighter gameplay environment for an audience that had literally learned to walk alongside the little metal boy. Mega Man Zero’s Zero did not feel like the same upgrade we saw between Mega Man and Mega Man X, but it did offer a new, more intricate experience for the veteran Mega fan.

Seems familiar2006, four years (and ten games!) later, we received another two “sequel” franchises. Mega Man Star Force was our upgrade for Mega Man Battle Network, refining the basic gameplay and adding very important plot points about dinosaurs being killed by a lack of friendship. And, on the other side of the aisle, we got Mega Man ZX, the continuation of the Mega Man Zero franchise. In this world, the wars of Mega Man Zero eventually ended, and the heroes of that time were skinned alive and could now be worn like suits. Don’t worry! They’re still sentient “biometals”, so at least X, Zero, and all their frenemies can experience the joy/horror of being a fashion accessory for centuries! And the protagonist of Mega Man ZX watches their own personal Obi Wan die, which unlocks the ability to mega-merge the biometals of X of Z(ero). Thus, the titular Mega Man ZX is born, and they’ve got all the powers of Mega Man X and Zero. Finally! The lovers are united!

And, while the whole conceit of Mega Man ZX could have just been an excuse to give Zero a decent buster, the game really does feel like the conclusion of years of Mega Man and Zero games. Zero’s greatest strength was always its focused gameplay… but this left the hero feeling rather limited compared to his ancestors. Meanwhile, Mega Man had a thousand options for combat (or at least nine), but many of his adventures seemed overstuffed and… Sorry, the English language doesn’t yet have a phrase that translates to “too top spin-y”. But Mega Man ZX struck an excellent balance: the dedicated gameplay of the Zero franchise was here, but the options available to X were also fully integrated into every level. Mega Man ZX could “be”, essentially, Zero, or transform into a more mobile air-dasher. Or a water witch. Fireball bro. Cyber ninja. The hero’s got options! And each different form wasn’t just a matter of a slightly modified buster, they all offered unique mobility options, too. In a way, this is what was promised back in the ancient days of Rockman and his ability to mimic his opponents after a battle. Or maybe that’s just what was promised by Ruby Spears Mega Man…. Still! Whatever works!

And it must have worked well for somebody, because Mega Man ZX gained a sequel, Mega Man ZX Advent, the following year. And it advanced the Mega Man formula by being completely bonkers.

Kiss from a roseMega Man ZX Advent eschews the typical mega-sequel plan by ejecting its previous protagonist right out of the gate. What’s more, this isn’t even a situation wherein the “ZX biometal” is immediately passed to the next generation or some other similar narrative trick to explain sprite reuse. No, the hero/heroine of Mega Man ZX Advent initially acquires the A Biometal, granting them the ability to wholly copy any given biometal or pseudoroid. What does this mean? It means you can play as the bosses! No more “got a weapon” or “can play as ZX-H” or whatever, you can just straight up emulate any given boss in the game! And it doesn’t matter if the boss “is too big for most areas” or “doesn’t have legs”, you can just turn into that fish monster on land if you really want to! Worst comes to worst, you just lose a life, so don’t worry about it. You’ll figure out that being a gigantic alligator monster all the time isn’t the best choice eventually.

And, while it demolishes the tightness of Zero to make some sections of ZX Advent unerringly silly (“Quick! Turn into the twin cat-bears!”), what’s truly remarkable here is how much the player is trusted with these unwieldy toys. Mega Man Powered Up had been released the previous year, and it did its level best to make sure all of the playable Robot Masters were balanced and similar so Guts Man could (technically) conquer any challenge originally designed for Mega Man. There is no such equilibrium here: it’s a known fact that half the playable “party” cannot complete the game from beginning to end. Hell, a fraction of that group can barely even jump! But that doesn’t matter, because you can switch between forms at any time, and who needs to worry about whether Queenbee the Hymenopteroid can fit through a particular hallway? Just switch! The X button is right there! The ring menu means pausing the action isn’t too big of a deal, and you’ll be switching over to the appropriate pseudoroid with a few button presses.

And being able to cycle through a complete set of “Robot Masters” really felt like what Mega Man was always meant to be. Mega Man ZX Advent was the culmination of a full twenty years of Mega Man games.

And it turns out it really was the zenith of the franchise. There was nowhere to go but back.

The secret bonus of Mega Man ZX was the ability to play as Omega, the super-powered version of Zero that was supposed to be his original, unstoppable body (long story). The secret bonus of Mega Man ZX Advent was the ability to control Modal a (case sensitive), which…

Pew pew

Looks a little familiar.

Model a was clearly a deliberate move, as the next Mega Man title to come down the pike was Mega Man 9, a retro title released in 2008. After years of Mega Man upgrading to match the graphics of the day, this was the first Mega Man title to fully embrace the NES aesthetic, and return to (faux) 8-bits. This was the first Mega Man to not try to upgrade old titles to modern sensibilities (like Mega Man X Maverick Hunter or Mega Man Powered Up) but take gameplay back to older standards while offering new and interesting experiences. But, retro or not, Mega Man 9 was an excellent game, and, while it may not have featured a “modern” Mega Man, it was the type of experience that could only be produced by people with decades of experience in the genre.

Which is great, because Mega Man 9 was apparently the end of any experimentation in the franchise.

CHOMPSince the release of Mega Man 9, we’ve seen Mega Man 10 (another retro title) and Mega Man 11 (something a little more modern). Aside from that? Nothing. No Mega Man X, Mega Man ZX, or Mega Man Battle Network. No Mega Man: Ultra Plus or whatever could have been next for the franchise. Mega Man 9’s success seemed to cement the concept that gamers just want classic, unchanged Mega Man, and that’s what Capcom is going to keep cranking out. We’ve seen about seventeen different rereleases of Mega Man 3, but nary a peep about Mega Man Legends 3.

(And, yes, we could blame this all on Keiji Inafune, the godfather of Mega Man, leaving Capcom, but that ignores the fact that we have Mega Man 11, and it’s probable there is a reason Inafuking isn’t at Capcom anymore…)

Was Mega Man 9 a good game? Yes. Hell, it was amazing. By comparison, is Mega Man ZX Advent a bad game? Well, it’s not bad, but it is very sloppy compared to Mega Man 9 (or even Mega Man Zero 4). But it’s a lot of fun, and its experimental side is arguably what Mega Man fans have wanted all along. But since even more fans simply wanted good ol’ Mega Man, Mega Man 9 was the end of the franchise’s 20 years of experimentation. Mega Man 12 may be allowed to have a gimmick or two, but it better be the OG Mega Man, or it ain’t getting greenlit.

Mega Man 9 is my favorite game that murdered its own franchise’s creativity.

And Mega Man ZX Advent is my favorite game where you can play as Bifrost the Crocoroid.

FGC #481 Mega Man ZX Advent

  • System: Nintendo DS initially, and now available for PS4/Switch via the Mega Man Zero/ZX Collection. This game was actually chosen by Random ROB a while ago, but I decided to hold off for the modern collection. And it’s good!
  • Rock out!So you spent an entire article bitching how Capcom ignores the experimental Mega Man titles, and they just released one of the experimental Mega Man titles? Yes. Shut-up.
  • Number of players: Grey or Ashe, but only one at a time.
  • Favorite Pseudoroid: Vulturon the Condoroid is a heavy metal vulture that summons robot zombies and flies through the air strumming his murderous electric guitar. Just… just how are you supposed to compete with that? Block Man can’t touch that with a ten foot block.
  • Second Runner-Up: But all of the pseudoroids are amazing in this game. It would have been the easiest thing in the world to just phone in a number of Robot Masters that are all basic variations on a theme (like the Guardian Quartet), but we’ve got giant bees dragging around enormous hives and twin dog monsters and Metal Sonic and… Well, the list goes on for a while.
  • Say something mean: The empty rooms that can be uncovered but won’t activate until you speak to the right random Ranger to initiate a sidequest are the absolute worst. The fact that there are like 50 “golden skulltula”-style monsters to hunt down, and the quest giver is tucked away in one of the final levels is somehow even beyond the absolute worst. Some kind of… Mega Worst.
  • An end: Complete with the secret ending, the finale of Mega Man ZX Advent sets up a sequel featuring evil biometals, a turncoat leader, and an uncertain future that we know will culminate with Tron Bonne running around a sunken world. But what happens next? Who knows! Like Mega Man Legends, this branch of the Mega Man franchise never made it to a full trilogy, so here we sit waiting for more.
  • BUZZ!Did you know? Chronoforce the Xiphosuroid, the horseshoe crab-looking pseudoroid that can control time, is named for the Xiphosura order, which includes the Tachypleus tridentatus aka kabutogani. And that’s where we get the name for the Pokémon, kabuto.
  • Would I play again: Did I mention I like playing as the giant crocodile monster? Because I very much enjoy playing as the giant crocodile monster.

What’s next? Random ROB has chosen… Gradius V for the Playstation 2! Keep your options open, Vic! Please look forward to it!

FGC #467 Street Fighter 5

Gonna be a fight tonightThe 80’s were defined by plastic cartridges that required a good blowing. Despite the fact that it is a complete lie, Super Mario Bros. 3 may be the definitive game of that bygone decade of wizardry. The 90’s saw cartridges give way to discs, and Chrono Trigger and Final Fantasy 7 both defined the new gaming experience in their own ways. The start of the 21st Century saw us go from Tony Hawk’s Pro Skater 2 to Demon’s Souls in the span of ten years, but it was a decade generally defined by solitary console experiences mixed with the occasional smattering of of online interactions. The Wii’s couch-based waggle or Rock Band’s fantastic plastic seemed to capture the public’s attention a lot more easily than Xbox Live.

And the defining experience of the teens of the 2000s? That’s the four-year boondoggle that has been Street Fighter 5.

Full disclosure: Street Fighter 4 is and was one of my favorite games. It is the game that, in 2008, revived the “official” Street Fighter series for the first time since Street Fighter 3, initially released over a decade earlier. Now, that’s always been kind of a misnomer of a factoid, as the Street Fighter series never completely went away, what with Street Fighter battling SNK or the X-Men or whatever Ryu decided to stick his fist in this week, but Street Fighter 4 was technically the first real Street Fighter in what seemed like centuries, and it was received warmly merely for its existence. And then it turned out to be a great game, too! Hooray!

Street Fighter 4 captured the fun of the original Street Fighter 2 through easy-to-learn special motions and combos that seemed to crop up naturally when jump kicking with Ken over and over again. The story aped Street Fighter Alpha with small, basic pre-battle “taunts” between fighters, and everybody got a cool anime opening and ending to further cement the fun of the traditional arcade mode. And, as an added bonus, you could whale on a second player until the cows came home online or locally (depending on the version, sorry 3DS). It was everything you could ever want a Street Fighter title to be.

But nobody cares about that. What we care about is the roster. Street Fighter 4 launched in arcades with a total of 17 playable fighters (the original twelve of Street Fighter 2 Champion Edition, Akuma, and four totally new contenders). That number grows to 19 if you include the two non-playable boss and secret boss characters. From there, the home version (released a few months later), added six new fighters from Alpha and Super. So, right off the bat, you had a roster of 25 on your home system. Three or four updates later, and “Ultra” Street Fighter 4 hit its endpoint with a grand total of 44 characters. That’s pretty amazing for the traditionally restrained Street Fighter franchise (SF3 barely got past 20), and, in a way, absolutely everything a Street Fighter fan could ever want. Look at this sweet roster:

Look at all dem street fighters

So, yes, Street Fighter 5 already had a strike against it when it launched on the same system that could play Ultra Street Fighter 4, but had a roster that looked like this:

That’s 16 world warriors as an initial offering. Coincidentally, that’s exactly one less than Street Fighter 4 offered at launch. Still four new characters, but less OG fighters, and no unique bosses or hidden martial artists. None of the new class from Street Fighter 4, either. This was not a great first impression.

At its launch, many people claimed Street Fighter 5 was a “paid beta”. This seemed apt, as the traditional trappings of Street Fighter were all but missing. There was a story mode for each fighter, but it was two or three fights with little more than a biography screen. There was a survival mode, but it was the same predictable lineup every time. And, most disparaging of all, there was no “arcade mode” at all. And you don’t know what you got ‘till it’s gone! The lack of an arcade mode or unifying, overarching story was concerning, but, don’t worry, guys, DLC is coming! Street Fighter 5 will be whole soon! Don’t yell at us! It will get better!

Sonic Boom (but different)And this was made all the more disappointing by the potential seen in the base of Street Fighter 5. Many old fighters returned for SF5, but they were starkly different from their older versions. Ken now felt like an entirely separate entity from Ryu. Chun-Li didn’t have to rely on hammering the kick button. Dhalsim had projectiles that matched his slow and stretchy punches. Birdie got fat. And Charlie Nash, our Guile-expy, was some kind of revived zombie back from the dead, but, more importantly, he didn’t have a charge projectile. Dude was sitting and blocking in the hyper-active Vs. series, but here he is with a quarter circle motion. The implication seemed clear: there would inevitably be DLC for the “old” characters, but they would be as new and different as F.A.N.G. and Necalli.

And Street Fighter 5 did attempt to crawl out of the grave it had dug for itself. A complete (and, frankly, surprisingly quite fun) story mode was released a few months after release. Around that same time, many new fighters were introduced. The likes of Guile, Balrog, and Ibuki did give the impression that initially planned and established fighters were showing up late to the party, but, hey, it costs a lot to make a fighting game nowadays. If Capcom has gotta charge a little more than $60 to make Street Fighter profitable, and people are willing to pay those fees, that’s just the state of the industry. Not like Capcom hasn’t proven its ability to make fun games in the past.

Except… purchasing characters in Street Fighter 5 was… a little more interesting than usual. You had options: you could just outright purchase a Season Pass (or individual character) with real-world dollars and cents, or you could save your hard-earned cash by spending “fight money”, the funbucks you can win through playing Street Fighter 5 online and off. At first blush, this seems like a pretty good deal: if you play the game a lot, you are rewarded with in-game currency that can buy you more game to play. Unfortunately, in practice, anyone that has ever played any title with earnable gold/experience/mini medals knows what happened next. Exploits for the system were discovered, millions in fight money could be earned in an evening, and why would anyone ever spend their real money when fake money was so readily available? Free money is better than… uh… not-free money!

Get 'em!Thus did we see Street Fighter 5’s first arms race. For some, Street Fighter 5 was a simple fighting game. For others, the real fight was between players who wanted as much game for as little money as possible, and Capcom, who wanted its most dedicated players to pay for their dedicated improvements, dammit. Exploits were found and quashed and found and quashed again. New costumes were released that dropped the concept of “fight money”, and absolutely required a credit card. And through it all, somebody, somewhere, against all odds, must have been spending something on new backgrounds.

And then the season passes started accumulating. The first “season” of fighters all appeared in the story mode, and it was hard to shake the impression that they were originally intended for the initial release, and their presence here was just an unfortunate side effect of that “beta” release window. And, while half of these characters were interesting in their second appearance in the franchise (Urien, Juri, Alex), the other returning favorites seemed much less remarkable than their redesigned contemporaries. The “new” Nash was an entirely different animal, but “premium” Guile? Not so much. This would prove to be the norm for new-old characters that we’d see in Season 3 & 4, but Season 2 promised entirely new characters (almost, damn you, Akuma), so at least we’d see some good ol’ fashioned Street Fighter innovation with those dorks. Granted, we’d have to pay for it, but that was getting to be par for the course with fighting games anyway, right? And who could resist the allure of Zeku, the very confusing ninja? Nobody! That’s who!

And then we got Season 3. Season 3 made us all feel like assholes.

Get 'em, Roll!Street Fighter 5: Season 3 was officially dubbed Street Fighter 5: Arcade Edition. It was released nearly two years after the launch of Street Fighter 5. In addition to four returning friendlies, it would also include two new characters (or one new character, and one maybe kinda sorta Street Fighter 3 returning face/mask). But, more importantly, it would include the long awaited return of Arcade mode! And it was an Arcade Mode that itself contained a multitude of modes, with rosters and styles meant to evoke the good vibes of previous Street Fighter titles. Battle through the original Street Fighter ladder, or relive the halcyon days of Street Fighter 2 with world warriors flying across the globe. You’ve got options! And best of all, this whole package was now available as a complete and easy starting point, so you could nab the entire released roster for a song!

Street Fighter 5 was finally a complete package! It was out of beta! And if you had paid $150 for multiple season passes and the base “beta” game already, ha ha, screw you! That’s just the price you pay for early access to Ed!

But don’t worry! Arcade Edition offered all new ways to fleece customers old and new. Fight money seemed to stabilize at this point as something that is generally not exploitable, and now it was time for Capcom to introduce new and exciting reasons to horde your cash. Loot boxes! Yes, you could get that cool Air Man skin for Rashid, but you’d need to visit Menat’s fortune telling booth to blow your hard-earned cash on a deck of tarot cards that will maybe unlock the outfit you want. FancyOr you’ll just earn another color for Vega. Whatever! It’s all just a side attraction, so don’t worry, feeding some poor sap’s gambling addiction doesn’t really impact your game. You just have to sit there and be jealous that Sakura is out there repping Mega Man Legends and you can’t do a thing about it.

But loot boxes were not enough for Capcom. In order to further promote insane decisions, Street Fighter management decided to go full hog and cram as much advertising as possible into Street Fighter 5. You could earn extra fight money (for those delightful loot boxes!) if you chose to wear a costume for your fighter that is plastered in advertising. Considering some fighters’ outfits are “a thong” or “a slightly larger thong”, this led to a few combatants earning delightful sponsor belts. Dhalsim is really into the Capcom Pro Tour. Seemingly embarrassed by the whole situation wherein an immortal, soul-devouring godling has a significant soft spot for sponsorships, Capcom quickly dropped ad support for Street Fighter 5. But “ad style” is forever there, an indelible scar on the face of costume selection. And Capcom has not shied away from including ads you absolutely cannot ignore on any and all loading screens. And there are a lot of loading screens! That’s another problem I keep forgetting to mention!

It's a shell gameAnd then, after literally hundreds of dollars’ worth of DLC, after loot boxes designed to drain your reserves for the merest chance of a reward, after introducing “Season 4” fighters by eschewing “cheap” passes and making each ala carte, after introducing advertising because Street Fighter 5 has got to make some coin somehow; after all that, Capcom has announced that 2020 will see Street Fighter 5: Champion Edition. It will include every fighter, two new ones, every (previously loot box-based) costume, and whole new moves/triggers for the existing roster of 38. The game will be $30. If you already own Street Fighter 5, it will cost $25 for the upgrade. If you already spent a couple hundred dollars in a vain attempt to earn a sweet reference to Cannon Spike for Cammy, or if you bought all those costume packs individually on the sale that coincidentally happened before the very weekend that Champion Edition was announced, well, once again, and we cannot stress this enough, screw you. There should be some new loot boxes available shortly for all your gambling needs.

And, yes, all of this nonsense absolutely makes Street Fighter 5 the game of the decade. The moral: even profitable franchises have absolutely no idea how to be profitable.

Look at Street Fighter 5’s arc. They tried everything! They’ve got paid DLC! They’ve got mobile-esque “fun bucks” for purchasing content! They’ve got lootboxes! They’ve got season passes! They’ve got advertising! Capcom stopped just short of making Street Fighter 5 a literal MMORPG (and, let’s not kid ourselves, the online rankings are meant to foster that kind of community). But did any of it add up to… anything? No! In the end, just like Street Fighter 4, we wound up with a final roster around 40 fighters, an arcade mode, and an interesting story mode.

I think I missed two

In the end, if you look at Street Fighter 5 as a whole, you still wind up with three distinct “versions”, just like Street Fighter Alpha, Street Fighter 3, and Street Fighter 4. For the end user who purchased Street Fighter 5 at each of its three stages, Street Fighter 5 seems to be exactly like every other Street Fighter and its predictably iterative ways. However, from a management perspective, and from the nitty-gritty of owning the game and upgrading it at every available juncture since the game was released four years ago, you see a very different story. You see a game that tried everything it could to squeeze every last cent out of one of the most popular videogame franchises in history. Arguably, none of it worked. Street Fighter 5: Champion Edition is just the same basic “final” version of a SF game as Ultra Street Fighter 4 (complete with Rainbow-esque “let’s just have fun with it” additions). On the other hand, you could claim all of this was an amazing success, because there are people out there that spent $20 on Game of the Year, all DLC Spider-Man the Game in 2019, but spent $250 on Street Fighter 5 over the course of nearly half a decade. Street Fighter 5 wasn’t just a game, it was an experience, and it had to be profitable. There were so many suckers that signed up for everything from launch, every Zangief retro costume, every extra fighter, every beach beauty background, that Street Fighter 5 had to be a huge success. … Right?

Nothing but respect for my presidentBecause if Street Fighter 5, the latest in possibly the most popular fighting game franchise on the planet, if after four years of trying everything, if that Street Fighter 5 can’t be considered a triumph, then what hope does any other game have? What is the current state of gaming if an established company with an established IP can’t figure out how to make it all worthwhile after literally years of trying? What does that mean for the very concept of gaming as we know it?

Street Fighter 5 is the face of a decade of gaming. And that is terrifying.

FGC #467 Street Fighter 5

  • System: Playstation 4 exclusive! … Or it’s also on PC. And arcade, I guess?
  • Number of players: Okay! This one is easy! It’s every human being on Earth! All fighting! Always fighting! But maybe just two at a time.
  • Go ninjaCharacter Creation: Look, I spent the whole article talking about the nitty gritty of how Street Fighter 5 came to be its current form, let me talk about the world warriors for a second. I’m generally saddened by Street Fighter 5’s new trend of introducing dudes for filling in character relationships and not just “a random bloke from Turkey” like in the olden days. There are somehow three (or maybe even four) characters that are all Balrog’s ersatz family, and I could not imagine a more boring concept for fighter creation if I tried. Rose’s student. Guy’s master. Gill’s secretary. I appreciate that they’re trying to expand the lore and relationships of established characters, but maybe they should stick to what’s important: introducing a dirt wizard that is also the president of the world and maybe a robot.
  • Favorite New Fighter: He’s not entirely new, but Abigail being a (literally) gigantic gearhead that incidentally joined a gang called “The Mad Gears” is some inspired/half-assed characterization. But what’s important is I can finally play as that gargantuan dork that ruined my SNES Final Fight runs back in the day, so I’m happy.
  • Favorite Returning Fighter: Can I just complain for a moment about how Sakura’s story mode saddles her with “maybe I should just retire and have babies”? There is no universe where Ryu would ever wind up settling down to become a family man, and it sucks on every level that the “future” for Sakura is supposed to be some life of domestic bliss while her senpai runs off to other universes to punch werewolves. It’s a little depressing that the best Capcom can come up with for one of its iconic heroines is following the ol’ biological clock.
  • Favorite Costume: Katt the cat lady is a skin. Breath of Fire does exist!
  • Meow!They got robbed: One side effect of DLC is that new characters from the original crop seem to be almost completely forgotten. Rashid and Nicalli got to be significant players in the overall story, but F.A.N.G. and Laura are almost completely forgotten by the universe at large. Which is a shame! I would really like to know how many Brazilians have electrical powers, and possibly why!
  • Did you know? My arcade scores reset every time I boot up the game. Is that information only saved for the week or something? Or are there so many updates, my old score is void thanks to being earned under old rules? Do you know?
  • Would I play again: I am a sucker for Street Fighter. Why is Seth a lady now? I will know, and I will get her arcade ending. It’s inevitable.

What’s next? And, on a much more cheery note, we’ll dig into the other game that encapsulates the 2010s. Please look forward to it!

This dork

FGC #456 Asura’s Wrath

WRATH!Today’s game is Asura’s Wrath. “Asura” is, in this adventure, not a collection of demigods (though demigods are certainly involved), but one individual dude. Fair enough. Capcom is allowed to do whatever they want with religious beliefs, because being responsible for Street Fighter offers you a certain level of latitude. And there are enough guys named “Angel” in fiction anyway, right? I can name like three vampires off the top of my head. But I can only name one other Asura, and it’s this queen:

I know this deity

The last time I saw an “Asura”, she was a lady. And that got me thinking: why the hell aren’t women allowed to go crazy?

Asura’s Wrath is, for all the mythical trappings and anime-tastic explosions, little more than a “dad game”. Asura is a (super powered, maybe a robot?) general, but after a long day of battling creepy shadow monsters, he always comes home to his wife and daughter. They bring him joy, though Asura has concerns about his daughter’s divine power and eventual future as a high priestess. These concerns turn out to be well-founded when Asura’s fellow generals revolt, frame Asura for murder, kill his wife (in another, separate homicide), and kidnap his daughter. This pisses Asura right off, and leads to a quest that lasts 12,500 years (or roughly eight active hours), and sees Asura destroying entire armies and endangering the world to sate his rage. But don’t worry! It’s all justified, because Asura is a man, and his precious daughter has been kidnapped, so any damage he does to himself and others is wholly warranted. He’s a father, people! You get it!

And, frankly, we see this kind of thing all the time. It was taken to puppy-dad extremes in John Wick, but the videogame universe features a number of angry dads. From Kratos (reminder: he was a dad before the first game even started) to Mayor Mike Haggar, there are many fathers in gaming that absolutely flip the table over with righteous fury the moment their child is endangered and/or murdered. And, as ever, that’s allowed, right? Even if we’re not all parents, we all understand losing someone or something you care about. That’s universal! And, since we’ve decided to make videogame graphics startlingly realistic, it only makes sense that more and more games would find “legitimate” reasons to justify visiting violence S-WORDS!upon worlds worth of people. They can’t all be zombie games. Every once in a while, you have to honorably put down an entire city’s population for a level, and what better reason than “they took my precious daughter”. I’m pretty sure Booker threatened entire realities with that excuse.

But if this trope is so justified by parenthood, why is it always dads? Why can’t moms flip their shit, too?

Obviously (and sadly), the first explanation is that videogames are assumed to be for almost exclusively men, and thus fathers are more featured than mothers. Even when rampages don’t happen, there are any number of dad games out there where daddy dearest must protect dear daughter from dangers. And, if we’re already assuming boys play videogames more than girls, then we’re also including the added benefit of your daughter character could be a sex object to your heteronormative younger set of gamers. Teenagers are certainly okay with having sex with sexy teenagers, but, flip the genders, and the boys are left to have sex with… their mom? No! Nobody wants that! (Sit down, Freud.) Sex sells, appealing to straight men sells, and appealing to even an imaginary paternal instinct sells. Think about how many reviews will identify your dad game as mature if you’re rescuing a daughter instead of a princess! This is a real world problem!

WRATH!But, if we’re just pandering to clichés, why can’t we indulge in other clichés? For better or worse (almost entirely worse), there are any number of cants regarding “crazy” women. The “crazy ex-girlfriend” or “crazy bitch” tropes are so pervasive they’ve inspired entire songs and television series (that include songs); but consider the trope of the “unstoppable” mother. “My baby is in danger, and I will do anything to protect them!” is the rallying cry of many stories about mothers lifting cars or pushing buses out of the way. And you know who else does that? The Incredible Hulk. But even when you look to the comics, you’ll find that The Hulk is The Friggen’ Hulk, while his female counterpart, She-Hulk, is a character defined by the fact that she doesn’t experience Hulk’s heightened emotions every time she steps on a Lego. We have multiple insulting clichés regarding women going crazy, but only a handful of stories where “crazy women” use that power to do something heroic. We can hear about Karen wrecking a Starbucks over a mislabeled latte, but we can’t find a videogame where that same rage is focused on non-barista based monsters?

But we all know where we do see women in videogames. Asura’s Wrath, could you show us your woman?

This broad

Olga is the only woman in Asura’s Wrath. Excuse me, that’s a bit of an error. There are other women in Asura’s Wrath. There’s Asura’s wife, who is killed so Asura (and his brother-in-law) can experience man pain. There’s Asura’s daughter, who we’re told is super-powerful, but is only ever an object that Asura must rescue. And there’s Unnamed Villager Girl (who marginally has a name if you pay attention to developer interviews and gibberish cutscenes), who exists to remind Asura of his daughter, and then die, thus causing further man pain. Which neatly brings us back to Olga, what with Olga killing Unnamed Villager Girl an’ all…

So Olga is the only woman in the cast that is not simply there to make Asura feel bad. She is also the only lady on team bad guy. Not coincidentally, she is also supposed to embody the deadly sin of lust. Does she effectively display this during the story? No. At best, she is shown to be wholly dedicated to the (male) leader of the baddies, so maybe she’s at least sleeping with him between scenes? Obviously, “lust” is the kind of thing that is hard to work into a story. It’s not like you could just have some character hanging out in a hot spring with concubines while talking about his sexual conquests…

Seriously, guy?

Or maybe you can do exactly that.

So Olga is the supposed personification of lust, but she’s shown up by a dirty old man that embodies greed. Whatever. She can at least prove herself in combat, though, right? No, that isn’t right, as she’s apparently the one “boss” that Asura never fights. In fact, if she didn’t appear in the “secret ending” coda, you’d be forgiven for assuming the writers literally forgot she existed about 80% through the game. And her final fate after that cameo of a reappearance? She’s the only one of the Seven Deities to not be killed by Asura. She’s there to be a sacrifice on the altar of “boy, this final boss is gonna be really tough”.

But don’t worry! She is eventually reincarnated… as a secretary. One of the other generals is reincarnated as a movie star. I wonder if he ever has to make someone coffee…

WRATH!A number of videogames have problems with women. A number of videogames feature berserker male characters. Asura’s Wrath is both. Can these problems be fixed? Of course. Was there ever even an attempt to sponge some of the testosterone off Asura’s Wrath? Of course not. The women of the title are forgettable (and Asura’s own daughter could be replaced with a particularly sympathetic set of AA batteries), and not a single one gets to join in the fun. Asura shares the spotlight with another hero for a few chapters, but, guess what? He’s a dude, too. The message of Asura’s Wrath (and many other games) is clear: women aren’t allowed to be raging warriors. They can be moms. They can be daughters. They can be administrative assistants. But they can’t be The Hulk. That isn’t allowed.

That should make a lot of women mad as hell.

And I’d like to play their videogames.

FGC #456 Asura’s Wrath

  • System: Playstation 3 and Xbox 360. The general sentiment surrounding Asura’s Wrath was that it was kind of a sales bomb, so I wouldn’t expect a remaster anytime soon.
  • Number of players: Two heroes eventually pop out of this story, but only one player at a time.
  • STUFF GONNA EXPLODE100% Completion: For the sake of pedantry, I want to note that there are plenty of great action women in videogames. Heroines like Bayonetta, Samus Aran, and even Juliet of Lollipop Chainsaw are all great, murderous female protagonists… just they’re not really all that mad. They’re more cool or professional (or occasionally bubbly) than anything. The only berserker lady that immediately seems to fit Asura’s mold is Zero of Drakengard 3, and even that is tempered by Yoko Tarro’s traditional commentary on violence and loss. But thank you to everyone on Twitter who offered suggestions! I’ll get to Darksiders 3 and Ronin soon enough!
  • How badly does this game want to be an anime? Very. Very badly. Practically everything in Asura’s Wrath is organized like a 22 minute anime episode, complete with middle of the episode “bumpers” and a cryptic “episode preview” between chapters. It also commits the sin of repeating exactly what happened before and after the commercial break, even though there are no real commercials breaks. That’s just wasting my time, guys!
  • Favorite Eight Guardian Generals general: I don’t really like, like, any of the characters in this game… though that may be the point. I’ll take Wyzen, though, as he’s the great big guy that is destined to die/fail early in the story, but at least he has the good sense to turn into a planet-sized deity and attempt to crush the hero with a meteoric finger. He still bombs, but it seemed like a plan that could have come together nicely.
  • Favorite incidental weapon: Nunchuks connected together by lightning seems like the kind of thing that should be included in more games. Has that ever been seen in Soulcalibur? Or with the Ninja Turtles? Slam dunk, right there for the taking.
  • ANIME!Horse Armor: Technically, you could claim the “true ending” of Asura’s Wrath is only available through paid-DLC. However, the reality of it is that the DLC is much more akin to a (much smaller) sequel than a “pay-to-play” ending for the real game. Also, given the nature of the game, Youtube is right over there, so there’s really no reason to be upset about Capcom being a bunch of money-grubbing hogs (this time).
  • Mind Blowing: Oh, there’s a spider motif recurring through this game because Asura often has six arms, thus giving him an arachnid-esque 8 limbs. Just got that.
  • Did you know? You can’t actually pause the game during those fake commercial break moments. Now I’m going to rampage!
  • Would I play again: Oh yeah, I barely talked about the gameplay itself. It’s basically paced like a playable movie, with very little “filler”, and absolutely no exploration. Which basically means that, after the visceral feeling of playing the game once “for real”, it’s time to move on. Maybe I’ll rewatch it in the gallery player while I’m playing another, more active game.

What’s next? Random ROB has chosen… Blazing Dragons starring Cheech Marin! Hey, it’s entry #420 somewhere (no it’s not). Please look forward to it!

DEM GODS

FGC #448 Mega Man X4 & Mega Man X5

MEGA!Let us consider a simple truth: Mega Man X4 was the culmination of three iterations on the Mega Man X formula. And Mega Man X itself was the culmination of the many adventures of baby, regular Mega Man. With this in mind, it is appropriate to recognize Mega Man X4 the pinnacle of the Mega Man X franchise, and, by association, an all-time high point for the thirty year old franchise as a whole. In short, Mega Man X4 is the peak of the Mega Man X formula.

And then there was Mega Man X5. Mega Man X5 was originally intended as the final Mega Man X chapter, so it would have been appropriate for that title to be the crowning achievement. It wasn’t. It had… issues. What were they? Well, they were all simple variations on the typical Mega Man formula, and every single one of them turned out for the worse. They may have seemed like good ideas at the time, but to get this pity party started, Mega Man never needed…

Ducking is boring

I'll be right hereFor years (decades!) people complained about dear Rock Man’s inability to duck. Every other platforming hero could do it! What’s wrong with the Blue Bomber!? No, that silly slide doesn’t count! Sure, that cuts a few inches off the vertical real estate, but it’s not a substitute for good ol’ ducking and sitting. We want to see those bullets sail right over Mega’s helmet, not ping right into the metal chump’s face!

And Mega Man X5 finally introduced ducking for our dear X (and any robotic heterosexual life mates that may be around, too). And, while a great many of us rejoiced at this news, it did not work as well in practice as we had expected. It turns out the gameplay that was never built for ducking just plain wasn’t built for ducking. Whether by a fault of the current designers, or as in an effort to maintain the action of the previously established titles, the Mavericks of Mega Man X5 did not find fun ways to accommodate ducking. By and large, the number one place you’d find ducking in Mega Man X5 is against bosses that require crouching to avoid a certain attack… and then all you’re doing is… ducking. Ducking is boring! It’s just sitting there! It’s much more dynamic when Mega has to dash or slide to avoid an oncoming barrage, and ducking simply encourages doing nothing. Absolutely nothing. It doesn’t have a place in giant robot fighting! We were wrong to ask for ducking!

And you know what else we were wrong for asking for?

Switching characters doesn’t work

Buds!Mega Man X4 was the first Mega Man X game to allow the player to choose Mega Man X or Zero for venturing through the entire adventure (X3 made Zero a playable character, but he was limited to about three total rooms before inevitably exploding). This was a godsend… but it came with the unfortunate caveat that you were tied to your chosen hero for the entire adventure. Within the opening seconds of Mega Man X4, you chose your fate, and if you made the “wrong” choice, you’d have to start everything over all over again. Granted, Mega Man X4 wasn’t the longest game in the world (even by Playstation 1 standards), but it was still rather annoying that wanting to use the X-Buster against Cyber Peacock would mean you’d never even see Zero.

Mega Man X5 rectified this mistake, and X and Zero were freely selectable at any time. You want to switch between the two super buds every other level? Feel free! …. Actually, maybe you should do exactly that, because if you don’t, you’re going to be screwed come the final areas…

Not all Replopids are created equal, and, unfortunately, X & Zero live in a meritocracy. As per Mega Man X tradition, permanent powerups can be collected across levels. Regrettably, the majority of these powerups do not apply to both Maverick Hunters. And, given a number of those powerups can only be accessed by individual heroes wearing specific armor or using specific abilities, it is very easy to “unbalance” the hunter duo. In the end, you might wind up with an X that possesses 7 health upgrades, and a Zero that can barely survive a stiff breeze. And, while this might be thematically relevant for the series, it is something else entirely for being able to “freely” switch between characters. If X is going to have five times the health of Zero, then why ever choose Zero? There’s no choice at all when one choice is a walk in the park, and the other is attempting to survive instant death.

And this pairs horribly with…

Bosses have levels (and that’s awful)

This is gonna be a whileIt seems there was an attempt to mitigate the “separate powerups” issue… but it went horribly wrong.

Each and every Maverick “boss” has the potential to impart additional items upon defeat. Depending on the level of the boss, you could receive absolutely nothing, or something amazing, like a weapon powerup coupled with a health increase. But how do boss levels work? Apparently they are tied to defeating other Mavericks and your own hunter’s rank, so the longer you take before tackling a stage, the stronger its boss will become. This all seems well and good until you get to the sad, sad way that levels are implemented with bosses: it only increases their health. It does not change their attack patterns, add extra attacks, nor increase the damage dealt. It simply turns average Mega Man bosses into damage sponges of Yiazmattian proportions.

And you better believe that makes the final boss rematch area an absolute waste of a Maverick Hunter’s time and energy.

This would be passable if the Mavericks gained new moves at different health levels, or switched “stances”, or… something! But, no, it’s just the same fight, but much longer. What’s more, we’re looking at a Mega Man 7/X situation where the best weapon for the job often activates some kind of special animation or reaction, so things take even longer. Nobody wants to stand around and wait for Dark Dizzy to get flying again! There’s a T-Rex I have to deal with in the next room!

Then again, there’s a strong chance I won’t get to the next room, because…

Modular Armor is unpleasant

It's a kind of armor...In Mega Man X4, you had the choice of obtaining one of two weapon powerups. Much like X3’s “choose your golden powerup” system, this gave the player a marginal choice in steering X’s development. It may have been a teeny tiny choice, but it was a choice all the same, and I’m sure there are some people that swear by one arm powerup over the other. After all, there are always going to be people that pick something other than plasma/are wrong.

X5 decided to run with that concept, and presented not one, not two, but three completely different armors for X. X could utilize the “fourth” armor from X4 (complete with plasma attack, natch), the highly mobile Falcon Armor, or the… well… whatever was happening with the Gaea Armor. The Gaea Armor seems like it was intended to be the “strong” armor to Falcon’s “fast” armor, but its abilities are all over the place. You can stick to the walls like Spider-Man! You can push blocks with a dash! You’re invulnerable to spikes!(!!!) The only drawback is that you can’t use special weapons, and you can’t air dash. That’s fine, right? No big deal! It’s not like entire levels are based around possessing either the air dash, double jump, or special weapons to make it through areas. It’s not like equipping the Gaea Armor will make certain areas almost completely unwinnable.

Oh? It does do that? And you can’t unequip an armor if it isn’t working out for a level? Oh. Well, that’s not very well-thought-out.

And that’s Mega Man X5 in a nutshell. Mega Man X4 was an excellent culmination of everything in the franchise, and Mega Man X5 decided to toss a lot of failed experiments into the mix. Later games would go on to perfect some of these decisions (Mega Man X8 is particularly good for character switching, and Mega Man Zero offered variety in boss fights), but, as a game that was intended as the finale of the X series, X5 falls far behind its predecessor.

Mega Man X4 might be the best in the franchise. Mega Man X5 veered too far off that path to be the best.

FGC #448 Mega Man X4 & Mega Man X5

  • GET IT!?System: Playstation initially, and then ported to everything that could support it through various compilations and digital releases. Including, but not limited to: every Sony platform, Gamecube, Xbox, Switch, and probably the N-Gage at some point.
  • Number of players: X and Zero may only be controlled by one player.
  • Other issues: Oh yeah, Mega Man X5 introduced Alia, who constantly interrupts the gameplay to provide important information like “shoot things” or “duck under boiling lava”. She’s largely a pest in this adventure, but I can’t fault the game too much for trying to be more inclusive for the kiddies that might need a little extra help. It was only the fifth game in the series, it’s not like there was any precedent for how to play the thing…
  • Further Issues: My bad, Mega Man X4 can’t be the best in the series, as it, like its descendants, has an annoying vehicle stage. But Mega Man X5 did introduce the concept of having to collect a bunch of stupid doodads on an instant death track, so it is still somehow worse.
  • Favorite Maverick (X4): Storm Owl. Say it with me now: Storm Owwwwwl.
  • Pew pewFavorite Maverick (X5): I appreciate that Mattrex is a weapons dealer before the virus drives him mad. When you’re an enormous, flaming dinosaur living in a volcano, there are only so many vocations open to you.
  • Did you know? I am required by law to note that the original names for the Mavericks of Mega Man X5 were all Guns ‘n Roses references, and they were suggested by the localizer’s wife. I should also note that all these names were dropped for the most recent X compilations, so Axel the Red is forever lost to time. More’s the pity.
  • Would I play again: Both of ‘em are a solid yes. Mega Man X5 may have made some poor choices, but it’s still a mega game. And X4 is exactly the kind of thing we’re all fighting for.

What’s next? Random ROB has chosen… Cave Story! Oh boy! Caves! Please look forward to it!

Stupid devil