Wild Arms 2 Part 34: You’re Never Too Old to Find Yourself (and Treasure)

Previously on Wild Arms 2: Tim and Lilka conquered their elemental dungeons, and we checked a few global sidequests off the list. Now it’s time to do that some more!

We are hitting the Promised Catacombs, an entirely optional area that can only be discovered by having vampire Marivel read a book hiding in the first town in the game. Suffice to say, a lot of people probably miss that one.

And you absolutely need to have completed Raypoint Wing… or at least dove into that dungeon far enough to claim Tim’s Mist Cloak.

Marivel, as an optional character, doesn’t get her own Raypoint dungeon, but this one seems to hold the same significance for her. Get ready to give this vampire’s tools a workout!

And maybe get some cardio on a whole lot of stairs…

FGC #427 Yume Penguin Monogatari

PENGUIN!In a world where Spider-Man isn’t popular enough to merit game preservation, what hope does an overweight penguin have?

Yume Penguin Monogatari is a supremely unusual game. Hailing from a time well before videogamin’ had codified itself into anything that made sense (you know, back when your next mascot creature could be an electric rat that hides in the forest), Yume Penguin Monogatari is the story of… a penguin. And that penguin has a girlfriend. But! Our hero penguin, Penta, has gotten fat. And previously mentioned penguin girlfriend, Penko, is not having it. So Penko dumps tubby Penta, and leaves him for Ginji, a nefarious penguin in a top hat and shades. Now Penta is setting out on a quest to lose some weight and reclaim the heart of Penko, but Ginji is on to Penta’s plans, and schemes to recruit an army of ridiculous creatures that all aim to fatten Penta back into obesity. So Penta has to find his way through six or so levels, and hopefully maintain a slim figure while battling monsters like a sentient/delicious birthday cake. It’s a hard life for an overweight penguin!

But, depending on how badly you want to see Penta achieve his chubby penguin dreams, it might not be a hard life for the player. Yume Penguin Monogatari features fairly unique gameplay for a NES (well, technically, Famicom) title: Penta cannot die. Get hit by every enemy across any given stage, and Penta will still survive. In a time when a mere life bar was a godsend, Penta is practically invincible compared to his dramatically more fragile 8-bit brethren. But, make no mistake, Penta is not going to experience a cakewalk (wait… dietwalk?) on his quest to cut out calories. Every stage features a generally unforgiving Here we go!timer, and, should the hourglass run out for Penta, it’s time to repeat the stage from the start. Additionally, every stage has a “diet goal”, and if Penta manages to beat the boss, but still looks terrible in a speedo, it’s back to the beginning. Considering every boss tosses out copious amounts of edibles, and Penta is an accomplished glutton, there is a very real possibility Penta will be forced to restart a stage due to excess flab. Said it before, say it again: it’s a hard life for an overweight penguin.

But, hard life or no, you’ll probably see the whole stage. Which is more than I can say for so many NES games…

Yume Penguin Monogatari is a Konami title. For Konami, much of the NES/SNES era was the epoch of the shoot ‘em up. Whether it was lil’ ships battling big cores, or lil’ dudes gunning down gigantic hearts, Konami had a number of titles available for satisfying your inalienable right to run around and shoot aliens. But the downside of nearly all of those titles? One hit kills. Assuming you don’t forsake your missiles and laserbeams for a shield immediately, the Vic Viper is going to fall to the forces of Bacterion after the slightest tap from a… one of those roundy things at the start of a stage. They probably have a name. Or Contra! The greatest game of all time that absolutely required a cheat code or you were never going to make it to the third level! Bill and Lance might be heroes of an alien invasion, but they’re just as vulnerable to bullets as weird dudes with backpacks. Basically, back in the day of 8-bit heroes, if you saw the final stage of a game (or even the boss of approximately the fourth level), it meant that you had a nigh-superhuman level of reflexes, or the ability to memorize a level like nobody’s business. I don’t care if Nintendo Power was helping you out with maps, you still had to have some major skills to make it to the end without that precious Konami Code.

CAKE BOSSAnd Yume Penguin Monogatari feels like it may be an answer to all those crying Nintendo kids. Yes, thanks to the timer and weight requirements, it may be impossible for some people to beat even the first level, left alone finish the entire game; but will everyone be able to see the majority of level 1? It’s pretty likely! Penta merely “trips” or inflates to bulbous size when attacked by an enemy, and is not immediately obliterated like so many Gradius defenders. And that’s great! The worst part of any of those one-hit kill games (or games that require a continue after rapidly vanishing “lives”) is that it was nearly impossible to be prepared for the end of a level. People expect increasing difficulty, so it’s only natural that the end of the stage would be the most challenging section. But if you spent all your lives on the initial, “easy” bits (because you’re, ya know, an eight year old just trying to have fun), then the finale is simply going to be a swift kick in the teeth before getting booted back to the beginning. In Yume Penguin Monogatari, however, you actually have a chance. Yes, Penta might be waddling along at maximum fat levels, and it might be abundantly clear that he’s going to get his tubby tail feathers dumped at the end of the stage, but at least you get to see what’s at the end of the stage. At least you get to play the actual game, as opposed to simply being annihilated at the starting gate. At least you can learn from your mistakes, and not be completely blindsided/destroyed by some manner of pig-zeppelin at the end of the level.

FLAP FLAPAnd, thankfully, this helps the player learn how to play the game. There may be traps and pitfalls all over the level, but with the ability to play the whole level, a player is going to get better and better with every run. All effort won’t be expended immediately just in an effort to conquer the start, and practice can make perfect across the entire breadth of a stage. In short, in one silly “fat penguin” game, Konami cracked the “difficulty appropriate for everyone” nut in 1991.

And then no one in America ever got to play the game, because it was never localized.

And, likely because it had the global appeal of… well… an overweight penguin, Yume Penguin Monogatari only ever saw rerelease in 2006, on the i-Revo… and I have no idea what that is. Some kind of smart phone? Smart TV? Smart penguin? No matter. Point is that this penguin adventure isn’t something that can legally be played in any country where there is currently an ongoing debate on the nature of videogame difficulty.

Yume Penguin Monogatari is an excellent, fun, weird game with some interesting twists on videogame difficulty…

And it’s lost forever.

FGC #427 Yume Penguin Monogatari

  • System: NES… or Nintendo Famicom. And, as previously mentioned, whatever the hell an “i-Revo” is.
  • Number of players: Oh lawd, one penguin comin’.
  • Everything you know is wrong: Considering the goal of many videogames (and nearly all NES games) is to consume as many food items as possible, it is really weird playing any game where you must avoid, say, succulent apples and enchanting rice cakes. The fact that apples are anything but a diet item pretty much goes against everything I have ever learned.
  • WeeeeeeLet’s talk about fat, baby: One could make the argument that this game is anti-fat, and ultimately body-shaming. And it is! On the other hand, being fat doesn’t kill Penta, it simply is the reason his girlfriend is going to leave him for another, slimmer penguin. So think of the moral less that “fat is bad” and more “some penguins are superficial, and will make you pilot magical planes to satisfy their own twisted desires”.
  • An end: Oh, and after defeating the final boss (it’s the bad alterna-boyfriend, natch), the ending is a now slim Penta hanging with the pleased Penko. But now Penko has developed an eating disorder, and she bulks up to gargantuan size. Ha ha! You two silly penguins are bad for each other!
  • Did you know? Pentarou, the penguin of Parodius titles, is supposedly Penta’s son. So I guess it is canon that Penta and Penko shake their collective penguin booty after the finale.
  • Would I play again: This is a great game! It would probably be right up there with Kirby’s Adventure and other late, great NES titles if, ya know, there was a legit way to play it.

What’s next? In the name of the moon, I will write about another forgotten videogame. Please look forward to it!

GET IT!?

FGC #426 Spider-Man: The Video Game

Spidey!Spider-Man: The Video Game is important precisely because it is forgettable.

Spider-Man: The Video Game is an arcade title that never made its way to consoles. It’s part beat ‘em up, part 2-D platformer, and all general Sega lunacy. Released a year after Spider-Man vs. the Kingpin, this title sees Spider-Man gain a few amazing friends, fight almost the exact same roster of villains, and eventually save the day/planet through the very Spider-Man solution of “punch everything ever”. Webs are used exclusively as concussive projectiles, a swinging kick is the most Spidey-esque move available, and I’m pretty sure ol’ Webhead kills Dr. Curt Connors. Twice. It’s a Spider-Man game, but it’s so loosely a Spider-Man product, it may as well be a malfunctioning Malibu Stacy doll.

But, hey, it was a fun time for 1992.

Spider-Man: The Video Game is not Final Fight. In fact, SM:TVG was released a solid three years after Final Fight and Teenage Mutant Ninja Turtles (the arcade game). We had also seen Streets of Rage a year prior. The Simpsons (the arcade game) was released a year earlier, too. X-Men (the arcade game) was released the same year. In short, SM:TVG was not only already one of many Spider-Man videogames, but it was also yet another beat ‘em up in an already crowded beat ‘em up market. What did it do to set itself apart from the pack? Well, unfortunately, not much: Once a level, the perspective changes to a 2-D plane, and features almost Contra-esque run ‘n shoot action. Unfortunately, this was at a time when 2-D was starting to become passé, so lil’ dorky dudes shooting grappling hooks at a ridiculously scaled Venom sprite wasn’t going to impress anyone when Blanka’s screams were already beckoning from elsewhere in the arcade. So, yes, when a beat ‘em up needed every advantage it could find to be the next Double Dragon and not a Double Dragon 3, SM:TVG decided to go in possibly the worst direction. At least it didn’t include a boss on the second level that is virtually impossible due to a severe lack of available aerial attacks…

GOBLIN!

Oh. Oh dang.

But wait! Spider-Man: The Video Game is still fun! It’s a lot of fun! Or… at least I remember it being a fun. Maybe I just need to play it again? Sure! That sounds like a great idea! I’ll just pop it right in my…

Oh, right. SM:TVG was only available in arcades, and it sure as heck isn’t in any arcades anymore… Assuming you can find an arcade at all… This is going to get difficult.

But it does bring us to a prime reason videogame preservation is important: Videogame popularity is wildly capricious and ephemeral.

Get 'emThe beat ‘em up genre featured some of the biggest names of the time. Many people were first exposed to The X-Men not through a comic book, but through an arcade game (and we’re still trying to figure out why Dazzler isn’t more popular…). Mike Haggar was just a mayor who rarely wore a shirt, but the humble beat ‘em up made him a mainstay of gaming for generations. And the Teenage Mutant Ninja Turtles? The Simpsons? They were already everywhere, so it made sense they’d be gobbling up your quarters, too. When the beat ‘em up genre ruled the arcade, it well and truly owned gaming itself, and the consoles of the time were desperate to catch up to their coin-op brethren. It was cool to be a beat ‘em up, and everything that was cool wound up walking left-to-right and pummeling every random punk in their path.

But popularity ebbs and flows. Teenage Mutant Ninja Turtles and The Simpsons are still a “thing” (The Simpsons is currently entering its ∞th season), but they’re nowhere near the popularity they experienced in the late 80’s/early 90’s. In the meanwhile, The X-Men became the hottest super-hero franchise on the silver screen… and then fell to the wayside the minute that Spider-Man conquered the multiplex. And now Spider-Man is riding high again, but is nowhere near the popularity of some of his contemporaries in The Avengers. Oh Lord! Hawk Guy might be the most popular character in Spider-Man: The Video Game! What horrible future has our misdeeds wrought!?

THWANGAnd if you’re saying that Spider-Man: The Video Game (featuring Clint Barton) would do well today because of the popularity of its attached property: congratulations! You’re right! And if we had The Avengers palling around on the big screen back in 1992, then this mediocre beat ‘em up would likely be just as popular as the likes of Teenage Mutant Ninja Turtles or The Simpsons. And that would carry it forward to the future: some company (I guess Disney Interactive? Or… Capcom? Nintendo is publishing Marvel Ultimate Alliance 3? Maybe them?) would find it profitable enough to hit Sega up for its old code, and we’d see this arcade title ported to a virtual console or two. Or maybe it would have already happened, and we’d be able to buy it on Xbox Live because it was a promotion for Spider-Man: That One Where The Lizard Looks Like a Ninja Turtle. Or maybe it would have been enough of an arcade hit that it got ported to the Sega Genesis. Or Sega Saturn. Or Sega Dreamcast. Or Game Gear? I’m really not picky.

But, in its moment, Spider-Man wasn’t all that popular. We were still two years away from the massive popularity of the Spider-Man animated series, and the Spidey fans of Spider-Man and his Amazing Friends were a decade past caring about videogames. Tobey Maguire may as well have been an eternity from popularizing battling a Green Goblin or two. While it seems hard to believe in the age of Avengers Endgame, there was a time when Spider-Man was just some random comic book character, and his masked mug was never going to grab more quarters than Michelangelo traveling through time.

And so history forgot Spider-Man: The Video Game. It is now impossible to play a videogame featuring Spider-Man and Hawkeye battling The Kingpin and Doctor Doom. There may be other similar experiences out there, but this one is lost forever. And all because Spider-Man wasn’t the hottest property available that month, but still a popular enough franchise to require licensing. It’s gone forever simply because of a quirk of timing.

This seems dangerousSpider-Man: The Video Game isn’t the best Spider-Man game out there. It didn’t define the genre, it didn’t show us all what it meant to be Spider-Man, and it suffered from the unfortunate handicap of including Namor. But it was a fun game, and future generations deserve an opportunity to play it.

Videogame preservation is important not only for the best and most unique games, but also the unexceptional titles. It might not be the most exciting game in the world, but what kid doesn’t want to play a Spider-Man game?

FGC #426 Spider-Man: The Video Game

  • System: Arcade exclusively. That’s the problem!
  • Number of players: Four! And it was one of those arcade cabinets where you’re not tied to a character according to which joystick you grab, so us lefties aren’t stuck with Leonardo just because we wanted some elbow room.
  • Favorite Character: I very much want to say that Black Cat is my favorite character, as she is one of my favorite, overlooked Marvel heroines… but she kind of sucks in this game. A grappling hook swing special attack? Lame. But Namor, who can shoot friggen lightning bolts from his hands and toss random baddies far into the air? That’s the stuff. Imperious Rex, baby!
  • Other Influences: Namor walking around nearly naked with the abs of Hercules? His sprite reminds me of another Sega title.
  • Battle!The Spider that Walks like a Man: Spider-Man is an interesting character to animate, because his comic origins don’t really grant him an animated “walk”, but given his speed and super-powers, you could go in a lot of different directions with how a man blessed by a radioactive Spider God might wander around the place. Somehow, this led to Spider-Man of this title possessing a walking animation that makes Peter Parker appear to be… bored. And kind of slouchy? Look, what’s important is that Spider-Man really needs to visit a chiropractor.
  • So Close: Black Cat’s catchphrase for the game seems to be, “Jackpot!” You might have been thinking of a different lady in Spider-Man’s life, Sega…
  • Last known photo: I last saw this arcade cabinet at a festival in 2012. That is a lot more recent than I would expect, but I assume it was just a matter of some random carnival barker getting a deal on a game with a recognizable name. And one of the joysticks didn’t work. Lame.
  • Did you know? Scorpion and Venom appear as a sort of tandem boss in the first level. In the comics, years later, Mac Gargan (aka Scorpion) would eventually obtain the Venom symbiote as part of the Dark Reign event. Also: I am a gigantic nerd.
  • Would I play again: This is a fun beat ‘em up, and the 2-D sections are an excellent change of pace from the usual beat ‘em up “same three guys” gameplay. It’s just a shame I technically can’t play the game anymore…

What’s next? Spider-Man is always popular, but what happens when a game is released in one region, and then never leaves because its hero is… a penguin? With a weight problem? Our next lost forever title is Yume Penguin Monogatari. Please look forward to it!

So iconic

FGC #425 Kingdom Hearts 3

KingDUMB FARTS IIISo it’s time to talk about Disney, Kingdom Hearts 3, Google, and whether or not I am afraid for my very existence.

By my reckoning, Kingdom Hearts 3 is the first “pure” Kingdom Hearts title since Kingdom Hearts 1. No, I’m not talking about how the cast of Kingdom Hearts 3 is as white as freshly Frozen snow; what I am referring to is that the “worlds” of Kingdom Hearts 3 are, for the first time since the original Kingdom Hearts, entirely dictated by the directors of the title. Okay, yes, that was technically always true, but there were mitigating factors in other titles. Kingdom Hearts 2 clearly reused a number of Kingdom Hearts 1 worlds/models/actors to save on production time. Chain of Memories, 358/2 Days, and (Re)Coded all remixed worlds from 1 and 2 for plot purposes. Birth by Sleep featured Disney worlds that were either really old classic films (like Cinderella), or “prequel” situations (like a Lilo & Stitch world before Stitch finds Lilo). And Dream Drop Distance may have once had a chance, but its world choices (Hunchback of Notre Dame, Tron, Fantasia, Three Mouseketeers, Pinocchio) felt like a series of vignettes someone (likely Nomura) just wanted to see “done” before the franchise wrapped up in “real” Kingdom Hearts 3 (dude has been trying to get Chernabog to fit in somewhere for decades). So, with literally every other title out of the running, it is pretty safe to say Kingdom Hearts 3 is the first Kingdom Hearts title in quite a few years that wasn’t dictated by an overwhelming need for everyone to pal around with Aladdin for the fortieth time.

This creates an interesting math opportunity (a nerd’s favorite opportunity!): what is the median age of our featured Disney franchises?

HERCULES!For Kingdom Hearts 1, we have…

Pinocchio (1940)
Alice in Wonderland (1951)
Peter Pan (1953)
The Little Mermaid (1989)
Aladdin (1992)
The Nightmare before Christmas (1993)
Disney’s Hercules (1997)
Disney’s Tarzan (1999)

And, for the sake of completion, let’s note that Kingdom Hearts 1’s earliest release was March of 2002 (America saw it by September).

Look around!Kingdom Hearts 3 is a little different…

Toy Story (1995)
Disney’s Hercules (1997)
Monsters Inc. (2001)
Pirates of the Caribbean (2003)
Tangled (2010)
Frozen (2013)
Big Hero Six (2014)

And Kingdom Hearts 3 itself was released in January of 2019.

Now let’s crunch some sweet, sweet numbers! Kingdom Hearts 1 seems to contain three worlds based on “classic” properties, and the rest are for 90’s kids. If we include all of the worlds, the average world/franchise was 25 years old as of the release of its featured game. If we eliminate the “classic” titles, though, the average world is 8 years old as of Kingdom Hearts’ release. The reason I note this is that we have stupid monkey brains, and, for most people reading this article, The Little Mermaid feels like it was released a hundred billion years ago, and maybe being reminded it was slightly more current when we first saw Kingdom Hearts (1) is important. Also worth noting, the absolute oldest franchise involved is 62 years back, but of the “current” crop, it’s only 13 years. The newest title involved is only 3 years old.

Pirates!Applying the same calculations to Kingdom Hearts 3, we see an average age of 14 years for every franchise involved. Dropping the classic worlds (anything over fifteen years old… and man, it hurts me to refer to Disney’s Hercules as “classic”), we see an average age of (rounding up from 6.66) 7 years. That is very close to Kingdom Hearts 1’s average of 8. And the preceding average makes more sense with its oldest game being only 24 years old (Toy Story a bit more contemporary than Pinocchio), and our most recent movie is 5 years old.

What does it all mean? Well, allowing for outliers, on average, the worlds of Kingdom Hearts 1 and Kingdom Hearts 3 cover roughly the same time frame of movies relative to their release. Or, put in SAT form, The Nightmare Before Christmas : Kingdom Hearts 1 :: Tangled : Kingdom Hearts 3. On average, both Kingdom Hearts and Kingdom Hearts 3 feature roughly the same range of refugees from the Disney Vault.

And what does that mean? It means Kingdom Hearts 3 isn’t for me.

FLARE!Kingdom Hearts 1 spoke to my childhood. Kingdom Hearts hit a college-age Goggle Bob, and said, “Hey, remember when you were six and had a crush on Ariel? Remember when you wanted to be Aladdin? Remember when Tim Burton inspired your decade long mall-goth phase? Remember going on one of your first dates to Tarzan? And how you probably would have gone on more dates at that point in your life, but you still were stuck in that mall-goth phase? ‘Member?” Kingdom Hearts was an amazing game on its own, but its Disney Cast was summoned almost precisely to satisfy my own childhood nostalgia. And, given I was just the right age where I would start fondly remembering childish things (as opposed to being the cranky teen that totally wasn’t into that cartoon crap, mom), Kingdom Hearts hit the serotonin sectors of my brain faster and harder than any kid with a keyblade and a turbo x-button ever could.

Kingdom Hearts 3? Not so much. I did not gape in amazement when Elsa bust into Let it Go. I did not feel any excitement when Baymax flew onto the scene. And I certainly didn’t give a damn when Rapunzel tromped around the forest carrying an impossible amount of hair. I saw all of these movies. I liked all of these movies. But did I feel anywhere near the same level of joy at seeing these characters now realized in current-gen Playstation graphics and palling around with me, the smart and handsome player? No. It was another level. I may have been interested in what was going to happen next, but it was less “Oh boy! It’s Oogie Boogie!” and more “Oh, I bet we’re not going to get the tavern song, because, while that was enjoyable, it is not essential to the overall plot or the broader themes of Kingdom Hearts 3.” The featured movies of Kingdom Hearts 3 are merely pleasant, they are not my singular, can-never-be-replaced childhood.

And that’s fine! Not everything in the world needs to appeal to me or my generation! It’s good that Kingdom Hearts as a franchise is moving forward, and we don’t have to rehash why Jafar is back for the third time. It’s good that a whole new generation gets to see their heroes and villains up on the Square-Enix stage. This is, ultimately, a good thing.

But it’s not a good thing that the other half of the Kingdom Hearts equation got kicked to the curb.

Yes, I’m talking about this dork.

Leon!

Kingdom Hearts hit all the right beats to make me revel in the joys of my childhood. While I would have never admitted it at the time, it also hit the “childhood nostalgia” I had for a mere handful of years prior: the golden age of the Playstation JRPG. Final Fantasy 7 and Final Fantasy 8 were as much my teenage years as The Little Mermaid or Aladdin defined the years prior. So when Squall, Cloud, and even wee Tidus popped out of the post-ending void of their respective titles and back into even a cameo-based role, I was elated. All my old friends were back! Bring it in, guys! I’d even put up with a horribly-mangled reinterpretation of Setzer Gabbiani if it meant I got to see any luminaries from my beloved Final Fantasy 6 cast again. And this carried through to the interesting bits of The World Ends with You in Kingdom Hearts: Dream Drop Distance, too. It was always fun to see some Square nostalgia, even if it didn’t add up to much. It was textbook fanservice, but it wasn’t like anyone was playing Kingdom Hearts for the plot (cough).

Disney the Poof!And now it’s gone. Kingdom Hearts 3 only features characters that were either created by Disney, or were created within the confines of the Kingdom Hearts universe, so they’re just legally created by Disney. Mind you, that’s a whole separate thing from how Disney never “created” Pinocchio or Aladdin or Rapunzel; it just created a version of that timeless character, copyrighted it, and decided to sue anyone that tried to use that character ever again. I’m sorry, what is the hair color of your chosen mermaid? Red? Yes, we’re going to have to issue a cease and desist.

Wait a tick. Maybe this isn’t a whole separate thing. Maybe it’s the only thing.

And it’s the only thing because now Disney is the only thing.

I am writing this puke o’ words essay shortly after Disney’s nigh-complete acquisition of 20th Century Fox. Disney now owns the film rights to The X-Men. Disney already owned the print rights to The X-Men, as they acquired Marvel Comics ten years ago. And do you remember a time that “the latest Marvel movie” wasn’t just the latest Disney release? Iron Man (the start of the Marvel Cinematic Universe that would eventually earn all of the money with The Avengers) was not a Disney release. That history is gone, though, now, and, soon enough, people will imagine Logan or Deadpool started as Disney properties. You’ll certainly be able to buy Deadpool plushies at Disney World. And the same will be thought of Star Wars. The Simpsons. The entire city of Atlanta, for some reason. Definitely the entire state of Florida. Disney lashes its tentacles wide, and writes contract after contract until it owns the very seas. Also, please look forward to The Little Mermaid 4: Ursula Wasn’t So Bad, coming Winter 2022.

Yummy!And Kingdom Hearts 3 reminds us all why this is a bad thing. If Disney doesn’t want something, then damn tradition, the audience, or even the creators having a say in the matter. Do you think anyone at Square-Enix wanted to drop its de facto mascots Cloud or Sephiroth from the proceedings? Do you think they didn’t want to promote the star of their latest Final Fantasy title? Could we live in a world where even the slightest hint of NieR: Automata, one of many of Square-Enix’s top selling games from the last five years, exists in the Kingdom Hearts universe? Could we please include Emil, the good boy? We could, but Square-Enix was not going to disagree with Disney for even a second. Sure, there may be DLC or remixes or whatever in the future, but Kingdom Hearts 3 is a fine example of how it is going to be now: Disney is in charge, Disney would like to see its needs met, and no one cares about literally anything but Disney. Cloud has to tie-off a plot decades in the making? No he doesn’t. We want that one Disney rat to have a cooking game, and that’s where resources are going to go.

And that’s why Google Strata scares me.

Wait, crap, sorry, got ahead of myself on that point.

The other thing that happened just recently is the announcement of Google’s new gaming console, the Strata. Or maybe just Strata? Have I become my grandmother, and I can only say “The ‘Intendo” from now on? Regardless! The Strata is Google’s latest attempt at conquering a brand new market, and, by all accounts, it is going to be a streaming-based experience. Like the abandoned original plans for the Xbox One, it will have absolutely zero physical media. And, like Netflix, you will simply use the service to stream a digital library, and will never “own” a distinct game on the platform. Essentially, the Google Strata will be a super-amazing gaming console perfect for the radical gamers of the 21st century… and the minute Google stops supporting it (or your internet connection drops out), it will be about as useful as a toaster. Oh, wait, my bad. It will be less useful than a toaster, as a toaster can at least warm up my mittens on a cold morning (Editor’s note: Goggle Bob does not understand toast).

He made that!And, while I am certainly upset that Strata will do nothing for my videogame hording habits, my biggest issue with the service (that only exists in a theoretical state as of this moment) is that it will be completely beholden to the whims of Google. Like the Apple app store before them, Google will inevitably have complete control over who is able to publish games to its storefront. Google will also have absolute control over when those games may be removed. And if this sounds like some kind of Big Brother-based paranoia, and you would like to imagine a world where Google “does no evil” and is completely hands-off in its monopoly of its own service: consider that Google will have technical control over what games can stream, but, more importantly, it would have complete control over how this content is monetized and advertised (at least within the service). And, let’s not kid ourselves, no one is going to keep a game up on a streaming service if the service has literally made it impossible for said game to make money.

And once a game built for a streaming service is gone from said streaming service? Well that’s gone forever.

Just like Squall and Cloud and all of Sora’s Square brethren.

Look, I know I’m being overly apocalyptic here. Even using Kingdom Hearts 3 as my example seems disingenuous on some level, because there are pretty good odds literally anything missing from Kingdom Hearts 3 could be added as DLC (that, incidentally, I will pay cash money for, because I want my nostalgia back at any cost). And it’s not the end of the world that a game or two gets lost from a streaming service, because there’s always another game to play, and Kingdom Hearts 4 Princes for 258 Brides is just around the corner to keep me occupied. But… well… I care about videogames. I care about the forgotten. Looks like funGod help me, I care about Squall “Leon” Leonhart, and I care about that all those arcade games we’re never going to see again because their technology is too annoying to emulate. And, yes, I preemptively care about all the Google Strata games that are going to be exclusive to the system, and then lost to time because Google will eventually decide Gmail ads would be more profitable. It may sound crazy, but, yeah, I care about crazy things. I care about the plot of Kingdom Hearts.

So… uh… what was this article about? Oh yeah! Kingdom Hearts 3! Yeah, I liked the game. It might not be made for my age group, but it was a fun experience. And, incidentally, the mere fact that Sephiroth wound up on the cutting room floor apparently made me doubt my beliefs and very place in the world. Cloud skips one game, and my brain feels like some manner of burned bread.

Gee, it’s almost like videogames are important.

FGC #425 Kingdom Hearts 3

  • System: Playstation 4. And I guess some arcane magics summoned it to the Xbox One, too.
  • Number of players: I still say that Kingdom Hearts could be the next Secret of Mana, and its “childish” appeal would be ideal for siblings or friends playing the title together. But, nope, just one player.
  • So it has come to this, a Kingdom Hearts FGC entry? Hey, after 400 or so, I can bend the rules a bit. This started out as a sort of Kingdom Hearts FAQ addendum from the question (that I only asked myself): “Why does Big Hero 6 make me feel like an old man? Is Kingdom Hearts 3 for babies?” From there, I decided to address the lack of Square-Enix characters, and… things kind of snowballed. I feel like this essay is a little too heady for the light and plot-based tone of the Kingdom Hearts FAQ entries, so here we are. Categorizing things is hard!
  • These dorksFavorite World: Big Hero 6 felt like it received the most fully-realized world. It felt like an appropriate “sequel” to the movie, all the memorable characters were included (really did not think Honey Lemon or Wasabi would make the cut), and its general geography allowed for a Crackdown-esque level of gameplay not seen elsewhere in the title. And, if Big Hero 6 is visited as the last world, it actually makes thematic sense that Sora is now experienced and training other heroes like Hercules did with Sora on his first world. Symmetry!
  • Completionist: I enjoy playing Kingdom Hearts games, but it is going to be a while before I revisit every damn world looking for hidden mickeys or ingredients. This game really needs an Arkham-esque informant system that is going to at least point me in the right direction to find where some teeny blood oranges wound up amongst multiple planets.
  • Shoot ‘em Up: The new Gummi Ship levels are cool! And micromanaging my ship to make sure it is always the proper level to actually survive some of the random encounters is not! Zero-sum Gummi Ship!
  • Over thereDid you know? I did not note Winnie the Pooh’s appearance in the timeline of Kingdom Hearts worlds because Winnie the Pooh is omnipresent, and all bask in his ever-burning glow. His desire for honey will outlive us all.
  • Would I play again: You know what I really want to do? Replay every Kingdom Hearts title in in-game chronological order. I would also like infinity time to do such a thing. It’s… not gonna happen. But I might replay Kingdom Hearts 3 at some point. It’s mostly fun!

What’s next? I’m going to put my money where my mouth is. The next few titles covered on the FGC will be games I don’t technically own, because they are impossible to own. We’re going to spend some time looking at games that are generally unattainable due to various copyright, distribution, and emulation issues. First up, Spider-Man: The Video Game. Please look forward to it!