Tag Archives: 3ds

FGC #418 Bloodstained: Curse of the Moon

Blood!Bloodstained: Curse of the Moon is the rare game that is so good, it makes old games better.

Full disclosure: I have a complicated relationship with the early Castlevania titles. To elaborate, I am referring specifically to any Castlevania game that was released prior to Castlevania: Symphony of the Night (which I now realize that, thanks to the unstoppable march of time, is approximately twelve billion years old). But back before Alucard ever earned his first crissaegrim, there was the Belmont clan, and its unyielding pursuit of the death of the undead. And… I kinda didn’t like those Castlevania games? Maybe?

It’s complicated. Castlevania 2: Simon’s Quest was one of my first NES games (and, thus, one of my first videogames, period), and, as anyone that has ever banged their head against Deborah Cliff will tell you, it is a deeply confusing and difficult game. Luckily, I had an older neighbor (he was, like, twelve!) who shared tips and tricks on how to traverse the Wallachian countryside, and Castlevania 2 was less “impossible” and more “inordinately difficult”. I could send Dracula back to his grave! It… just took a password that unlocked all the items (and maybe I still died a thousand times). Oh, and I would totally glitch out that one jump in the graveyard area. What does it matter if Simon drowns? He’ll be better in no time.

Whip it good!But Castlevania 3? Now there was a game. It was another of my precious few “original” Nintendo games, and an air-mailed Christmas gift from my grandparents (who had fled to warmer climes for the holiday season). As a game I could immediately identify as both “advanced” (look at those amazing graphics!) and “clever” (four playable characters! That’s as many as a full gang of Ninja Turtles!), I was fairly convinced I enjoyed Castlevania 3. After all, I played Castlevania 3 so many times, I had all but mastered such advanced techniques as Grant’s wall hugging and Alucard’s surprisingly weak fireblasts. I was a Castlevania master!

And I think I only ever made it to level… four.

Yes, I could plug in “Help Me” and use that password everyone ripped out of Nintendo Power to skip straight to the good Count, but did I ever legitimately beat back Death with my NES Advantage? Never. Did I ever even approach the Doppelganger? Nope. And, as I can very vividly recall, that room with the falling blocks was the absolute end of many a playthrough. If Alucard ran out of hearts to bat his way up that chamber, I was just done. Don’t have time for this nonsense!

Which… was kind of the point. I continued to purchase and/or rent classic Castlevania titles (Bloodlines comes immediately to mind as my most rented Genesis title), and I unequivocally enjoyed that franchise… but it wasn’t Mega Man. It wasn’t Mario. In fact, Mario might have been the biggest reason I could never truly enjoy a Castlevania game. Even if I couldn’t put it into words at the time, I still had some thought in my head regarding that whole “joy of movement” theory. Mario was unmistakably fun to control. Simon Belmont? Not so much. His movements were restricted. He had a terrible jump, limited offensive options, and didn’t gain magical invincibility that killed every zombie in his path even once. And the average lifespan of a Belmont? Not very long when you consider how easily a single decapitated medusa could shove that entire clan into one of a thousand bottomless pits.

In short? It sucked to be a Belmont. And who wants to play a game where you have to suck?

Magic!Unfortunately, in the time since the Castlevania “classic” series reigned supreme, I have become a cranky old man. As such, I rarely have time nowadays for games that I do not immediately enjoy. Many JRPGs have fallen by the wayside simply because I cannot deal with another tutorial dungeon explaining how fire beats ice. Perfectly competent platformers have gone ignored because I bounced off the main character’s art style. And I’m not afraid to admit that I dropped at least one “game of the year” just because the hero’s initial movement speed was “too exhausting”. Suffice to say, I was not exactly expecting to dive into an “old school” Castlevania with the same gusto that a more grilled cheese-based Wee Goggle Bob was once capable of mustering.

But Bloodstained: Curse of the Moon was more than a little surprising.

First of all (he said, 700 or so words in), Bloodstained: CotM is just plain fun. It is aping Castlevania 3 like a monkey mimicking an orangutan, and it hews so closely to the “original”, it’s almost a surprise that Miriam can’t stick to walls. You start with the base, limited protagonist with slow, but functional, movements, move on to someone a little weaker, but with greater agility and range, pick up a squishy wizard with extremely convenient spells, and finally gain some brooding dork that craps fireballs and occasionally morphs into a bat. Unlike Castlevania 3, though, you do have the option of switching between all four combatants at once, which wildly increases the odds you’ll ever bother with that weakling mage. And that also means stages are designed around every possible party combination, and… that’s where things get complicated.

Stairs!It is very likely that, upon playing B:CoTM for the first time, the player will choose to recruit every last ally, and utilize their skills in every possible combination across all levels. Once that task is completed, a new mode will unlock wherein all the extra allies are available from the start, but Zangetsu (the ersatz Belmont and initial playable character) is missing in action. And he’s not missed! It’s pretty clear that Zangetsu is the Zeppo of these Marx brothers, and you’re much better off using literally anyone else. Miriam has mad ups, Alfred can blast any boss, and Gebel can scratch those hard to reach places. Who even invited that Zangetsu nerd in the first place?

This, naturally, will lead a curious player toward trying that initial mode again, but this time, using only Zangetsu. He’s the worst, but that just makes him a “secret” kind of hard mode, right? Not quite…

Zangetsu has two options for a solo outing. On one route, he may choose the bloody path of literally murdering each of his potential allies. And the prize for his sins will be access to new offensive and gymnastic skills. A homicidal Zangetsu can acquire a sweeping slash, high-speed dash, double jump, and a “charge attack” that would put a certain Mega Buster to shame. And then he’s the best character in the game! Without a question! Who even needs friends when you can slash an enormous turtle monster in half! I am become Death!

But then there’s “true” solo mode. Friendly Zangetsu acknowledges that all these wizards crawling around are creeping him out, but doesn’t kill a single one of them. Zangetsu must soldier on with his meager skills, and thus the player must learn to deal with a lame jump and Link’s Adventure-level weapon range. Zangetsu is pathetic, and every challenge becomes actually challenging, even for someone that has already saved this world three times or so.

But you know what? It’s doable.

Not a vampire!Bloodstained: CoTM is built for a full party of moon murderers (I miss just saying “vampire slayers”), including at least one dude that can magically become invincible, and another than can fly literally anywhere. Its stages are also designed for just the guy who can barely jump. In fact, the game is designed equally for both eventualities, and offers a wildly different experience for either choice. And, crucially, this means that the choices the player makes over the course of the adventure are significant. You don’t need a “Miriam will remember that” prompt to tell you something significant has happened when you’re too busy fighting your way over a bottomless pit to notice, and the “penalty” for literally killing a possible helper is immediately revealed in a sudden change of moveset. But, by the same token, these important choices may create a game that is more or less difficult, but never a game that becomes a complete cakewalk or impossibility. Everything here was carefully designed around players playing the game their way, and that allows for an inordinate amount of fun.

And, yeah, that’s something Bloodstained: CoTM learned from Castlevania 3, too. Heck, you could even claim it learned it from the original Castlevania. After all, tell me you’re not playing two different games depending on whether you decide to bring a bottle of holy water to a Frankenstein fight. The “old school” Castlevania titles might not have been as much fun to play as Mega Man, but in their limitations, they created an environment where the player had more choices than any title that involved a tanooki leaf.

Bloodstained: Curse of the Moon taught me that the original Castlevania titles were always more than they seemed, and didn’t need to pull in a single vampire to do it. Mimic a franchise, and somehow make the base franchise better? Pretty good trick, Bloodstained.

FGC #418 Bloodstained: Curse of the Moon

  • System: PC, Nintendo Switch, 3DS, Sony Playstation 4, and Vita. Sorry, this will be the only Bloodstained merchandise appearing on the Vita.
  • Number of players: One is good enough.
  • Pimpin!Favorite Boss: Hey, it turns out all these jerks have names on the official website! Valefor, the giant monster wearing a pimp hat, is my clear winner. He’s made of gold! And tries to kill you with gold! And can occasionally summon monsters made of gold! That’s solid gold, baby!
  • Out of Order: Did anyone else find Bathin, the light speed lizard that haunts the mechanical library, to be easier than literally every previous boss in the game? Its super fast attacks would be impossible without those target reticules, but with giant flashing “don’t stand here” signs all over the place? Not so much.
  • Favorite Character: Good call on making Miriam, the star of the upcoming Bloodstained: Ritual of the Night, arguably the most useful character. Sure, she is lacking in health or very strong attacks, but agility goes a long way in the 2-D world.
  • Favorite Reason 16-Bit Graphics were invented: Nothing interesting about the main characters really comes across with these faux 8-bit sprites, but Gebel really loses something when lo-fi. He’s supposed to be adorned with blood-purple stained glass across his flesh, but here? Here he’s just Alucard.
  • Would I play again? Odds are really good! Maybe I’ll even give that boss-rush a chance! Or maybe I’ll actually keep playing the parts of the game I enjoy! Who knows what the future holds?

What’s next? Random ROB has chosen… Super Alfred Chicken for the Super Nintendo! There we go! There’s that randomness we all love and crave! Please look forward to it!

Choo Choo!

FGC #405 Duck Dynasty

WeeeeeA couple of weeks ago, Random ROB rolled up with Duck Dynasty for the Xbox 360. DD had been a game I purchased some time ago, as it was being sold as a special edition that came with a “free” duck call, bandana, and “bonus” trivia game. And the whole package was ten bucks. However, I had never played the game, and was at a loss as to how to approach the duckest of dynasties. Finally, it occurred to me that, like a fine wine, I should share that uncorking with friends, and, thus it was time to savor the screams of the innocent.

Please enjoy this stream of BEAT, Fanboy Master, Morning Song, muteki, and myself… surviving Duck Dynasty for the Xbox 360.

Notes! With Time Annotations!

0:00 – As all things must, we begin with a dramatic reading of Ozymandias.

4:35 – Our guests for the evening discover, for the first time, what we will be playing for the next two hours. I have never heard so much groaning.

10:00 – Morning Song correctly identifies the fact that Oldest Duck Dynasty has apparently been glued to a cup. Random Blue Cup quickly becomes our favorite character.

16:00 – BEAT shall be credited for coining “Duck Duck Revolution”, as every duck call appears to be a quick time event. So far, it is simply our job to summon ducks, and watch helplessly as they are gunned down en masse.

21:00 – muteki joins the stream as I battle some surprisingly agile bottles. Aiming in Duck Dynasty is as easy as pressing a button, so we basically have a superhero on our hands.

22:30 – BEAT offers a reading of The Ballad of Malone Duck, a story from my childhood. Because Twitter is a capricious beast, here is a transcribed version of the story:

So my dad used to have a neighbor named Malone. Malone was a widow by the time he was living next to my dad, and Malone was also batshit crazy. He once got drunk and lit his lawn ablaze, claiming that it was the best way to maintain the grass. So it goes without saying that Malone was also just an angry, angry man. He was pretty much every stereotype of “stay off my lawn” you’ve ever imagined. So one day, when my dad encountered a duck that was similarly angry, he named the duck, “Malone Duck”.

WeeeeeWe live in an area where ducks are seasonal, and also very territorial. The spot across from my grandmother’s home used to be marshland, and a flock of ducks returned every year. Among those ducks, every year, was Malone Duck. Malone Duck would be a dick to everybody. The rest of the ducks would just be chilling, and Malone Duck would swagger up, and start yelling at everybody. Humans? Cars? Dogs? Malone Duck was not having any of this. So, my dad, clearly a very sane individual, would occasionally yell back at Malone Duck, and, naturally, call him by name. The neighbors must have gotten a kick out of it, because it wasn’t too long before literally everyone in the area was talking about/to Malone Duck.

This was around when my dad was in his 30s, and, also, generally, around when I was born. Part of the reason my dad was yelling at Malone Duck was because he had a kid randomly sleeping at his grandma’s, and, come on, duck, that baby wants to get some sleep.

A few years later, I was maybe 4? 5? How old do you have to be to be playing in front of your grandma’s house fairly unattended? Somewhere in there. I’m a pretty young kid, and naturally, fascinated by these ducks across the street. So my grandmother, who was a very nice old lady who generally ignored everyone around her, decided to accompany me across the street to feed the ducks. This could have been something from a Rockwell painting. … Could have been… But, also given the vibe of this story, this could be the explanation of why I have only nine fingers. No, it wasn’t that bad, because some neighbors noticed the old lady and small child across the street, and dashed out shouting, “No! Don’t go over there! Malone is out!” My grandmother had completely missed my father’s long running feud with a duck, and assumed the crazy neighbor from years ago was out there, maybe burning the lawn again, and her panic response kicked in, so she decided to “calmly” escort her grandson back home. Unfortunately, this enraged Malone Duck, who decided it was time to clean house. If you can picture a grandmother who hadn’t run in thirty years and her very confused So much camograndson attempting to outpace a deranged duck, you have the right of the situation. But, thank God, Malone Duck did not understand doors, and he waddled back to his home.

Later, my parents came to pick me up from gramma’s, and my grandmother relayed the basics of our afternoon adventure. My father’s response was simple: “Oh. You met Malone? That duck is a jerk.”

So that’s why I don’t trust waterfowl.

33:15 – We all take a moment to acknowledge the terrible, terrible models on display in this game.

42:00 – The virtues of Morning Song’s dad’s abacus are discussed while I am forced to repel squirrels. Also, Fanboy Master makes mention of the official explanation for Final Fantasy 8’s SeeD acronym. It’s exactly as crazy as he describes.

ELEGANT MAN

49:30 – And here’s about where I’m forced to commit beaver genocide. I have no idea what the Duck Dynasties have against beavers, but shooting a swarm of good boys leads to the most tension this game could ever produce. Also, Morning Song speaks bird, which is pretty cool.

55:40 – I can walk on water. That seems pretty handy!

1:00:00 – Who doesn’t like fishing minigames? Aside from everyone ever? Commentator extraordinaire, Metal Man Master, mentions that apparently our player avatar is a real person in the Duck Dynasty canon. Who knew?

1:10:00 – Other terrible games are discussed, and I start shoving the Ducky Dynasties around with a car. I am downright amazed the programmers didn’t account for the player attempting to flatten these guys, as it is literally all I could think about an hour into this adventure.

Weeeee1:17:00 – And it took this long to get back to duck hunting, ostensibly the point of Duck Dynasty. Or maybe it isn’t? I’m not going to do any research on this. However, FBM does mention Duck Amuck for Nintendo DS by Wayforward, and I want to investigate that further.

1:27:00 – The return of the King (Cup)!

1:38:00 – If we hadn’t been completely ignoring the “story” of Duck Dynasty story mode, we might know more, but, lost on Duck Dynasty Property, the goals of our poor, beardless hero are discussed. Maybe he’s an Eagle Scout? Who hates beavers?

1:47:00 – This video would be longer, but we’re all pretty much dead already. Guess we’ll never know if more squirrels need to be assassinated.

1:49:00 – As we near the finale (which is just me turning it off), we discuss Cromartie High School, one of the best, funniest animes available. The joke I was trying desperately to remember was, “Milk is the main ingredient in yogurt, true or false?”

And that’s a Duck Dynasty, folks! Thanks again to everything that participated, and to viewers like you! Or something!

FGC #405 Duck Dynasty

  • System: Xbox 360 for the stream, but it was also apparently available for Xbox One, PC, Playstation 3, and Playstation 4. There’s also a 3DS version, and I really want to see more of that.
  • Number of players: The box says it is two players, but I saw no real evidence of that. Story mode certainly isn’t two players! And I’m not subjecting another friend to such a thing!
  • More gameplay: Since I’m looking at the box anyway, apparently we squandered another avenue of adventure. “Sneak around the warehouse to trick Willie” is a bullet point that was apparently meant to sell this game, so sorry I missed that.
  • Hate youUncensored: It was mentioned on the stream that the rivers could not run red with the blood of fallen beavers because that would warrant a more intense ESRB rating, but the game is apparently rated T for Teen. This sounds like a duck conspiracy.
  • Favorite Duck Dynasty: It’s the cup. Duck Cup o’ Skittles.
  • Did you know? Apparently the whole “we hate beavers” thing is a running gag on the actual Duck Dynasty show. In one hilarious episode, one Ducky Dynasty leaves a dead beaver in the sink of another Duck Dynasty. I can’t imagine why I never watched this show!
  • Would I play again: Honestly, this game wasn’t as terrible as I had expected. It was still pretty bad, and I don’t want to play it ever again. But at least it was an interesting and playable kind of terrible. One star out of five, but that isn’t zero!

What’s next? Random ROB has chosen… Beyond the Beyond for the Playstation.

Fuck.

FGC #404 The Legend of Zelda: Majora’s Mask

Let’s talk about limits, phobias, and easy mode.

Limits are important. The old yarn about videogames is that, thanks to the virtual unreality of the digital world, you can do anything in a videogame. And anyone that has actually played a videogame knows that that is bull hockey. Super Mario Bros. is an amazing game, but can you do anything in the Mushroom Kingdom? Heck no. Mario might be able to jump higher than any basketball star, but he still has a limit, and cannot, say, jump straight to the goal flag right from his first bound. Mario is very limited in his movements, but, if you notice the world around him, you will see that his entire universe was designed exclusively for these limits. There is no jump that Mario needs to make that he cannot clear. There is no villain that he must destroy that does not have a weakness. And, since Mario is limited to only running and jumping (and not, say, negotiating with wandering turtle hordes), there is no problem that cannot be solved with that moveset. Mario is limited. Videogames are limited; but that is why they are “games”. A game with no limits and no rules is just a playset, and, given the dismal sales of Endless Ocean, games are exactly what gamers want.

But the best videogame limits are the ones that are completely invisible. Mario isn’t limited by his jumps, he’s super! You can do anything in Grand Theft Auto… except maybe go inside a building. The latest WRPG has incredible freedom and insane realism, though maybe your hero can’t hop over a waist-high fence. But all of these limits are there for a reason, because without them, there would be no game at all (or, in some of the “open world” cases, because otherwise the title require three decades to actually be released). Limits are what make videogames fun, and if they weren’t there, it would be bedlam every time C.J. jumped all the way to a moon nobody ever got around to modeling.

Unfortunately, not all limits can be invisible.

CreepyLink is one of your more limited heroes in your typical Legend of Zelda title (though maybe not in at least one recent entry). He can’t jump (except when absolutely necessary). His traditional offensive options are generally sparse (the sword is a mainstay, but have you ever really tried to take out a Helmasaur with bombs or hammers? They both suck). And, even when Hyrule has been expanded to Switchian levels of size, it’s still a fairly narrow chunk of geography. Mario often vacations in the far off corners of the galaxy, but the best Link can hope for is a quick jaunt to a flying whale’s dreamscape. Or, like in this entry, a visit to Hyrule’s next kingdom over, Termina, where a crash landing moon is going to abolish all life in the immediate area. And all Link can do, as ever, is run around like a cucco and hope that talking to everybody saves the day. Oh, and there’s a time limit now, too. It’s there, and you’re reminded of it every few moments. Actually, that time limit is integral to the entire experience, so you’re more likely to be reminded of it every second.

And, like so many limits in videogames, this is technically a good thing. For possibly the first time in a Zelda title, there is some genuine suspense. The end of the world is coming, and if you don’t do anything, you’re going to be toast in 5… 4… 3… 2… 1. That moon is always there, looming, stalking your every move. You have to complete this dungeon in a timely manner, or everyone is going to die. If you don’t rescue that monkey, if you don’t find the right route through the canyon, if you don’t listen to goddamn Tingle, that moon is going to come crashing down, and it’s over, “Hero of Time”. Or maybe you choose to believe that there is no danger. Maybe you aren’t saving the world from a horror-moon, and you’re working hard because you want to see how much you can complete in a “cycle”. After all, the real world isn’t in jeopardy, and a dead Link doesn’t really mean anything. It’s all about getting what you can get done in your time limit, and, if you have to reset the three day cycle all over again, that’s just the price of “wasting” time. You lose some progress, and that sucks, but it happens.

And that’s the scariest idea of all.

Going for a dipI genuinely believe videogames are art. I also genuinely believe videogames are wastes of time. But in the most literal sense! Videogames are amazing and fun, but the chief way a videogame will punish a player is through wasting time. What is the number one result of “losing a life” in practically any game? It’s a loss of time through having to repeat a section. In other cases, you may instantly respawn, but you also work up to a “continue”, and the threat is that you are one step closer to losing progress. Dying, but with extra steps. Some RPGs have adopted the method of letting you keep your story progress, but you lose gold, equipment, or experience… so you’ve just lost a different kind of progress. And what’s worse? Losing a life and having to respawn somewhere “further back”, or a game where your “life” is captured, and you have to search all over the place to rediscover your lost comrade? That might be up to personal preference, as the end result is the same in both cases: lost time. You could have beaten the final boss by now if you didn’t waste so much time on all those deaths, right? Heard it all before…

So, suffice it to say, by Majora’s Mask’s release in 2000, after a solid decade of gaming like a maniac, the idea of “death = lost time” was already drilled straight into my noggin. Losing time was the enemy, and a game where the hook was that time was constantly against you, and not knowing what you were doing at all times could lead to more lost time… The concept scared me. Hell, I was downright frightened by the idea that I could fill my wallet with rupees, gain every last magical item, and then lose it all because I dawdled too long in a swamp shooting gallery. It didn’t help that this was also the second 3-D Zelda, and the concept of proper camera control was still in its infancy. I’m supposed to find five random kids around town? In only three days? How am I supposed to pull that off when I can barely see around corners? I was never good at finding random skulltulas, so I was already pretty screwed if this game expected me to find hidden children and masks within a time limit. I knew my skills, I knew my limits, and I knew that there was no way I could have ever saved Termina back in 2000. I had so little time as it was, I wasn’t going to waste it on a game that was built around wasting even more time.

So thank Miyamoto for The Legend of Zelda: Majora’s Mask 3D.

Poor LinkIn a lot of ways, Majora’s Mask 3D is an entirely different game. The all-important bosses have been dramatically altered, swimming is an entirely different ball of beavers, and, most importantly, a “save anywhere” feature has been added. This is a game changer, literally, as it means that the game’s saves are no longer tied to losing all progress within a cycle. One of those “frightening” features from the original release has just flown straight out the window. Even better, the presence of constant saving means that some of the more… fiendish minigames can now be savescummed. Not saying I’m a cheater (okay, I absolutely am), but knowing that I won’t lose all my progress to a damn deku scrub minigame goes a long way to putting my mind at ease. And those dungeons lose their bite when a puzzle can be solved over the course of a half hour, and then “reset” so the game only thinks Link only spent thirty seconds on that block pushing. Avoiding lost progress is easy!

And that’s just it: The Legend of Zelda: Majora’s Mask 3D is Majora’s Mask Easy Mode.

And… I think that’s the only way I want to play the game.

Beat itI never completed Majora’s Mask on the N64. In fact, I only really got into playing it at all on the Gamecube Zelda compilation, and, even then, I barely cleared the first palace. It was just too stressful, and that looming threat of losing progress, that unflinching limit, scared me off. I could contentedly sail the seas with Pirate Link, or I could suffer under the gaze of an ever-judging moon. That was no choice at all! But the 3DS version was different, because I could go at my own pace, and I didn’t have to live in fear of an oppressive limit on my play time. I suppose the limit was always there, as that moon certainly hadn’t gone away, but it was so much less oppressive. And “less oppressive” always translates to “more fun”. It may have been easy mode, but without that easy mode, I never would have experienced this entertaining, quirky Zelda title.

So what’s the moral of this experience? It’s not that limits are inherently bad, and it’s certainly not that you should live in fear of arbitrary challenges. No, I suppose our moral today is that sometimes the best way to enjoy a game is suck it up, admit you’re a weenie, and go ahead and play it on easy mode. Don’t limit your experiences by arbitrary skill echelons, and just have fun the way you want to have fun.

You’re allowed to be afraid, but don’t be afraid of easy mode.

FGC #404 The Legend of Zelda: Majora’s Mask

  • System: N64 (but only with an expansion pack), and then again on every Nintendo console since. Well, not Switch, but give it a hot minute, I’m sure it will get there. The latest version (with vast improvements) is available on the 3DS.
  • Number of players: This ain’t Mask of Four Swords, buddy.
  • Other Majora Issues: I also may have avoided playing Majora’s Mask initially because it is creepy as all get out. It’s not even that Resident Evil kind of deliberate creepy. It’s more like everything is just… wrong, and Link is trying to save a world that shouldn’t even be in the first place. And I’m still fairly convinced that this all happened because that’s a natural reaction to looking at Ocarina of Time character models.
  • These guysFavorite Character: Everybody wants to talk about Anju and That Kid, but the greatest, saddest love story in Majora’s Mask is the tale of Mikau and Lulu, the Zora lovers. No matter how much Link can control time, Mikau is always going to wind up seagull bait, and Lulu is always going to be stuck talking to a young boy that is wearing her lover’s death mask as a magical prop. Man, this is a weird game.
  • Favorite Mask: There are so many options! Fierce Deity and Lovers are great choices because they’re so insanely difficult to obtain, but that would ignore all the great dumb ones, like blow-yourself-up-all-the-time mask. And the bunny hood was so good, it infiltrated other games! But my pick goes to the Stone Mask, because the idea that it makes Link so plain, he is virtually invisible is fun and biting social satire. It’s perfect!
  • Did you know? This was the first place we had a Tingle breakout. It was mostly contained to balloons and map making, and the little bastard wasn’t too much of a drain on resources, but it seems the infection was destined to grow in later years. As of this writing, he has been mostly relegated to spin-offs, but vigilance is always necessary.
  • Would I play again: The 3DS version? Yes, absolutely. The original N64 title? No, I don’t think that’s going to happen.

What’s next? Random ROB has chosen… to air the Duck Dynasty for Xbox 360 stream from last Friday night! If you missed it live, it’s new to you! Please look forward to it!

What is even happening!?

FGC #396 Centipede: Infestation

GrossCentipede: Infestation is a 2011 Wayforward/Atari jaunt that sees heroic Max attempting to destroy legions of giant, irradiated bugs. It is, basically, a twin stick shooter on two different systems that don’t really have twin sticks. The 3DS version utilizes the crosspad and the traditional ABXY buttons, while the Wii employs some manner of sorcery and requires the player to point the wiimote in their desired aiming direction. And that’s lame, so just use the classic controller. Beyond the control scheme, Centipede: Infestation is basically just a shoot ‘em up with a familiar, ancient license attached. Thanks for playing, please look forward to Dig Dug: Earthquake.

But Centipede: Infestation does have the faintest glimmer of a plot, and it goes something like “sure, bugs are gigantic, deadly nuisances, but are they really the enemy?” We should love nature! And are insects the enemy for the minor crime of creeping across the kitchen counter? That doesn’t seem right! So let’s look at a few of the little buggers.

We’re going to look at real live bugs now, so you’ve been warned…